reverse threading

the path back is the path forward


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this old door. [kerri’s blog on two artists tuesday]

i’m not sure which old door it is, which doorway it graced. it was white when we carried it up from the basement storage room and placed it outside in the garden, over by the ferns, under the big pine, leaning against the old garage by the window. that this door began to peel back, revealing its rich green history, seems a meditation.

this very day – july 29 – has been a day of days through the years. the history peels back in my heart as i remember, back and back. i stand on the deck this morning, gazing at the old door that frames the beginnings of a rock garden, and nod to myself – in deference to the opening and closing of chapters.

the book of my story with this old house began on this day thirty-six years ago as we moved in, a hot midwest summer day filled with a u-haul and boxes and many hands of people helping. it has – as all stories – taken many turns, followed a windy – and sometimes broken – road, running parallel with the rest of life in all its iterations, all its paths and branches. but as i stand on the deck, admiring the door that is vulnerable to the weather and the sun, i know how far i, too, have come, how exposed my heart – to life.

it is no wonder i feel a certain attachment to old doors and windows. it is no wonder i am fond of peeling paint and the not-quite-perfect. it is no wonder i feel an affinity to this door in the garden over by the ferns, under the big pine, leaning against the old garage by the window.

there is so much more to yet reveal. layers back, layers forward. i can only hope be as beautiful as this old door.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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thinking notes. [not-so-flawed wednesday]

“thinking notes,” ken calls them. lingering on the same note for an extra moment, an extra beat, sorting what’s next. well, technically, it would rarely just be only one beat or one moment, but that would require more explanation. i suppose most composers are familiar with this.

writing on the fly – improvisational but with a sense of theme – is surely plotting and scheming, figuring out in the nanoseconds ahead what will come. the moments you are deep into a recording and you somehow skew the rhythmic pattern – or the melodic gesture – you’ve developed, and you know that twist will change it all. your brain delivers a quick “plot twist” faceslap to your hands and you keep going. and, for the most part, no one is the wiser for the turn in the road, save for your producer.

outside the bookstore in the little mountain town the sign made us stop, nodding our heads. sometimes it’s the plot twists – and the unanswered prayers – that save us. we think we know best. we etch the plans in stone.

but those moments come and nothing stays the same, for even the tiniest twist in the road changes latitude or longitude, beat pattern, melody line. and they deliver with them the grace to play a little thinking note, take a little breath, close your eyes tightly and then reopen them – and then keep going.

hold your plans – and your plot twists – gently.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY