reverse threading

the path back is the path forward


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the turtles. [k.s. friday]

i think about the turtles. they are there in the warmer months, sunning on logs and rocks that jut out of the river. but, when it dips below fifty degrees or so – and stays there – they disappear. apparently, they dive down to the muddy bottom, their metabolism slows down, they require less oxygen. their mucky homes keep them safe as they bide time, these wise, long-lived creatures of the water and the land.

from time to time on the trail we look for them. we know where they hang out and have watched for telltale signs of small snouts poking out of the water. but then it got cold and we just missed them.

the river is alive with other wildlife. geese and a few hardy ducks, squirrels, deer – we see them as we hike.

but we always talk about the turtles anyway. just because we can’t see them doesn’t mean we forget about them. we know they are there – somewhere – in hidden spots, places they feel sheltered and secure. i think about what they might be doing. they are silent and the fallow is long. i trust they are sorting what is next, kind of like us.

he can tell you i worry about them, despite the fact that i know they are completely capable, totally self-sufficient, quite brilliant actually. nevertheless, i am more comforted by seeing the turtles every now and then – at least – than by wondering how they are faring. time keeps moving, though, and i keep hope that when it warms up and the turtles have a more secure sense of themselves in the world they will reappear, out of the suspension of presence. i’m hoping for an early spring.

i know that the turtles are aware i am watching for them and waiting. and the river freezes. and then it thaws.

*****

LAST I SAW YOU ©️ 1997, 2000 kerri sherwood

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it’s in our vote. [k.s. friday]

the midterms are rapidly approaching. the rhetoric is amping up. the tv ads, the phone calls, the billboards, the texts, the email messages, the political mail in the mailbox – all dedicated to sway our vote.

i realize that this is the way to raise money, that this is the way to get one party ahead of the other. many voters will elect to vote a straight party ballot. some will vote without asking any questions. some will vote without any information at all. some will vote for vapid minds, choosing the rough edges of spewed anger, covert scheming. they are voting on a bandwagon – with truth obscured – and haven’t looked past the exterior of the candidates.

i was chatting quite some time ago with a college professor. he was teaching a class three days a week and was talking about his experiences. “anybody can be brilliant for an hour and a half,” he quipped. i laughed, thinking how true that is.

but it’s the long haul that counts. it’s what’s at the crux that counts. i wonder what is in the center of what motivates the candidates we are considering. what is past the exterior, what are the things they affirm, believe in, wish to move forward?

anyone can look pious, even righteous, in brevity, for short spurts of time. but these same pedestalized people can bring to the table masked and unmasked agenda that is riddled with inequality, marginalization, discrimination, divisiveness, violence, a thwarting of social, racial, gender, financial equity all under the auspices of brilliance. it is our responsibility to peel back the layers, to poke through the season-of-midterm blahblah, to examine the intentions, the integrity, of the people we choose – truly, in every arena – to represent us.

how these people manifest in their communication, their compassion, their fairness, their steadfast evenhandedness, their actual brilliance – not the hourandahalf variety – should tell us something important. if a person does not represent the values we uphold ourselves, the ones we would lay out to each and every one of those we love, why would we elect that person to represent us, to reflect us? if our vote was revealed to our loved ones, our children, our family, friends, community, colleagues, would we take comfort, would we have pride, in what was revealed?

for it is in our vote that we truly show what is beyond the exterior. it is in our vote that we truly show what is in our heart.

*****

FIGURE IT OUT ©️ 2010 kerri sherwood

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i am an artist. [two artists tuesday]

i read it on a thread. someone commented to an author i follow. “never be shy about your work,” she encouraged. i took a screenshot.

never be shy about your work.

humility is a virtue, we are taught. desiderata reminds us, “if you compare yourself with others, you may become vain or bitter, for always there will be greater and lesser persons than yourself.” always.

but somewhere in there – in the spectrum between meekness and arrogance – is the space to be proud of what you do, to stand in it, to share it.

