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smitten. [kerri’s blog on two artists tuesday]

the boulders. the lake. the obvious. 

beyond the boulders – trees, deep in fog. fuzzy.

minus the beyondness, minus the trees, one would barely know it was foggy. 

but context is everything. 

up close, the boulders are clear. they are like the notes on the page, the score. technically, they are vital. but context is everything and it is the artist’s job to look beyond the obvious, to seek that which tells the whole story, that which evokes more. it is the musician’s job to play that which is beyond the obvious, to play that which evokes. more. 

peter spering, in an online forum that was great-debating which – of technical wizardry and feel – was more important in playing music, wrote the words “…technically great but creatively dull”. 

the boulders without the foggy trees: we have all heard this music, seen this art, read these words, watched this dance. if you have listened to a computer rendering of a piece of sheet music, you are aware of neat and tidy technicality, seamless, even perfection. you are also aware of the lack – of any emotion, any expression, any air, any space. boulders will only sound like boulders. there will be no question. there is no beyond. there is no fog.

to answer the this-or-that question from the forum – technical chops or feeling – is both impossible and necessary. music is the expression of the human condition. music is love in sound. it is a marriage of both the technical and the evocative. 

yet…if art is to convey questions and answers, to explore and navigate, to inform, to find meaning…if the recipient is to be moved, to be smitten by life, then music – the simple and the complex – must be played with heart. and technical wizardry will cease to matter if it falls upon souls with nary a touch, without any dents or brushmarks or trace that it had been there.

“it is enough when a single note is beautifully played.” (arvo pärt)

because a single note – played with heart – will impact you. it will bring you to a place where – even without standing on the shore – you can see the fog, the trees, the dim horizon.

and you are able to “feel the world stand still”. (arvo pärt)

smitten.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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