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Tag Archives: peony


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no outlines. [kerri’s blog on d.r. thursday]

a full box of crayolas at my side, i, too, in my itty-bitty chair at the itty-bitty table, would outline the image on the coloring book page and then color it all in. like there was some artistic reason for outlining – making a definitive and clear break between the image and the background. for a non-artistic-in-the-sense-of-drawing type, it seemed to make my coloring page look better, cleaner, more striking. i’m not really sure. but it was a popular thing to do – this outlining thing – and, though i don’t know who initially suggested it, nearly everyone colored their pages that way. you could see it on the ever-important bulletin board wall.

if i were to pick up a coloring book and crayons now i might even just fall back into old patterns, grasping the crayola stub in my hand tightly, pursing my lips and concentrating on not drawing off the line. then i would color it all in – in the lines – and my page would be neat and tidy and whatever other adjective might apply, synonymous with success.

when i color in “adult-colored-pencil-coloring-books” i have found that i don’t do this – i just color with my pointy pencils – no outlines, no outlining. is it the difference between the paraffin wax/powdered color pigment combo of crayons and the pigments/binding agents/fillers/casing used in pencils? is it some leftover art lesson from elementary school – where the emphasis was on some sort of impossible sought-after perfection for our coloring sheets? and why – knowing me – did i not color out of the lines? well, i can answer that one. back then i was an in-the-lines colorer, going with the crowd, hoping to get my picture on the bulletin board wall.

i move up close to the peonies in our garden out back. they stand their ground as i move around, right in their little peony faces, alternately snapping photos and taking big whiffs of their intoxicating scent.

there are no outlines here. everything up this close blurs as my depth of field changes, my point of focus changes, my intent changes.

were i to make this photograph a coloring sheet – an accurate coloring sheet – it would require fuzzy lines – no clear outline – instead, a fade of one color into the next, maybe difficult to capture with a stub of crayon looking to make something definitive.

but life is more like that. less definitive, more fuzzy. it is less distinct and more out-of-focus. it is less green and white, and more grey. there are no outlines and, if you really get it, there’s no ever-important bulletin-board-wall upon which to hang up your life.

it just is.

and the moments we get to sniff peonies or color out of the lines, to allow the unfocused to swirl around us, to not get all caught up in the bulletin-board-wall – those are the moments to grasp, to hold onto, to store away as balm for those other moments – the ones that test us, that hand us crayons with impossible confidence-taxing expectations, that, somehow, in all the chaos, make us forget that peonies exist. craziness.

and so, no outlines. just color.

“…you write about my flower as if i think and see what YOU think and see of the flower – and i don’t.” (georgia o’keeffe)

*****

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what a dance! [kerri’s blog on not-so-flawed wednesday]

less than a week. the peony shared its dance with the world for less than a week. but oh, what a week it was.

i don’t imagine that it wondered – ahead of time – how long would be its time in the sun. i don’t imagine that it pondered the kind of notoriety it would have. i don’t imagine it was fretting, “bloom/don’t bloom/bloom/don’t bloom“. i don’t imagine it planned its choreography – the minuet or ballet, the jazz steps or interpretive improv – based on what it understood its stage and its time under the fresnel of light.

from a tight bud to wrinkly vestiges of peony petals, it danced for the sun, shied from the moon. it held on during the winds and collected bits of rain, courageously standing under the pressure to bow its fragile stem, its velvet-soft blossom.

the peony didn’t measure its relevance by its time here. it didn’t concern itself with striving or success, abundance of blooms or lushness of plant. it just bloomed as it bloomed.

and in the giving-over of trying to control any thing else, in the giving-over to follow its natural path, in the embrace of its exclaiming-life dance, it exploded in beauty.

what a week it was.

what a dance!

