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masquerade. [kerri’s blog on two artists tuesday]

it may have been the moon, save for the blue sky behind it, slight bits visible as the cloud cover momentarily parted. it may have been the moon had it been dark, had those tiny bits not been visible, had the glimmers of yellow not diffused through clouds. it may have been the moon, particularly if we had no other information at all, no other clues, nothing else to locate us. in that way we may have confused the moon with the sun.

but this celestial body had other dimensions, other hints pointing to its identity.

the sun was not posing at the moon. it was us – we were simply unclear – and we were reading this particular sun as very similar to the moon as we have seen it in the day sky. its ability to masquerade as the moon is particularly present on winter days, on days of overcast, days where the sun’s disc has a moody feel, on photographs not stamped with the time of day.

it would be far more difficult for the moon to pose as the sun.

a long time ago my daughter and i went to a country music jamboree on the other side of the state. my girl was maybe in early high school years. in the morning – before the sun rose – we drove across the state to go hear some of our favorite country artists – many of whom hadn’t yet made it big-time, but who were poised to headline charts everywhere. on the way we somehow decided that we would speak – the whole time at the jamboree – with southern accents, pretending to be from nashville.

and so we did. everywhere we went that day, everyone we spoke to, every word we spoke to each other, every lyric we sang was smoothly finessed with a slow southern drawl. we were mighty convincing. on the way home we laughed at our masquerades as southern girls up from the south to go to the jamboree in wisconsin. great fun and with no harm done. to be fair – it was a country music concert and we were merely attendees.

but, now, we are seeing – time and time again – people in positions of great power – the greatest power – with zero to pathetically few qualifications – masquerading in job titles in which they are making enormous decisions affecting the entire united states populace. it is a total, unparalleled farce of the system, dangerous beyond comprehension.

the saddest part is that there are plenty of people playing along with this charade. there are plenty of people who are cheering for it, supporting it, touting it on biased and lying media channels. there are plenty of people not questioning, not pushing back, not at all tuned into any sense of morality.

it should not be easy for the leaders of this country – with laws based on the constitution and its amendments – to pretend to be capable, to take uncaring power and run with it, to discard conscience, to masquerade as leaders, to lead with impunity.

it should not be easy for anyone to pretend to be the moon or – for that matter – the sun. we have more information than that, more clues. we have ways to locate posers.

now we must hold them accountable.

*****

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a changing sculpture. [kerri’s blog on two artists tuesday]

we were waiting in the examining room. i had a doctor’s appointment.

we were surrounded by beige and all manners of brown.

i said aloud, “if i had a doctor’s office, it would not be decorated or appointed in shades of beige and brown. it’s all rather flat and depressing.”

i suspect – for the same reason i said that about the office – you might say that about this photograph. you might even say that about this trail – for much of it is bathed in beige and brown, the reeds along the river, cattails, leafless trees, and dry underbrush populating the trailside.

but it’s different.

these shapes and textures are completely engaging. there has been a giving-over to nature, an organic timewornness that has taken place. and in this flower’s stead has been left a stunning sculpture, full of light and dark. you just have to see it.

in the new eyes i have since going slower, i feel drawn to each of these. i could be completely happy lingering on the trail, photographing one after another of these dried flowerheads, each distinct, each stunningly beautiful. the tall and stately, the rounded, the wishing seeds clinging to the rough edges after floating on the wind. so much life in so much fallow.

my sweet momma – at 93 – would look in the mirror to apply her lipstick. she’d frown and grimace, “i look like an old woman!” i’d assert the obvious – “well, momma, you are 93!” and then, looking into her blue eyes i’d tell her – “a beautiful old woman”. for it was those very wrinkles, those spots of age and wisdom and experiences, those eyes that told a million stories of love and pain, summit moments and disappointments that gave her the actual depth, the texture, the light and dark to BE beautiful.

i look in the mirror, glance down at my hands, get on the scale at the doctor’s office – i am a changing sculpture. i frown, i grimace.

and then i remember my sweet momma. and i remember the flowerhead on the side of the trail.

