luckily, we had covered the parsley and rosemary and lavender. the mint and basil are far gone. now i have to figure out how to save these others.
i read that you can simply snip off the parsley and rosemary stems and freeze them, so that seems the best solution. the lavendar, though…
i used to have a lavender garden out back. it was thriving until my eastneighbor’s snow-on-the-mountain continuously grew under the fence and suffocated it. that is some aggressive groundcover. i suppose it’s too late in the season now to try that again. over there, next to barney, the perfect spot. i wonder if it’s beyond the time to transplant it into the ground. maybe the next frost will hold off…
i could bring the whole plant inside to winter – it’s a really large pot, though.
i could snip off the lavendar and hang small bunches of them upside down, maybe create some sachets after they’ve dried.
i’ll have to decide soon; i may have waited too long already. the snow was a bit of a surprise and it caught me off-guard. it’s like this weird time-between seasons. sort of like a mixed-berry jam. not just one. not just the other.
in some ways, i feel like i need a pause button. just to pause fall for a minute or two – to drive out in the county and stop at the farmstands with pumpkins and gourds. to go to the apple orchard that has homemade wine tasting and apple cider donuts. to take some more time to crunch on leaves underfoot in the woods. to wear boots and jeans and not-yet-a-heavy-coat.
but winter’s coming on and, even though we sat on the deck late-night last week with shorts and our fire column burning, time keeps moving.
glancing out back as i write this – ahead – snow lingering on the grasses – there is no doubt.
the harmonic overtones ring, free in the wind. they are a voice of purity, peaceful in the day and night. they drift into our window and i lay still, quietly listening.
for years as we walked our lakefront, we would stand on the sidewalk at a certain house and listen to the tenor windchimes hanging on one of their trees. the pentatonic scale sang from the backyard all the way to where we were standing, swirling around us. we would just stand there, quietly listening.
we had looked at chimes in garden shops and boutiques, but they were out of reach and we just agreed on “someday”. so we wrote about them – such a thing of beauty and meditation. and one day, guy wrote to us to inquire if we would like to adopt their set of chimes as they moved on to a home where there would be no place for them. and “someday” arrived.
the windchimes hang on a blue spruce in our backyard, back by the birdbath and bird/chippie/squirrel feeder. they are nestled next to the grasses and are stunning against the white fence. because they are not out in wide open space, they don’t ring with every breeze. instead, they seem discerning, choosing only breezes from a certain direction, a certain velocity. sometimes, it is merely a prolonged single note we can hear, floating. other times, when the wind picks up a bit, several notes will ring out, immediately bringing us pause, a moment of peace, a moment to reflect and root and center.
in much the same way that experiencing intentionally-played crystal singing bowls can rejuvenate, the frequencies of these windchimes resonate with the place in my heart that is hungry for sublime sound. translucent pitches that wrap around us – in gratitude, we are quietly listening.
it was by itself. high on the wire that’s included in the squirrel highway system, it perched, alone.
mourning doves are usually together, in pairs. cooing in our backyard, pondside, they are cleaning up under the birdfeeder, welcoming the day or bringing an enchanting beginning to the evening. we have a particular fondness for them.
but it has been rare to see one by itself.
if i had to imagine what it was doing, i would say it was talking to the universe. way high like that, it would seem to be a little bit closer to infinity, to whatever it perceives as divine. it sat there, quiet.
i don’t require an intermediary either. my prayers are whispered on the trail, on the pillow, blowdrying my hair, chopping onions. in my own life, i have now found – after repeated learnings – that grace is all around and the divine is not in some building somewhere.
on the contrary, i wonder about those buildings now. for i, personally, have experienced the worst hypocrisy there – in communities that are waxing poetic in mission statements and disappearing in actually participating in those sentiments.
and so, i sit on the wire with the mourning dove. we both find this universe beautiful. we both find it challenging. we both lift longings up and we both ask for mercy in our living. we both live in the mystery and immensity of faith. i would imagine that sole bird does not wrestle with religious underpinnings, historical narrative stories or philosophical questions. that bird-on-the-wire is not concerned with the begats nor the maps of supposeds. i’m guessing we are kind of in alignment with the basic tenets – goodness, kindness, love, peace, generosity, fairness, grace. just like me, like, well, all of us, it has a direct-connect with its deity and the universe.
it is not likely – though i have learned never to say “never” – that i will ever be in a church again. i gave my entire heart to working at one at 19. they did not warn me of any danger, protect me or aid me. i gave my entire heart to working at one in latest life. they did not warn me of any danger, protect me or aid me.
