june 1 – the first day of pride month. according to the library of congress: “the commemorative month is meant to recognize the sweeping impact that LGBT individuals, advocates and allies have on history in the U.S. and around the globe.”
as we head into this month of celebrations and parades, symposia and concerts, i am achingly hopeful for our world and our attitudes and acceptance of each other as we are.
i want my children to be in a world that is limitless, that looks for the best in each other, that allows them, and everyone else, to be in a reciprocated relationship that speaks to them, to their soul, regardless of gender. (or race or economic status or or or…) so when you ask them why they are in the relationship, they would each respond, “it’s the way he/she moves me.”
there are those moments. the overwhelmed ones. when you feel like all is not going your way. those are the moments that this piece of music is about. as much as i’d like to think i always remember to 1. stop 2. take stock and 3. give thanks, i need a reminder from time to time. TAKING STOCK (listen below) from the album RIGHT NOW is all about remembering to have gratitude, for where i am, any second of any hour of any day of any year of any time….
one of my treasured concert memories is a concert where The Boy played with me. i loved all the laughter leading up to it as he wailed on his tenor in my studio. we had so much fun. this song LET ME TAKE YOU BACK (listen below) makes me think of him. originally a solo piano piece and the title track for a pair of albums LET ME TAKE YOU BACK Volumes 1 & 2 (my solo piano arrangements of 60’s and 70’s songs), the infamous ken orchestrated it for the album AS IT IS with saxophone and thereafter, in live performance, it belonged to craig. let me take you back totally takes me back to those days.
have a cup of coffee (or, if it is later in the day, a glass of wine) and sit back with me. and, since the LET ME TAKE YOU BACK albums are no longer available, maybe dig out your old 45’s of john denver, dan fogelberg, pete seeger, gordon lightfoot, bread, bob dylan, loggins and messina, jim croce, carole king, joni mitchell, carly simon…well, you get the picture…and play them on a record player.
we walked The Girl to kindergarten. it was spring and sunny and warm. dandelions were everywhere. on the way home, The Boy dropped my hand to toddler-zigzag around a yard where dandelions > grass by far (kind of like ours.) he bent down and picked yellow flower upon yellow flower. until he came running back to me. he held up his sweaty-dirty-little-boy fist, full of bright yellow and green dandelions and said, “woses for momma.”
The Girl and The Boy were little when i wrote and recorded this piece of music GIVE ME ROOTS, GIVE THEM WINGS. the title wording was deliberate; it was stunning to me how rooted having children made me feel and yet i knew that, even from the very start, just as i was giving them roots, i was also giving them wings. the toughest part. that letting go thing. The Girl told me today that i was high maintenance. me??? “what???” i said. she said, “have you ever MET you?” wow. straight to the gut. lol. she made me laugh. i guess as a momma i may want a littlemorelittlemorelittlemore time….
when The Girl was a baby, jenny gave me a cross-stitched picture with the words “give them roots, give them wings.” bittersweet words. how little i knew back then.
no matter any other job i have had or will have or any other work i have done or will do, i will always consider motherhood the most important. i cherish every moment of all of it, even the very hardest moments. The Girl and The Boy are out in the world, doing what makes them happy, close or far away.
they root me. yes. even as i continue to watch their wings lift higher and higher.
when i wrote and recorded THAT MORNING SOMEDAY (you can hear it below) it was wistfully about any beginning…any beautiful or cloud-striated sunrise…any hopefulness…any new day. my big brother had died and i was yearning for the peace of understanding, a feeling of being ok in the world, a wish to wake up to something that had given order to chaos.
many many years later, i can’t honestly say that i always have the peace of understanding or a feeling of being ok in the world and i often wish to wake up to something that has given order to chaos. someday is still out there.
only now, a little older and the tiniest smidge wiser, i realize someday is waiting too long. someday is right now and i am sitting right in it, with lots of time behind me and, hopefully, lots of time in front of me. the only thing that really counts right now is right now.
i yearn to make it more peaceful than my last moment. i step in the world, ok or not. i try to help create order out of chaos. maybe someday it will all come together. but in the meanwhile, i will do the best i can in right now.
heidi and i performed together for years at innumerable oncology and cancer survivor events. heidi is a breast cancer survivor and speaker and we wove her spoken words and my songs or instrumental music into performances of celebration, of gratitude, of honoring…performances we cherished together.
heidi would speak of a lazy river she had been in. how, without doing anything, you just become part of the river…tubing on a slow river is like that. no real thought, just meandering in the flow. like life, it’s easier when you don’t fight the currents.
