reverse threading

the path back is the path forward


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pussywillows. [k.s. friday]

with gordon lightfoot crooning in my ear, i stroked the pussywillows on the trail. i can’t remember seeing these on trail before. i know i would have noticed – their softness begs touch.

“pussywillows, cat-tails, soft winds and roses
rain pools in the woodland, water to my knees
shivering, quivering, the warm breath of spring
pussywillows, cat-tails, soft winds and roses”

(gordon lightfoot, “pussywillows, cat-tails” 1968)

smooth silvery-grey under our fingertips, we each took time to touch, to marvel at the beauty. and gordon lightfoot sang on in my mind.

as a writer, composer, lyricist, there are decisions one must make along the way. we place ourselves in a vulnerable spot, not for our own purpose or indulgence, but, instead, in the hope of resonating with someone who needs the words or music or lyrics we write, in the hope of reaching someone else walking in similar shoes, in the hope of assuring someone out there who needs to know they are not alone. and so, at the risk of thus vulnerably over-sharing, i offer this:

but some things are triggers. and, as the verses and guitar continued, this particular gordon lightfoot song is one of them. my #metoo was at the hands of a musician, a serial pedophile who walks freely even today. he played guitar and charmed his way into the never-to-forget-lives of many susceptible young women. a man who softly sang gordon lightfoot and james taylor, who wrote love songs, new lyrics for gorgeous SATB hymns, and taught guitar surely was to be trusted, right? wrong.

i can appreciate these beautiful pussywillows, another harbinger of spring and new life. but i stop a moment and give nod to my much earlier self. in a watershed, i recognize the parallel of this earliest time working in the church and my latest work. bookends.

riding on the roadside the dust gets in your eyes”

it’s not the dust that brings tears to my eyes, it’s not the spring air laden with newness of pollen, the turning of season. it’s the raw bookended time in places i trusted as safe. i cannot help now but examine it all up close, process it, grieve the loss of innocence, the devaluing of women, abhor the loss of respectful truth and the reign of agenda. the bookends hold upright the time in-between, all the books of life, times and experiences and mistakes and successes, the laying down of any attempt to process, to make right, of any ramifications for the wrongdoer. the bookend of late was a stunning surprise. i am astonished at its destruction, now, no longer a teenager. i find it all shockingly galling.

“slanted rays and colored days, stark blue horizons”

the horizon is much like the horizon all those decades ago. it’s surprising to return to that feeling. i want to leave, to run, just like that other time, that other bookend. my physical life, however, is not at stake this time. it is me, my loss of community, my loss of position, stolen integrity. i cannot wrap my head around the slanted rays, the starkness.

“treasuring, remembering, the promise of spring
pussywillows, cat-tails, soft winds and roses”

treasuring, remembering. promises. but roses…the flower of love…it is hard to hear lyric of roses…my hope is to only hear gordon lightfoot in my mind’s eye and to forget the echoing bookends.

“shivering, quivering, the warm breath of spring”

to remember – spring is beginning to spring. the catkins of the willows are soft, cattails seed in the wind, warm circles us on the trail.

*****

WATERSHED ©️ 2004 kerri sherwood

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interruption. [flawed wednesday]

i had had a life interruption.

i hadn’t thought of it in those terms before. but – suddenly – it was just as obvious an interruption to me as night is to day.

resilience is a support organization in chicago – “empowering survivors ending sexual violence” is their byline. their presence is powerful, necessary, moving survivors forward in healing and advocacy, providing education and empathy. there was nothing like that on long island in 1978.

my life was forever interrupted. and i just realized that. because – back in 1978 – i filed it all away – all the trauma, all the grief, all the stripping of innocence, all the betrayal – i placed it on a shelf in my heart i didn’t want to access, a place i didn’t want to go. no one really talked about it. i moved on.

only i didn’t.

the night-that-turned-my-day-dark wrapped itself around me and, in all likelihood, affected every single decision – good and bad – that i made from that day forward. it acted like a filter – like the kind you screw onto the front of a 35mm camera lens, coloring every scene in the aperture, every experience in life. just as in so many of these stories, no one was made to take responsibility for this act of life-interruption, for the thing that would skew everything in my heart. i was nineteen and he was free. he still is.

there are defining moments in our lives that lay down a blanket of circumstance, that wound in all directions. sexual violence is one of those.

even now – 45 years later – though i cannot dredge up all the minute details as they seem locked up on that shelf – i can feel the interruption of my life – the unmooring – the visceral line of before and after.

the sun is setting through the trees and i suddenly see clearly through the woods, without underbrush. i can feel the night fall.

the thing that has helped is that 45 years has granted me people who have been there, who have held me in grace despite it all, who have loved me even as i – at times – flailed.

i wouldn’t hope for anyone to experience the pain of sexual violence of any sort. but, because women are insanely statistically likely to be victimized and betrayed in this way, i would hope for their resilient spirits and bodies to see the enormous life interruption for what it is and to rise in the sun the next day – surviving – accessing hope, surrounded by loving support, empowered.