i don’t blame god. for my god isn’t stuffed into nooks and crannies of the church. my god isn’t clinging to any specific denomination. and my god isn’t justifying any wrongful behavior because of some building.
to be in a sanctuary, one must feel in a place of refuge or safety. stone walls, brick, wooden altars, pews, organ pipes, artifacts, relics with touted significance – these are not naturally-occurring as safe or as refuge. the leadership and the community must bring that. and, in bookended experiences – on either end of my three-plus-decades of such work – though i brought every ounce of heart in, i walked out with my heart destroyed.
and so, the mourning dove and i sit on the high wire sanctuary together. we gaze at the sky and the divine tethers us in gently-held gossamer threads, tied to all the rest. i’m not sure what my dove friend is thinking, but i know that i am in prayer. that the universe yearns to hear each of us. that, even though i may feel alone on the wire, i am now more in the community of truth than in those fraught buildings.
i and the mourning dove are in the “church of nones” and the universe of all.
and tomorrow we will go to chicago. we’ll metra downtown and walk to boystown. there will be sooo many people. and with them, we will stand on the corner of halsted and waveland and watch our son perform on-stage outside in the rainbowed city.
to say i am overjoyed at his producing of music these days would be an understatement. his zeal is full-on and he is squeezing every last minute of every day as he works in his professional position full-time and djs edm (electronic dance music) the rest of the time.
at his condo in chicago, in his studio, he demonstrated to me how he creates. as an analog artist, it was a fascinating experience to glean this complex digital mixing of tracks, layering, feathering, a sedimentary piece of music produced with great intention. it is hard not to dance as i watch. it’s hard not to be aware of the invisible bit of baton i hold, poised to pass. and i am aware of the contagious quivering of excitement, the gift of his sharing his process, how much i understand – on a cellular, heart level – how this creating feeds him. and then…then, there’s the joy…
different genres, but i still grok how my son feels. knowing that what you are producing is resonating with someone – someones, if you will – is powerful inspiration. i won’t forget the release of my first album and, even at number fifteen years later, it was with both the same excitement and vulnerability as the first. time and study and experimenting and lessons bank courage, though, so we each keep on keeping on, growing – much like anything in life to which we give time and attention.
i’d imagine that the day my yamaha c5 was delivered into my studio felt much like the day he upgraded his decks and gear. i’d imagine the day i stood in the sitting room with the chicago radio station on – waiting – and then my music aired – the first airplay ever – feels much like his tracks being signed to major edm labels, waiting to be released. i’d imagine the applause, stepping into the apron, at the end of a piece, feels much like the exhilarated dancing and cheers of the crowds at his gigs. i get it.
you know you are merely one artist in a universe of artists. humility. relevancy. there is much to learn. for both of us. always. the arc of an artist is never really done.
we have spent nights watching our son stream from clubs. 2am is later than it used to be but it’s a thrill to watch him in his element. we’ve listened to every single track he has sent us, every idea, every gesture in whatever iteration. we’ve connected our remote speaker and played his music during our happy hour, i’ve listened with ear buds on soundcloud, spotify, iTUNES. but tomorrow…
it is with much pride we will stand and watch our son. it is with much pride that we will be surrounded by his friends and by the community. it is with much pride that we’ll dance and cheer along with the gathered crowd. it is with much pride that we celebrate pride.
and so, september has arrived. and the texture of day for many is changed. fall is around the corner; the cooler mornings whisper that to us, ushering in – with little fanfare – the color transformation of leaves, the waning of the garden, the ultimate fallow of winter.
autumn is my favorite. and as i look to it, i see transition rising out of the horizon. undefined, but transition nonetheless. unfolding.
i got a letter a few days ago from the insurance company handling my wrist injury from falling. they have decided to stop my treatment. as of right now.
back in july they hired a physician to do an IME – which is the acronym for, ironically, “independent medical exam”. don’t be fooled by the word “independent” for when an insurance company chooses and hires and pays a physician time and again to do medical exam reports for the insurance company that wishes to stop paying for treatment, that physician is questionably “independent”. in an unsurprising result, the physician, who has not been the treating physician all along, gave them the verbiage they were looking for and BAM! they instantly wrote-a-lettuh to me discontinuing my medical treatment.
to say that i was disappointed would be to grossly underexaggerate the complex and intense emotions that came with opening that envelope. my own froedtert hand specialist and stellar OT, who both recommend continued treatment, have helped me make much amazing progress – as a professional musician who kind of uses my hands in lifelong work – and i am now able to bend my wrist to 60 degrees from the initial 20 when i started with them. it’s not the 85 – 90 degree forward range of motion of a normal wrist, but i guess the insurance company et al have decided it’s plenty. wow. and wow.
