in this time – the lull – we will immerse in each moment. we will not tarry in angst nor indulge in everyday worries. we will step back from all of it. we will try to quiet our minds. we will simply be in it.
it’s like a pause. only not. because we are not paused; we are breathing and moving and appreciating – all in gratitude, intentionally slower, intentionally sans complexity, intentionally sans discord.
soon enough, there will be lists of things to do, to sort, to attend to, to concern ourselves with. things to decide, things for which we need muster courage or fortitude.
but for right now, for this bit of time, there is only the lull.
we walked out of the parking garage and up the grassy hill to the path along the lakefront. a perfect day outside, we strolled as long as hunger allowed us and then we turned around, completely sated by art and fresh air, heading for the public market and bowls of gumbo at the fish market counter.
the idris khan exhibit “repeat after me” intrigued us. layers of digital repetition, scores of music sedimentarized into a single panel, stamped words superimposed on stamped words, scribbles on top of scribbles, it was surprising and fascinating. beautiful – seemingly blurry – images in larger-than-life scale, it felt an interesting statement of the concurrence of everything as it happens in this plane. in the collections of classic scores, words stood out to me: presto…poco rall (poco rallentando)…tempo markings…because he allowed them to be visible, i wondered if they were adjectives of his life then or just simply part of the music he was layering. i admonished myself then, aware of the overly analyzing curator mode to which i was succumbing. i remembered seeing christopher wool speak…the curator was going on and on about the psychological underpinnings of his work and he sloughed it all off – he was merely creating what he liked, what he felt he wished to express. art doesn’t always need to be analyzed – it is sometimes just your heart speaking out loud, on canvas, in image, in wet clay, in melody, in haunting harmony.
walking through this exhibit – from room too room- i was so aware of all the music books, sheets, scores in my own file cabinets. i kept thinking of ways i could incorporate all my collections into art pieces – for surely, there is little use for some of it otherwise and it will certainly go the way of recycling that millions of pages of music-on-paper have already. perhaps even an accent wall expanse papered with pages – the genius of composers gone before physically surrounding a studio space. the energy – sans the analysis.
idris khan called us. but, as always, *richard and mark and ellsworth* were there for us as well – steadfast and notoriously inspiring. we stopped by to say hello and they nodded the quintessential guy head-nod, barely discernible but a clear thank-you-for-always-stopping-by. we wouldn’t miss it.
we drove to have gumbo, hearts full and talking over each other about what we had seen. and then, the ride home was quieter, reflective and flush, revitalized.
*****
*favorites richard diebenkorn, mark rothko, ellsworth kelly
reverse threading 