i’m not sure i ever noticed the shadow. for decades i’ve looked at sky and clouds and contrails and rows and floes of angel hair (oops – off-track, there)….but i don’t know that i ever noticed the shadow.
there are days that some new learning just utterly astounds you – even something really basic, something that has been there all along, something as simple as some word you’ve incorrectly spelled all-your-life. the possibilities are endless. we are fortunate that way.
we were out the other day and someone asked us if we were “retired“. we laughed, mostly because that isn’t an easy question for us. “retired” implies that one has completed the working portion of their life and has moved into a phase wherein one collects some sort of pension or retirement and one does, well, whatever one wants.
we answered that our son calls us “nebulously retired“. the guy who asked us laughed. and we added that we are artists and artists don’t really retire. we don’t report to a certain place each day at a certain time for a certain wage but we don’t stop working either. artistry is an ongoing thing, whether or not it earns you a pension.
artistry also calls you to keep learning, to keep asking questions, to be intrigued, to hone your skills, to work at it – no matter your age or stage.
and so, the contrail shadow made me curious and i looked it up – this seeming optical illusion of line on the bank of clouds that were, apparently, below it. it is a little mind-twisting. but oh-so-interesting and photo-worthy.
though photography has not been any official part of my artistry it is something i have always loved. ever since my sweet momma and poppo gave me a 35mm camera for my early-high-school-graduation, i have carried cameras around with me. with the advent of phone cameras that are better than most older digital cameras, i am even more zealous now. the contrail invited me to take its picture. and it’s too easy.
and, yes, it’s too easy to just keep going, keep creating, keep learning – even nebulously. we both keep it fluid – this relationship with our artistry. the line is vague, the distinction is indistinct, blurry.
we are sometimes the contrail and sometimes the shadow and sometimes the clouds upon which the shadow is cast. and we like it that way. distinctly nebulous.
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read DAVID’s thoughts this TWO ARTISTS TUESDAY
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