*****

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the stars and us. [kerri’s blog on two artists tuesday]

there are moments when it takes some extra energy to get out from underneath a warm sherpa throw blanket. it was dark. we had eaten dinner. the olympics were on. dogga was sleeping on the rug. we were snugged under the blanket, warm and cozy, tired after a long week. i could tell that neither of us was necessarily motivated to get up and go out.

but we did.

and, for that – the tinygiant bit of effort it took to move the blanket, put on boots, grab our coats and hats and gloves and keys – i am grateful.

one of the local parks was having an event friday night – a candlelit self-guided trail hike – to celebrate valentine’s day. it is one of our favorite local trails through the woods and so we had reserved tickets ahead of time. only….in the way that actuallygoing gets in the way of lazingaround….we had to buck up and go.

like i said, grateful.

we’d reserved the latest time slot, thinking there might be less people on the trail that way. we needed quiet, to be surrounded by familiar trees – even in silhouette – the inky sky above, stars twinkling.

we hiked it twice. the first time there were just a few other groups. the second time we were absolutely alone.

it was exquisite.

with just simple luminaria bags here and there showing the trail, we hiked along in the dark on a path we know oh-so-well in daylight. we’ve hiked it also as the sun sets, lingering and finishing just before dark. but this time…

we spoke a bit as we walked, but mostly listened to the sound of our boots crunching on what remained of the snow. it was the perfect end to our day and our week, and the perfect backdrop to the conversation we were having about d’s 65th birthday the next day.

he asked me how i felt when i turned 65 and i shared the myriad of feelings i had as that had approached.

mostly, i told him, i felt like it was freeing. i felt like i no longer had giant expectations or convoluted ideas of what success was. i had a different measure of achievement. i felt like it was easier to understand presence, being right where one is. i felt like some things – things that don’t really matter – just slipped away, like a silk scarf.

and, the thing i really realized was that i was just like the stars above us on that trail that very night: just a bit of dust that got to be, that had the good fortune of life, of time present on this earth.

the candlelit trail was the sweetest way to spend friday night. nothing extravagant, just the woods and snow, the stars and us.

sooo worth getting out from under the blanket.

*****

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and in it you. [kerri’s blog on two artists tuesday]

many, many years ago a dear person said to me, “i see the full moon out my window, and, in it, you.”

like you – especially if you are a woman – i have had a mixture of flattering comments and detritus thrown my way. this one sentence – spoken to me so long ago – stands in one of the most complimentary spots. it wasn’t sugary sweet, nor cajoling. it wasn’t smarmy; it wasn’t even ingratiating. there was no endgame, no agenda. there wasn’t even any expected response. it just was.

i thought about this the other night while i lay awake in the wee hours. from my cozy spot, out the mini blinds to my right, i could see it – the full moon. and every time i see the full moon, i think of these words.

i don’t think that the person who said this to me knew what kind of a gift they were giving me. i don’t think that they knew i would carry these words for decades. they are tucked in, ready to be plucked and re-heard in the cassette tape of my memory at any moment. they are words of value, words of connectivity, words of great love.

for how often have you stood on the ground-dirt of this earth and looked up at the moon…knowing full well that this – indeed – is the same moon we all see, the same moon that shines on all earth, the same moon above everyone’s piece of ground? when every beloved, every family member, every friend, every person of every single social identifier looks at the moon, it is this moon. no other.

we each – here on this earth – simultaneously inhabit this very moon. we each are a part of its light, privy to its lunar cycles, part of the tide of this earth.

as we watched the olympics opening ceremony, i jotted down many of kirsty coventry’s words as the president of the international olympic committee.

she spoke the african word “ubuntu” and i – a part of the earth and of the moon – immediately was drawn to it.

for ubuntu is translated to: i am because we are.

yes.

she continued, “we can only rise by lifting others…respect, support and inspire one another.”

and “the best of humanity is found in courage, compassion and kindness.”

is not each of us held to this basic moral standard? is not each of us obligated to feel gratitude for a place on this earth? is not each of us – as seen in the moon – here to illuminate the rest of earth, to bring light to others, to be light?