“what do you do?” people ask. many people can answer that in a word. as artists, it often takes a paragraph, all run-on sentences with no breath so as not to get that lost-in-space glazed look on the asker’s face.

when i broke both of my wrists, the medical staff wrapped up both of them, casting and explaining the possible ramifications of the breaks “at my age”. when i fell the second time on a wet floor and re-injured my right wrist to the point of it having a frighteningly small amount of range of motion, the specialists asked questions and each politely said, “i heard you play the piano” as if i sat around noodling, surrounded by porcelain figurines and teacups, playing chopin-light or maybe little easy-piano-pop-hits. i was literally hesitant (!) to speak and qualified my statement-to-come by saying, “i’m not saying this to be self-aggrandizing, but….” and then i continued, “but because it’s a fact that i have 15 albums out in the world and piano is my major instrument and this could change my life work.”

those specialists had no qualms about saying they were specialists. none. i wondered why i hesitated, why i was apologetic.

never be shy about your work.

i have worked hard in my area of specialty. i have struggled like any artist, have written on scraps of paper and flimsy napkins, have squeezed out time in-between everything else that takes time, have stood in the rain playing and singing on flatbeds, have lugged boxes and boxes and boxes of cds. i have also sold thousands and thousands of albums and have millions of streams. it doesn’t equate to any kind of riches except the kind that is the deep satisfaction of doing something you love.

i used to be much more aggressive – and assertive – about “getting the word out” about my music. though i recognize that vocal styles come and go, instrumental piano is not irrelevant…it has no shelf life. it’s just as peaceful and evocative today as the days i composed it, the days i recorded it. so that would mean that 14 of these 15 albums still have some sales merit, not just the $.000079 cent so “generously” royaltied by online streaming.

never be shy about your work.

in the last church position i held, i was in a meeting with two of the leaders. they were streaming the services and i was commenting on the level of professionalism we needed to try to achieve. i wasn’t willing to link my personal and professional social media to this online streaming until the sound quality (in particular) was indeed much better. one of the leaders stared at me, clear disdain on his face, and told me he had no idea why i would say such a thing or hold such a stance. i explained that i am a yamaha artist and that only PART of my work in the world was the job (which he deliberately pointed out was part-time) i had at that place. for the umbrella of my life i was an artist and that i have always strived to bring the best quality to my work. i told him that it was important to me to make sure that nothing i did musically in the public arena was schlocky (including at that place) and that, as a yamaha artist with fifteen albums, i would hold to my position of not-sharing until there was something more professional to share. i would not undermine my own artistry because mediocrity was ok with him.

never be shy about your work.

he – eventually – found a way to fire me. in the deep dark cloak of covid. with no one really knowing why, including me. well, except, maybe, for retaliation. que sera.

never be shy about your work.

i am proud of the albums that will eventually find their way into antique stores around the country. i see them on resale sites now.

but i also know that – from time to time – someone writes to me. and in their writing they tell me that my music has meant something to them. my music has helped them, given them a sense of serenity, made them think, made them dance.

and that is what counts.

so before the vintage-store-influx i guess it’s my job now to not be shy.

i am a composer. i am a pianist. i am a singer-songwriter and recording artist. i am a writer. i love being on stage, telling stories, playing music. i love the feel of wood under my feet, a boom mic in front of me. i have fifteen albums and a few singles. i’m researching how to get more out of pandora and itunes and all the streaming devices out there. i’m 63 but i’m thinking i might still be relevant. i may need your help because no one gets anywhere in a tiny bubble; no one walks this path alone.

i’m pulling up my not-shy-boots.

*****

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late season indeterminate. [k.s. friday]

maybe we are all tomatoes-in-waiting.

it’s easy to recognize that we have germinated, that we have early growth with initial leaves. we send down a taproot, stabilizing just a bit. we are nurtured and we learn self-care, both. changes during the vegetative stage are a little easier to see as we grow upward and outward, green and healthy.

flowering and early fruiting…these are easy to discern in the striding of early decades of life. rushing to accomplish, to get up the mountain and down, to run without ceasing, to move without pause.

the presence of ethylene – a gaseous hormone – triggers the fruit to ripen. i suppose i would like to think this is much like the graying of my hair, the wrinkles on my brow, laughlines evident, jowls mysteriously appearing. coming to maturity. ripening.

early season varieties require 50-60 days to mature. mid-season require 60-80. late season varieties require more than 80 days to reach full maturity. and later, senescence, a natural progression.

i wonder how that all translates to human years.

the fruit of determinate tomatoes ripens all at once. indeterminate tomatoes ripen fruit throughout the growing season, extending the crop harvest…longer and longer.

we can all wager our own guess; i’m thinking late season variety. this still-learning thing makes that abundantly clear.

and i’m hoping for indeterminate. never quite done.

*****

THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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the bass-who-used-to-be-a-soprano. [k.s. friday]

in her gravelly voice, from the back row of the choir room, i heard one of the bass singers say, “i used to be a soprano!” everyone laughed and laughed. and then we sang.

laughter was a dominant force in that room. there is nothing quite as motivating as laughter-punctuating-work, nothing quite as unifying as laughter, nothing quite as joyful as the laughter of others. we had no shortage of laughter.

for in the choir room, the ukulele band gathering, the handbell practice, the worship band rehearsal, with soloists and in ensemble, laughter and joy were how i led.

linda was the council president when she hired me as the minister of music almost a decade ago. they never saw another president who led with her understated panache and wisdom and authenticity. “a pillar of the church,” someone said. yes. a powerful woman – who was who she was.

the first time i met her – at my interview way back when – she arrived late, disheveled and with a dirty t-shirt on. i wondered who that woman was. i wondered why she arrived looking like that. as it turned out, she had been cooking for the masses – it could have been ten thousand for the enormous heapings of food she would prepare – and she had been in the basement kitchen. she pitched in, in every way. her presence – in all ways – was a given.

there is much i never knew about her, but i knew this. she was honest and blunt and generous. she was kind to everyone, adored her family, and she stood tall as she faced down loss and serious health issues. she was straight-up, as they say.

years ago she asked me to sing, on some eventual day, at her memorial service. i first waved off her thoughts of mortality – for a woman like this is needed in this world – and then i agreed. “of course i will,” i said to her, “it would be my honor.”

her service was last friday – a week ago now – and i was not there. the church to which she had dedicated her energy and love had fired me – over a year ago now. (i mean, who gets fired from a church??)

i don’t know if she knew much about that, for her world had become smaller in her struggle for health. i do know that, had she still been in the position she was when i first arrived, i would still be there. for linda had a way of making sure others had perspective, that balance was achieved, that agenda was dispelled, that conflict was resolved, that transparency was paramount and that the best interest of the whole was held in open hearts.

alas, that wasn’t the case.

i was unable to sing for her service and, much like the service for H, i was unable to be there.

we lit a candle for linda on friday. we talked about her. we told our favorite stories. we laughed. i posted a thought on facebook. it was important for me to acknowledge this amazing woman, the bass-who-used-to-be-a-soprano.

and now, the whole wide world is without her. and as the whole wide world looks on, filmy incandescent threads of her, her spirit, her dedication, her fortitude, her voice weave around us.

and the world asks: who was that woman?

*****

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HATE TO SAY GOODBYE from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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a festival of branches. [k.s. friday]

long island’s ice storm of ’76 was a doozy. crunch was over, hanging out at our house when it started. though we encouraged him to stay, his big green four-wheel-drive truck made it to his home through what was heavy slush at the time. in the middle of a snowglobe world, magically coated in sparkle, he was back the next day and we wandered the neighborhood, taking photographs of everything encased in ice. it was stunning. the graceful mimosa tree, tall stately oaks, forsythia bushes, azalea, rhododendron, rose of sharon…all wrapped in crystal, the sun’s glare making sunglasses an absolute.

