reverse threading

the path back is the path forward


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in every walk of nature. [not-so-flawed wednesday]

one mention of jack-in-the-pulpit and i was back at blydenburgh park in smithtown. it didn’t take much to find myself in the woods, hiking along the nissequogue river, by the pond. camera in hand, early spring, looking for the earlybirds of the season. jack-in-the-pulpit didn’t disappoint, flowering shortly after my birthday, spotted on muddy hikes on brisk days.

i remember bike-hiking there, with susan. i just googled it and the county park was only 6.6 miles from my growing-up house. we would ride bikes everywhere. our destination of choice – most of the time – was crab meadow beach, but you know that. even in the winter, when handlebar-turned-down-10-speeds were impossible, my trusty little bug would get me there, to that beach. i would walk and walk and walk. the shoreline is a good place to think, to grow, sandy step by sandy step.

last friday – as it approached the end of the workday – we looked at each other. “fridaynightdatenight,” we tossed into the kitchen. as the hour wore on, we pondered what to do – on this datenight. an iffy-weather day, we didn’t bundle up late afternoon for a hike or even a walk. we were looking forward to making a big stockpot of soup, glass of wine in hand. we have three books we are mutually reading. we are binge-watching new amsterdam. dogga was at our feet in the kitchen. it was a cozy fridaynight.

the next day we hiked. because we really do love to be outside on a trail.

and the more i hike, the more i remember hiking.

but somewhere along the way, i stopped.

i didn’t hike. i didn’t take long walks.

and i am somewhat astounded to think about that now.

but not everyone likes to be on a trail or even a sidewalk, for that matter. not everyone likes to merely take-a-walk in the company of someone they love.

i didn’t realize how much i missed blydenburgh park and crab meadow beach and millneck manor and planting fields arboretum and smith’s point park and hoyt farm nature preserve – places so very familiar to me because i walked them – again and again – until i started memorizing the des plaines river trail and the van patten woods and bristol woods and allendale sidewalks along the lakefront.

that’s when i realized how much i had missed, how much each step on trails feeds me – nearby, or in the high mountains of colorado or the smoky mountains of north carolina, along the easternmost long island beaches or in the woods of upstate ny state parks or in the red rock of utah.

the trees were submerged in the river; there had been some mild flooding. i know these trees. we’ve watched them through seasons on saturdaydatehikes or latemondaytuesdaywednesdaythursdayafternoondatenights. we’ve attached to this trail and it feels as if it remembers us as we pass along it. soon, i think i’ll look for jack-in-the-pulpit, just in case. it would likely bloom later here than in blydenburgh park. spring is later here.

as i bent way down, camera in hand, to shoot through the mulch at the river, i was transported back to that suffolk county park, camera always in hand. and it made me think about all the years i had not stepped foot on a trail, had not walked-until-blisters, had not watched the water rise and fall on rivertrees or glimpsed jack-in-the-pulpit in the underbrush.

i wonder about what those decades of trails would have looked like, what mountains i may or may not have climbed, what roiling rivers i might have entered or not entered, what out-of-breath conversations would have taken place, what problems sorted, what challenges summited, what decisions made, what disasters averted, what center might have been out there, what wisdom trails may have gifted me, what might be different.

“in every walk of nature, one receives far more than he seeks.” (john muir)

i’m glad to have found my way back.

walks of nature.

blydenburgh park is 898 miles from here. crab meadow beach is 908. smith’s point park is 924. upstate new york around 1000. the smoky mountains are 739. the high mountains of colorado are 1237. moab et al is 1511. all on the list of places to return to. places to hike, to walk.

but bristol woods is 13 miles and the des plaines river trail is 12. and either of those is a worthy handinhand fridaynightdatenight.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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the hubbabubba fairy. [two artists tuesday]

it looks like the hubbabubba fairy flew through, magic wand in hand, touching stumps and shredded trees everywhere. it is striking to see and not just a little disturbing. there is blue-fairy-dust-smattering all over the woods. trees have been felled, underbrush torn up, everything ground into rough-hewn mulch. one shade of blue and many shades of brown.

only it’s not magic dust and no hubbabubba-bubble-gum or jolly-rancher-blue-raspberry fairy has been there. instead, it’s an herbicide and part of treatment for the invasive species eradication project on our trail. it’s completely and understandably important, but it sure doesn’t look very nice. right now, it looks a tad bit decimated, but good strong organic matter remains and will grow and rejuvenate, despite the eradication of so many toxic invasives.

