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Tag Archives: milwaukee public market


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idris, richard, mark and ellsworth. [kerri’s blog on d.r. thursday]o

we walked out of the parking garage and up the grassy hill to the path along the lakefront. a perfect day outside, we strolled as long as hunger allowed us and then we turned around, completely sated by art and fresh air, heading for the public market and bowls of gumbo at the fish market counter.

the idris khan exhibit “repeat after me” intrigued us. layers of digital repetition, scores of music sedimentarized into a single panel, stamped words superimposed on stamped words, scribbles on top of scribbles, it was surprising and fascinating. beautiful – seemingly blurry – images in larger-than-life scale, it felt an interesting statement of the concurrence of everything as it happens in this plane. in the collections of classic scores, words stood out to me: presto…poco rall (poco rallentando)…tempo markings…because he allowed them to be visible, i wondered if they were adjectives of his life then or just simply part of the music he was layering. i admonished myself then, aware of the overly analyzing curator mode to which i was succumbing. i remembered seeing christopher wool speak…the curator was going on and on about the psychological underpinnings of his work and he sloughed it all off – he was merely creating what he liked, what he felt he wished to express. art doesn’t always need to be analyzed – it is sometimes just your heart speaking out loud, on canvas, in image, in wet clay, in melody, in haunting harmony.

walking through this exhibit – from room too room- i was so aware of all the music books, sheets, scores in my own file cabinets. i kept thinking of ways i could incorporate all my collections into art pieces – for surely, there is little use for some of it otherwise and it will certainly go the way of recycling that millions of pages of music-on-paper have already. perhaps even an accent wall expanse papered with pages – the genius of composers gone before physically surrounding a studio space. the energy – sans the analysis.

idris khan called us. but, as always, *richard and mark and ellsworth* were there for us as well – steadfast and notoriously inspiring. we stopped by to say hello and they nodded the quintessential guy head-nod, barely discernible but a clear thank-you-for-always-stopping-by. we wouldn’t miss it.

we drove to have gumbo, hearts full and talking over each other about what we had seen. and then, the ride home was quieter, reflective and flush, revitalized.

*****

*favorites richard diebenkorn, mark rothko, ellsworth kelly

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wildflower joy. [kerri’s blog on not-so-flawed wednesday]

it made me smile as i walked in. these flowers graced the expansive ladies room window in the milwaukee public market. it’s a large decal – produced by a small business in the uk called dizzy duck designs. they call this piece “retro flowers frosted window film.” it was the perfect way to achieve privacy in this space.

i’ve been in a lot of churches, plenty of chapels and many cathedrals along life’s way. i have seen countless stained glass windows. they have depicted the stories of the bible, the stories of the religious institution. there have been folksy windows, tiffany windows, ornate windows with more colored glass than imaginable, geometric windows with monochromatic patterns. the beautifully simple and texturally or story-line overdone, both.

i can’t honestly say – despite honoring the obvious artistry in all of these panels, despite their remarkability, despite their intention of storytelling, despite the serious religious overtones, the shade of light cast into the building – that i have felt anything like what i felt this day as i walked into this ladies room. i have felt other things, but not this.

these wildflowers were charming, captivating. i instantly felt joy. stealing from my dear heidi, “sprinkles” kind of joy.

i stood in front of this window – which i had not seen before – for several extra minutes. i admired each whimsical flower.

i didn’t google the panel till much later. it doesn’t have a behemoth history like magnificent stained glass windows through the decades. it’s just a sweet family-run business, trying to fill a niche and make the places in which people hang out feel good.

bravo, dizzy duck designs! i can’t think of a better reason to be in business.

“spring gets you every time. every year it sucks me in, but then, I’m easy—a few cool blue skies, new grass, wildflowers, and i’m in love. (anne lamott)

*****

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howard and mary. [merely-a-thought monday]

“1. i don’t spend my days retired. 2. i don’t let myself get out of shape. 3. i don’t smoke. 4. i don’t restrict myself. 5. i don’t let my knowledge go to waste.” (dr. howard tucker – “at 100 years old”)

he’s a centenarian, so it would seem like his words would have some clout. his rules – so simple. and #5!! still a practicing physician, he is pragmatic and dedicated, believes in moderation, enjoys broccoli and brussels sprouts and sharing wisdom gleaned in the decades of his work. the passing of knowledge back and forth – to the younger workers in his field and back to him – he emphasizes acknowledging the importance of the gathering together of experience, education, hard work. he sounds like a delightful person.

we sat next to mary on a thursday afternoon at the milwaukee public market. on a stool at the bar of the st. paul fish market booth, we sipped wine and ate shrimp gumbo. mary pulled up a stool, ordered a beer and some oysters. i was transported back home – to long island – where fresh seafood abounds and i’ve sat on plenty a bar stool eating clams-on-the-halfshell or baked clams or lobster bisque.

mary whispered that she was celebrating her birthday that day – 74. we started to sing to her and she hushed us. we finished in low tones for it seemed that we might be her only sung song that day.

in the brief period of time – maybe an hour or so – that we sat next to mary, we learned plenty. she was engaged.in.life. she was a little bit raucous, a little bit edgy, a-lot-a-bit delightful. we talked about oysters and beer and irish men, ireland and nova scotia and downtown milwaukee, volunteering and learning and olive oil and balsamic vinegar. she talked about work; she talked about how important previous and long experience is for employers. ahhh, if they could all hear mary’s sage words. and she shared a sea bass recipe we forgot to write down. i suspect she and howard would be friends, had they a chance to meet.

in the meanwhile, i keep wanting to go back to the market on a thursday, pull up the stools we had at the end of the bar and wait for mary.

*****

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getting it. [saturday morning smack-dab.]

i was one of them.

the first time i walked by i was a misunderstander, a glancer, a critic.

i thought – and spoke aloud – that it seemed elementary to display canvasses with the primary colors…large canvasses at that, lots of wall space, valuable real estate for an art museum.

it only seems right that ellsworth kelly, in a conversation with john cage (i mean, who gets to talk to john cage!!) said, “i am not interested in painting as it has been accepted for so long – to hang on the walls of houses as pictures. To hell with pictures – they should be the wall.” and so, ellsworth created big multiple panel paintings – murals – to cover walls. they are stunning and i have been enlightened – by sheer experience of his work. you need just stand there a few extra moments and it hits you. his “austin” temple of light is on our list of places to visit. minimalism. color. breath.

we visited the milwaukee art museum and the two of us, ellsworth, richard diebenkorn and mark rothko all hung out together. their notoriety far surpasses anything we could dream of – yes, yes – by miles and miles. but they love hanging out with people who get it and we were happy for their company.

we talked about art and music and simplicity and air and light. we talked about the ocean park series and rectangular color fields and bigness. we talked about communicating basic human emotions in our work. we talked about journeys and life and times of passage, evolution. we rued the difficulty of transitions and obstacles. and then, though sans museum ticket but clearly listening in, john cage stopped by and reminded us, once again, to “begin anywhere.”

and then it was time for us to leave, to go sip wine at the public market and to talk about the magic of getting it.

*****

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