reverse threading

the path back is the path forward


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opus one. [not-so-flawed wednesday]

it’s a mystery.

though we tried to identify this arm, the watchband and the bracelet, we have no idea.

someone texted us this photograph – sans words – and left it at that.

granted, there are plenty of texts that arrive from political groups, fundraisers, smarmy this-is-amazon-we-are-shutting-down-your-account-give-us-all-your-information-to-save-yourself. even the occasional “hi” from a number we don’t recognize or, worse yet, inappropriately vulgar texts coming from who-knows-where. but never a bottle of wine.

apparently, this is an expensive bottle of wine. we looked it up. it ranges in price from several hundred dollahs to several thousand dollahs – neither of which we could or would spend on a single bottle at this moment.

when i had dinner shy of twenty years ago in nyc with a radio program director of the biggest adult contemporary station in the metro area he ordered a bottle of wine. he also ordered truffles flown in from france earlier that day. sharp cheeses for in-between courses. port to follow the meal. i hoped and prayed that we weren’t splitting the bill. my work was on radio, slowly gaining, but he had an expense account. the expense account that i had was from my label – which i owned. i kept every receipt and documented everything, but there is that small detail of having the money to cover the expense…

the wine he chose was $250. a merlot. i can’t remember which vineyard, what year, or what area of the world in which it was produced. i just remember the price and that it was truly a lovely glass of wine, with depth and complexity and a delightful finish. it could have been opus one.

the entire bill was nearing $800 and, though it was an experience i won’t forget, all i could think of was that we could have had big macs together and chatted the chat we chatted and he could have donated the rest to a food bank in the city. the fancy-fance was somewhat lost on me…the backpack-toting-jeans-boots-wearing scrappy yamaha artist recording in the city. when i arrived, i had walked into a chic place, a stainless bar going the length of the restaurant, exposed brick, program director on a stool in animated conversation with the bartender, and the hostess – or was she the maître d’? – asked, “would you like me to check your ….errr…. backpack?” i declined. at that moment, that errr-backpack had everything in it…my purse, my clothes, my composing notes, my plane ticket, fresh socks, my toothbrush and a travel blowdryer. i couldn’t check it.

so the other day when this photograph arrived in our textbox, we searched the area code to see if we could figure out who it might be from. no luck. and no follow-up. we wondered if it was an ad or – in a positive foreshadowing moment – a glimpse of a package to arrive. such teasing.

i suppose we won’t ever know. nothing has arrived via usps, fedex, ups. though yesterday i did get an email that said my dhl package was waiting to be delivered – if i would just supply them with all my payment information and signature.

payment information? uh-huh. if it’s for that bottle of wine – the 1999 signed opus one bordeaux red blend – i’m gonna need to pass. exquisite will have to wait. maybe until opus two.

*****

and an addendum – six months now after we got our opus one text message: greetings to you! it appears that this post is being read hundreds and hundreds of times – more than most any other post i have ever written. in the happy spirit of this continual opus one wine text circulation around the globe (for you are surely all over the world), please consider subscribing to this blog or reading some of the other posts i’ve written or purchasing some of my music on iTunes or stream it on pandora or listen on iHeart radio (it goes great with wine!) pass it on. i’d really appreciate it. truly. xo

and now – nine months later – this post has been visited a few thousand times. still a mystery.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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the cameras. [not-so-flawed wednesday]

cameras

1977.  graduation.  yashica fx-2.  my most-prized possession and my constant companion was the 35mm single lens reflex camera my momma and dad gave me when i graduated from high school.  it went everywhere with me and i made every reason to be out and about with it, capturing sunrises, sunsets, beaches, state parks, roadtrips, lighthouses, birds and other wildlife, my nieces and nephew.  i loved this camera and still have it, although i haven’t used it in years.  i learned about f-stops and aperture openings, film speed and depth of field – all with this camera.

