it’s a true story. we’ve had plenty of heat index temperatures higher than normal. everywhere. even in wisconsin. so the other day, anticipating two full heat-dome days of feels-like temps of 110 plus, we looked at our little old a/c unit in the window and figured it was time to turn it on. ahead of time. to get a jump on the oppressive heat.
it’s an old unit – 20 years old, maybe older – and it was going to have a big job to do. the more recent air conditioners clearly are more efficient, energy-wise. they are maybe sleeker looking. perhaps they blend in better and are less noisy. they have different components than ours, different mechanisms.
our old amana window air conditioner is simply a workhorse. it cools. it is dedicated to cooling a room. it gets the job done. we have not devalued it because of the year it was built or the time it has spent as an air conditioner.
we stood in the dining room – by the window where the unit is installed – and proudly looked at our old air conditioner. in a fast and ever-changing world, it might seem beyond its time, beyond working well.
but it is dutifully unfaltering. its old-air-conditioner-wrinkles belie its steadfastness, its expertise at cooling. it has experience, history, tenure doing its work in the world. at this moment in time, to us, the people who wish it – need it – expect it – to do really good work, it is clearly invaluable.
it may not be a younger air conditioner, but – particularly on these 110 degree days – it is mighty relevant. i’m happy we are smart enough to recognize that.
and this, my dear friends, is the fable of two people in their 60s out in the heat-dome of the work world.
i’m trying to decide just how vulnerable to be, how brutally honest, how much to share. it’s like sitting on the fulcrum in the middle of the seesaw…you can choose either way from the pivot point.
this lovely couple – who we considered extended family and saw every sunday – was next door at the garden club’s secret garden event. we saw them from our deck, waving to us over the neighbor’s fence. we gestured we’d meet them in the front yard. giant hugs later, we started a little catching up, having not seen each other in years now. they had family tales and travel tales and many tales of adventure.
they told us they missed us. we were grateful to hear they missed our “energy” and “the fun we brought”. they asked about us.
he asked if i had a position now. i don’t. being terminated during a global pandemic at the age of then-61 with an injury to my hand doesn’t naturally lead to a new position, particularly in the arts. i’m 64 now and we can both agree that age discrimination is alive and well in our country.
she asked if i was composing, if i was “doing my music”.
i sat in the middle of the seesaw.
i’m asked this fairly frequently – people expect someone who has 15 albums already and who has also spent decades as a minister of music – to be fully immersed in music now. after. usually, i somehow deflect, saying something like ” you know, the pandemic…” my voice trailing off. then i quickly ask what they are up to, how their family is, the new grandchild, the retirement, the vacation, the joint replacement…
this time, though, with these dear people standing in our driveway on a beautiful day – post-hugs – tears sprang to my eyes and i began by saying, “eh, this might be too much information.”
and then i told them that i am not composing, that i am not “doing my music” and that i haven’t been able to. that it’s too been too much, that it was too hurtful, that – as much as my studio is a part of me, my essence – being fired devastated me in more ways than anyone can really imagine. it is not as simple as walking back into the studio, sitting at my piano, grabbing pencil and paper, placing hands on the keys. it wasn’t just any old job they took away. it was part of my soul. and – to be honest – i am having trouble recovering. still.
the fulcrum teetered and the seesaw arm – the resistance arm or the effort arm, i wonder – fell to the ground, jostling me. i apologized for the over-abundance of emotion.
they stared at me. they looked surprised; they looked sad. we were quiet for a minute, while i regained my composure and climbed back onto the fulcrum pivot.
but the words were out there. and they were the truth of it all.
when i was in junior high i wrote a piece for an english class titled “old age is not a disease.” i’m pretty sure if i searched high and low for it i could find it in a bin somewhere, but, suffice it to say, i have other things on my docket to get done and, heaven knows, i don’t want to even attempt to go near those bins.
when i was in junior high i’m quite convinced that i would have thought 60 was “old age”. as we know, it’s all relative. you know, “60 is the new 40” or (i’m hoping) some such faaabulous idiom.