so the texture of my days will change as well. i’ll try to translate exercises and stretching my OT has done to home, without the benefit of specialized therapy center equipment or knowledge or her hands aiding my movements. and undefined transition will rise out of the horizon.
and we’ll see. things will unfold as they unfold. and summer will turn to fall. and fall will become winter. and we’ll see.
i am imploring you to help keep my beloved daughter safe.
please.
enlightenment comes through unexpected channels sometimes. this morning i read a post by a brilliant woman who was my piano student 40 years ago. she forwarded a writing by a young woman who is a server in a restaurant who detailed her experiences in just one of her shifts.
it’s bracing.
my friend-who-was-my-former-piano-student prefaced it with this: “I know it will feel so good to feel normal again and go out to dinner. But please, read this WHOLE DAMN THING before you do. You BETTER tip your server like they are risking their life to bring you a drink, because they f*ing are.”
the server wears a mask and gloves, carries sanitizer with her to work, stands back 6 feet from her guests at the tables in the restaurant. the guests? they remove their masks, which were required to enter, as soon as they sit down and never put them back on, even while ordering, even while their server is present. it is cavalier at its best. her safety is compromised over and over, at every breath, and she is painfully aware, as you read in her candid outpouring.
is the safety of this server any less important than your own? is she dispensable? is your dining-out experience so important you cannot sacrifice a bit of comfort? where has this message of it-doesn’t-matter-if-we-protect-each-other come from? hmmm. let me think. might it be that the “leadership” of this country has made it a fashion faux pas to wear a mask? might it be that the “leadership” of this country has made it seem unnecessary to protect each other? might it be that the “leadership” of this country thinks everyone’s breath doesn’t matter? might it be that the “leadership” of this country doesn’t really give a flying flip about the populace of this country? if i sound pissed, it’s because i am. enough already.
where do you stand?
i, for one, was breathless when i read the detailed narrative of this young woman’s shift. with angry and worried tears in my eyes, i read it aloud to david. i would love to read it aloud to you.
an expert at piecing-it-together during off-peak, My Girl, among other things, bartends and serves. she busts her butt working hard in high mountain towns, waiting on tourists and locals alike. she is a hard worker at everything she does and i have sat on her barstools watching her move in blurrying pace getting it done. the last thing i want to have to worry about in the middle of this pandemic as it actually continues, despite the “leadership” and a percentage of the country’s population ignoring its steady presence, is whether or not the people who are sitting on those barstools or at the tables in her restaurant are (with sarcastic voice) oh-so-tediously pulling up a mask when they are breathing at my daughter. i want to assume that they are. i want to assume that the meager income she is hour-after-hour-after-hour trying to earn will not be dangerous for her. i want to assume that the people who have chosen to go out, have a few drinks, eat a nice meal prepared by a chef, will generously, even at least appropriately, tip her. i want to assume good although i fear selfish, unconcerned indifference.
the server ends her writing with a plea: “For the love of god..if you go out to eat please please please pull up your mask for the few minutes that your server is at your table. Why are you not already doing this?? And oh my god..tip your server like that burrito you are eating may cost them their life…”
have you gone out to dinner? have you gone out for drinks? did you ecstatically plan your outfit and put on your favorite shoes? did you make reservations at your favorite restaurant? did you pile into your favorite downtown bar? did you wear a mask? did you even bring a mask? or did you leave your mask at home because it’s not mandated by the local, state or federal government? does respect have to be mandated? does protecting each other have to be mandated? can we choose respect and protection regardless? there is still a global pandemic. can we connect the dots? can we think???
WILL you be going out to dinner? out for drinks? will you wear a mask? will you carefully protect every breath of your server – someone’s daughter, son, mother, father, sister, brother, spouse, best friend, caregiver? will you recognize their safety? will you tip them for risking their life to bring you your margarita? will you protect the others inside the restaurant or bar? will you give a flying flip?
“…Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference.” (Robert Frost)
a product of sunday-drive-parents, i am a meanderer. i’ll choose a backroad. i’ll choose the woods. i’ll avoid the six-lane interstate. i’ll avoid the leader-led-coach-bus-travel tour group. i blame my sweet momma and poppo.
in an obvious life metaphor, choosing to be an artist of any medium -for the long haul- is choosing to be a meanderer. it’s choosing to live life looking for and celebrating layer cakes – a layer cake of work. it’s a continual wracking-of-the-brain for the next idea, the next project, next pitch, the next initiative, the next validation of your artistry. it’s continual exploration and continual growth, surprises and intrinsic rewards of the heart. and it’s continual worry: how will what you earn equal or be greater than that which you owe.
my parents encouraged my every musical moment. neither of them was a musician, but their steadfast support reinforced the decisions i made that were more out-of-the-box. their prideful applause inspired and fed me, lighting a fire even when the embers were falling to ash. times i would rise and fall and rise again, i blame my sweet momma and poppo.
in somewhat recent days, when i was bemoaning the exponential cost of healthcare, someone asked me if i needed to see a financial counselor, someone who could ‘teach me’ how to budget. i was stunned at the lack of sensitivity and actual empathy. “no, thank you.” i responded, while trying to maintain the sound of calm in my voice, “i am actually quite good at budgeting and truly love math. this is not rocket science. it is simply a case of not having enough income, even from several jobs, coming in.” a meanderer. those sunday drives.
i’ve read plenty of ‘being the youngest child’ articles. it seems that my profession, lean toward autonomy, artistry, careful rebellion are all because of my place in the sibling line-up. so, once again, i blame my sweet momma and poppo.
the urge to be off-the-beaten-path, literally and figuratively, to quietly sit in the middle of the woods or i-wish-more-often the top of a mountain, to stand on a wooden stage with a piano, a boom mic, a few songs and a story to tell: things that are part of my very soul. the core. i blame my sweet momma and poppo.
“all of us have special ones who have loved us into being. would you just take, along with me, ten seconds to think of the people who have helped you become who you are….ten seconds of silence.” (mr. fred rogers)
he brought it up on the trail. the movie we had recently seen. not an action thriller or a mystery. just a movie about a man who changed the world. mr. fred rogers.
quietly hiking on the trail, he broke the walking-arm-in-arm silence, “i’ve been thinking about all those people. those people who loved me into existence.”
what could you possibly be more grateful for? that trail of thought found us yesterday morning and wove its way into all day, skirting along the edges as we cooked, back into the center on facetime, at the table with wine glasses, in a late night text out of the blue.
the people who love you into being.
mr. rogers got more specific, ” from the time you were very little, you’ve had people who have smiled you into smiling, people who have talked you into talking, sung you into singing, loved you into loving.” what kind of legacy do you have to be known for this kind of wisdom? it changes everything.
the people who love you into being.
we spoke of these people on and off all day and late into the night. there was a moment i could feel shadows that were cast by any of those we talked about falling off, light covering the shadow. reasons. seasons.
the people who love you into being.
too many to list. too many to remember. we backtracked and stood still in our memories, telling stories and finding wonder as names – and the dear picture of that person in our mind’s eye – spilled out of us. a wealth of being-makers. every one of them a builder in the construction of some piece of us, like a giant box of tinkertoys or lincoln logs or even crayons. so much potential. a wildly wide spectrum of color and characteristic, texture and depth. profoundly moving. a tiny bit of shake-up. both.
“when one door closes another door opens.” how many times have you heard that? people fail to address the hallway in-between. ahh….that hallway in between. full of mystery. full of questions. full of wondering. full of not-knowing. it can be freeing; it can be torturous. bridging from now to next.
two to three months after my big brother died, my sweet momma continued to have nights when she could not sleep. she would rise from bed and go down the short hall to the bedroom that served as her office. in that short walk, she would pass the entrance to the living room. one night, as she passed the living room, glancing in she saw a depression in the very top of the recliner, the way it looks when someone is sitting with their head against the back of the chair. this chair…the very one that my brother sat in so many times in the last months of his life, close to the front door so that he didn’t have to go too far and become too tired.
my momma, not given to fanciful imaginings, decided to walk into the living room to find out why the headrest of this chair gave the appearance of someone in it. she came around to the front of the chair and found my brother. he was sleeping in the chair and did not stir while she stood there. she never said a word, just silently watched for a couple of minutes. her heart full, she quietly walked to her office. an hour or so later, when she was ready for bed, she walked back down the short hall, this time glancing in to the living room to see if the headrest was still shaped as it had been, if my brother was still there. the recliner had returned to its normal state. my brother was no longer there. she went to bed and slept, her time in the hall of grief a little lighter, a little less encumbered, a little less painful. mysterious, full of questions, full of wondering and not-knowing. freeing and a little torturous. but moving into next.
reverse threading 