*****

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in half and in half again. [merely-a-thought monday]

anna quindlen writes about it in “a short guide to a happy life“. the dividing line between before and after. we all have them. though mathematically incorrect for this lyric, as “sawed in half” only leaves the other half, many of us have more than one dividing line, more than one qualifier of our lives, more than one change agent.

i remember my first apartment. it was on long island in a basement partially paneled and partially wallpapered with red brick wallpaper. my dog missi and i moved in with my old piano, a convertible couch, beanbag chairs, a bookshelf and a bistro set. i had free bank-account-giveaway plates and cheap silverware my grandmother gave me, forks, spoons, knives still in my drawer to this day. i had a tiny kitchen in this studio and, though i cooked often, missi and i both ate plenty of cornflakes for plenty of meals. it was not fancy but it was mine.

after i was sawed in half i had to move and, ultimately, found myself in florida, seeking safety from a man whose aggressive pedophilia was predatory, for whom vengeance was foremost. everything was different. from those moments on. there was no going back, no return to innocence. the dividing line was stark and, in 1979, there was no real resource for processing it.

since then i’ve had a few more dividing lines. but, i have found in many purposeful meanderings through my lifeline in recollections and in much intentional parsing out of cause and effect relationships, that many of them relate back to the first sawing-in-half.

having children did not ‘saw’ me in half, but it indeed sawed time into before and after, for nothing would ever be the same and all my after has been waking and going to sleep thinking about them and wishing for their good health, good relationships, good work, love. there can scarcely be a parent who has not been profoundly changed by having children. before. after.

the loss of my big brother came as a mortality-blow. i had lost grandparents at that point, but their lives had been full and eight and nine decades long. my brother had merely reached his fourth decade – forty – an age twenty years ago now for me – and it was premature and devastating. he had been a stalwart rock for me in my years-post-first-sawing and to lose his wisdom and strength had me questioning how the world could go on without him feeling it. it divided time – from a more casual look at life to a more intensely emotional connection to those around me than i already had. if i am needy, emotionally, it is grasping on to beloveds. though i know i must not hold too tightly, i have likely not always succeeded at that, but i try to be at least close enough to always at least feel the wind from their wings. it’s not always possible and it’s sometimes impossible, and i yearn to have my family right close to me as many friends have, but i try – that word again – to trust life and its gifts.

the day i realized that there was no one left to ask questions of my birth, my childhood, my teenage years, the intrepid and enduring memories moms and dads have, i stared at lake michigan. i won’t forget that moment. i was wondering about my first time on the lake on a sailboat and i suddenly was aware that, without my sweet momma and poppo still here, there would be no answers that i could not remember myself. it came with intensity and orphan-hood surprised me – even then, at 56.

there are other lines in the sand, other befores and afters. relationships, jobs, places, mistakes and learnings, successes and failures. they all count, like every slice of blueberry pie making up the whole, even every rich ingredient making up the slice. the passage of time is a vast bakery of experiences, some more contingent on others, some more independent.

so when the song “life is long” came on at the end of the grace and frankie episode while i was on the treadmill and david was on the bike i was struck by the lyric “sawed in half by the passage of time”. i spoke into my phone recording the words i had just heard, words that made time pause like the button on the netflix video.

and i stared into the timeline in my mind, thinking about life sliced up like pie – a little less vigorously than a saw – but with just as much impact.