*****

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such goodness. [kerri’s blog on two artists tuesday]

and the icefall went on and on, a looming presence as far as the eye could see, the night inky, the serac-umbrellas like mushroom caps over smooth slopes in shades of white and grey, the spectrum peeking out with the changing light. snow had fallen, stacking up in dune-piles created, urged by the wind, not yet sharpened by the coldest of temperatures. the telephoto lens captured it up close, though we were far away, many, many steps from the dangers of traversing the icefall, its chasms and crevasses.

the peony giggled, thinking it had fooled me for a moment, delighted with its fictitious story, its little tale of shape-shifting. knowing that it was just joshing me – steady in the real and good impact it has in this world – its merriment was because it was solidly based in its goodness. it had nothing to prove, no reason to make us believe it was goodness, because it just was.

and so it could play with us a bit, help us visualize, let us fly over the arctic or the himalayas in our minds. it could encourage imagination and fantasy. there was no fear of losing its way – for it would still fulfill its peony life, its peony self-actualization.

things that are good – that do no harm – do not concern themselves with convincing others that they are good. they just are. there is no reason to pretend to be something else, to permanently twist reality, to alter that which is truth.

the soft petals of the peony layered over each other, gorgeous bits of the bloom, exquisite.

we are fortunate to see such goodness, to witness it, to breathe it, to hold it.

for surely we need this in these times.

****

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it has the heart of… [kerri’s blog on d.r. thursday]

the question “when does it cease being a peony?” never occurs to me. because it never ceases being a peony. it is intrinsic, even as its extrinsic identity falls – petal by petal – to the ground.

the storms came. and wind and heavy rain. and the peonies bowed to them. the blooms were large – triumphant pink – but couldn’t withstand and, though some blossoms remained intact, many began to lose their velvet petals as the deluge let up and the sun came out.

there was not a peony on that entire plant, though, that was not still a beautiful peony. even with pistil exposed, with stamen missing, with wrinkled or missing petals. through the storm – and after – it remained – drumroll – a peony.

the storm has been brewing. apparently, there is more to the storm than i understood – as i now realize that there has been much in the history of our country i did not learn – so much was about teaching to the test we missed the dualistic humanity of the narrative. the story is not so innocent; the intentions are not so magnanimous. there is much malevolence in the story of this country and current events are mimicking the evil of earlier times.

but the democracy has been in place now for two hundred and fifty years.

yet, devastatingly, we celebrate america’s birthday just as we are watching the takedown of america’s freedoms, laws, its very constitution.

when does it cease being a democracy?

that question had never before occurred to me with such a sense of urgency. until now.

now i am worried.

the peony is a peony any and all times because it has the heart of a peony. it is nothing else. it hasn’t been anything else. it won’t be anything else.

but what about these united states?

*****

read DAVID’s thoughts this D.R. THURSDAY

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braided days. [kerri’s blog on d.r. thursday]

“in contrast to our frenetic, saturated lives, the earth offers a calming stillness. movement and growth in nature takes time. … there is something in our clay nature that needs to continually experience this ancient, outer ease of the world. it helps us remember who we are and why we are here.” (john o’donohue)

this must be what’s missing. as we get besieged with new news – all pretty horrible, the stuff of gluttony, haughty entitlement and bigotry truly beyond belief – i have wondered what it is in these people that is missing, what it is in these people that doesn’t grok the evanescence of life, what it is in these people that drives them to push for – or cheer for – a world without natural beauty, a world that seems twisted, that convolutes nature – botoxing faces and bodies, annihilating parks and resources, canyons and forests, waterways, wildlife, wildflowers that will never bloom.

if you never stand in nature – still – never even for a moment in the tiny – or vast – space just outside wherever it is you hang your hat, you miss the air that swirls around you, the recognition of another-day, the exquisite velvet softness of a peony petal in the growth stage of a bloom when it has just begun to open.

how can you carry that – the grace, the scent, the unbelievable creation of peony pink – and be anything but awed? how can you watch the play of light on tight buds opening before your very eyes and consider your self-serving dystopian game more important? how can you ignore the explosions of color, the frequencies of sound, the vibrations under your feet and all around your body even when you are still? how can your gaze glance over beauty and not have any pondering about who you are and how you – a humble minute being of clay and stardust – fit in with all the rest? how can you breathe air – feeling the world in your lungs – and be unconcerned about the air and the world future generations will breathe? what is missing in these people?

“when you take the time to travel with reverence, a richer life unfolds before you. moments of beauty begin to braid your days.” (john o’donohue)

reverence.

it’s reverence that is missing.

