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Tag Archives: hands


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old knobs. [kerri’s blog on two artists tuesday]

the drawer-pulls on my old dresser clattered. they were a little bit fancy and made of brass and i can still hear them in my mind – a repetitive clack-clack-clack when i closed the drawer. it was one of those big six-drawer dressers, wide and low with a big mirror in the middle. it was maybe mahogany and in my growing-up house this girl’s dresser-hand-me-down from my sister sat on my orange and green shag rug before i moved it to my first apartment. it wasn’t grossly oversized but it had plenty of space…places for delicates and t-shirts, jeans and shorts and – astoundingly – nothing was wrinkly when i extracted things from the drawers. i think i remember moving it to florida and then, somewhere along the line, it went back to my sister…this time for her little girl.

ahhh…the joy of having a big dresser should not be underestimated. i haven’t had a dresser with six drawers since.

i think of lois every time i open the dresser i have now owned for almost forty years. when she took a teaching job overseas, she gave me this dresser. is is solid, standardly narrow and upright and has five drawers with giant big wooden knobs and i share it with david. as you might suspect, he gets one drawer and i get four. i would venture to say that you might be shuddering to think of trying to fit all your dresser-stuff into four drawers. (not to mention his in one, but, hey, he’s a boyyy so he has significantly less dresser-drawer stuff.). before you get all judge-y, keep in mind, too, we have old-house-closets. any accumulation of clothing – is a challenge.

we went to a giant antique flea market at a neighboring county fairgrounds. there were over 500 vendors and it was ridiculously fun to wander around, reminiscing and laughing at some pretty weird old stuff, some stuff we still have, some stuff about which we had great stories to tell. as you know, antiquing is one of our favorite pastimes and being outdoors and antiquing together…well, a fine pairing.

when i came across the big bin of knobs, i could actually feel them in my hand without even touching them. they were smooth with history and the hands of all who tugged on them, the wood worn and any finish gone. as i stood there looking at them, i could not help but think of all the cabinets or dressers they graced in all their years. i thought about all the ways they have been replaced – contemporized – and the possibility that the pieces they came from – the chifferobe, the cupboard, the desk – may have been disposed of.

in all the years that i have had my dear friend’s dresser, i have thought many times about painting it, redoing it, replacing it, at the least, re-knobbing. i never did any of that. it’s still the same old dresser.

i can’t imagine how many stories this old dresser has in it. just like the dresser up in my son’s room – a hand-me-down from miss peggy from next door thirty plus years ago – i wonder how old these dressers are.

mostly i wonder about the hands that have touched this old knobs. like all the old doorknobs in our house, i see these as diligent and sturdy; they have done their jobs year after year, decade after decade.

the history just danced in the box in front of me. so much potential. so many drawers and doors. i thought about who might purchase that box of knobs, where the old knobs would end up.

and i was suddenly glad that I hadn’t changed the ones on our dresser.

*****

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hand-holders. [d.r. thursday]

in my memory bank, i can remember my sweet momma and poppo holding hands. they would grasp each other firmly. they would hold pinkies. they would hold hands often. and, for me, it was one of those telltale signs that they loved each other, despite the day, despite the challenges, despite everything. my dad would not let my momma cross a parking lot without holding her hand. my dad would not let my momma walk on a sidewalk without holding her hand. for that matter, my dad would not let my momma walk on the road side of the sidewalk – ever. he placed himself between momma and the cars zipping past. he opened doors wherever they went and waited to close the car door after she got in. a gentleman always, his stock of niceties was plentiful and momma never had to remind him.

i am a hand-holder. and i, obviously, come by it honestly. but i haven’t always been around hand-holding types. some folks just prefer not to hold hands. for me, it is an intimate sharing of moments, a warm reassurance, a statement of adoration. to adjust one’s stride to match another’s, to hold their hand, is gentle reinforcement – of pooh-piglet “making sure of you” right-here variety.

i don’t know if david’s mom and dad held hands through the years; i haven’t known them that long. but columbus is a sweet man who tears up when it’s time for anyone to leave, who loves to hug, who has a glint in his eye that says, “i like you! you’re in!” and so, i would imagine that he has been a handholding proponent, an advocate of a firm and tender grasp. and david’s mom stands with this man who, if he still understood and remembered all that had gone before these sadly-ever-increasing dementia-ed days, would still grab her hand, declaring his undying love and devotion.

i cannot think of a time that we do not hold hands. we hike holding hands. walk the ‘hood holding hands. watch movies holding hands. sit together to talk holding hands. it is a gift i relish – a many-many-years-yearning during which i spent years watching others. and pining.

in this painting columbus stands in the cornfields of iowa, the place he grew up, the place he packs to go regularly in his memory care apartment. jeanne finds him with bundles of clothing secured by belts or wrapped up between the sleeves tied in button-down shirts. he’s excited to see her when she comes to visit, a new limit that must be incredibly difficult for her to fathom after decades of marriage. most of the time he still knows that she is ‘the one’ – the one he would choose most in the world to hold hands with. but he is confused and sometimes he does not readily recognize her for who she is. he is still settling into his facility. it’s not likely he will go to iowa again now.

it matters not. together they stroll the halls and step into the colorado sunshine. jeanne, steadfast and brave, chats about the family and reminisces and columbus tells tales of the things he believes he has seen that day, visions of beloveds who have gone before, of places he cherishes and stories of the way-past. they walk slower than they used to; columbus breathes with a little bit of oxygen helping him along. jeanne checks in to see how far he wishes to walk, how tired he has become.

i imagine jeanne takes his hand and squeezes it. and i imagine columbus smiles. he knows she likes him. and, just like piglet, he knows she’s right there.

