reverse threading

the path back is the path forward


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sticking out. [kerri’s blog on not-so-flawed wednesday]

even after all these years – a full five decades – it is andrea vrusho who sticks out. in her bandana kerchiefs, her flowy clothes, her peace sign necklace, i can still see her. she was the shining light who encouraged us all to write, to search, to be poets, to be ourselves, to embrace words.

i’ve written about her before. i will likely write about her again. the lighthouses in your life are like that; they keep rising up and waving at you, encouraging you just like they always did.

and i still see her – standing at the front of my high school english class – all tie-dyed and hoop-earringed – even now – in the latter part of the middle of my sixth decade, as i continue – ad infinitum – to do this: “the thing that is really hard, and really amazing, is giving up on being perfect and beginning the work of becoming yourself.” (anna quindlen)

she was one of the first – outside my family – to lessen my concern of being a different coneflower, the flower spent from living aloud, a flower on the edges. she pompom-ed my tree-sitting, my practice of journaling. she challenged my beliefs and rained questions on us. she buoyed my feminism and stumped in class for our rights. she cheered on my voice.

and i think about her now. now, as i reclaim that voice. now, as i broach the distance between before and after. now, as i reach back in time to who i was and, thus, who i am.

i know that my coneflower looks different. i have always felt it. artists are outliers, sticking out sometimes simply because of simple reasons. the suits don’t quite fit. you are somewhere lagging behind the trends. you are hopscotching from creative project to project. you are exposure-heavy and earnings-light. you are different – your perspective, your ultra-sensitivity, your empathy. you are the silver in a field of gold, the gawky sunflower in a meadow of daisies. but, despite your best efforts at being the best blendy coneflower you can be, your own distinct and peculiar – offbeat -voice stays with you. like gum on the bottom of your shoe, as much as you try to dislodge it, it is there – still sticking around.

a few days ago on the trail i stopped and turned to d.

i preambled what i was going to say – “this is not a solvable moment. this is just something i have to say.”

and then –

“that’s it!” i declared. “no more sniveling! i’m done with that! it is not who i am!”

without context that could be confusing. but in the middle of the middle of life right now, it made complete sense to him.

and he looked back at me – with andrea clapping her hands on the other side – and said, “good!”

never compare your insides to everyone else’s outsides.” (anne lamott)

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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rusted. but still. [kerri’s blog on k.s. friday]

the galvanized metal coneflower tucked into the little garden with the ornamental grasses has rusted. we brought it home in july when it was silver and shiny. but the elements of weather have already gotten to it and have erased the shiny and smooth, turning it to a rougher texture, a warm brown color, like the center of a sunflower or the color of freshly ground coffee.

i still love it though, this coneflower.

its shape has been inspiring out back there in its little garden – the same garden that protects baby bunnies and tucks in our aspen tree. in the snow it has collected flakes until barely any of the metal is visible – like a tall snow-mushroom umbrella-ing anything below.

i stop in front of the mirror before i facetime or zoom. i wonder how i am seen from the other side of the camera. i am no longer shiny or silver. the elements have taken their toll and age has begun to catch up.

but as i gaze at other beloved faces across the technology of a phone or computer, across a table or on a trail, next to me on the pillow – i know that nothing – no amount of rust or erasure of smooth – can change the fact that they are still coneflowers, nonetheless. still beautiful. still loved.