we need be cautious. often the invasive stands in the forest, all tall and righteous, and we are convinced that they are a beautiful partner in the woods community. or the invasive is short and squat, pudgy bushes that look lush and, again, we are convinced they are contributing members of this symbiotic woods. careful discernment is necessary, for we can be easily fooled, particularly by those invasives that look mighty or seem healthy. and these mistaken identities can – as we have learned – lead to the detriment of the very lovely and thriving woods.

that’s the thing about invasive species, i guess. you don’t recognize them as invasive. you trust – as you look around – that they are supposed to be there – for the good of the woods or the preserve or the wetland or the lake. here, in this woods, they appear to be a part of it – ever-present, growing and greening up in the spring. according to the national park service, “invasive species—nonnative organisms that cause harm to the environment, economy, or human health—have serious impacts on native ecosystems. they disrupt ecological processes, threaten ecosystem integrity, degrade cultural resources…”. they are not what they appear.

i suppose there are institutions like that as well. invasives choking out the real life, the real growth, the organic nature of the organization – all bent on preserving their own agendas, maintaining control, practicing a generalist survival strategy honed through the years. bobcats and coyotes are generalists and, i must say, i know a few.

the national wildlife federation states, “detecting new invaders quickly, and responding rapidly to eliminate them, is essential to limiting impacts and costs when prevention fails.” “many invasive species thrive because they outcompete native species for food.” i suppose it would be wise to be wary of being outcompeted.

“many invasive species destroy habitat” and “some invasive species do great harm to the economy,” national geographic warns and then adds, “invasive species are almost always spread by human activity.”

“you can treat and dispose of invasive non-native plants by: spraying with chemicals, pulling or digging out live, dead or dying plants, cutting back plants to prevent the seeds dispersing.” (gov.uk)

yes. these are some of the efforts we are seeing in our own treasured woods: the removal of the toxic longstandings – masked as steadfasts participating in the mission of the forest – for the true benefit of that forest and wildlife community.

“once invasive species become established and spread, it can be extraordinarily difficult and costly to control or eradicate them.” (national wildlife federation)

in that light and with great intention, in one dedication to such efforts, “the national wildlife federation leads the charge to prevent invasive carp from entering and decimating the great lakes.” the national park service explains, “invasive carp cause serious damage to the native fish populations in the lakes and rivers that they infest because they out-compete other fish.” http://www.invasivecarp.us asks fishermen who catch a carp to “immediately contact the appropriate agency personnel for the state you are in.” we are urged to be ever mindful, to be transparent about what we see, about that which is destructive.

yes. watch out for those carp and all the other invasives. the hubbabubba fairy has left the building.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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a bounty of astounding. [two artists tuesday]

it is most astounding to me. each and every time. it doesn’t matter the shining of the sun or the drizzle or the misty humid air or dusk falling around us. and though it is familiar – oh, so familiar – it is new when we visit, our footfalls on the path erased and lasting as we walk. i’m comforted by this trail. and it teases me – into truly wondering about thru-hikes and exquisitely ordinary days that explode into extraordinary just by entering them.

this is an easy trail. we have hiked many others. easy trails, moderate trails, difficult trails. elevation gains, a little scrambling here and there. but when – and it is often – we need an old quilt of a trail and time to be quiet, to think, to talk, to sort, to sink into astounding beauty, stillness and ever-percolating life, we hike here, close by.

my camera is ready. i try to capture it all to remember. the trail is full of linear lines now as the underbrush succumbs to the season. a bounty of astounding. even in transition.

i believe – as we enter the woods – that it greets us back.

and as we leave – filled up – it waves and whispers, “see ya.”

“have you ever tried to enter the long black branches of other lives —
tried to imagine what the crisp fringes, full of honey, hanging
from the branches of the young locust trees, in early morning, feel like?” (mary oliver)

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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snide little biters. [d.r. thursday]

the height of mosquitoes. the height. and the height. both definitions.

ankles, necks…it matters not. right now our favorite river trail hike is swarming with them. if i thought that mosquitoes had any good will toward others, if i thought that mosquitoes served a truly individualized and specialized useful purpose, if i thought that this being – a tiny species that causes infection to millions of humans – was not evil itself, well, i would be deluding myself.

they are dreadful.

this trail now – dressed in all shades of lush green – is only accessible to the deet-doused, unless you are one of those people who are immune to their snide little biting proboscis. and, in other news, there is no limit to how many times one mosquito can bite you – it bites until it is full. just yuck.

we missed our trail so we went earlier in the day. it was to no avail. there they were, laying in wait. long trails of mosquitoes following us and our carbon dioxide trails as we sprinted through the woods, thinking, foolishly, that we were evading them.

they do not amuse me. they ruin everything. i do not like mosquitoes. at all. not that you haven’t noticed.

i read, “mosquitoes hate the smell of lavender, citronella, clove, peppermint, basil, cedarwood, eucalyptus, peppermint, lemongrass and rosemary.” (homesandgardens.com)

i am looking for a new perfume or, perhaps, moving to iceland, which is reportedly mosquito-free.

or, i will practice not exhaling.

