reverse threading

the path back is the path forward


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dish rack with orange cup. [two artists tuesday]

whoa. if the simplest sh*t does not interest you, you will not likely want to read this.

we bought a new dish rack.

we also bought a new dish drain.

we are ridiculously happy with our new dish rack and our new dish drain. we dance the dance of thing1 and thing2 in the kitchen and are most pleased with ourselves and our two new purchases (total at target: $21.10).

at a time – still – when pandemic limits in part – at least our – movements and choices, we are choosing to celebrate the littlest things. granted, there are no monumental purchases or excursions TO celebrate, but we are not terribly high-barred in our experience of happy-happy-joy-joy. for two people who have no working dishwasher, a new dish rack and dish drain – sans the yuckiness and the forming-rust of the old ones – make all the difference.

in like story, we painted the main floor bathroom. as you know, we purchased a big jug of vinegar, a big can of zinsser, an expensive can of benjamin moore aura bath and spa, and a can of ben’s slightly-less-expensive eggshell paint. chantilly lace white – “a classic go-to white that elicits images of fresh cotton and pure silk.” and we purchased a new faucet. it’s matte black. now, that – the faucet – i must say – was a big deal. and frankly, that – as is often the story – was what started the whole rigamarole. we re-decorated the bathroom, simply moving things from other parts of the house into the bath and giving ourselves permission to actually use the guest towels we had in the guest bath upstairs, bath towels reserved only for guests. a big deal, we both find ourselves standing and gleefully staring at “the new bathroom”.

and we’re dancing in the kitchen.

yup. it doesn’t take much.

our still life – dish rack with orange cup – signed – is available for purchase, should you want to be reminded of the simple stuff in life. we are choosing to go with christopher wool print and poster pricing – it’s only $40,000 for the original print and we will generously throw in the new dish rack, the new dish drain and, even more generously since it is part of a pair, the vintage metal orange cup we use for espresso. just use our contact form and we’ll call. trust us. we will.

the simple stuff. every day is a day to celebrate it.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

dish rack with orange cup ©️ 2022 kerrianddavid.com


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more ellsworth than i thought. [d.r. thursday]

i like fine-tipped pens, both regular ink and markers, though i do love the wrinkle sound and feel of a notebook page written on all lines on both sides with a medium-tip pen…the physical-fingertip bumpy-words-on-the-page and that crunchy sound it makes when you turn it over or flip to the next. so there is definitely merit in medium-point. but fine-tip? there’s a grace and allowance of white-space that fine-tip encourages.

this tall red pole installation at the chicago botanic garden makes me think of a ball jar i have holding an assortment of wooden paintbrushes. standing and waiting. because i’m not sure if these poles are part of the lightscape show or an art piece, i am drawing my own conclusions about its presence. somehow, this striking stand of red seems to communicate an invitation to the sky and, in its simplicity, was one of my favorite pieces on our walkabout. stark color, plain. i suspect ellsworth kelly would have loved them too, regardless of their context.

there were lots of people there on sunday, a picture-perfect fall day. our drive down and our return were on the back roads, keeping the lake close, past ravines and through beautiful neighborhoods filled with sprawling yards and wise old trees touting autumn. the trip there – for us, we agreed – is just as important as the time spent at the garden. we love the-back-way and never take the interstate down if we can help it. even to visit our son, we build in the time it takes to meander to his home. we’ve encountered magical snowfly on the return home at night, flakes illuminated by our headlights and sunday didn’t disappoint, as golden and crimson leaves fell around us as we drove this windy-back-road-route.

although i prefer to walk in the woods on some trail in the quiet with hardly anyone else around, our time with our dear friends at the crowded garden was the perfect early november gift-of-a-warm-day escape. we picnicked on a blanket, chatting. we wandered, chatting. we took pictures and googled interesting plants, chatting. we admired installations and gardens with themes, chatting. there are ornate sculptures and formal walled gardens. there are fantastically groomed flowers and trees. there are preparations for an intricate holiday light celebration.

we took our time together, the four of us, promising to return again soon, and then d and i drove back on the roads through northern suburbs, wishing we had time to stop and sit at one of the tiny restaurant bistro tables we saw, spaced on sidewalks, against brick walls with the later afternoon sunlight warming the faces of many people who had chosen to dine al fresco.

when we spoke of our time at the garden, it wasn’t the intricacies i remembered, walking in beauty. it was the simplest stuff. the vertical slices of rock in a pondside rock garden. the candlepots on the rails in the lake. the lone rosebuds on a bush inviting fallow. golden grasses waving in the breeze. the evergreens up close. the past-waning bowed blooms on the hosta. the white birch calling out from the green. and the red fine-tipped pens reaching for the sky. there was definitely something about those.

though i – at first introduction – questioned his work, i guess there’s more ellsworth in me than i thought. we really never stop discovering. any.where.