there is something, for me, about gathering riverstones. we gave them to everyone at our wedding – to mark that each person is part of the river of our life. these beautiful riverstones – the way water created a smoothness on rock…years of the flow has worn down the rough edges, made a beautiful patina. i’m hoping, maybe, i’ll be just like that.
on our work table in our sunroom we have three wedding invitations. each one is beautiful, sent to us by the children of friends or relatives. it is that time, when the next generation is marrying. we are excited for each couple and celebrate with them, whether or not we can be at the event with them.
when we were choosing a piece of music for this ks friday, we decided to honor these celebrations of love-found with the song AS SURE AS THE SUN. (scroll down to listen) it is our hope that in each of these couples they are, “in for the long run, forever…safe to be who (they) are” and that, in that universe mystery of ultimately finding each other, they are loved “as sure as the sun.”
listening to this piece i wrote and recorded in the midst of the AND GOODNIGHT ~ A LULLABY ALBUM, i am reminded of moments with my babies, The Girl and The Boy. I WILL HOLD YOU FOREVER AND EVER…oh yes. moments in that rocking chair in the nursery, moments gently dancing to marvin gaye’s‘i heard it through the grapevine’ in the sitting room (oddly, the only song in the early days that would quiet The Girl to sleep), moments holding hands and walking, moments of hugs of joy, of hugs of encouragement, of hugs comforting hurts, moments carrying boxes into dorm rooms, moments painfully driving away from the places they each live across the country. it does not matter if i can wrap my arms around them. i will – forever and ever – hold them.
this is on the lullaby album for just those reasons. the album is a compilation of old lullaby songs all performed solo piano; it was a project of love.
but this piece of music could just as easily been on an album of love songs. a while ago i thought about a wedding album and this would have been a track. for as i think about the comfort of being held and holding another, the holding-on-tight-dancing-in-the-kitchen, the letting-go of everything as you embrace, the end-of-day laying down together, the wherever-you-are-there-i-will-be of love, the exquisiteness of understanding the words ‘forever and ever’, i can see where it plays a dual role. for, yes, we hold all who we love and have loved forever and ever.
i could hear the saxophonist on the corner out the window; it’s not uncommon in nyc. at yamaha artist services to record the two solo piano hymn albums, i was caught up in the christmas carol he was playing, only a little concerned that it would bleed onto the recording. the amazing “it’s fine!” ken can handle anything.
my task was to get onto tape (so to speak) the material for both of the hymn albums: ALWAYS WITH US Volume 1 and ALWAYS WITH US Volume 2. it was easy for me to compile a list of the hymns to play; so many years of church music gives me an advantage that way. but on every album, even if it is music i haven’t written but am giving my own voice to (like the hymn albums or christmas albums or lullaby album) i always include one or two pieces that i have composed – a signature of sorts. for always with us volume one it was the title track. ALWAYS WITH US is a statement of my belief that we are never alone, we are always surrounded by infinite grace and love – God is always with us. like all the tracks on the hymn albums, this piece is solo piano.
part of that time in the city, i also recorded the album AS IT IS. i had a list of titles and in-between recording hymns, i would take out the list and simply play the word. but i’ve talked about that before. this album was a personal creative challenge and took on a life of its own.
back in chicago, in post-production work, ken wrote orchestration arrangements (he is brilliant) and brought in musicians to record on tracks for the AS IT IS album, starting with the solo piano recordings. these new tracks went beyond the solo piano versions – in texture, in diversity, ultimately, in emotion.
yesterday i wrote about process in david’s painting. the same -yet different- process exists in recording music. the coming-together of layers, with what is in a layer below sometimes hidden, a breath you can’t hear, but can feel. i am awed by what the whole becomes from the whole.
always with us exists in two forms. both are relevant to the album they are within. both speak a language. but both tell the same story – for those who listen – that we are never alone. God – or whatever you call this presence- is always with us. and if you listen, maybe with your mind’s eye, you might even hear the strains of a saxophonist on the corner in the city at night.
ALWAYS WITH US – on the album AS IT IS
ALWAYS WITH US – on the album ALWAYS WITH US VOLUME 1
i could hear the saxophonist on the corner out the window; it’s not uncommon in nyc. at 
it was easy for me to compile a list of the hymns to play; so many years of church music gives me an advantage that way. but on every album, even if it is music i haven’t written but am giving my own voice to (like the 
surrounded by infinite grace and love – God is always with us. like all the tracks on the hymn albums, this piece is solo piano.
reverse threading 