*****

read DAVID’S thoughts this D.R. THURSDAY

browse DAVID’S paintings on his virtual website


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miracle mittens and the best i can. [k.s. friday]

these ‘miracle mittens’ have changed everything. for the first time, i am hiking with warm hands, i am walking the ‘hood with warm hands, i am outdoors – in the freezing cold – with warm hands. this is the first time i have found mittens that literally make my hands happy. they are down-filled and water-and-wind-resistant; they are an amazing entry in a wrist-saga-journey year. they are the best mittens i have ever found.

the best.

and the wrist-saga-journey continues.

the hand specialist looked at me and said, “you have a complete tear in the SL ligament.” he explained that it followed that my range of motion was pretty much nil and he added, “it would have been in your best interest had this been addressed within four weeks of your fall and resulting injury, but, now that it’s months later, we’ll address it here the best we can.”

the best we can.

the specialist in my own town looked at the mri report and, despite the words “compatible with a high-grade partial or complete (ligament) tear”, told me he saw no evidence of an injury other than something similar to a contusion, that i was fine and, with some occupational therapy, i would have ‘some’ range of motion in a year or two years.

i left that office – in my own town these months ago – and sat in the car and sobbed. the last thing i needed right then was yet another flippant bullying type. i decided then and there not to go back and started a search for a new specialist out-of-town. froedtert and the medical college of wisconsin delivered and i am now in the care of a hand specialist there and an OT i actually look forward to working with each session. there’s a long way to go and the possibility of other interventions, but i know that they will do the best they can.

the best they can.

it has been a journey, i have to say. as a human with opposable thumbs, these hands have been necessary, just in normal life-stuff. but the professional musician in me needs range-of-motion, needs extension, needs rapid movement, needs painless playing. so it has felt really important to me to look at the whole picture, to have a long-term solution, to not underestimate the impact of injuries that are part of who i am. now, with the help of empathetic experts, i can reach for the best i can.

the best i can.

the wrist-saga-journey has been – interesting – to deal with, on every level. two distinct injuries. one snowboard that wiped out both wrists and one unmarked wet floor, months later, that wiped out one of the wrists whose fractures had healed. i had two weeks off, after originally breaking both wrists, from the job-i-had-at-the-time-of-both-injuries. for the better part of the year, i just continued to keep on keeping on, playing, directing, doing the absolute best i could, despite pain, despite awkward adapting with and without casts, with and without braces, despite whatever physical repercussions might arise from using two broken and healing wrists. months later, it was merely weeks after i fell there, right at the beginning of my ninth year of tenure and – suddenly – my hands didn’t have a job. suddenly, the wrists i had forced to keep working all year were without music, were tacet. suddenly, the organ pipes and the piano boom mics and the ukulele chords and the music all over my studio were irrelevant. suddenly.

i told the specialist that wasn’t the end of the story. it’s not a short story. it’s my *hands* and they have been – and will be – part of a much longer story, part of the arc of me, part of different songs to sing, different music to play, different stages to stand on. maybe the-best-i-can is yet to come.

the best.

in the words of jewel, “my hands are small, i know/but they’re not yours they are my own/but they’re not yours they are my own/and i am never broken.”

i can.

*****

read DAVID’S thoughts this K.S. FRIDAY

peruse some music – download some music – from my little corner of iTUNES



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the hands of community. fading to zero. [d.r. thursday]

HELPING HANDS

the hands around us changed with the zoom reading of a prepared statement.

suddenly, the community we had lovingly helped grow was gone. this group of people -from the very old to the very young- people we had stood with in their celebrations, their funerals, their births, their illnesses, their pinnacle moments, their weddings, their baptisms, their challenges, their laughter and their tears – was no longer my/our community. suddenly, in the zoom reading of one prepared statement, i/we became irrelevant. suddenly, it was as if i/we hadn’t existed, hadn’t invested our hearts in this place, hadn’t worked long hours dedicated to joy and a network of learning and caring, shared goals, the symphony of music of this place, hadn’t had dozens of gatherings with these people at our home, hadn’t stood in the middle of a large dancing circle of these beloveds – with the song “we are family!” playing at our wedding. suddenly. no hands. it’s bracing.

and so we fade to zero.

wine arrived on our doorstep. twice. so did frozen slushie and pumpkin desserts. i got a card or two, an email or two, a few texts, a phone call here or there. some hands reaching out. but i can see the fade.

there is no goodbye party, there are no thanks, there is no real [read: transparent] explanation. i/we just disappeared. erased. the community-family-tree decimated. it all runs roughshod over the very definition of community.

it just is what it is. where have i heard that before?

and so we fade to zero.

the hands in your life. we reach out to each other. we rely upon each other. the interdependency concentrics outward – people we would never recognize, will never meet, are part of the very foundation of our lives, our living. they play a part. they are a star in our shared universe. community.

the 1980s hands across america song lyrics: “see those people over there? they’re my sister and brother. and when they laugh i laugh. and when they cry i cry. and when they need me i’ll be right there by their side.” we would do well re-creating the human chain across the united states holding hands for 15 minutes on a may sunday in 1986. it’s what community is.

the brotherhood of man released the song united we stand in 1970. “for united we stand. divided we fall.
and if our backs should ever be against the wall, we’ll be together, together, you and i.” community.

hands.

fading to zero.

it is what it is.

*****

read DAVID’S thoughts this D.R. THURSDAY

visit this painting HELPING HANDS on DAVID’S virtual gallery

HELPING HANDS ©️ 2014 david robinson