reverse threading

the path back is the path forward


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cracked. [kerri’s blog on two artists tuesday]

i’m a window-seat-er.

it’s not just because i am prone to motion sickness; it is magical to look out the window at the earth passing below us. and now, the window next to me looked cracked, as tiny droplets skirted across. so much to look at in lieu of staring at a tablet or screen.

i am the geek taking pictures out the window of the plane – as if it was my first time flying.

but i don’t care. i take pictures anyway.

a few days ago i spent over two hours on the phone with an old friend i hadn’t spoken with for – if i’m remembering correctly – over four decades. in that strange way that you can pick up where you left off – despite the fact that there are blanks spanning decades – it felt like we had just danced the night away together, laughing and talking, at one of the discos on long island… just like we did back in the day.

she and i met at college and were instantly friends. i was pretty naive back then, but she had a savvy i could draw from and we had many adventures together.

it was a joy to be on the phone together again – i remember hours tethered to the wall, making plans or discussing crushes. this time i wandered around the house, chatting and trying to picture her now – after so much life had gone by.

and i heard my voice change. suddenly, there it was. the new york accent, back. it doesn’t take much – i am impressionable with others’ voices. the kiddos used to know when i had just talked to my nashville producer – i’d be drawling afterwards. so, long island came roaring back and we interrupted each other with abandon, punctuating our conversation with much laughter.

and there was this. this candor i remember, a not-beating-around-the-bush-ness – a bluntness – an assertiveness – that is visceral for me. i could feel it bubbling up, cracking through my learned midwest reservedness, my keeping-the-peace-ness.

“this used to be me,” i thought.

i – admittedly – have a whole bunch of leftover newyorkness in me. but much of it has been tempered by life in places outside of the northeast. it is pretty much necessary for survival – and for friendships outside of a place left behind, where conversation is more open, more sharing, more – well – raw.

it didn’t take much time to crack through to that place, shifting to this-doesn’t-need-to-be-polite, to this-doesn’t-need-to-be-filtered. i jumped back into a conversation where we – without words – assumed the other was a mature adult, sharing intimate details and what-could-feel-like risky stories with each other, instead of accommodating the other’s comfort level.

it was incredibly refreshing.

when i got off the phone i realized that i missed this. the cracked veneer – the truth of life – minus the filtering, minus the concern about judgment, minus storytelling sans the sordid details, the guts, the ugly as well as the pretty.

i missed the real-real. i missed the interrupting. i missed the accent. i missed the new yorker in me.

i shared snippets of our call with d, laughing at my slowly-shifting-back voice. i felt different.

i’m no mary poppins,” my girlfriend said on the phone.

aware that i was thinking about how the midwest might feel about admitting one was not at-every-moment ‘too good to be true’, i proudly answered, “nope. neither am i.”

those cracks. the kintsugi. damaged and filled with tears and laughter, hopes and dreams and disappointments. truths and failings and forgiveness and grace.

and always at least one little spot that is not perfect, that is left open – where spirit can enter.

or the new york you left behind.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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i blame my sweet momma.

IMG_1799three weeks ago we loaded a 5 1/2 foot long piece of driftwood and more rocks and shells than we could count into the xb to drive home. with sand everywhere, we carried back to wisconsin with us morsels of my life on long island…pieces of the north shore and my beloved crab meadow beach, pieces of the south shore and the fierce atlantic ocean.

i have always always collected rocks and pieces of wood. i’d like to be able to say that i could identify each one and its origin, but i really don’t know.  the easier ones to identify are the ones my children painted for me, all of which i saved.  but now all the pieces of my life that i have carried have blended into each other, blended into who i am.

for me, the piece of quartz or granite, the sedimentary rock with mica flecks, the conglomerate somehow arriving in northport, the clamshell that had been home to some northeast clam, the sand in a bag, pebbles, flowers from the field, grasses that dried in the woods…all important souvenirs – unlike a perfunctory t-shirt – things that ground me, help me remember, things i can touch.

my sweet momma loved rocks too. growing up we had a rock garden out back and their tv stand was a huge slab of rock that they moved on a moving van down to florida with them when they left long island. i always knew that i could give her something made of rock, made of wood, something natural, something organic, and she would celebrate it….with all her heart. she got it. that feeling of staying connected with the land she loved, the earth, the very soil, the very spot that gave her a memory. i get that. the rocks around our pond and scattered inside our house, the pebbles in my purse, the 6 foot long aspen branch in our dining room are evidence. the driftwood – and the sand – on our table make it clear.

i am thready, just like my sweet momma. i blame her.

thank you, momma.IMG_1853

www.kerrisherwood.com

itunes: kerri sherwood