we have turned into my parents. on sundays, when we have no other plans, we take sunday drives. yes…we are those people…the ones who seemingly have no place to be and are wandering around the backroads in the countryside, breathing in deep breaths of freshly mowed grass and blowing kisses at horses out grazing.
WHITE SUN 18×48 mixed media
wisconsin countryside looks like this morsel AND it looks like the full painting of WHITE SUN. perfect fields manicured with crops and fences and dirt readied for fresh planting. gorgeous. there is a specific spot out-in-the-county…we drive past…and i wonder if this is the beautiful spot that david had in his mind when he was painting.
we look at the news app often these days. it’s kind of like we don’t want to miss anything. so much seems to teeter on the edge it makes us feel we need to stay apprised. the news is scattered all over: places in the world suffering, places in the world ravaged by war, places in the world devastated by natural causes, places in the world with people who do not have good intentions and countries divided by selfish, self-righteous motives.
david’s painting EARTH INTERRUPTED VI: NEWS.WORTHY. makes me feel like i am looking at the earth with the earth (the blue of sea, the green of land) in the background, a kind of three-dimensional surreal view of our mother planet.
i chose this morsel SCATTERED NEWS because the play between the blackness and the newsprint intrigued me. it reminded me that, despite the news app and the paper and the reports on tv, we are only hearing bits of news. there is so much more happening each and every day that doesn’t make it to us, that we don’t know. there is so much more impacting people all over our world. the thing is, we are all in this world together. like the pastor (bishop michael curry) who preached for the royal wedding said just a few days ago, imagine how the world would be if love were the way: “when love is the way, the earth will be a sanctuary.” we may be scattered, but people are people. we all breathe in and out the same way. and we could all stand to remember that.
ah. “a sanctuary.” so if we step outside the world and look back, perhaps the scattered bits of news would all be stories of “a new world”.
i have a lot of conversations with God. they aren’t really formal; instead we just chat. well, i chat. or implore. or express gratitude. or cry. or ask questions. sometimes my head is bowed and my hands are folded, but other times i am driving or playing the piano or walking or eyes-wide-open. for me, prayer is not just that thing i do at church or before a meal or at night before i go to sleep. it’s just an anytime, everyday way of being, with this magnificent higher power watching over the universe.
anne lamott’s book Help, Thanks, Wow is a gorgeous primer for anyone wondering how to pray, a beautiful reinforcement of the internal power of prayer, an outline of simple spiritual praying. i have read it many times, nodding my head and struggling to always remember, remember, remember the important stuff.
this painting PRAYER reminds me of the quiet, the steady rock, the essentiality of praying.
mama dear (my grandmother) used to sew with her lips pursed, straight pins held between them for quick access. as a little kid, i thought that you had to spit on pins in order to sew; as i grew up i realized that this was a falsehood (i’m sure you are thinking, “wow. what an enlightenment!”)
mama dear was the person who taught me how to sew. with an old-fashioned singer, a red pincushion, a blue sewing box and good sewing scissors, she set me on a course of many projects through my life…outfits in the 70s, curtains and shutter screens for the nursery, jumpers that matched The Girl’s when she was little in the 90s, pillows and stuffed animals, mending jobs, craft projects. my sewing machine is set up again, adjacent to d’s studio where he says he likes to hear me talk to myself or hum as i sew, and i love spending time at my machine, dreaming up things to make.
one thing i am proud of these days – that hanging around me (sewing or doing whatever i am doing) david has picked up some of the vernacular that comes out of my mouth….like “oopsies!!!”
the quiet and not-so-quiet moments of comforting. your child. your friend. your partner. when they see the storm coming and you are there. when the storm is raging around them and you are there. when the eye of the storm gives false pause and you are there. when the tides pull back and regain momentum and you are there. when the storm has finally passed, the debris is fierce and you are there. when the rebuilding starts and you are there. the storm – physical or emotional – does not have to be endured alone.
my sweet momma used to love to walk in the rain. matter of fact, she adored it. my poppo? not so much. but my momma would revel in it; she said it made her hair curly, which, for her, was a good thing.