*****

read DAVID’S thoughts this D.R. THURSDAY

peruse david’s gallery – while lingering inside, away from mosquitoes


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no timely manner. [d.r. thursday]

now i understand. at least, i am beginning to understand.

my sweet momma and poppo would linger…watching birds, gazing at flowers, studying the horizon – be it shorefront or mountainside, cityscape or tiny town or rural farmland, slowly taking it in. in the hurry-hurry of my younger years, i would scurry past, noticing but maybe not really.

i am moving slower now. not because i can’t scurry, but because i am choosing to list to the linger side. though we still watch re-runs after re-runs of joey hiking and climbing and backpacking and pitching tents any and everywhere, imagining ourselves in those canyonlands keeping up, imagining ourselves on the pct or the john muir or the colorado trail, i know that our pace would not match the pace of joey or the exuberant younguns on heading somewhere or walking with purpose or the meticulous norwegian xplorer. we would be slower, lingering, lingering. i’m not sure that would get us from point a to point b successfully or in a timely manner, but i’m thinking that our definition of ‘timely manner’ may have to just be different. because now – in the middle of this grand middle age – is different.

for now i want to watch the birds and gaze at flowers up-close. i want to stop and stare, drop to sit on a nearby log and take it in. i want to notice the intricasies of all of it, the undertones, the overtones.

as i look at the close-up of this milkweed trailside i am struck by the layers of detail. it somehow makes me recall decisions between the major chord and the relative minor, a continuum of impact. it makes me think of melodic gestures, a spectrum of color and of grace. a horsehair brush extended from the heights of the universe, painting perfection in the woods. artists’ hands waving paint on canvas, cupping clay on a wheel, flying over the white and black on a piano, coaxing lines that make you weep from a cello. all the same. creation in all its iterations.

on the call pat told me that the music – my music – had harmonics, tuned with the universe, that made her travel. humbling.

for i see that is what my momma and poppo were doing. traveling. they allowed the beauty around them to touch them, to slow them down, convincing them – in all the infinite glory that beauty -and art- can muster – that ‘a timely manner’ was relative, that time was relative. that time spent in a slow linger was precious.

*****

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linger on DAVID’s online gallery


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pointers. [d.r. thursday]

“i believe art is utterly important. it is one of the things that could save us.” (mary oliver)

in those moments – so many of them – when all else fails to reassure – beauty reminds us. it keeps us present, in the moment, working to get to the next moment, breathing in deep breaths, slowly, slowly.

the work of an artist, in any medium, is as a pointer, just like the wooden ones with the rubber tip that your fourth grade teacher used as she pulled down the world map on the roll above the blackboard to show your class the track of an expedition or the location of a country. artists pull down the map and point to it, making it accessible to anyone, making it alive, bringing an infinity of beauty, pulling your attention away from the narrative inside, whatever it might be. it is a tool of healing, a balm, a salve. it is freeing. it is free.

we immerse in music, in the ecstasy of dance, in the flow of poetry, in the spectrum of paint on a canvas, the feel of clay pots in our hands. we sometimes forget and are driven into the angst of life’s dimensionality, missing the limitlessness of the simplest. these are the moments we turn to art.

for in the end it is not the accumulation of things or wealth or titles or power. it is simply and utterly the sheer beauty of being here, the absolutely stunning realization that we get to be here in this moment in a continuum of moments we share – albeit tiny within the vast – with the universe. inside the art.

“you can’t take it with you,” my sweet poppo would say as he would refer to money or stuff. in those pondering moments he had, he somehow knew watching the cormorants on the lake out the window, listening to music on their stereo, puttering and creating in his garage workshop, quietly coffee-sitting with my momma – these were the things of value. the day he threw caution to the wind and purchased a large painting at the splurgy karl’s mariners inn restaurant perched on northport harbor; he was answering the call of art – the pointer that drew him in and wrapped him, in this case, in the fjords of norway and endless dreaming. it moved home to home with them and always was a source of calm, a reminder of beauty and peace.

