reverse threading

the path back is the path forward


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the squirt in the old-fashioned. [kerri’s blog on d.r. thursday]

mid-december. we are hiking. our favorite local trail that we know so well. carols are playing in my head as i sort through the christmas tasks yet to do, a little shopping left to finish. we round the bend and there – stretching in long shadows from a low sun across amazingly-green-green grass – is a music staff of lines. 

if there is any season that is closely associated with music, it is this. the shadow-staff pushes my focus into memories as we walk. 

i am deep into advent preparations back there in the recesses of thought. it’s been a bit since i have allowed myself to really think about it. in my last position as a minister of music i brought three decades of experience, the wisdom absorbed from many congregations, intuition gleaned as a stage artist and performer, and a heart full of dedication to the community. though it may not seem apparent to a churchgoer (or any religious institution attendee) the research and time that a music director will undertake for the music in that venue is immense. when it is well done, there is more to it than assigning a few songs to a few slots in a service.

the other day we had old-fashioneds with our dear friends. we stood at their kitchen counter and jen brought out a new recipe along with a very nice bottle of bourbon and deluxe cherries and an orange, complete with pre-cut curly peels for the side of the glasses and swizzle sticks. it was lovely – an experience in itself – we celebrated our time together in this season. as we each took sips following her cocktail-making, she looked up and said, “wow. this is really bourbon-forward!”. it was too much, too strong, too bourbon-ego, too solo. yowza! to continue to sip on a bourbon-forward old-fashioned can leave you cold to old-fashioneds in the future; it may even kill your yen for an old-fashioned. it will definitely undermine your bartending je ne sais quoi and the bar you are serving may suffer from your mixology. we all laughed and added some squirt to tone it down, swizzle-sticking to perfection. and suddenly – with jen’s good instincts – an exquisite old-fashioned, all ingredients integrated!

this morning we listened to the song that i am attaching to this post. it’s called “you’re here” and i wrote it while i was rehearsing the choir for the christmas cantata i arranged in 2019. it was recorded on an iphone sans proper mics with an out-of-tune church piano, so it’s pretty raw tape (so to speak). the thing it reminded me was of my approach as a minister of music. 

for me, any notes on a music staff in a church need be about resonance. how might i help the people there connect with their faith, that which cannot be seen, that which is fragile and strong, that which elicits love and joy and many questions, and that which tethers us to each other in the community? any worthy minister of music knows that is fluid and knows that each year in their work will bring more answers. this is not something you start out knowing. it is a practice and one must be humble enough to be learning from those around you, honing as you go. one must bring one’s game – professionalism, collaboration and service-oriented, stellar learned gut on-the-fly flexibility, tenderness and sensitivity in delivery, the innate ability to shape a worship service and its emotional journey, the buoying of others, joy-joy-joy of creating music and emotion together, the integration of every musical gift you have been given. and love. it’s what you put forward.

because i had never experienced it – ever- before – in any position i held, there are days i still wonder about being fired – particularly in the middle of a global pandemic – particularly after eight years tenure there. wondering, even now – three years later. especially at christmastime. because in every way i knew how – in the music programming of any church in which i was involved or employed – i was the squirt in the old-fashioned. 

oh well. in the words of john o’donohue, “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.”

i get these specific emails – practically every day. they are from some church-administrative-oriented website. the latest emails address church staff and salaries. oh my! what a can of worms that is. though i don’t usually open them, i was forced to one day – the devil made me do it. the email was called “why fair compensation matters” and the first lines in the email read, “we believe when those employed to service in the church are paid adequately and fairly, they’re free to focus on their ministry work. the result? freedom from financial burdens and a flourishing ministry.” flourishing. it makes me think of green grass on the trail – even in december – despite all odds.

yes. yes. just as in choice of bourbon – or, for that matter, bartenders – you will get what you pay for, what you value. remember – you are about your customers and their experience – the community in your seats and on your barstools. skimp at the bar and the reputation for your old-fashioneds will get you in the end. likewise, the thing you don’t want in your place of worship? the bourbon-forward director. it’s too much, too strong, too bourbon-ego, too solo. not enough squirt.

it is truly about what you put forward – in your life, in your work, in love – and how you smush it all around, integrating it, with a swizzle stick.

merry advent from my place off the bench, sans baton.

*****

YOU’RE HERE ©️ 2019 kerri sherwood

read DAVID’S thoughts this D.R. THURSDAY


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cantata season. [kerri’s blog on two artists tuesday]

in most rehearsals, i would remind the choir that their smile could be heard. there is a major difference to the timbre of voice brought forward with or sans smile. the same is true with speaking; even when you are not seen, the difference in tone is distinguishable.

it’s the season of the christmas cantata – a major work of multiple pieces with various voicings, instrumental lines, accompaniment and narration – closer to an hour in length. i’m writing this on the sunday morning that was usually chosen as the day of performance – the second sunday in december. i can’t even begin to remember how many cantatas i’ve directed – and written and arranged – through my decades as a minister of music. just recently a facebook memory came up – it was my post thanking the choir and worship band at a church where we had just performed such a work. the creation of narrative and song is exhilarating – for both director and participants – and everything drives to the downbeat. there is a glow that emanates from such a group – these people who have diligently prepared a musical piece of larger extent – and the camaraderie that weaves its way through – it is joy.

it’s been a few years now since i have directed a cantata. i’m guessing it’s a few years since many of the people who participated have sung or played a cantata. not every minister of music or choir director is up to it and some choose other programming. while you are preparing weekly anthems for sharing in service you are concurrently rehearsing this large work, so it takes time and energy, a compositional spirit, an innate ability to discern cantatas of value, ingenuity, the ability to rearrange on the fly, the belief in showcasing your choir – as a choir – accommodating any ability level, the recognition that simplicity is potent, much flexibility and humor, meticulous planning and true dedication. it is knowing as a conductor – in the moment after the downbeat – that you will merely guide this integrated group of singers and musicians through this visceral experience of purity. yours is a backseat to the magic – this is not your microphone. it is an undertaking not for the meek.

to say that i miss cantata-day would be understating. the gift of music is to make resonant that which is hard to see, that which is not tangible. the gift of music is to evoke powerful imagery and to open emotions tucked away. the gift of music is to bring forward beauty and the magnificence of producing something together. the gift of music is to offer just that – the gift of music. impactful, moving, music has the ability to change souls.

we pass the leaf on the trail – so very obviously lips curled in a smile. i think about all the times i have urged a singer to smile, all the times i have listened to the difference between smiling and not smiling – like the difference between the keys of d minor and e minor. vast.

and right now – as i write this – i wonder how many choirs are gathered on chancels, singing their hearts out, smiling inside and out.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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