when i was in junior high i’m betting i thought that life slowed down at 60, that people did less and rested more. little did i know.
when i was in junior high i would think i, errantly, believed that getting older also meant less engagement with unknown things, less learning, less involvement. perhaps i assumed that getting older was a time for fewer challenges, more relaxation, less thinking, less new. little did i know.
when i was in junior high maybe i thought that most people who were older thought inside the box; their lives and their activities were conservative and tight, protected and quiet. little did i know.
when i was in junior high it would be my guess that i thought most older people were secure, maybe retired, with essentially predictable lives and not much to really worry about. little did i know.
when i was in junior high i’m sure i, like most junior-highers, looked at people who were 60 and thought, “wow! that person looks old!” i probably never considered how their spirit played into their look, how life experience added to their wise eyes and kind smile. little did i know.
this came across my desk last week. “maturity in season of life.” part of a minister of music job description, i was struck by the unguarded language, the bow to what only time and experience can teach. i have never seen this written as such before. it was bracing in every GOOD way. it was appreciatory. it was a breath of fresh air.
in a society that seeks to remain youthful and puts less emphasis on maturity in season of life than on staying young, we need remember there’s a place for everyone. some places require youth, fresh and breathing hard from the sprint. other places recognize the need for the steadfast wisdom of the ages, a decision-maker-doer who brings a lifetime of positive and negative experiences and knows how to differentiate between them, has an intuition built on time and the ever-growing wealth of lessons. the seesaw has room for both; the fulcrum can only balance with both.
as two artists living together, we are more than aware of the challenge of ageism, the challenge of time spent in our artistry and how that relates to value. more than a thousand times we have each been admonished for thinking we need to be paid when we should be grateful for the “exposure” we are being “granted”. more than a thousand times we have each been in a place where we have had to explain why our artistry needs to be financially rewarded just like anyone else’s work.
indeed, pay scales have been built to reflect time spent and job descriptions use verbiage like “pay is commensurate with experience.” experience. maturity: “the ability to respond to the environment in an appropriate manner. being aware of the correct time and location to behave and knowing when to act, according to the circumstances and the culture of the society (read: job) one lives in (read: one works in).”
i recently was having a written messaging chat with a hard-working young adult whose job is in the arts. with these challenges facing him every day, he said that people do not realize that “they’re paying me to know what to do if things don’t go well.” intuition. working on the fly based on training, knowledge and an ever-building bank of experiences. he will continue to face that challenge; it will only deepen. how is that maturity measured? how will he be paid for that maturity, for that which he cannot describe and for which others cannot fathom? for some reason, in this society, it is easier to answer that question if you are doing a numbers job, something seemingly more concrete, more measurable, more quantifiable.
but maturity in season of life touches others as well and we have dear friends who have been ‘let go’ from their jobs simply because of their age. now, their companies would never testify to that and are careful to avoid such language – for that would set them up for all kinds of legal problems – but it has been clear to our friends, struggling to find a new way in later days of their lives. few and far between are those who are able to benefit by pointing out the error of their ways to the company that is undervaluing a later human-on-this-earth season. other friends are fortunate enough to be working somewhere that has deeply valued the long time they have spent in their work and these friends have retired with spoken words of gratitude and wishes of continued good living. where is the fulcrum?
in this particular document that came across my desk, the whole phrase read, “maturity in season of life and maturity in ministry experience.” shockingly, they are seeking this as a qualifier and they are willing to pay for it. speaking directly to that qualifier that beautifully honors the wisdom of the ages, there are things that, as a minister of music at 19 i did not know. there are things that, as a minister of music at 32 i did not know. likewise, as a 30-years-as-a-minister-of-music at days-away-from-60, of course there are things i do not know.
what i DO know is that every experience i have had as a minister of music has built upon the last. instead of a chasm where learnings have dropped rapid-fire into an abyss, i have learned what the important stuff is and how to attempt to keep those things foremost.
like anyone in any job, mastery is commensurate with time spent, with growth in that work, and yes, without exception, with maturity in season of life.
“take kindly the counsel of the years, gracefully surrendering the things of youth.” (desiderata)
reverse threading 