if i were to get a tattoo (not to mention the “sisu” tattoo i would love to share with my daughter) i think it might be a simple tattoo depicting the japanese practice of kintsugi: the golden repair and honoring of flaws, beauty in human brokenness. there’s no telling if i will do that. there’s also no telling if i won’t. i’m not averse to ink. i know that ink is an expression of where you are in your life, of what you believe in, of what you seek.
“age and stage,” 20 often says when we talk about the stuff of life. tight bud to full bloom to blossoms falling, petal by petal, to the dirt. all the iterations in the middle.
everything is like that, i suppose.
the first time my boots hit the wood as i crossed from backstage to the apron was memorable. i won’t forget it. each time i’ve walked to the piano, adjusted the boom mic, took a breath and started…memorable. i won’t forget. i remember being in the middle of one of my concerts, in the middle of one of the pieces…i forgot where the piece went…i was lost. i made it up. it was a solo piece; no one else had to share in my lapse of memory. i followed the theme and noodled my way through to an end no one would ever hear again. my producer hugged me and laughed later, “nice coverup.”
the pace of my walk is slower now than it used to be…steadier. now i know that no matter what, no matter the mistakes, no matter the braindrops, no matter the missed lyrics, the thinking notes…the story will get told, the bud will open and, like any artist, i will give of myself, despite of whatever i get or don’t get in return. age teaches you that it is not the return that matters. age teaches you it is in the giving.
we talked in the kitchen this morning about the work we have done in our lives. david’s paintings, hung and not hung, my music, recorded and not recorded. we talked about our youthful desire to have everything seen, everything heard…and not in a little way. we talked about how age has brought us to this place – a place where seen and heard doesn’t really matter. painted and played matters. drawn and written matters. expressed matters. received en masse doesn’t.
it really is “age and stage”. it’s not just the moments of our children, tiny beings not sleeping through the night, toddlers in terrible-two-tantrums – people reassuring us “age and stage”. it’s not just the trials of parents letting go of those adored humans who are now adults in the world, a little less access, a lot less time – people encouraging us “age and stage”. it’s not just our aging moms and dads, significant changes in ability, in perspective, in health – people comforting us “age and stage”.
it’s us. it’s our age and our stage, we are reminded. we try to fix what is broken, try to start something new, try to perfect the blossom. and we realize that it was a bloom all along. it was beautiful. it counted.
were we to be able to see – from the beginning – all the stages – the tight bud, the slightly opened petals – the bloom – the blossom falling to the ground – we might take it all more lightly, we might not cling to ideals of success and how we receive it. we might know there would be mistakes and dropped notes, lyrics mixed up and words not spoken. we might know there would be vulnerabilities and painful angsting, gorgeous improvised melodies, pictures without everything we desired, without everything coming to fruition, vamped decisions, regrets and, yes, bows. we might know that we would join with the rest of the human race on broken roads.
and we might know that the stages of our ages were all wrapped in gold.
and maybe ink.
“and the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” (anais nin)