reverse threading

the path back is the path forward


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fuchsia shibui. [k.s. friday]

“rather than being a fall away from beauty, ageing can be the revelation of beauty, the time when the inherent radiance becomes visible.” (john o’donohue)

perhaps i would have noticed these leaves in the prime of their life, clotheslined on the branch, hanging in the sun. their verdant green might have captured my attention and the focus of my camera. but i kind of doubt it. for, indeed, they would have blended into the rest of the woods, the rest of the underbrush, the colors, the shrubbery, the landscape.

in the autumn of their lives, these leaves are ravishing. they gesture to the camera and invite my study. their ageing is their invitation to relish their presence, the visual “hey! look at me!”.

these days it is predictable. there is something – each day – we will say that is a reminder, though gently and with soft humor, of the very fact that we are ageing. we poke at ourselves, with self-deprecating comments about wrinkles or crepey skin or bellies changing or achy joints. we roll our eyes and then one of us reminds the other to be present in it and joyful and grateful, mostly grateful. we are not eloquent in those moments. they involve words like “sheesh!” or “stahhhhhhhhp!” or comparisons “but look at MY wrinkles!”. to suggest we are ageing gracefully is to ignore the american cultural emphasis on youthfulness, with ageing depicted negatively. in contrast, ageing in japan is revered. the elderly have the utmost respect. in the autumn of their lives, turning toward mid-life and beyond, the flaws earned throughout life are considered the very things that intensify beauty. shibui, it is said, is an aesthetic turn toward subtle and unobtrusive beauty, textural in elegance and roughness, diverse in spontaneous and restrained, a balance of simplicity and complexity, understated but not innocent, gorgeous words about meditation over spectacle. (wikipedia)

yesterday, in the middle of thinking about kneeling on the stripes, i found myself stumbling upon hearts. there was the heart – a random piece of ripped tissue – on the hinged lid of the stainless wastebasket. the hearts on the shower curtain, light somehow filtering through the holes holding curtain rings, reflected down onto the curtain itself. the heart leaf on the sidewalk. this morning the heart, shaped from the skin of the potato, on top of the tiny wedge of breakfast potato. it was a little uncanny. but was it?

or perhaps it is some kind of universe message – raising its voice over the din of flaw-noticing and in-the-pause-thinking and liminal-space-white-noise – reminding me of being loved. in this autumn-of-my-life. that the fuchsia is showing up, is a statement in the middle of a dense forest, raising the ordinary to extraordinary, the natural presence of shibui.

*****

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EVERY BREATH from AS IT IS ©️ 2004 kerri sherwood


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dog and cat. [not-so-flawed wednesday]

his best friend. he waits at the door for his best friend to return. his sorrow is quiet, subdued. his grief is confusion, dedication to a belief that babycat will come home. he has never been in this house without him – not even a day – and this last week has been heartwrenching to watch his reaction. his sadness is palpable, his loss profound.

the first few days after his babycat disappeared he was almost silent. dogdog is never a silent dog, so this was noticeable. without a sound, he looked everywhere for his cat. with lydia’s wise recommendation i tried to visualize for him all that had happened once his babycat had left the house, to give him some context, to let him know he did not have to wait, to tell him that his babycat was now in our hearts. he looked deeply into my eyes and then looked away, as if to dismiss my explanation, to hold close his own perspective, his own interpretation.

‘the boys’ spent the days together – every day since we brought dogdog home as a puppy. they’ve navigated through changes and ups and downs with us. they’ve kept us amused and entertained. they’ve nuzzled us in our times of angst. the rare times they were apart were very few times that we were on a trip. they moved to the littlehouse on island with us and adapted, finding mutual spots at the place where the kitchen met the living room and the sun streamed in. the noise of the ferry on the crossing scaring babycat, dogdog stayed close to him, signaling all was well. they channeled reassurance to each other, touchstones of steady, ever-present. they shared their water bowl and cheered each other on when it was time for treats. where one would go, ultimately the other would follow. and at the end of the day, butt-to-butt, they lay on the raft, waiting for us to sleep. babycat ruled. they were best friends.