*****

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way past time. [d.r. thursday]

she was sitting at a computer desk, a colleague at her own desk behind her. she asked, “what’s the difference between being assertive and being aggressive?” her colleague turned and replied, “your gender.”

the cartoon on facebook made me stop in my tracks. “this captures it better than any dissertation on gender inequality,” i thought. “sad, but so true,” i commented in the little fb box.

yes. it is way past time that the interpretation of women’s words and actions be viewed through the same lens as men’s. it is way past time that women’s intentions be measured with the same stick. it is way past time that women are respected for their strength, their power, their initiative, their intelligence, their skills, their talents, their creativity, their education, their experience, their motivation, their confidence, their risk-taking, their candor, their emotional intellect, their multi-tasking, their persistence, their sisu. it is way past time that women should be expected to simply be sweet. it is way past time that misogynistic men should be allowed to subjugate women – in any way. it is way past time that women be treated equally. it is way past time that you should have to look at an experience and say, as a woman, “if i were a man, would you have handled me this way? would you have spoken to me like this? would your behavior toward me have been acceptable? would you have pushed me down? would anyone have spoken up?” it is way past time for egalitarianism. way, way, way past.

we walked out in the county, sun setting in the western sky. the sunflowers rose high above us, glorious, though waning. is it the end of summer or is it the beginning of fall?

what do you see?

*****

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the air of the complicit. [merely-a-thought monday]

the snow was untouched. our steps, way over our boots, made the first tracks and it’s visible in the photograph where we chose different paths, where we broke off and went different ways. across the snowy field we trod, heading north, heading south. our tracks would not cross again unless we turned, faced and walked toward each other. otherwise, they would not. a snow-simple illustration of division, an illustration of disunity, of not walking together, of estrangement.

having just passed by the second senate impeachment trial for the person who used to be the president of this country, no far-reach into the recesses is necessary to exemplify this quote or this photograph. without getting into the nitty-gritty details, and gritty they are, the insurrection at the capitol was ghastly. but the incitement of the fervor and the lack of responsibility placed upon the powerful inciters was egregious. the positioning of those grasping onto their jobs rather than their integrity was appalling yet predictable. the snowfield was divided; a chasm of incoherent morality between the tracks of those who walk in capitol halls. the evil remains, sticking to the floor, the walls, the offices, the grand rooms…in all the places that people-who-did-nothing occupy, in the air of the complicit.

momma would say, “speak up!” and speak up i did.

in the late 70s i spoke up. there was a man, a leader, who was sexually abusing young women in my town, me included. i spoke up. i spoke out. i reported it to the people-in-charge, to the parents of these young girls, to the authorities. it was a different time for victims of molestation and it is revolting that this man was never held responsible for the way he changed each life including mine, a forever arc of impact. though his hideous actions remain unpunished, and his threats on my life back then were terrifying, it would seem that at least some of the evil moved on in the rush of air that speaking up provides. impacted forever but not silent, not in dark shadows of aloneness. you simply cannot watch someone do evil and do nothing about it. even when you are in some way imperiled. even when it’s scary.

momma said, “speak up!” and speak up i do.

and i wonder. i wonder about people who don’t, who watch evil and do nothing about it, who hunker down and just mind their own business, who figure that anything that doesn’t directly affect them doesn’t really matter, who get lost somewhere in the chasm of incoherence. those not willing to ask questions, not willing to speak up, to speak out, to speak for, to speak against. or, worse yet, those who are propelling falsehoods further into the world, never pondering their actions or the actions of leadership, never measuring them against truth. i wonder what they would do were they to personally feel the assault of evil – anywhere on the spectrum of questionable to inappropriate to shockingly grievous. i wonder why they jump on unlabeled bandwagons to mystery destinations alongside people-with-authority-but-without-veracity, people-with-authority-but-without-moral-compass, people-with-authority-and-with-unchecked-personal-agenda.

i wonder why they trek through the snow, never turning to face in, never trying to come together, to challenge evil, to reconcile, to unify.

*****

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pink and strong, SIRS. [k.s. friday]

hmmm. substitute “HE” for “SHE”.

it is doubtful – even maybe unthinkable – that this same post from a recent CNN article, a quote by Katherine Heigl, would read, “i may have said a couple things you didn’t like, but then that escalated to ‘HE’S ungrateful,’ then that escalated to ‘HE’S difficult,’ and that escalated to ‘HE’S unprofessional.'” and why is that?

when is the last time you experienced gender bias? when is the last time you experienced gender discrimination? when is the last time ‘preferential treatment’ wasn’t referring to you? when is the last time someone thought it was ok to speak condescendingly to you? when is the last time you were the target of harassment? when is the last time you were the recipient of inappropriate diminishment at work? when is the last time your employer made it clear to you that you were dispensable? like katherine heigl, when is the last time you were told you were ungrateful? when is the last time you were told you were difficult? when is the last time you were told you, as a professional, were unprofessional? if you can answer these questions without a great deal of memory-culling, you are likely a woman.

