reverse threading

the path back is the path forward


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so. to sew. [kerri’s blog on k.s. friday]

i used the old singer when i sewed the shutter-curtains for the nursery. i placed it on a piano bench and sat on the loveseat to sew. it was mama dear’s no-bells-no-whistles machine – the kind that is stored in a black case – and i was hoping that her seamstress skills would transfer to me as i stitched. i didn’t quite finish the curtains before our daughter arrived – a week earlier than expected.

i have another machine – a sears kenmore – from when i was about ten or twelve, i guess. it’s in a sewing cabinet – the machine stores down under the lid – and one can sit right at it to sew. i’ve sewn innumerable things on this machine. it doesn’t have bells and whistles either, so it’s a workhorse.

because i was dedicated to the art of sewing – at least back in the day – i’ve accumulated many patterns through the years, storing them carefully in a bin so that they would keep their tissue-pattern-integrity.

i just opened the bin and took them all out, laying them on the dining room table, organizing them to move them along. there are about 75 of them, many toddler patterns and craft patterns. the 80s and the 90s were craft-heavy times and i was right in there sewing bunnies and dolls, quilting pillows and piecing sweatshirt appliqués. the fabric store was an inspiring adventure limited only to your imagination. attending art and craft shows was glorious fun, a place to get new ideas and marvel at others’ craftiness.

it was quite late in the 90s when it occurred to me to show at these art and craft fairs as a musician. way different than concerts or even wholesale show marketing, i’d set up a booth with a keyboard and displays and play all day while simultaneously selling cds. the being-a-mom skill of talking while playing transferred easily from mom-ing to entrepreneur. providing music for the background of people – most notably, women – to shop with friends and linger over beautiful homemade objects was a joy and i sold thousands upon thousands of cds at these shows over the course of some years.

until, of course, the advent of writeable cds.

being able to rip a cd from another cd enabled the buying market to do-it-themselves and severely shrunk cd sales from independent artists.

and then came streaming, a death-blow to these same independent artists.

but i digress.

i wonder how many people sew now. i wonder if moms still make matching jumpers for their baby girls and themselves. i wonder if people are still sewing bunnies and dolls and pillows. with the bankruptcy of joann fabrics – a legend for those of us who devotedly bought fabric there – i wonder if imagination is sparked as brightly in small fabric departments of other craft-type stores; joann’s was packed with fabrics and knowledgeable store personnel who could answer most any question from aspiring seamstresses.

sewing is kind of like riding a bike. you think you’ve forgotten how to thread the machine – until you sit down in front of it and your hands automatically weave the thread in and out of tiny sprockets and around dials. you think you’ve forgotten the little tidbits of wisdom you’ve gleaned along the way as you lay out a pattern or cut or piece a few patterns together to craft your own iteration of something – and then it all comes rushing back as you touch the ever-familiar manila-colored tissue paper.

i thought i would just move all the patterns along. and then a few caught my eye. “i could make those overalls,” i thought, and “what an easy pj pattern” – and i was hooked.

maybe half a dozen patterns made the cut – to stay with my sewing supplies. the toddler patterns moved on – for other moms or for grandmas to joyfully create. the craft patterns will move on as well. i already have a yo-yo quilt in my future and who knows what i’ll do with all the sports t-shirts left behind by the girl and the boy. we’ll see.

the coolest part of it all – revisiting all these patterns – was remembering the fun challenge of a sewing project and the excitement of a newly-purchased bag of fabric, feeling my grandmother’s legacy surge through me, the expansive way creating creates more ideas for creating.