i can’t remember an ice storm like that here, at least not in the last three decades since i’ve lived here. wisconsin is more of a sub-zero-temps/snowfall state than an ice-storm state. but there was a pretty devastating winter storm in 2020 when everything along the lakefront was frozen, trees bending to the pressure of wind and water.

in predictions for this next week or so, accuweather uses terms like “limited outdoor activity recommended” and there is the emotionally wrought overuse of the word “bitterly” used next to the word “cold”. negative windchills are prevalent and even miracle mittens aren’t enough.

so when you look outside and see blue skies only interrupted by the artful limbs of trees, you are fooled. it may appear to be the perfect day for a walk, but warnings not to be outside – “hypothermia likely without protective clothing” – are pause for thought.

we haven’t walked on the lakefront path past the marina lately. when the water starts churning from north and northeast winds, the lake pounds the shore. ice forms along the coastline – sometimes in those circles called ice pans or ice discs – and the metal railings jutting out over the lake along the walk have collections of giant icicles. we’re not sure what’s there right now.

in this neighborhood of big old trees and above-ground power lines we hope ice storms continue to be a rarity. each time a huge beautiful limb is down or a tree succumbs i feel a sense of sadness. though i believe the soul of a tree is somehow left behind and surrounds us with the wisdom of the ages, i wonder how the squirrels will move about. for here, in our ‘hood, there is a festival of complex travel high above the ground, branching every direction. savvy squirrels scamper from tree to tree to high wires to tree – squirrel highways.

out the window next to me, even now, i catch the shadow of a squirrel running south down the line parallel to the driveway. it makes me smile every time.

*****

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momma birds. [k.s. friday]

the cicadas are loud outside already. the windows are open and, though it will be ridiculously hot today, tomorrow will be their field day. it’s the end of august and, no matter who i speak to, the common marvel is how quickly summer has passed. a dear friend wrote to me, “it is the clove of seasons.”

i was behind him at office max. waiting in line six feet back, he was checking out. the checkout gal was pleasant but uninterested as the enthusiastic dad chortled about how his wife had forgotten to buy sharpened pencils for their children going back to school. he asked for separate bags so that he might bring them home to his kids in individual packages to add to their school supplies. he was excited, so excited, telling anyone within earshot of his errand to finish up prepping for the beginning of the school year. i couldn’t help but smile back as he walked past me with an elated look on his face.

i checked out and intended for the exit. it was the backpacks that got me first. the big four-sided display drew me over. there was this great floral backpack. . .

i started to wander a bit more, the calendars and notebooks and mechanical pencils making me wistful. stickynotes and highlighters and packs of gel-tip pens and fine-line sharpies beckoning.

these people knew how to place things in the store. i was not quite leaving.

i was catapulted back in time and meandered a little lost in thought about days – years – gone by, an empty nester’s trap of remembering with both joy and sorrow. all those years of school lists and target runs and picking out backpacks and first day of school walgreen’s or back-to-target fill-ins, things we hadn’t anticipated needing or somehow forgot. the piles on the dining room table as my beloved girl and boy selected their supplies and maybe their pencil case. they put looseleaf paper in their trapper-keepers and loaded up spiral notebooks and the required box of tissues, a few dry erase markers, a ruler and maybe a calculator. absolutely heavenly to be surrounded by school materials, stationery supplies, new reusable lunchbags and two mostly-excited children.

this time of year does it every time. even though it is extraordinarily hot i can feel it knocking. and i can feel the sadness of letting go of summer freedoms, of children, late-morning, still in pjs, of no alarm clocks and no dread of early morning crabbies. i can feel the elation of the bus arriving at the end of the day or sitting outside the school watching for a glimpse of my own beautiful children in a throng of beautiful children.

every year i feel it. that feeling watching them walk out the door to go to school, to go to college, to go into the world. even now i am immersed in it. i miss them.

i’m sure the momma bird was elated too when the eggshell cracked open and her tiny baby bird was born. she probably chortled to her bird-friends about her little miracle and its entrance into life. and then, after a time, bird-school over, she realized she was suddenly an empty-nester, her sweetest with wings that would carry it into the world to adventure and explore and conquer abounding opportunities. though the nest would remain, and would always be there, rooting and rooting, both, it was merely a launching pad to everything else.

and one day, as she was waiting in line at office max, as tears threatened to roll down her face, she would be grateful for all those times before and she would wrap herself in the memorized feel of freshly-sharpened pencils, late-summer cicadas and small hands in hers.