*****

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the wheel. [kerri’s blog on two artists tuesday]

in the back corner of the storage room – up on the concrete ledge, behind the boiler and the hot water heater, in a bit of cobweb – sat this the metal wheel. next to it was a plastic exercise ball for small rodents and a water dispenser from a habitat used decades ago.

we took them off the shelf and i washed them all off, thinking i could give them away to someone who might have a gerbil or a hamster, saving them from purchasing these items.

but it had been decades since i’d used them – our children were little when we had these tiny pets.

so i decided i’d best do a little research to make sure these were still safe.

they are not.

come to find out that the plastic exercise balls don’t have enough airflow and the metal wheel has been the source of injury for these tiny creatures. into the trash they went.

that wheel, though.

both d and i looked at it and then at each other, rolling our eyes. the wheel – the subject of one of our flawed cartoons – a statement piece.

as artists we are used to less. it’s built in to our dna, it seems. we have stepped to the side of the wheel – choosing something different than the norm, different than the 9-5, with a different imperative, with different rules, different expectations, and with clearly different financial rewards as well. without the security of tenure in an institution or corporation and its advantages (particularly in remuneration, advancement, healthcare plans, retirement), we have forged a different path. we have avoided the faster-faster-faster of the wheel, but not without sacrifice.

most of the populace, however, have chosen more traditional routes and now we are watching the administration destroy those, destroy their stability, destroy the respect due each of them.

at the time of this cartoon’s drawing, my own interpretation of it was more of a boss-worker cynical take.

in these times, one quick look at it in the cartoon files and it took on a life of its own:

the oligarchy vs the people.

because – well – it’s obvious, isn’t it?

the haughty, condescending, inflated, pompous hubris – standing around in their opulent affluence – rolling in it – their plenty – while the rest of the people – the real people – work ever-ever faster to get nowhere – to have not-enough.

i’m glad the wheel went in the trash. it’s where it belongs.

*****

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the trail comes to us. [kerri’s blog on two artists tuesday]

ahhh….i miss this place.

as i write this, it is a feels-like of -41 degrees outside. the actual temperature is -14. we are staying inside.

this is one of the bends in the trail i really love. as we come around this outer perimeter of the trail – a section beyond which we have explored with good boots and warm weather – i know that the stand of pines is coming. and with those pines, the scent…

we stocked up before the big freeze. going to the supermarket is astonishing each time we go, so this time was no different. we had a list – and shopped to the list – though we did buy a small bag of cape cod chips not on the list – but it was still a small fortune. we didn’t want to have to go out to resupply in the frigid arctic blast.

not to mention the fact that this time – this time in this world – oddly and horrifyingly suspended – feels overwhelming.

it’s a little bit risky writing a post ahead of its publish date, particularly now. anything could happen, it seems. and we don’t want to seem – or be – tone-deaf.

in the moments of stepping away from all that is happening – and they are merely slight moments – we seek any source of reassurance, any source of comfort, any source of grounding. we try to get good sleep, eat well, drink water, exercise. we try to find things to laugh about, things that take us away from the chaos. we hug the dog. we listen – still – to george winston’s december album. we hike when we can. we plan distractions.

but we’ve cancelled some meaningful plans, things we had on our calendar for months. things we’d been looking forward to. it was disappointing to do so, but we recognized our limits – physical and emotional – and decided to be adult about it.

yesterday, sitting on the old deck glider in the living room, looking out the front window, i tried to reason with myself about it. cancelling plans and tickets and such is not just a nod to the weather or to our personal limits.

it is a deep sigh of the exhaustion we feel as we navigate – with the pummeled populace out there – the current world, the devastation we feel about our country, the shock our hearts register each and every day as we stay as plugged in as we can manage about everything that is happening – rapidly, with no brakes.

sometimes, i guess, one just has to stay still, to sit still, to stare out the window.