*****

read DAVID’S thoughts this D.R. THURSDAY

his gallery website – this link is to the EARTH INTERRUPTED series, but a cup of coffee in-hand and i know you’ll enjoy perusing around


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every sanctuary needs a crank. [two artists tuesday]

it’s all about the crank. it’s one of those unremarkable-yet-remarkable imperative gizmos that makes all the difference.

we’ve had an umbrella. it was 9′ in diameter and dark green in color. but there was no crank and it was – now – in the departure of having a “normal” wrist and the genesis of a we’ll-work-this-as-hard-as-we-can-and-see-where-we-get wrist – literally impossible for me to open or close it. i would huff and puff and stand on a chair, but even in the good old days of normal-wrist, i was hard-pressed to open it. and so, it would remain closed. and closed is not the life-goal, not the self-actualization of an umbrella. so it was time for the big-green-umbrella to move on, to be loved by someone else…someone with two normal wrists. we put it out by the big tree between the sidewalk and the street with a sign that said “free” and it was gone within fifteen minutes. that made my heart happy. but it left us with a challenge: to find another umbrella.

now, if you haven’t been out there looking – in brick and mortar or online – there are a LOT of umbrellas. they come in all different sizes and shapes and with all different purposes. there are umbrellas that tilt and market umbrellas and patio umbrellas they have named cantilevers – which stand next to chairs or outdoor settees and gracefully shade you from the side or the back, not just the middle of a table.

we wanted one for the middle of the old wrought iron table and found one – after much research (as you might guess) – that we really liked. i did all the proper investigating: does it have a crank? is it heavy enough to stand in the wind? does the diameter of the pole fit properly into the stand we already have? will it match or complement our deck and patio? is it spf friendly?

the umbrella we found was just lovely. off-white with a floral print of black flowers, some of which are faded to a deep gray. that may sound weird, but it was really pretty and somewhat unusual and matched our vision of the deck…a little pattern in what was mostly solid or simple design.

we ordered it. we picked it up. we glanced at the outer covering, a sheath with a photograph of the umbrella set up in some faux-yard. we were pretty excited -like when we got our fire column (for this umbrella preceded it) – when we opened it up. we were setting the stage for our backyard sanctuary, this place of peace, with much planning and as few expenditures as possible.

we slid it out of the sheath we would later store it in during cold winter days as it waited to be used once again in early spring.

we brought it outside to the deck.

and we started to open it up.

and. . .

there was no crank.

none.

not a handle to be found.

though the photograph and the description depicted a crank handle, it was a misnomer. false advertising. someone mightily slipped up.

and though it was quite lovely, i could not open it alone. what good is an umbrella you can’t open? we had just given one of those away.

a couple of umbrellas later and in umbrella-information-overload, we settled on this one. it’s not perfect. it’s not exactly the color tone i wanted. the pole is not black as it was advertised. it doesn’t have a self-tie. but it was on a terrific sale and – – – it has a crank.

i thought i was over the lovely off-white-black-flower-patterned-umbrella until i saw it in a yard in the ‘hood. i stopped in my tracks and stared, poking david in the arm and pointing, speechless. i wondered if they were also surprised by its no-crank-handle-ness. i wondered if they ever open it. i wondered if they have normal wrists.

but i’ve moved on. i no longer think about the off-white-black-flower-patterned umbrella. because there are some things that a sanctuary really needs.

a crank is one of them.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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just like my sweet momma and poppo. [not-so-flawed wednesday]

inosculate: join by intertwining or fitting closely together. “inosculation is a natural phenomenon in which trunks, branches or roots of two trees grow together. it is biologically similar to grafting and such trees are referred to in forestry as gemels, from the latin word meaning “a pair”.” (wikipedia)

tomorrow is the sixth anniversary of my sweet momma leaving this earth. there is not a day that goes by that i do not think of her, miss her, wish i could call her, have questions to ask her. in the way that we all wish on stars, i wish i could have more time with her.