we have gotten caught in the rain numerous times while out hiking. soft, gentle rain or even downpours. on the trail it just adds to the fun. the rain also makes MY hair curly, much to my chagrin. but d loves it that way….he must also love rag mops. (now, as an aside, i googled “rag mop” to make sure you would understand which kind of mop i was talking about and found this great old song. listen if you have time.)
there must be a time you were standing in the rain and everything slowed down, even the raindrops. it all became slow motion and life was about that very second, breathing in sweet-rain-dewy-air.
this morsel of a painting SLOW MOTION RAIN, soft and somewhat abstract, reminds me of those moments. slow motion rain is a little piece of EARTH INTERRUPTED IV.
when i see images of mountains these days, i naturally think about kirsten and becky. The Girl is living the out-in-the-high-mountains life and the photographs she sends me are nothing short of stunning. i love every moment i spend out there, so i can appreciate wholeheartedly her finding her “place”.
when i was little, we used to go to the mountains in upstate new york. my sweet momma and poppo would rent a cabin in a state park and we would travel up there; they would always allow me to take a friend – most of the years this was susan. i was the youngest by FAR (haha! are you reading this, seester?) so i was the only one left in the house. i was always thrilled to have my siblings’ families with us as well. my nieces and nephew were adorable. plus heather was the perfect foil on the mountainside beaches (and long island beaches as well); as a toddler she flirted with every cute boy around every time i took her there. she was with me a lot as a little girl; i took her everywhere in my little vw bug, especially in the summer. nothing like a little girl who would seemingly deliberately throw the frisbee onto the next blanket where a cute boy was sitting and listening to his transistor radio. what a fun way to meet ‘people’. wink!
later in life, my parents rented condos in the mountains of tennessee and the whole family joined them there. sunsets behind the big deck of the clubhouse, shrimp boils in the field, frisbee and hiking. those are treasured memories.
this image MOUNTAIN IN YELLOW SKY reminds me of every good mountain memory. its warmth, its simplicity. both appeal to me. the really funny thing is that this is just a mere morsel of one of david’s paintings. the painting TOGETHER ON THE BEACH is where i found this and extracted it to create a whole new image. when i asked david where i could find this canvas in the studio the other day, he told me he had painted over it. what?! what was he thinking?! fortunately, i still have the image i took of it and have created a canvas art print of that painting and a close-up of it as well.
MOUNTAIN IN YELLOW SKY…just a little piece of TOGETHER ON THE BEACH. both simple. both dreamy. both beautiful.
our dog has separation anxiety. he doesn’t cry and whine while we are gone (that we know of) but he gets this incredibly sad why-do-you-want-to-leave-me?? look on his face (see: the dad on my big fat greek wedding) when we get ready to leave to go. anywhere. we feel compelled to tell him, “church. we are going to church.” or “errands. we are going on errands.” (and then we feel we have to explain to our dog-who-loves-to-go-on-errands that it’s too cold in the car for him to wait during this particular set of errands.) we have this running dialogue while we are out, joking about how he is asking babycat if we are “everrrrr coming back” to which babycat sneers at him and calls him names, reminding him that we come back every single time. well, at least we are amusing ourselves.
i have separation anxiety. (ask my children.) but i’m not writing about that kind of separation anxiety. it is about the paintings i have fallen in love with leaving our studio. it’s crazy. that’s the whole point of paintings – to be placed where someone will commune with it and draw from it and love it (like me.) as we continue our virtual gallery sale, i find myself thinking about each of these paintings to which i feel so attached.
and i know that i have to let go. and hope for as many paintings to have-to-leave-us as possible for, as artists, this is how we make a living, this is how we pay our bills, this is how we make a tiny impact in our little corner of the world.
i truly wish for each of you who have pondered an original painting or have purchased one – no matter where you have done so – to be just as in love with it as i feel about david’s.
david’s painting EARTH INTERRUPTED VI: NEWS.WORTHY.