*****

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GIVE ME ROOTS, GIVE THEM WINGS from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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grasses and gratitude. [k.s. friday]

this morning i read a lovely piece about an elderly woman who made it a point to dress each morning by 8 and was ready for her day, looking fresh, put together and smartly attired. i instantly felt guilty. it gets better, though. the piece then went on to say she had just made the decision to move into a retirement facility and was waiting in the hall for her room (note: room, not whole apartment) to be readied for her entrance. an aide was describing the room to her and this generous woman’s reply was, “i love it!” the aide commented to her that she hadn’t yet seen it and the woman nodded. she said that she had decided to love it, regardless of how it was arranged or how it looked. she added that her happiness was a choice she made each day and, no matter her aches or pains or worries, she was going to choose to be happy in the moment she was in, in the circumstance she was in. so now i felt even more guilty.

how many mornings have i risen with worry in my heart, trepidation for the day, feeling dissonance or hurt or angst-ridden?

i read aloud the piece about this sweet woman to david over coffee. he said we should print it out and hang it somewhere. i suppose that i could do that. but instead, i’d rather just try to remember it. to do the best i can each day to rise and be smartly dressed by 8 with an ‘i love it’ ready at my lips. to not worry about the guilt of seeing that printed and any shortcomings i might have, any times i don’t measure up, i fall shy of the happy-choice.

as the cooler air filled our room early-early this morning, we pulled up the blanket. it made me sigh with relief to feel the gentle breeze blowing through the window and as i look out now, there are a couple monarchs flying over our deck. a few cherry tomatoes are ready and the basil and lavender are smiling. beautiful. a fresh day. everything is green, vibrant, healthy.

there is something about green grasses i love. even out on trails i photograph grasses, on my knees at the level of chipmunks and daddy long legs. it feels somewhat dr. seuss-esque to say i love them on the trail, i love them in our yard, i love them in the mountains, i love them in our gard-en.

probably because of our proximity to the lake, our soil seems to speak to ornamental grasses. they grow really well in the gardens around our house. other people have many beautiful flowers and there have been times that i have wondered why i do not seem to be very good at growing various flowers. we have had a spot in the front that was blank. the plant we had planted years ago, despite any effort we made, was just not thriving. last sunday, in a moment of brilliance – preceded by much research that ended where we started – we bought an ornamental grass to go there. i took a peek at it out the front window while the sun was still low in the sky and it is happier than happy. and so, with my newfound wisdom this morning, i will choose to celebrate how well we grow grasses. not yard-grass, per se, for that is another one of those not-quite-there’s, but graceful ornamental grasses that send up beautiful plumes, that help with erosion control, that spread naturally and that make us look like successful gardeners…of a sort, anyway. celebrate what we do well. dressed smartly and looking fresh.

and i will remind myself, especially in these times, to rise gently. to hold this morning, tomorrow morning, that morning someday – any day – close to my heart. with gratitude. bowing to the sun and gracefully moving in the wind.