momma lived three years past my dad’s passing. in the very days before he died, he knew that his dying was imminent. i walked into his hospital room and he told me he was ready. i, however, was not. neither was my momma. she was seriously infuriated at him. they had been married – at that time – for 68 years. 68. i haven’t even lived that long yet, and they were together for longer. in every way imaginable, they were, like these trees in the woods, inosculated. a pair.

inosculate: to unite intimately.

my parents had simple routines in their later years. coffee and breakfast. making the bed. reading the paper. coffee break. a few errands perhaps. lunch. my poppo doing a little work at his workbench or in the garden while my mom worked at her desk. sitting and gazing at the waterfowl behind their house. maybe a little snack in the afternoon. reading. dinner. nothing stupendous. nothing extraordinary. but most definitely inosculated.

though i’m sure they drove each other a bit crazy at times (who doesn’t?), in these later years, particularly, they fit together like these trees. sharing responsibilities for the day-to-day. carefully mindful of each other’s health concerns. re-telling old stories. looking forward to any time they would see their family. grateful for this home bathed in sunlight and surrounded by green.

they were indeed “gemel trees”, sharing deep root systems, with prolonged contact, fusing together. and, in the end, their love was no longer complex. it just was.

when we passed these trees off-trail, i wondered about them. i’m not absolutely certain where their connections are and if they are prime examples of inosculation, but they are indeed living in community, united. they somehow rely on each other, sharing nutrients and sun and dirt-space on this earth.

and, once again, here in the forest, i can see the simple example set for humans. the same one my sweet parents set.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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all the riches. [k.s. friday]

i don’t suppose it matters how old we get. we are ok if they are ok. conversely, we are not ok if they are not ok.

our children. that moment that your entire life changes – the earth tilts on its axis – and things are never the same again. it’s a conversation i have had again and again.

written when my son was a little boy with a dirty little fist of yellow flowers and my daughter was just a smidge older and taller than he, i am no less gobsmacked by the passage of time now than i was then. days become weeks and months and suddenly many more candles on the birthday cake. and time does what time does. these tiny people become grown human beings in the world and no longer need you to help tie their shoes or put bandaids on owies. no yearning will slow it all down, yet we tend to want to linger in feeling a sense of being needed. the earth keeps spinning; the laugh lines and worry wrinkles appear suddenly in the mirror as we glance on the way past. and the riches are a deep and vast trunk we keep close, always mindful of every tiny or big opportunity to add to it.

it really is the simple stuff. hearing your grown child laugh, watching them adventure, applauding their successes, reassuring them in times of trial. blissful moments you can spend with them, texted pictures of their lives, unexpectedly hearing their voice on the other end of the phone, hugging them. always walking the fine line. so much pressure to hold that line. always learning. knowing their star is still in your galaxy, but is independently forming its own constellation. the emotional perils of motherhood, of parenthood.

“it overwhelms me what i feel…this heart outside of mine….is walking in another person, in another life.”

and always, the bottom line, it seems in each conversation i have had, is the ok-ness. for truly, if they are not ok, there is no way to rest easy. if they are not ok, it changes how we are in the world, how we engage. if they are not ok, it is the first thing we think about in the morning and the last thing in our prayers at night.

little or big, they – indeed – are the riches. they are every single dandelion.

in the whole wide world.

*****

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read DAVID’S thoughts this K.S. FRIDAY

FISTFUL OF DANDELIONS ©️ 1999 kerri sherwood


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road shadows. together. [not-so-flawed wednesday]

road shadows

watching as the ferry arrived, we were practically jumping up and down with glee.  our up-north-gang was arriving and the ferry was taking a few minutes too long to dock.  we had been anticipating them for weeks, our company log on island too few.

it’s not like there is a ton of stuff to show them here or, really, to do.  but there are friend groups who don’t need stuff to see or do; instead they are just there to simply be together.

they are there to laugh at funny hair in the morning, sip coffee and wait in line for the one bathroom.  they are there to pile in and out of the truck, dodge raindrops, play short-list tourist.  they are there, wishing for sun but not minding the bad weather that moves in, content to just be together. they are there to make mimosas and old-fashioneds, pour wine and have more snacks than you can imagine.  they are there to take turns cooking, cleaning up, always gabbing, always laughing.  they are there in the tough moments, profound and honest conversation, balancing, disarming the sting of the sword.  they are there walking side by side, talking and being quiet.  they are there playing games in evening dark, heads drooping with sleep, wishes of sweet dreams.  they are there, together.

we watched as the ferry left, both of us feeling instantly wistful.  our up-north gang leaving for the mainland.  as always, we were ever-so-grateful to have been together.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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