and sometimes the trail comes to us and wraps us in it, hoping to assuage our fears, to calm our hearts, to stoke our courage.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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the notion of chartreuse. [kerri’s blog on two artists tuesday]

we recently saw a car of this color. it was a small vehicle, so it wasn’t an extraordinarily loud splash of chartreuse, but it was bracing nonetheless. i’m pretty sure this person has zero difficulty finding their car in a parking lot. kind of like people with hot pink rollie bags or wild print suitcases – as these bags come down the baggage claim ramp onto the carousel – along with hundreds of indistinguishable black suitcases – the owner happily swaggers up to the conveyor and – without a single doubt – claims their bag. maybe the owner of this car has a rollie bag like that.

no matter what, i remembered seeing this vehicle and maybe that was the point.

littlebabyscion is kind of a car like that. it is different and sticks out. not because it is fancy, not because it has any – really, ANY – bells and whistles. but because it looks different. despite the fact that it is black – i could have gotten it in copper or various other colors – it has a personality unlike other vehicles i have owned or driven. as this vehicle ages and rapidly approaches the 300,000 mile mark, i have some anticipatory grief about its tenure in our life.

big red – our 1998 ford f150 – is big, guzzles gas and doesn’t really zip around town in the same way as LBS. one has to be ever-conscious of its size, particularly in parking lots. one has to be ever-conscious of its lumbering, particularly when crossing traffic or entering highway on-ramps. zero to sixty is not its forte, so we allow a lot more space and time. big red’s personality is a bit cumbersome, a bit ungainly, but well-loved nonetheless, though every now and then it painfully surprises us with some of its 1998 parts parting ways.

even as we know we are in no position whatsoever, we find ourselves pondering what might be next. and that brings me to chartreuse.

as two artists we have always poked at the envelope. we’ll wear jeans and boots when no one else will. we’ll ride the edges of economics when most would shudder to even skirt them. we’d rather have a carried-in pop-up dinner on a trail than dine in haute cuisine. it’s a way of life to be vulnerable.

i stopped under the tree out on the trail, reveling in the color of its needles against the sky. it felt like spring – like an early march day – with only vests on instead of coats, my gloves carried in my pockets.

in the middle of the chaos that is this country right now, it felt good to breathe in some fresh air – damp with melting ice, on the edge of brisk but not quite there. it felt rejuvenating – this color. it felt hopeful.

we came home from the trail and listened to a podcast, watched a couple of updated news videos. i could feel the tiny vibration in my chest start back up again. we shook our heads at the impunity of this country’s leaders. i could feel tears welling up.

i opened my phone to look at photos i had taken on the trail, out in the forest, to look at this photograph.

and i reached out and tightly held hands with chartreuse – not just the color, but the whole notion of it.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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but the froot loops! [kerri’s blog on two artists tuesday]

the trail was a mixture of ice and mud. in some spots – where the woods doesn’t let in as much sun, there was still snow…with evidence of hikers, horses, some kind of atv tracks.

we needed to get out on the trail. it had been several days since we’d gotten there.

this trail, as I’ve shared before, is the place where we do much sorting. it is the place where we re-center when we feel disoriented. it is the place where we speak of celebrating, where we acknowledge grief. it is the place we can talk or be silent – and either way – in both conversation and silence, we are fully communicating.

so, pulling up our turtles and foregoing any imperative to keep our boots mud-free, we started walking.

in the quiet of these woods, the pastel sun sinking lower in a slowly-graying sky, stark trees as sculptural interruptions with the horizon, thoughts have a way of making their way to the forefront, unimportant stuff drops off, existential takes the limelight.

it was a couple days after this country we live in invaded venezuela, a couple days after a citizen right-around-the-age-of-my-own-children was shot three times in the face and killed by a government agency, which then went on to demonize her.

there are moments when i literally cannot imagine what it must feel like to believe – absolutely and without a doubt – that you are the most powerful person in the world, you are the smartest person on the planet, you are better than anyone else – anyone, anyone, anyone, ever, ever, ever. this kind of exponential narcissism is beyond anything i can comprehend, a complete and utterly ego-driven attitude beyond the pale. the callousness, the cavalier mob-boss certainty, the self-devotion is revolting. being witness to this is living inside this person’s sickness – and, as contagious as it is if one is a sycophant – to which, indeed, we bear witness – for me, it is nauseating, incomprehensible. appalling doesn’t begin to cover it.

