the chipping-peeling-paint white cabinet spoke to me. it sat on top of a side table in the booth straight ahead of the walk-through from one building into the other at the antique shoppe. it had some sweet personality and i visited with it, lifting the old clasp handles to open it and peer inside. with shelves ready for stuff to be tucked away, this little cupboard charmed me.

i took a few photographs, noting the price, and we left.

i had an old aquarium stand next to my bed as my nightstand. it held a few photos and framed notes from my kiddos when they were little: “goodnight mom” and “mom” with hearts. it held a jelly jar with pens and pencils, a pair of readers. it held a small clock and a glass nightstand lamp that was my sweet momma’s. it held a box of tissues, babycat’s old “meow” bowl with trinkets and my earbuds. underneath, on the bottom glass shelf, it held a wooden crate that serves as a special box for earlier decades.

you may be getting the picture.

the fishtank stand held too much.

we visited the little white cupboard a second time, measuring it and taking more photographs, pondering.

we moved things around in the bedroom and i emptied the glass and wrought iron metal stand, paring down as i worked. and still pondering.

and then we went back to the antique shoppe – our favorite. i held my breath as we came around the corner to the place where you could see through the passageway into the other big room and into the booth where the little white cupboard still sat, patiently waiting.

and this third time, after a smidge of price negotiating, the little white cupboard came home.

because we do not have a matchy-matchy kind of bedroom suite, it seemed right to add this little cabinet to the old black-painted cedar chest that had been miss peggy’s from next door, the medium-toned wood dresser that had been lois’ before she left for overseas teaching forty years ago, the spring from my dad’s antique bassinet, holding tiny clothes-pinned handmade cards we’ve given each other. the live-life-my-sweet-potato print and the black and white canvas of babycat. the gingham print red and white wingchair lazyboy, the small black jewelry armoire i bought off marketplace, the pine cabinet from the town in the north carolina mountains where we bought property over four decades ago, the quilt a friend made when i broke both my wrists that graces the bed from which we removed the frame so it would be easier for our aging dogga to jump on and off. it is a venerable hodgepodge and we love it. the peeling-paint white cabinet is right at home.

we have always been drawn to items – particularly vintage – that are painted black. but lately, it seems, we are attracted to the things that are painted white, things that show life, things that have had some miles and some stories, some lovin’-on. but lighter, brighter.

and so these pure white flowers that are in our dear westneighbors’ yard are just exquisite to me. these hydrangea seem like the flowers of posies of love, of weddings, of hope. they bring a smile every time i pass by them, backing down or pulling into the driveway. such delicate beauty, these blossoms on shrubs where tiny birds gather.

maybe it’s the balance of light. this room – our house – has great sunlight streaming in many old double-hung windows. in these times, as we find ourselves slightly more insular – again – staying home with our old dogga – we are spending much time in the spaces of our home. the white fuzzy pillows, the white chunks of concrete, the old white door learning against the wall, the white throw, the white iron obelisk trellis…they hold light.

and right now – particularly right now – as we make our way through these times, it would seem important to gather around ourselves things that hold the light for us.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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