*****

LEGACY © 1995 kerri sherwood

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patina. [kerri’s blog on k.s. friday]

i just can’t keep everything. and right now, i’ve been more valiant about going-through-giving-away-selling-getting-rid-of.

and so, despite the really beautiful wood handle on this vintage cast iron meat grinder – passed down to me by my mom and dad – a manual kitchen gadget – a peck, stow & wilcox – from the late 1800s or early 1900s – i have decided to move it on.

we aren’t big meat eaters and we are definitely not meat grinders. as a matter of fact, i am hard-pressed to remember my mom grinding meat. and, as antiques go, our old kitchen isn’t big enough to add the meat grinder as a displayed collectible, even with its patina of worn-smooth wood, the curve of its handle, the working vice clamp – really, the whole curiosity factor. no, it is time to let it go.

in our economic blackout protest, we won’t be shopping today – or the next few days – and we didn’t the last few days – anywhere but smaller retail. over this weekend we may go to our favorite antique shoppe or we may stay in, continuing the big-clearing-out, maybe hiking as a respite from the going-through.

every now and then, as i touch something that’s been packed away, i pause for a few minutes. in the flash of memories that flies through my heart in those minutes, i do my best to detach from the item and simply attach to the feeling. some things are easy – the meat grinder is sort of one of those, despite its collectible value. some things are a bit more difficult or downright hard – an old felt hat of my dad’s, a mid-century modern black and blue ceramic ashtray i remember from forever, a cypress clock, my momma’s wedding dress, hobnail milk glass pieces – these all run wide that spectrum. my tinier-than-i-remembered horse collection, multiple plastic seagulls on wire stuck into driftwood, the metal yellow and white smile face wastebasket, an old bread box – these are also mixed and the ruthless-matter-of-fact-er in me takes a backseat to the flood of memories. but boxed is boxed and i am wondering what the point is if something that could be used by someone is simply boxed or binned away in the storage room in the basement, never to be appreciated, never to be purposed.

the hands that held this grinder handle, that cranked this, that churned out sausage or whatever it is the grinder is capable of, were hands related to mine. holding this handle is holding time-passed-by. it is holding people passed. and so i do a photo shoot of this cast iron piece, clamping it onto our kitchen table, appreciating its age, its handprints, its history – though i don’t specifically know it.

and someone will eventually purchase this – or we will give it away – and they will also wonder about where it came from, whose it was, how it was used and when. they won’t know, but they will have honored it nonetheless, just by taking it home.

and the meat grinder will start its next phase – maybe displayed – maybe put into use. and the story will continue – about a hundred years of story.

and we will stand firm in our blackout of the kind of purchasing that enables the most privileged wealthy, the oligarchs. we will stand firm in our pushback of the economic inequality, the DEI rollbacks, the administration’s corruption and bow to special interests, to bigotry. we’ll do the best we can.

as always we will scale back, be frugal, lighten the load we have, repurpose, minimalize our needs, support others who have less, hold onto what is truly valuable – memories, feelings, connections….the heart of it all.

because a hundred years from now – from the time of this very story – i would hope the patina of that future time would show the well-worn bruises and scars and hard work of the people who pushed back, the people who – successfully – held onto democracy.

*****

LEGACY © 1995 kerri sherwood

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no chocolate ganache cake. [kerri’s blog on k.s. friday]

if he were still in this plane of existence, my sweet poppo would be 105 today.

as much as i miss my dad, as much as i would love to sit with him, to talk with him, to be quiet with him, to hug him, under the circumstances that we find ourselves in this country at this time, i would have to say i am glad he is not here.

because my dad’s heart would be utterly broken.

my dad fought against all this. he fought for the freedom of this country. he fought against fascism and authoritarianism. he fought against cruelty. he fought for democracy.

my dad’s own freedom was stolen from him when he was taken prisoner of war in WWII, his army air corps b24 shot down over the ploesti oil fields, his fellow dedicated airmen parachuting out, taken into camps by bulgarian forces.

my dad persisted through all of it – his injuries, his solitary confinement, his fear.

my dad came home, back to the country he loved, the country for which he fought and sacrificed, the country with a democracy about which he was zealous, the country where he and my sweet momma would build their own family.

so if my dad were here now, he would be crushed by what is happening. he would be crushed by the evil and deliberate intentions now set in place. he would be crushed at how his country is being severed. he would be crushed that anyone – any one! – in his family would champion any of this horror. he would be crushed that his family – his very family – had broken apart because of that. he would be ravaged by utter sadness.

my dad would be unable to celebrate his big birthday.

because no chocolate ganache cake could make it all better.

