reverse threading

the path back is the path forward


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frogs, sausages, monkeys and hiking boots. [merely-a-thought monday]

we were talking about hiking boots. she said that her tread was so smooth and nonexistent when she was in banff that they had to go buy yaktrax. i talked about sliding on wet leaves as we climbed up a nearly vertical trail in the mountains of north carolina. we wondered how many hundreds – or thousands? – of miles we each had on our respective footware. then, with no modesty or guilt and maybe even a little proudly, we compared how many tabs we have had open in one sitting as we researched new boots. she won, at 20 tabs. my old and intrepid laptop would surely crash with 20 tabs open, though i can totally relate. i asked her, my physical therapist, to let me know when she decided on a pair so i could avoid all the rest of the research. it does occur to me, though, that, at her age, she does not likely have any kind of foot or knee or hip or any-for-that-matter issues. nevertheless. i’ll take her recommendation under advisement. i am tired of looking. we laughed together about our analysis paralysis – as brad calls it – as she manipulated my shoulder – i’m positive she was trying to take my mind off of what she was doing – and she told me she called it “decision fatigue”.

i think decision fatigue is why i have to move around my clearing-out tasks in a circle. i can’t stay in the clothing-decision arena or the shoe-decision arena or the paperwork-decision arena or stuff-decision arena too long. it’s easier for me to spend some time communing with one set of bins, suffering the choices, pulling ruthless from thin air and then moving on to the next. circular. in a circle. i’ll be back and it will all get done, but i’m too exhausted to finish it out in one fell swoop.

it took me a long, long time – and many, many tabs – and a few returns – to come to the decision to tap on “order now” when i was looking for some new lightweight everyday winter shoes. rykä – shoes made for women – won me over and every day i am glad when i put on my boots. i read all the reviews (the one where the mom bought these boots for her daughter when they went to iceland had me dreaming of trips with my daughter to iceland) and i checked multiple sites. by the time decision fatigue set in i had ordered two pairs in different sizes from different websites. one was perfect and the other went back. (what song does that sound like??? speckled frogs “glub, glub” or sizzling sausages …”ten fat sausages sizzling in a pan. one went pop and the other went bang”….come to mind….) (or is it….”five little monkeys jumping on the bed. one fell off and banged his head”…). whatever.

decision fatigue has delayed a new bathroom faucet, the possibility of new kitchen counters, whether the fireplace should stay wood-burning or gas logs or insert and…and…and, most definitely, new hiking boots.

and don’t ask me how many winter outerwear vests i ordered. ya gotta love “free returns”. manna for the decision-fatigued.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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figure it out. [k.s. friday]

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in all the chicken-scratch-notes i have about this piece of music, i have written in the presence of a heartbeat.  the pulse that spans the entire 6 minutes 14 seconds, this heartbeat starts the piece. it is throughout the piece.  it ends the piece.  it is no accident that this composition seems interminable, ever returning to the theme; figuring “it” out often seems that way, a curse of perseverating analysis paralysis, depending on what “it” is.

i just erased what i had next written about this.  i couldn’t help but talk about my repeated use of a rising leading tone gesture in the theme, f# to g, f# to g, off the beaten major root path, but instead the path of starting on my ever-loved ninth in the e minor key, a key that resonates so often with people.  then i thought, “blahblahblah!!” geeeesh.  that’s way too much information.  so i erased it.  (yes…there were even more details before i erased it!)

i composed this at a time that was laden with things to sort, to figure out, to resolve.  it is one of the longest pieces i have recorded.  there are moments you can hear the almost-there-ness of it, but, like life, it reverts back to the initial themes, the initial questions.  and then, punctuating it, from time to time, a firm melodic gesture (f#-g-f#-e) where you can hear the lyrics in your head, “figure it out.”  much easier said than done, eh?  but our hearts keep beating.

purchase the album RIGHT NOW or download FIGURE IT OUT on iTUNES or CDBaby

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FIGURE IT OUT from RIGHT NOW ©️ 2010 kerri sherwood