so, why is this? why did a powerhouse actress have to endure this branding? why does any woman? in this article about ms. heigl, she stated, “the more i said i was sorry, the more they wanted it.” she continued, “the more terrified and scared i was of doing something wrong, the more i came across like i had really done something horribly wrong.”

endless and looping. created by a male-dominated system to hold powerful women, women-who-speak-up, women-who-make-a-difference, women-who-push-back, women-who-point-out-inappropriateness – in check.

and it still – even in 2021 – works.

in the cambridge english dictionary, gender bias is simple: “unfair difference in the way women and men are treated.”

according to a report by the united nations, in 2019 women held merely 28% of global managerial positions. astoundingly, this percentage 28% is nearly the same as in 1995.

wikipedia gives shape to gender bias: “leaders are expected to be assertive, so women who act in a more collaborative fashion are not viewed as leaders, but women who act assertively are often perceived as too aggressive.” what??!!

jennifer lawrence, in an article for harper’s bazaar said, “”i’m over trying to find the ‘adorable’ way to state my opinion and still be likable! … i don’t think i’ve ever worked for a man in charge who spent time contemplating what angle he should use to have his voice heard. it’s just heard.”

how many times have you tried to have your voice heard? how many times have you reached out or responded in a nice-nice voice, the “adorable” voice (ala jennifer), in an effort to not escalate a situation? how many times have you alerted others to a predicament, yet they did not do anything to help? how many times have you been silenced, by the shushing of higher-ups, the lack of mature questions and answers, a conversation back and forth like all good chinwags, like all good and professional collaborations, or worse, the retaliatory actions of a superior? how many times have you been disregarded and scared?

meryl streep, interviewed in 2011, said,”no one has ever said to an actor, ‘you’re playing a strong-minded man’. we assume that men are strong-minded, or have opinions. but a strong-minded woman is a different animal.” why?

jennifer lopez railed, “i’ve always been fascinated about how much more well-behaved we have to be than men.”

michelle obama, during an interview in 2018, said, “keep fighting for gender equality, even if it makes people uncomfortable.” referring to the uptick of open and candid stories from the #metoo movement, she added, “the world is, sadly, a dangerous place for women and girls. and i think young women are tired of it. they’re tired of being undervalued. they’re tired of being disregarded.”

ariana grande, in her fight against patriarchy, is quoted, “the incredible double standards that we [women] face on a daily basis, in the industry and just in the world, it’s shocking.” she stokes hope, “i have a long list of things i’d like to change … i think, judgement in general. intolerance, meanness, double standards, misogyny, racism, sexism. … that’s what we need to focus on. we’ve got work to do.”

oprah winfrey is quoted, “i was once afraid of people saying, ‘who does she think she is?’ now i have the courage to stand and say, “this is who i am.”

my amazing and beautiful daughter, a professional coach and instructor, carried a tourist’s skis up a mountain the other day. she was also carrying her snowboard and i imagine the extra baggage was a bit cumbersome, but she recognized that this other woman needed a bit of help. she arrived at the top of the mountain to hear a man making fun of this woman’s husband for not carrying her skis. he referred to my girl as a “little snowboard instructor”. i can see her rolling her eyes from here, over a thousand miles away. she wrote on her IG that “girls gotta support each other when (they) can.” but, the icing on her gender-cake post?

she added, “also, i’m a strong little snowboard instructor, SIR.” yep. she is.

now we all need to be katherine or jennifer or meryl or j-lo or michelle or ariana or oprah and maybe we, too, will be heard. or maybe their words will help us all on this never-ending gender-journey. women helping women.

because, yep, we are strong, SIRS.

*****

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1980. no balloons. [k.s. friday]

no balloons

1980.  it’s not often i have listened to this song since four decades ago when i recorded it.  i was a mere 20.  listening to it warbling now, in the way that only old cassettes can warble, has been a mixed bag:  this cassette master, with little studio experience, with reel-to-reel recording, with no auto-tune for my young nervous soprano-ish voice, with too-sweet flute lines and picked guitar, measures-too-long-instrumental-interlude; i am catapulted back.

it is shocking to hear the innocence.  it is shocking to hear the pain.  if my wednesday post this week was too much, i would hasten to add that this will be as well.  this is a song about stripping a young woman of choice, of what should be the blissful love of first intimacy, of no justice, of no opportunity to process.  it’s the story of sexual assault in the late 1970s.  it’s the story of sexual assault any time.  it changes everything.  every trajectory.  it’s my story.