somewhere along the way, automatic cameras began to reign supreme and i joined the ranks with a minolta that made taking pictures of My Girl and My Boy easier, faster, somewhat brainless.  as they were little and moments passed in lightning speed, this camera made moment-seizing more possible, although one still had to wait till the film was developed to see if you were successful.  sometimes it was the blurry photo, the funny face, the i-wasn’t-trying-to-get-that-picture photograph that are the prizes.  they are the ones we couldn’t erase, delete, photoshop, filter.  they were what they were.

i remember roll after roll, walking in to rode’s camera shop and taking advantage of their double-print deal, always sending photographs to grandparents, family and friends who were afar.  having sorted through every one of the prints in recent years, i can honestly say that i have literally thousands of photographs of my children when they were growing up.  perhaps this is the reason they roll their eyes at me now when i want to take pictures of them?

i can’t help but think of what i might have captured on film had digital cameras or cellphones with the exquisite-cameras-of-today been around back then.  video without having a gigantic vcr camcorder on your shoulder or even a smaller, still cumbersome 8mm camera, instant photos that you can preview and take over, every photo or image or video ‘fixable’, ‘changeable’, ‘alterable’.

i have to say i am a little envious of the ability of parents today who are able to document their children, their travels, their, well, every move, not to even begin to mention selfies, and instantly facebook-post it, email it, text it, snapchat it, instagram it, tweet it, snapfish or shutterfly-book-it, sharing it with the world.  it’s so simple.  their documentation will be so much more complete, the phone-camera a constant companion with no real added burden of weight or case or extra lenses or film or a flash.  the rise and ease of amazing technology.

it was with a sense of uh-oh-we-really-are-getting-olderrrrr that we happened upon the display of cameras and movie cameras in the antique shoppe.  i wanted to pick each one up, look through the viewfinder, compose a photo or two.  i was instantly transported back to crabmeadow beach with susan, climbing the fence to snag a few sunrise pictures.  i was in the boat with crunch, cruising long island sound lighthouse to lighthouse.  i was on the floor with my babies, catching their moments.

there was something magical about waiting for that old film to develop.  something that made it sometimes easier to put the camera, the device, away.  something that made it paramount to memorize -for your very own mind’s eye- the most precious of events, the most intimate details, the agonizingly briefest purity of a perfect moment in time.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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flawed cartoon wednesday

Acrobats BIGcopy copy 2my name is kerri and i was a razor-flip-phone-holdout.  it’s occurred to me that i might have been the last person who ever had one; i went from having my own brand-new-razor to The Girl’s hand-me-down-razor to my friend’s hand-me-down-razor to my friend’s daughter’s hand-me-down-razor….you get the picture.  i would hold tightly the little screws keeping both halves of the flip together as they loosened and fought to cease and desist – just to not have to move on and decide on (read:  learn) a new phone.

The Girl and The Boy generously gave me my first iphone for christmas a few years ago.  it was an iphone 4 and it was groundbreaking.  all my fears of smart-phoning disappeared and i became a part of the 21st century.

if it weren’t for texting, there are few conversations i would have with my children-who-live-far-away-and-are-too-busy-to-be-on-the-phone-with-mom (i knowww you can relate.)  it was always remarkable to me how fast The Girl could text; i teased her with thoughts of entering her in national contests.  she rolled her eyes.  apparently, this is not an uncommon skill.  i have to say, i flipped out the day, some time ago, that my iphone deleted my string of texts from The Boy.  these text-strings are pieces of life.

i have graduated one iphone beyond the 4.  skipping the 5 i now have a 6.  well, technically, a 6s (there are varying opinions as to what the ‘s’ means.)  it still amazes me the kind of connectivity with the world i can have with this little device, how truly smart it really is.

text me when you land makes me laugh.  an absurdly funny cartoon, you have to admit, texting is alive and well in all places.

TEXT ME WHEN YOU LAND MERCHANDISE

 

Acrobats mug copy

 

Acrobats t-shirt

Acrobats Tote copy

FLAWED CARTOON WEDNESDAY

 

melange button jpeg

check out DAVID’S thoughts on this FLAWED CARTOON

text me when you land ©️ 2016 david robinson