*****

happy birthday, my love. ❤️

read DAVID’s thoughts this K.S. FRIDAY

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the E.T. from earth. [kerri’s blog on two artists tuesday]

and i ponder the reverse. what if E.T. was from earth and was somehow left behind on some other planet with living and breathing beings? would the earth-alien be as wistful about leaving earth behind? would the earth-alien be anxious to go back, to return to earth? what special powers would the earth-alien reveal on the new planet? how would the earth-alien respond to this different place, these different beings?

the thing about the movie E.T. is that it left us with a heartened view of what an extra-terrestrial might bring, the connections an extra-terrestrial might find, might form. it was a feel-good, cry-at-the-end movie and there is probably not one of us who viewed the movie who cannot hear E.T. saying, “E.T. phone home” or his parting words, “i’ll be right here” in our memory bank.

but what about the reverse?

what would a contemporary earth-being bring to another planet? would it be a sense of camaraderie or a dedication to division? would it be a symbiotic working-together or over-indulged competition, lines drawn in other-planet-dust? would it be open-hearted empathy or apathetic closed-mindedness? would it be an attitude of every-one-for-themselves? would there be any tenderness, any gentleness, healing mindfulness or would the attitude be haughty and mean-spirited?

if we didn’t get to cherry-pick the person who was sent to this other planet, how likely is it that the other-planet-beings would be glad that person showed up, to welcome them with warm hospitality, to sit and try to communicate, try to understand each other?

the spaceship flower on the side of the trail sent my imagination off and running.

but it made me also wonder this: if we would – indeed – want to carefully-as-possible pick an earth-being that might represent humankind to another planet’s beings – making sure that this earth-being would bring all the best qualities of humanness, the most nurturing, cooperative, collaborative, forthright, most loving, and all-embracing traits and behaviors, wouldn’t we want the same as the leader of our own country?

E.T. was hiding in the bushes under the spaceship flower. he glanced up at me and whispered, “scared here. wanna go home.”

i handed him the flower and off he disappeared, leaving us all behind to think carefully about what we wish for in humankind on this good planet earth.

*****

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not yet open. [k.s. friday]

i’m trying to decide just how vulnerable to be, how brutally honest, how much to share. it’s like sitting on the fulcrum in the middle of the seesaw…you can choose either way from the pivot point.

this lovely couple – who we considered extended family and saw every sunday – was next door at the garden club’s secret garden event. we saw them from our deck, waving to us over the neighbor’s fence. we gestured we’d meet them in the front yard. giant hugs later, we started a little catching up, having not seen each other in years now. they had family tales and travel tales and many tales of adventure.

they told us they missed us. we were grateful to hear they missed our “energy” and “the fun we brought”. they asked about us.

he asked if i had a position now. i don’t. being terminated during a global pandemic at the age of then-61 with an injury to my hand doesn’t naturally lead to a new position, particularly in the arts. i’m 64 now and we can both agree that age discrimination is alive and well in our country.

she asked if i was composing, if i was “doing my music”.

i sat in the middle of the seesaw.

i’m asked this fairly frequently – people expect someone who has 15 albums already and who has also spent decades as a minister of music – to be fully immersed in music now. after. usually, i somehow deflect, saying something like ” you know, the pandemic…” my voice trailing off. then i quickly ask what they are up to, how their family is, the new grandchild, the retirement, the vacation, the joint replacement…

this time, though, with these dear people standing in our driveway on a beautiful day – post-hugs – tears sprang to my eyes and i began by saying, “eh, this might be too much information.”

and then i told them that i am not composing, that i am not “doing my music” and that i haven’t been able to. that it’s too been too much, that it was too hurtful, that – as much as my studio is a part of me, my essence – being fired devastated me in more ways than anyone can really imagine. it is not as simple as walking back into the studio, sitting at my piano, grabbing pencil and paper, placing hands on the keys. it wasn’t just any old job they took away. it was part of my soul. and – to be honest – i am having trouble recovering. still.

the fulcrum teetered and the seesaw arm – the resistance arm or the effort arm, i wonder – fell to the ground, jostling me. i apologized for the over-abundance of emotion.

they stared at me. they looked surprised; they looked sad. we were quiet for a minute, while i regained my composure and climbed back onto the fulcrum pivot.

but the words were out there. and they were the truth of it all.

and i am this coneflower.

not yet open.

*****

blueprint for my soul ©️ 1996 kerri sherwood

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read DAVID’S thoughts this K.S. FRIDAY