in the middle of the night – as i lie awake – i can hear the trains. not just the haunting whistles of freight chugging by or a late passenger railcar, but a train or two in the yard, idling. the sound hits me at just the wrong frequency – i am hyper aware of its rise and fall, the pulsing of it. once i hear it, i cannot un-hear it. it stays present and i stay awake.
nevertheless, the tracks hold sweet mystery and, each time i see a train, i wonder its destination, i wonder its journey, i wonder its freight or its passengers. i had not ever stood in the middle of a rural track, bent down – almost kneeling, photographing, until recent years. the track – a classic portrayal of perspective, narrowing further away.
i stood in the middle and looked both ways. south and then north. the south curved into the woods, the north was a straightaway. i turned back south.
in the right-now there seems no straight path, no tight focus, no horizon point that is clear. the tracks curve into the woods, beyond my sight, beyond my imagining. i meander. it makes me wonder.
we seek next and idle in our thoughts in the night, not-knowing. it’s liminal space, a diesel engine that needs to be kept warm for the next day, a time to be present on the tracks, bent down, looking for classic perspective. we are attendants.
i hear the haunting whistle in the wee hours and consider this journey.
in the cutest of mispronunciations, my son, when he was little, called the mirror in the car the “réview” mirror. to this day, i still hear him saying it and it always makes me smile. it was an existential wisdom and so i credit him with the thoughtfulness it brings. the réview mirror…showing that which is behind us.
in the middle of the night we ate a banana and talked about huckapoo shirts. we described specific clothing pieces…my little-house-on-the-prairie dress, his brown western shirt with quilting on the chest, my skinniest stretchy gold metal belts, his blue denim shirts, my gauchos, his cords, my prom gowns, his purple suspenders, our earth shoes. i was in the mecca of discos; he was in the foothills. but those huckapoo shirts…a both-and…we could vividly remember the prints, the colors, the polyester, the fit, the collars. we laughed and it kept us up for a couple hours, but it was a weekend night and all was well. we could sleep after. we moved on by decades…to dockers and button-downs (but never short-sleeved) and aigner pumps with suits and scarves. i talked about this light blue dress – it was a splurge and i still remember it cost $35. i wore it “for good” and it had puffy juliet sleeves and a tiny belt at the waistline. we kept going, through colors and fabrics, eventually arriving at black and jeans and boots, twinsies. the réview mirror had served our wakefulness well. had we followed my poppo’s advice – “build a barn out back and put it all out there because it will all come back” – we could visit and touch our huckapoos and chukka boots and bell-bottoms and moccasins-with-no-soles and pleated high-waisted jeans-with-suspenders. no doubt my current going-through of all the drawers and closets and bins in the house (ala marie kondo) will produce an item or two with hysterical shock-value.
the réview mirror of life and decisions and paths taken is not as hilarious. it is a roiling sea of emotions, up, down, up down. i imagine marie saying “thank it. appreciate its value. discard or donate it.” it – regardless of what “it” is, is in the rearview mirror, the sideview mirror, miles back on the highway where nothing we can do will change its appearance, its happening, its consequences. it just was. and it informed the next. though it may not be what we would have decided now, were we to be faced with the same set of circumstances, we have no going-back, no takebacks, no do-overs. we can only stand in grace alongside all the others standing in grace and move forward.
really…i’m not sure i would have ever worn the periwinkle-blue-black-polkadots-tiny-capped-ruffle-sleeve-skinny-self-belt-flounce-bottom-dress were i to do it again.
reverse threading 