*****

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tiny cup. [kerri’s blog on two artists tuesday]

this flower looks like Love to me.

it is our new elsa sass peony, grown from a root that was gifted to me last fall.

we planted it carefully, following every instruction, with the eyes of the root system facing up, in exactly the right depth of soil. it was all new to us and we were eager to learn how to properly care for this amazing flower. i placed painted rocks at the site of this root and an amalia olson we also planted. and then we waited. and through fall and into cold winter and then, finally, spring, we waited.

and then, in later april, the maroon sprouts appeared. there were a plethora over by where our one other peony is – the one with hot pink blooms, a transplant from a friend’s garden that zealously grows each spring. and there were a couple tiny sprouts by our painted rocks, indicators of at least the possibility of a little success. i took photographs and was pretty excited.

these are small plants this year, only a few stems. yet they each had a couple buds – tightly wound – promises of blooms. and so we kept a watchful eye and carefully placed fencing to prop them up – these fragile stems against the spring storms.

the pink peonies exploded into being. their scent wafted through our backyard and into the open windows of our house. it is an amazing display of color, a celebration of flower!, a double peony orchestral reminder of beauty.

and then, ever so slowly, the elsa sass opened to the sun. the white bloom – like a cup of petals – in slow motion, responding to a few warmer, sunnier midwest days.

i would have been absolutely content if this bloom had simply stayed exactly like this. i was taken by its sheer beauty, its purity, overwhelmed by its sweet fragrance.

maybe it’s the state of the world, the tenuousness of our land. maybe it’s an inventory of time – both that which has gone by and that which is ahead of us. maybe it’s simply presence – the moments gazing at something so beautiful you can hardly believe its perfection. in any case – for whatever the reason – i was obsessed with this stunning flower.

this one blossomed peony – this one bud that slowly unwound its way into the world – was a light for me. it filled me up. it reminded me to breathe. and – in the most-amazing way – this tiny cup of petals lay bare the lesson to hold gently all within me.

*****

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peonies in the sky. [kerri’s blog on two artists tuesday]

i have sixty-three recent photos of our peonies. to say i love them would be an understatement. they have endeared themselves to me and i’m craaazy about them.

the other photos are more “normal” – they are taken at eye level with the peony or a photo of their generous flower – they are moments capturing raindrops on fragile hot pink petals. they are pictures of tightly-wound buds and sunlight escaping from an early blossom. they are peonies in full regalia.

because i have so many photographs of them it seems obvious to look for a new perspective. “the real voyage of discovery consists, not in seeking new landscapes, but in having new eyes.” (marcel proust)

so i knelt down and put my iphone on selfie mode, held the camera under the peony flowers and clicked peonies in the sky. because our world tends to be a from-the-top-down, house-stage world, it seems prudent to look from the bottom-up sometimes. it changes things.

the juxtaposition of color is intense. it takes away the denseness – and the greenness – of the whole plant. it focuses on the individual flowers, on their stems.

i’m not really fond of this photo shoot so much. i prefer the other 57 i took up-close-and-personal with my precious peonies. but it’s a good reminder to step back and look at peonies from many aspects. they will look a tad bit different depending on the surroundings, depending on the background. they will blend in and they will stand out. they will be one-of-many and they will be the star-of-the-show. each peony may be appreciated in different ways, in different contexts, for different reasons. with new eyes.

not unlike people.

*****

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in the same way. [kerri’s blog on two artists tuesday]

in the same way this peony bud waits – tightly budded – absorbing the sunshine and the rain, glomming onto every gift nature offers her – i write this ahead, in great anticipation of being in the mountains.

i am a peony bud – wrapped up and waiting to unwind. ready to stand in the sun, soak it in, my breathing a little off as i adjust to altitude, weeping at the first sight of the range in front of us.

and in the same way this peony will soon glimmer in blossoming, i can feel it in anticipation. i can feel standing on a crest or tucked into the aspen forest along the trail or sitting in the brook on a rock. i can feel the petals relax, unwind. i can feel the air brush past me. i can feel my heart beating.

“i am here now,” i will remind myself, “stay here in each moment. don’t go anywhere else but here right now.”

and all that will come – all that will happen – whether ants or good weather or bad – i am nevertheless a bud that will open, unfurling petal by petal. nature and time will have its way. no matter. unconditionally. like goodness and love.

and i will stand today in the mountains – grateful – for peony lessons, for patience and fortitude, for all things unconditional.

*****

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damn prickly. [kerri’s blog on k.s. friday]

there are people like this. prickly. 

and, just like thistles, prickly people tend to stick together. at least that’s been my experience. 

one wonders what the point of thistles are in the world. what good might they do? the nectar and pollen are of nutritional value to pollinators; the seeds are feed for songbirds. but ouch! the packaging is a bit rough.

sandspurs were a way of life in florida. any time you stood on the swale of the road you would expect to encounter them. they were present on the coast of hilton head too, sticking to the bottom of your flipflops as you walked to the water’s edge. we encounter them on the trail – particularly if you step off, into the underbrush. sandspurs, like thistles, are unwelcome hitchhikers on socks and the bottom hemline of jeans, backpacks you laid down, beachtowels. they are about as prickly as thistles – and about as nasty.

i suppose if people were to assign flora to our personalities, none of us would prefer to be “thistle” or “sandspur”. i’m thinking more along the line of peony or daisy, sunflower or orchid or even cattail or meadow grass. definitely not thistle. definitely not sandspur.

and yet, there are people – out there – who seem to relish their prickliness. maybe it’s to stave off other people. maybe it’s a protective shield of some sort. maybe it’s the result of others’ prickliness to them. or maybe it’s the truth – they are just damn prickly. 

and, as we know, thistles attract thistles. nasty attracts nasty. mean attracts mean. sandspur and thistle posses can be powerful, keeping out – repelling – anything softer, anything into which they can sink those stickers.

each day – as we continually learn of the challenges of others – i think that there is not enough time to be prickly, not enough time to be nasty like that, not enough time to be unkind, not enough time to be uncaring. we barely have enough time to be loving, to be kind, to care about those around us, to have compassion for those we don’t know. 

and despite the many advantages of the thistle, the many advantages of the sandspur, i’m thinking that an outer shell that may or not may belie inner goodness is kind of a waste of precious time. it may be good for the underbrush, good for the meadow, but it’s not so good for humankind.

let’s not be thistles.

*****

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peonies in perpetuity. [d.r. thursday]

the time for our peonies has passed. they have been momentary, ephemeral. yet, even in their briefest of moments, their impact has been profound. their sweet fragrance wafted through the backyard, their stunning pink punctuated the green of the garden, their blossoms – from bud to full bloom – have been enchanting. and now, the green remains. i understand the plant is in full working mode – storing up energy for the next season of blooms. i already can’t wait to see them.

we planted a small herb garden on our potting stand this past weekend. basil, rosemary, mint, parsley. we added one dwarf indeterminate cherry tomato plant. and we placed a potted citronella on the deck. there is something infinitely satisfying about going outside with kitchen scissors to snip off the herb i need for a recipe. caprese salads or skewers, mint tea, parsley because heidi’s mom said everything is lifted with a little parsley, and rosemary – it reminds me of the brunch we had one day a couple years ago on the porch of the gingerbread house bistro up west of milwaukee. we split a steak seasoned with rosemary – i can still taste this delight. i’ll be using the rosemary today with roasted baby potatoes. all from steps away, an extension off our patio.

i wrote the album this part of the journey in 1997. piano-based instrumentals, a few of the pieces on that album had their moment on adult contemporary radio. and then, like all good peonies, they faded a bit, stoking up energy in the plant for next. but as i pull up the album and listen – last i saw you, the way home, good moments – i can still hear the pink, can still feel the peaceful wafting, can grasp its relevance. i still hear about this album from people out-there listening. it’s steps away from now, but it’s on an extension of the patio of my discography.

instrumental music – like peonies – has no half-life. both evoke emotional reactions – visceral reactions – both are steadfast in their passive zeal to just be. both wrap one in the right now. both go on.

i suppose, in a rare moment, i might one day put this album – or as it is – or any of my instrumental albums – on the cd player. i might sit down in an adirondack chair next to the peony within the concentric scent-circle of mint and basil, and simply listen.

i might be reminded of the moments in composition, the moments in practice, the moments in recording, the moments in concert.

and i might be able to see the peonies that will surely arrive next season.

*****

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