NO BALLOONS is a song of the times.  especially for someone who listened to john denver, james taylor, carole king, joni mitchell, bread, loggins and messina, america, england dan & john ford coley, the carpenters – the A-team of verse-chorus-verse-chorus-bridge-interlude-chorus.  simple melodies, simple instrumentation, simply written, simply sung.

i can’t believe i didn’t write it in the vein of led zeppelin or kiss.  it should have been a screaming heavy metal song, full of pointed weapons of anguish, of power-stripped anger.  instead, it sounds like a sweet love-gone-bad song, “you take away my hopes, my dreams, you give me no balloons to fly.”  only it’s not.  it’s about no air.  no breath.

“and now with my eyes closed, i no longer see the pain in yours or feel it in mine…”  and that was a product of the times as well.  i closed my eyes and silenced my voice.  i stopped feeling it.  or did i?  “and i cried as long as the rain lasted and when it stopped i stopped.” was it really that simple?

until this week i really never thought i would share this song again.  after all, the song is 40 years old; i’m an alto, perched firmly on the tenor shore.  but somehow, between the #MeToo movement and the swirling-around-us-in-the-world-contention and public court battles in recent media and the lack of regard for those who truly need help or healing and my aunt’s texted article and the weeping inside of my younger-self and my silenced-silence, it felt like it was time to be vulnerable and candid and believe that our muddy-boots-narratives might make a difference for someone else.

we each have a story, a timeline, an arc that takes us through this life.  things we want to remember in detail, things we desperately want to forget.  things we have lived boisterously out loud, things we have lived in despairing silence.  the tapestry that holds all these threads together is the soul of our experience, the way we can hear others and truly listen, the empathy we can employ in a world that seems to cite MeFirst instead of UsTogether.

i wouldn’t wish this experience on anyone.  i’m pretty sure that every day since those-dark-days-in-the-late-70s i have both been affected and have effected because of them.  i have made choices and non-choices, taken action and had reflexive reaction.  i have searched for answers.

but i also know that my heart was blown open.  i am not standing on a different rung of the ladder, too high up to understand or remember, too discurious to ask, too blinded to see, too discriminating or apathetic to care.

i am next to anyone who needs me to listen, really listen.  i am next to anyone who needs me to jump and catch their balloons before they have flown too far to reach.

 

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NO BALLOONS ©️ 1980 kerri sherwood

 

 


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impact. the smallest among us. [not-so-flawed wednesday]

impact 2 copy

my aunt texted me a link to an article that was published in a long island news source.  the state of ny recently enacted the child victims act, extending the statute of limitations for a survivor of child sexual abuse in criminal and civil cases.

the article she sent was about a woman, now 58, who alleges sexual abuse by a music teacher in her middle school years that extended into her high school years, a young woman whose first sexual experience was forced upon her by a man twice her age.

i just re-read the article online, which had 70 comments by readers, a mixed bag of revulsion, outright indignation and seething condemnation.  people who claimed this woman was lax in her non-reporting way-back-when and was now after the money in a civil suit.  people who knew that this music teacher had been assaulting young girls for years and years, whose pedophilia was ignored by the administration and who were now cheering for the uncloaking of the mantle of silence, a journey to possible justice.  people who were sickened.

i alternatively sobbed and couldn’t breathe trying to click on this article on my phone when i got the text.  i needed to download an app, couldn’t think straight to remember my apple sign-in; i was not at home and was anxious to get there and read in the safety of our kitchen.  i was sure that i knew who this un-named alleged perpetrator/rapist/pedophile was.

when we got home, i was able to download the app and read the article aloud.  no name was mentioned of the man-who-was-accused-of-heinous-acts-with-little-girls, but a school location was and it was then i realized that – in two different towns, side-by-side, in the late 70s – there were at least two men who made it their mission to prey, to take the virginity of young women and forever change those young women’s lives.  the man who stole my innocence and the innocence of girls i tried in vain to protect was a different man than the one in this article.