*****

LEGACY © 1995 kerri sherwood

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shabaeawaka. unless. [kerri’s blog on k.s. friday]

“we can disagree and still love each other unless your disagreement is rooted in my oppression and denial of my humanity and right to exist.” (james baldwin)

i would add – or unless your disagreement is rooted in the oppression and denial of the humanity and right to exist of people you purport to care about – people in your beloved family, in your cherished community.

growing up, there were straw placemats in a circle around the perimeter of our kitchen table. each one had inked initials in the bottom corner – to designate whose placemat it was. ba, ea, wa, ka, sha, they read. in some moment, a guest circled around the table, reading them aloud, in order. “sha-ba-ea-wa-ka,” he read. and then, more quickly, “shabaeawaka!”

shabaeawaka became our family’s shortcut of the combination of our names – my mom always lovingly referring to the moniker and telling the story of its origin.

shabaeawaka – in all the ups and downs of a regular family – became a synonym for invincible ties, for family-sticking-together.

my sweet momma, even in the last moments i saw her, believed with her whole heart in the devotion of this family to each other. she believed in kindness and generosity, in acceptance and goodness, in joy and positivity, in love no-matter-what.

my sweet poppo – a mostly quiet man – died three years before my momma. he wasn’t one of those dads who would sit you down and bestow wisdoms upon you. but i could feel his staunch support of me throughout my life…as a child, as a young adult, as i finally made my way into my artistry, as a parent.

my momma stayed in their house in florida on the little lake as long as she physically could. she surrounded herself with the familiar of their lives together, always missing the actual presence of my dad, lonely for him. the empty vase – the one my poppo kept filled with grocery store flowers – stood in the foyer, an acknowledgment of unwelcome change.

but my sweet momma – well – she kept on. and as it became obvious she would need to leave her home and move into assisted living she chose to give away things from her home. the dining room table went to a family of immigrants who didn’t have a table at which to eat. her blue leather sofa went to a family across the street. my momma was not discerning. people in need of something were precisely the people to whom she wanted to give those things. even in her grief of moving, her generosity and love of others prevailed.

i did not feel the need – nor did i have the logistical ability – to fill rooms with items of my parents after my momma’s move or even after she died. but i do have remembrances of them. and i have their dna.

mostly, i have the ideal they taught me – that no matter what, you stick by your family, you uphold each other, you protect each other, you love each other. in no uncertain terms, my mom and my dad would stand tall next to each of us, buoying us and believing in us – the lesson of acceptance – no matter what – of the right to exist, to sustain, to thrive.

i know – without a doubt – they have cheered on my life – in all its phases, in its ups and downs. i know – without a doubt – they have cheered on my daughter’s courageous and adventurous spirit finding home in the mountains, my son and his incredible and cherished LGBTQ community in the city, around the world. i know – without a doubt – they would support them to the mat, thwarting anything that might come between them and their freedoms as americans, as human beings. i know this not only because it was how i was raised, but this is what shabaeawaka is. it is the legacy of shabaeawaka.

and so i wonder what they are thinking now.

i suspect they are on board with james baldwin.

there were times of disagreement, yes. my quiet dad could get rather loud in moments. my sweet momma could push back on inequality, on the crushing of human rights, on evil.

but all was ok if the basics were still in place, if the disagreement – in the words of james baldwin – was not rooted in the oppression of them or their loved one, if it did not deny their humanity or the humanity of their loved one, if it did not undermine their right to exist or their loved one’s right to exist. those were the basics and the basics of any faith i ever learned from them.

I wonder what they are thinking now as they – from a plane of existence far away – watch this election, as they watch the unthinkable, as they watch oppression and the denial of humanity and right to exist on the up-close-and-personal do-we-love-each-other line, as they witness the undermining – the throwing away – of the tenets of their precious shabaeawaka.

i don’t know where the placemats went.

i just know i don’t need the actual placemats to remember what they meant.

*****

LEGACY © 1995 kerri sherwood

read DAVID’s thoughts this K.S. FRIDAY

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