it’s rare to wander into a place without footprints. a combed beach, an untouched snowfield, beckon you to step, to be first, to be the only one.
after a snowfall a few years back we went hiking out in the county. the only being there before us was a deer, its tracks evident in the snow. and then ours. the three of us in quietude together, before anyone else. it made everything feel pure and connected; it was a jewel of a day.
we went hiking on one of our favorite trails closer by. snowpants swishing and our feet breaking through the snowcrust, we were the only ones. the snow was untouched, a blank canvas, inviting both our steps and the humble retreat we considered to preserve it. it’s magical to look backwards on the trail and see only the tracks you have laid there.
yes, “there’s just something beautiful about walking on snow that nobody else has walked on.” (c.r. brunt)
in the opening notes of a new composition, many composers, artists, writers feel that they are going where no one else has trod before. we are given to the thought that in our uniqueness we will have something to say, sing, play, paint, draw that no one – ever – before has said, sung, played, painted or drawn. it is not likely that this is true.
in the way that everything cycles around us, so do the notes, the colors, the words, waiting in clouds of possibility all around us to be positioned together, partnered, brought into one. we, as artists, choose from these barely visible pots. we fuss, we nuance, we finesse, we fingerprint, we make it our own.
and yet, much later, decades even, in looking back over the trail – the song, the poem, the story, the painting – we recognize glimmers from those who have walked before. threads of connection, purity of the artist-collective-story, souls woven in the telling of the human-tale. original-first and cyclically-repeating.
because, indeed, as the snow melts on the trail, it reveals evidence of others who have been there, others who have left their words, their notes, their colors. others who have left their footprints, their tracks, back to another day when someone else was first.
*****
read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY
the snow, having survived the wind and driving snow. vivid color. in heavy boots, bulky coats, long underwear, double gloves and earmuffs we set out. we weren’t far into our hike when we realized that we were the first out on the trail since the snow. first after the deer. first after the rabbits and tiny birds that had hopped across the path. first after whatever animal it was that made enormous tracks in the snow. longer than his boot, these tracks kept us company for a long way, meandering in and out of the brush, in and out of the woods. we wondered aloud what it was. we quietly pondered that these woods were not ours. they are home to beautiful creatures, big and small. creatures that depend on the turning of the seasons, the sun, the warmth, the snow, the rain, the ecologic responsibility of those of us who are out there, for a bit of time, with them.
mostly, i was bowled over by the fact that we were the first people to walk out there since it had snowed. the trail through the prairie glittered in the sun and in the woods, the trees reflected majesty on the snowy path. we were first; we weren’t first. but to make the first people-tracks in the snow…to know that in at least the last 36 hours or so, no one else had walked there…something about that was humbling. hugely grateful for the universe in all its goodness, in that place of quiet-quiet, that space of pristine clear that single digit temperatures make possible, the smell of sun in our hair, i was struck by our smallness. four footprints in the snow, walking together, side by side. hand in hand. on trails. through the woods. in life. that’s really it – four footprints. each set of prints count. each stride counts. each breathless moment that we get to breathe counts. now counts. now is the only thing that really counts, the only thing that really is.
reverse threading 