we hike because it helps us sort to clarity. even with all the innate complexity of the forest, the ecosystems present, the symbiotic relationships in place, there is still not much that is complicated when you are hiking through. it is all there – surrounding us with beauty and simplicity, the goodness of planet earth.

to juxtaposition that with the hideousness of an administration that is warped beyond comparison is to walk in some sort of unreal reality. this place – these woods – make sense. in the way that winter falls upon the land, the leaves have fallen, the underbrush is in fallow, the land is simply waiting. this place – this nation – makes no sense. in the way that this winter falls upon the land, cruelty has beset us, goodness as-a-country is nowhere to be found, the land from-sea-to-shining-sea is waiting…for its soul to return.

for right now, the clarity that is evident, the thought that i literally cannot imagine but is ever-creeping-forward, is clear-eyed and colored with the horrors of democracy being dismantled – right before our very eyes.

and i wonder about those who find this worthy of cheering. i wonder about those who are aligned with the miserable, vile nature of people in current leadership. i wonder about those who believe in the mass deportations of their neighbors, the abject sadistic horror inflicted upon the populace, the removal of medicaid, of childcare, the endangerment of the LGBTQ community, the loss of affordable healthcare, the unemployment, the cost of living day-to-day, the loss of absolute sanity regarding actual medicine, actual research, actual science, actual healing, the dissolution of international agreements for safety and peaceful coexistence in the world. i wonder how it is that their brains – and hearts – have bought into – hook, line and sinker – this vacuous, ill-intended, dangerous administration.

many of these people were one-topic voters. their immaturity – and their ignorance – are evident. it is shameful that they did not look beyond their one flag-in-the-sand to seek actual clarity about the bait-and-switch in which they were participating.

because now – the thing they can say – as their country teeters dangerously close to falling to authoritarian fascism – is that women have no choice about their own bodies or that we don’t have to succumb to “socialist” healthcare or that we are cleaning out the “dangerous criminals” and, mind you, everyone else with skin color they don’t like or that they don’t have to worry about government oversight over or taxation of their big money and that air will be clean – only it won’t – and it will be deregulated and filled with fossil fuel particulate, and that water will be clean – only it won’t – and it will be deregulated and continue to be vulnerable to pollution and long term harmful pfas, and that crops will be clean – only they won’t – and deregulation on pesticides and fertilizers and sustainability and public health protections will add fuel to the dangerous fire and then – my personal favorite, surely the heartbeat of a healthy country – that their froot loops will soon – in 2027 – finally, finally, finally be safe.

these people – clearly – need to take a walk in the woods.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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just in case. [kerri’s blog on two artists tuesday]

(about this week: there is a peril, it seems, to writing ahead these days. we had decided that this week – the first full week of a new year – we wished to use images of light as our prompts, we wished to linger on the possibility of light, of hope, of goodness. though our blogposts might stray from that as we pen them, it was without constant nod to the constant updating of current events – a mass of indefensible, unconscionable acts. we pondered what to do about these blogposts we had written and decided to keep them. we hope that – even if any absence of the happenings of the day, even in the chance these written words seem somewhat inane at this moment – you might know that those events – of corruption, illegality, immorality – do not distill or distort our intention – to bring light and hope to this new year – the first days of which bring more insanity and unnerving instability. we are still holding space for light.)

and so…

we didn’t burn the chiminea this past summer or fall. but it sat outside in our backyard, waiting, just in case.

and when winter came and we were in the middle of the middle of rearranging and sorting and all that other stuff I’ve been writing about in the going-through of one’s trappings and baggage, we looked over at it waiting and decided to bring it inside.

we tucked its gorgeously sculptural clay form into the corner of the sunroom, eliminating a high stool we tended to pile upon, simplifying the space. we added a strand of happy lights and a timer and we placed a heart-leafed philodendron on top of the chiminea’s cap.

we stepped back to see it. to decide.

