we were waiting in the examining room. i had a doctor’s appointment.

we were surrounded by beige and all manners of brown.

i said aloud, “if i had a doctor’s office, it would not be decorated or appointed in shades of beige and brown. it’s all rather flat and depressing.”

i suspect – for the same reason i said that about the office – you might say that about this photograph. you might even say that about this trail – for much of it is bathed in beige and brown, the reeds along the river, cattails, leafless trees, and dry underbrush populating the trailside.

but it’s different.

these shapes and textures are completely engaging. there has been a giving-over to nature, an organic timewornness that has taken place. and in this flower’s stead has been left a stunning sculpture, full of light and dark. you just have to see it.

in the new eyes i have since going slower, i feel drawn to each of these. i could be completely happy lingering on the trail, photographing one after another of these dried flowerheads, each distinct, each stunningly beautiful. the tall and stately, the rounded, the wishing seeds clinging to the rough edges after floating on the wind. so much life in so much fallow.

my sweet momma – at 93 – would look in the mirror to apply her lipstick. she’d frown and grimace, “i look like an old woman!” i’d assert the obvious – “well, momma, you are 93!” and then, looking into her blue eyes i’d tell her – “a beautiful old woman”. for it was those very wrinkles, those spots of age and wisdom and experiences, those eyes that told a million stories of love and pain, summit moments and disappointments that gave her the actual depth, the texture, the light and dark to BE beautiful.

i look in the mirror, glance down at my hands, get on the scale at the doctor’s office – i am a changing sculpture. i frown, i grimace.

and then i remember my sweet momma. and i remember the flowerhead on the side of the trail.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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