each day i walk downstairs and see this canvas on the easel. each day it reminds me of the trail we often walk, for it is the paused and erased beginning of a painting of the woods of that trail. i pay attention to it because it affords me tiny spaces of river trail within my day. it reminds me, as i scurry about attempting to get things done, to remember. it slows me down and i can hear the rustling of leaves, the birdcalls, the crunch of our feet on dirt, the chatter of squirrels. i can feel the sun atop my head, the breeze in my face, my arm looped through david’s. i can see the color of wildflowers, lush green underbrush, rough grey-brown bark, cloud-dotted blue sky. i can sense a bit of time on my hands, but just a bit. and i am right there, stepped out of the up-close worries, stepped into beauty. i am paying attention. art has done its good work.

to pay attention, this is our endless and proper work. (mary oliver)

*****

read DAVID’S thoughts this D.R. THURSDAY

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live in clover. [two artists tuesday]

clover

“to live a life in clover:  to live a life of ease, comfort or prosperity”

the clover on the side of the trail was huge and bountiful green.  we look for the bunnies and wonder who is lucky enough to be nibbling these leaves.  we ask each other – which clover is sweeter:  small-leafed clover or large-leafed clover? we make up the answer and walk on, leaving the field of green, satisfied our clover-knowledge is adequate for the time-being.

we pass the lake, overflowing its banks onto the trail, muddy at our feet and steel-grey-blue out in its depths.  goslings follow obediently behind their parents, the beaver makes a rare appearance, cranes soar overhead, fish jump.  we stand and watch for a few minutes, quietly taking in the field of water, our breathing slowing.

we walk through woods, verdant green peeking out from every brown corner, the field of the grey bark of trees, oldest, youngest, all climbing to the light.  frogs echo from the swampy ponds off the path.  we relish the silence.

past the cut-down fields of corn, brown, the dirt lays barren but for old stalks laying amid the former rows.  we walk and talk about farmers and crops plowed under and whether there will be planting again in these fields, brown now and corn-green later.

and we know, as we walk, that, despite it all – circumstances of abundance, circumstances of lack – we are lucky.  we are walking.  we are breathing.

we will walk in verdant green and blue-water and grey-bark-trees and brown waiting-fields.  we will walk in rich fields, all golden with life.

truth be told, we are living in clover.

“but I swear in the days still left we’ll walk in fields of gold
we’ll walk in fields of gold” (sting)

 

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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spring stripes. [two artists tuesday]

nature's stripes copy

stripes copy

you have to admit – the first set of stripes is way more interesting than the second.  the first set. in the woods.  the color combinations.  all alive with hue and subtlety.  the second set.  static.  no air.  no depth.  no variance.

this weekend, on a warm-day hike along the expanding des plaines river, the colors were spectacular.  the blue-purple of the water late in the afternoon.  the fresh-baby-grass-green of the small island across the river.  sky blue, white clouds, golden sunlight.  it wasn’t capture-able on film.  you just had to stand there and breathe it in.  stripes, patterns, shadows, delicate light, elusive dark.

by hiking often on the same trails, we can see the minor changes along the way.  we take note of them, commenting on a felled tree or more water in a pond or a new nest high in some branches.  there’s more mud, there are goslings, the daffodils are in full bloom, the groundcover is rich.  the earth coming back out of fallow.  winter’s rest is over; spring’s explosion has arrived.

for us, these winter-spring-summer-fall hikes are necessary.  they allow us to see, outside of ourselves; they allow us to process good earth growth and change and color.  for us, these hikes are like a security blanket.  they soothe worries, sort problems, wrap gently around us.

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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spider sisu. [two artists tuesday]

whoa….we saw one on the des plaines river trail and stopped short.  it looked like candy on the path, but on closer examination, we discovered it was a spider!  an orange spider.  it’s called a marbled orb-weaver.  and it’s pretty intense.  and, i suppose if you are not spider-phobic like me, it’s beautiful.

later that month, we were hiking at bristol woods, one of our favorite go-to places to hold staff meetings as we walk together.  out of the corner of my eye i caught the glimpse of bright movement in the air…sure enough, it was one of those marbled orb-weavers (doesn’t that just slip off your tongue? lol!)  it was dangling on a web-strand that was at least 5 stories high!  whattheheck!  this roly-poly little spider was bravely trying to reach a white mass that was a bit flattened (an egg cocoon with several hundred eggs, we read later) while being tossed about in the wind, up and down, sideways.

i could practically hear this spider whisper to itself, “gotta have sisu, gotta have sisu” as it climbed, bobbing, bobbing, up its long, high-above-the-ground web, finally reaching its cocoon and wrapping it close into its body.

wow.  what we do for our babies, eh?  amazing stuff.  the stuff of sisu.

marbled orb-weaver

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