last tuesday morning as i sipped coffee on the bed and babycat lay curled up down by my feet, dogga jumped up and laid down. gently, with all absence of play and what seemed in all seriousness, he moved his face over to babycat’s face. they laid nose to nose, heads on the soft old quilt, their hushed stillness, in retrospect, a clear display of their great love for each other. after a bit of time, babycat’s symptoms surfaced suddenly. and everything in the world changed for our sweet dedicated-to-his-cat aussie.

i understand dogdog’s quiet. though our presence and snugs and words to him might help, solace will only come in time. “woundedness is one of the places where normal words and descriptions break down.” grief is not limited to human hearts.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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the gallery on my phone. [two artists tuesday]

the gallery on my phone: there are photos of any minutes any where with or of my children. there are photos of trails and woods and my husband’s face and heart-shaped leaves. there are photos of dogdog and babycat, family, friends, photos of wildflowers, bushes, gardens and happy lights, recipes, screenshots of funny snapchat-filtered faces, cairns, and mountains, lots of mountains. there are photos of our feet, laughter, redrock and snowmen, lakes and oceans, streams and frozen ponds, birds and butterflies and preserved text messages, trail magic greenery, sunrises and sunsets, the sun and the moon. there are photos in the united states and photos abroad. photos in canoes and fishing skiffs, on pontoon boats and stand-up boards, riding ice-cutting ferries. there are photos of pianos and pipes and pumpkins, wooden stages, stages of rock, prickly cactus and my casts. there are quaking aspens and forests of pine, wizened old trees, towering oaks and radiant maples, highways and back roads. there are squirrels and deer, raccoons, horses and heart-shaped rocks. there are snow pictures and desert pictures, sandy pictures and muddy pictures, city skylines and small town main streets, wine glasses, thoughtfully-prepared meals, candles burning, bonfires, and masks littering the ground iso faces. there are tree stumps, tree trunks and bark and branches, interesting shapes, shadows, buildings, sayings emblazoned anywhere, articles to remember to read later, signs and designs, horsehoof and deer and bunny tracks, and heart-shaped designs that waited in the dirt, in the snow, in rock formations.

there are thousands of photographs. thousands.

i look back on them often. there are times i will select a whole bunch and transfer them over to my laptop so that i can print them and put them up on a bulletin board in our hallway or on the big piece of tin in the kitchen or frame them for one of the flat surfaces that doesn’t already have a photograph. but mostly, i look back on them to spend time – again – right there.

right now, in a country devastated by a raging pandemic and out-of-control political chaos and violence, in a town riddled with inordinately tough emotional disparity and a lack of social justice over the district attorney’s ruling in a case involving a police officer who shot a black man in the back seven times, now on the outermost fringes of what was an up-close-and-personal community lacking transparency to its members, in sadness and angst, i need to be back there.

back with people i love who love me back.

back at places that brought me peace or laughter, challenged me or rewarded me with a sense of calm.

back where every heart is noticed, whosever it is, wherever it is, even whether it be a rock, a leaf, a knot in a tree in the woods, or the funny way that the ice melted on the deck.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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reminders. [two artists tuesday]

heart leaf

i stopped and went back.  i had to take this picture.  reminders are everywhere and right now, although, truly, as always,  i knew i wanted to capture as many as possible.

it feels as if we are surrounded by whirling hypocrisy.  those people who proclaim one thing and treat people in an extraordinarily different way.  i’ve been stunned into i-don’t-even-know-what-to-say-silence more than once lately.  people who demand respect but don’t give it, people who are unnecessarily controlling, people who go behind your back, people who list toward cruelty, people who declare appreciation but tear down, people who hide behind glossy words.  what is going on?  narcissism seems to be alive and well as we suffer the effects of those-who-believe-they-are-on-pedestals, pedestals that seem to exist on every step of the ladder.  it’s shocking and more than a little disconcerting.  we each have first-hand in-our-own-life experience.  what a disappointment.  we are humans capable of so much more.

and so, the reminders are incredibly welcome.  the heart leaves or rocks, the sun’s rays glowing through clouds in the sky, the presence of a cardinal or two blue jays crossing our path in the woods.  a text message or call out of the blue, beautiful generous raw-matte-finish words spoken to you.  all reminders.  a kindness extended by a stranger, an eye-contact smile.  the big initiatives, the little gestures.  not picking up the tug-of-war rope.  reaching out to offer the olive branch.  life-giving.  practicing.  we are truly capable of so much.  we need be reminded.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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