there was no victim-witness division in the prosecutor’s office back then. in an all-too-common story, not one of the assaulted pressed charges.  as far as i know, both of these men walk freely about, wherever they live.  the smallest among us may still be suffering their disgusting acts.  i can vouch for the fact that the fallout of the act does not end; this breach of trust, this contemptible forcing of will, the abhorrent power-wielding by another leaves fossils in every cell.

we stumble into small-but-profound acts of impact.  people donating used mascara wands to aid in the cleansing, and thus, healing, of small wild animals in need of care.  donations of suitcases to foster care agencies to give children a place, besides a plastic bag, to keep their tiny collection of belongings.

it may not balance out the atrocities, but these gestures, these initiatives help.  we are responsible for each other.

protecting the smallest among us.  the children.  the creatures.  why can’t this be the most important?

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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count on you [k.s. friday]

count on you song box copy

i drove back and forth and back and forth to nashville when i recorded this album, each time returning with a cd of the work we had done on the album.  i’d play it numerous times, taking notes to share with my producer, re-writing, practicing, sometimes sharing the songs-where-they-were-at-the-time with others.

joan was the one who told me i needed a “strong woman” song included on this album.  so i walked across the street home, directly into my studio and wrote one.

now, this isn’t my favorite song – it’s a little kitschy if you ask me – but i have had many tell me how much they like it and one of my favorite performances of it was when beth’s students sang it.  (i was long-term-subbing for her. she’s a dear friend and an amazing choir teacher in a middle school in our district.)  those kids really rose to the occasion and kitschy fell by the wayside in favor of strength and power and belief in themselves.

recently d and i listened to some of my first recordings.  they were from 1979-80 and recorded in a studio in a town called port washington on the north shore of long island.  i had found a cassette (now isn’t that retro word dating me!) and we have a boombox (another retro word) that plays cassettes so we settled in to listen to the three songs on what would now be called an EP.

one of the songs is called leaving and is a song i wrote for my parents as they retired and moved from our long island home to florida.  i remembered that song well.

the other two?  well, it’s funny.  i could sing every word, but i didn’t remember the intense emotion behind them.  THESE were my #metoo songs, i discovered (rediscovered?) as i listened.  one of these days i might share these songs, not because they are great songs but because they are truth and every artist has songs that are life-defining.  not the ones necessarily that chart (although those are lovely, indeed!) but the ones that speak from deep inside, with lyrics or music that must be spoken.  these two songs were written by a vulnerable (and pretty angry) young woman who wanted to unleash the power of her crayon and live out loud, who definitely wanted to live without fear, who tried hard to break away from an experience i still would rather forget and who prayed – alone at the time – beseeching words.  all this is what i wrote about in this week’s melange.

my heart goes out to all those women who are also card-carrying #metoo survivors.  the out-loud ones and the silent ones.  my wish for each of you: unleash your crayon, live without fear, break away, pray with another, count on you.

from this song of today’s melange post COUNT ON YOU, which may be more #metoo and less kitschy than i thought,  “just move forward and then believe – you gotta trust…in you.”

DOWNLOAD the song COUNT ON YOU track 12 AS SURE AS THE SUN on iTUNES or CDBaby or purchase the CD on kerrisherwood.com

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COUNT ON YOU from AS SURE AS THE SUN ©️ 2002 kerri sherwood


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face your giant – save the beanstalk [flawed cartoon wednesday]

save beanstalk FRAMED ART PRINT copy

beanstalk MUG copy

when he was a kitten, i wanted to name our cat ‘jack’ but The Girl and The Boy objected.  to me, he looked like a ‘jack’ in the way animals look like names, plus every ‘jack’ i could remember meeting had been a really nice guy.

and, in line with my nice-guy-jacks, this jack – the one with the ‘save the beanstalk’ picket sign – is a nice guy.

another case of little-guy-vs-big-guy, jack just wants to face his giant, save what is good, fight for that which he worked hard, keep what is his safe, preserve what is organic and part of the earth.  i immediately think of the many marches across our country.

beanstalk FACE YOUR GIANT BEACH TOWEL copy

beach towels

speaking their minds, good people are making an effort to face their giants, save what is good, fight for that which they work hard, keep what is theirs safe, preserve what is organic and part of the earth.

i believe that good prevails over giants, in the long run.  sometimes, the long run is waaaay long.  but good prevails.  and beanstalks grow and flourish.beanstalk FACE YOUR GIANT LEGGINGS copy

 

 

 

 

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