the chiminea has been there every day since and every day since we have exclaimed (yes – exclaimed!) how much we love the chiminea there – inside – in our sunroom – across from the backdoor – tucked in the corner – lit.

i suppose were you to step into our house you might wonder about it. we have these two chunks of concrete, a salvaged architectural column, a reclaimed repurposed piece of old desk, a weathered deck-glider, old suitcases, driftwood, an aspen log, old doors as tables or propped against the wall. in my studio there’s a metal slatted swivel patio chair topped by furry pillows, an old stool, the skeleton of a lampshade. there’s a vintage mailbox with our house number in the bathroom that holds magazines, glass doorknobs that hold towels, an old black shutter that holds space. old coffee pots hold teabags in the kitchen and an old trunk holds a metal sculpture in the hallway. there are two old window frames on the radiator in the sitting room across from a small rickety farm table. and we haven’t gone upstairs yet.

sometimes we take a little walkabout through our house and talk about these things. we kind of glory in the repurposing of these old objects, otherwise possibly put out to pasture. i’d like to think of them all as just waiting.

relevance is a funny thing. like most everyone else, we could certainly go to the local furniture stores and pick out contemporary (as in at least this decade) pieces with which to furnish our home. we could have things that are more – say – typical, more – say – normal, less – say – unusual. but those would also be less relevant to us.

because we are just like the chunks of concrete, the old desk, the weathered outdoor pieces, the old doorknobs and coffee pots, the chiminea.

we are artists. always waiting to be seen. always creating. just in case.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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whatever it is that calls me. [kerri’s blog on two artists tuesday]

“whatever it is that calls us, that’s our path. and as we walk that path, we have a chance to shine forth who we are. it affects other people around us.” (richard bach)

we were talking about identity. in these later days, i have realized the nonsense of it all. in those striving-striding days of yore, younger versions of ourselves pushed for identity. we poked and prodded and molded and shaped and re-shaped our identity, pushing it out in front of us – as if to parade it, seeking validation. we – somehow in this society based so mightily on valuation – based our value on it. we let it rule us; we let it impact our decisions. we let it undermine our confidence. we let it stoke our egos. all of it.

and, suddenly, it all makes absolutely no sense.

so often, who we are falls prey to what we are.

he asked what we would do in retirement. i laughed. we’re already there. we’re doing it. it’s not a lot different than an artist’s path before retirement. it’s all-the-time.

we just are.

the path of artistry is not for the meek. it’s not a path of return-on-investment, for the investment of one’s heart far outweighs any yields, particularly in a society that underestimates its arts. it’s not a path of certainty, for scrappy is the only thing that is unquestionable. it’s not a path of sanctimony, for any sense of haughty righteousness must fall to the wayside of vulnerable creating. phony should not co-exist with authentic. caste should not co-exist with truthful art-making. all that pretense stuff – wrapped up in some version of identity in which one trembles when asked “what do you do?”

i’ll never forget a dinner i once attended, now years ago. seated in a fancy place with people i did not know, surrounded by those on ladder rungs i might not ever visit, i was asked that question, “what do you do?”

i answered that i was an artist…a recording artist….a composer…a singer-songwriter…a performer. the person – on that other rung – stared at me and gave a little laugh. “nooo, what do you REALLY do?” he asked.

i walk a path. i try my best to create. i try – not always successfully – to shine the truth of who i am, without bending or sacrificing the who of who i am. i try to affect others in a good way.

i know that there will be hundreds – likely, thousands – of cds with my name on them someday in some antique store. people will walk by and either give a quick second look or none at all. they won’t know who i was. they won’t know what i composed, the music i recorded and performed, the words i wrote. they won’t know what my voice – or even my laugh – sounded like.

but i will have walked a path that was mine alone. i will have joined hands with those i loved to walk alongside. i will have yearned and regretted and belly-laughed and wept. i will have realized that art – including music – is the answer to all the questions.

the deer prints will fade as the snow melts. it will be much the same for mine, i suppose.

were i able to go back to the linen-clothed table in the dining room of the country club, i should have looked evenly across the table and answered the guy who asked me what i really do, “whatever it is that calls me.”

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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