*****

THAT MORNING SOMEDAY from BLUEPRINT FOR MY SOUL (kerri sherwood)

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THAT MORNING SOMEDAY ©️ 1996 kerri sherwood


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wonderful world. [k.s. friday]

“easy living” it advertises on the cover of the wayfair summer catalog. inside, you can purchase everything you need for easy living. for a price, you can create easy living spaces on your deck, your front porch, in your kitchen, in your bath, by your pool, in your backyard. most items are really beautiful, beckoning you to believe in the power they have to help you live easy. this summer, we actually added a few small things to our own deck, though our deck is a mostly-target-added-to-repurposed-stuff deck. i have to say, a few cushions and outdoor pillows make an inviting difference.

we have changed our schedule a bit these days. we used to stay up really late and watch late night news and comedy talk shows, but through the pandemic and the political-rah-rah times it has tended to get us riled up. so instead, after the sun has fallen from the sky and mosquitoes having joined us on the deck, we watch minimal tv and go to bed early to read aloud or watch trails on a laptop. we wake up early, with rising sun and birdcalls streaming in through the wide-open windows in our bedroom.

this morning, just as the sun rose, i plugged in the coffee, fed dogdog, opened the windows in the sunroom and went outside. i greeted the tiniest farm on our potting stand, tested the soil for dampness, looked for ripe cherry tomatoes, pinched back the sweet basil. i checked on the lavender. i added bird seed to the feeder. i looked for magic in the pond and pulled a couple weeds. i watched dogga sniff around his yard and drank in the salmon sky lightening in the east. i came back inside and wandered from plant to plant, saying good morning to succulents and KC and snakeinthegrass. the coffee pot beeping drew me out of where i was standing by the window, looking out, and i pulled out cabin coffee company mugs. every day is different and every mug brings with it a different set of visceral memories. it was a breckenridge mug kind of day.

it was quiet; all was still. i thought: this. this is easy living. a little bit of ritual, a little peace at the beginning of the day, a little peace at the end of the day – these are ingredients you cannot purchase from a catalog. these simple gestures we make to being present-here-now are contagious. they spread the intention of simplicity to the rest of our day. and though we don’t always stay there, in peace, we know we can find our way back there.

because at the beginning of the next day we can try again. we can find the wonderful in this wonderful world.

PULLING WEEDS from RIGHT NOW (kerri sherwood)

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PULLING WEEDS ©️ 2010 kerri sherwood


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forget-me-nots. [k.s. friday]

A0, B0, C1 are missing. entirely. gone. they have disintegrated and have dissolved into the ashy dirt of the piano. it is likely that if we planted the forget-me-not seeds we received when our beloved babycat died, tiny blue flowers would grow, for this spot – the lowest on the keyboard – seems rich soil. though we do not see A-zero, B-zero, C-one, the tones are still there, the timbre of these lowest notes ever-present, the grounding of all else still grounded.

“wherever you are, that’s where i will be…” is needlepointed in an old black frame on the wall in the bedroom. in the way that notes forever linger in the air, that frequencies dance waiting for us to listen, i know that this is also true: those whom we love surround us any where we go, any where we are, they are a whisper away. i plant virtual forget-me-nots each time i speak of or ‘to’ my sweet momma, my poppo, my big brother, dear ones who have gone on. i plant virtual forget-me-nots each time i hold close in embrace or in mind those whom i love who are here, whether near or far. the garden is lush with these tiny blooms, the wind a symphony, even maybe a gentle cacophony, of harmonics, seeding my steps each day.

in the midst of it all – changes and challenges, absolute joys and abysmal sadnesses – all that has been whirls around us, all that will be beckons us. we pick and choose the bouquet each day…our words and actions, our intentions. we learn and grow and send roots while at the same time becoming tall and independent and resourceful and capable of blooming.

yet, the wisdom of the ages, the ages themselves, are where we are. the notes play and the harmonics ring. the flowers blossom and spread and the wind takes on seeding, propagating on breezes and stout gales, encircling us. the universe cheers for us. we try to believe it is, ultimately, on our side. as albert einstein encouraged, ‘the most important decision we make is whether we believe we live in a friendly or hostile universe.’ we can bring nutrients or malnutrition to the garden.

the low notes swirl. still there. and all those who have loved us, all those we have loved, all those who love us, all those we love, the greater spiritual power in each of our lives – there. always with us. rich soil for our every single day.

*****

ALWAYS WITH US – from AS IT IS (kerri sherwood)

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ALWAYS WITH US from AS IT IS ©️ 2004 kerri sherwood