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artists and bootstraps. [two artists tuesday]

the bootstraps are getting a good workout.

the flutter in my heart, my racing pulse, uneven breathing.

i tug at the bootstraps.

i don’t have a choice.

i am an artist. bootstraps come with the job. they are inherent. they are undeniable. they are a burden. they are a release. they are imperative.

we cannot hide from the here and now. we cannot hide from the truth, be it light and airy, be it ugly and heavy. we speak to now; we help provide access to truth, to raw emotion, to the basic fundamental sameness – and yet individuality – of humans. to where the rubber meets the road.

we pull up the bootstraps and take a deep breath.

we dive in.

“just when you thought it was safe to go back in the water,” the infamous tagline from the box office movie hit “jaws”. we are shocked by the cold water, the lurking sharks, a symbiotic ocean with underlying danger. we muster on.

the art, the music, the prose, the poetry, the dance gently ease us all into a place of rest, of reassurance. the art, the music, the prose, the poetry, the dance prod us all out of a place of mediocrity, past complacency, past laissez-faire. the art, the music, the prose, the poetry, the dance urge us into thought, into action, revitalize our fire. this is the job of an artist.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. pace. glance in the mirror. look at my notes. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. the curtains part. i walk to the apron, bow my gratitude, take the bench. hands on the keys, boom mic inches from me, i begin to speak.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. pace. glance in the mirror. look at my notes and the score in my hands. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. the musicians take their places. i walk to the front, sweep across the singers and accompanying instrumentalists with eye contact, appreciation and love, stand in front of the piano. hands on the keys, all at the ready, we begin to speak.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. i pace. i glance in the mirror. look at my notes. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. i stand in my boots. i walk to the front, bow my gratitude, nod to the empty bench. hands trembling, no microphone, i am escorted out the exit.

i pull up my bootstraps.

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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the fermata. [k.s. friday]

on hold.

the fermata lingers over my days, issuing a pause of length undetermined. the baton is held in the air. there is no downbeat, no pattern of time. just prolonged waiting.

in dr. seuss fashion we wait in the waiting place.

answers are just beyond our grasp, skimming the rim of the atmosphere, invisible to us, ephemeral and flimsy, ever-changing, like trying to capture the flicker of flame from the top of a candle lit in the darkness.

so i just keep waiting. we just keep waiting. our world just keeps waiting.

we sit quietly. we rail at the wind. we speak up. we skirt to the sidelines. we ask questions. we wonder. we are met with silence. we are dissolved. we seek fairness, equity. there is none of that. we step away from the noise. it follows us, snapping at our ankles. we do good work. we seek truth. we are managed, a place of hypocrisy. our country flails. we flail.

and we wait. knowing that, indeed, better will come. knowing that, in some measures, new will come. knowing that, after the fermata, light will come. grieving all we have lost in the process, in the journey, in the waiting place.

we are holding.

read DAVID’s thoughts this K.S. FRIDAY

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art is like that. [d.r. thursday]

i don’t understand this painting. nor do i feel connected to it. art is like that. sometimes it resonates, sometimes it does not. and in just the way that it does not vibrate within you, it still stirs something else.

for me, this has stirred up images of one of my beloved nieces. her wedding, now years ago, was a blur of blue sky, warm sand, rich brown gowns, the setting sun and her, in stunning white. her home combined these tones; it echoes the sentiment of that landscape and never will i see blue and brown together without thinking of her. art is like that.

we each carry a palette of color at our hips. we carry tunes of music in our hearts. snippets of image, of music that evoke memories of other times.

right now, in the middle of this raging pandemic perhaps this is most important. we have nary a chance to have new treasured times with our loved ones. we face quiet thanksgivings, quiet holiday seasons. we wonder what it will be like, we wonder how we will get through it.

walking through the neighborhood yesterday, we took note of how many people had already decorated for the holidays. lights and giant hard plastic snowmen, candy canes adorning sidewalks, stars lighting up gardens. there were yards that looked like a cacophony of giggling sound, competing with other yards for attention. while this seems early for all that, it made us smile.

for, in all that wiring and plasticware, was a trove of memories. each homeowner must have yearned for the resonance of that magic. each homeowner must have had stories of years-past echo through their heart and mind. each homeowner created art – their own art – chronicling their life and experience through time, re-telling a story, expressing what they feel and creating a rich offering for others.

grateful for their gift as we wandered home through the darkened streets, i thought about holidays past, traditions on hold, gatherings at bay, much longing. it stirred a deep store of memories, made me hope yet even more for the pandemic healing of the world.

and it made me wonder if this is the year to consider having a “regular” christmas tree, bright with lights. if this is the year to respectfully light a menorah, tend a kinara, break open a star pinata…

i wonder if this is the year to celebrate the story of life with the whole world, full of color and sound, vibrating loudly and ever so quietly. art is like that.

read DAVID’S thoughts this D.R. THURSDAY

visit DAVID’s online gallery

visit the completed painting


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unpredictable beauty. [two artists tuesday]

“sometimes beauty is that unpredictable; a threshold we had never noticed opens, mystery comes alive around us and we realize how the earth is full of concealed beauty.” (john o’donohue)

a simple errand. we needed to pick up some furniture to transport in big red for a friend. destination: ikea.

there is something magical about ikea. we hadn’t been there in ages and were relieved to find few people there and everyone masked properly. vowing to hopefully come back soon and browse a bit, we pulled the boxes off the shelves on our pick list. pushing our cart to the front checkout lines, david, more than once, had to re-focus me away from the enormous displays of product. iphone in hand, we wove our way through the covid-floor-circles-disney-style line, waiting our turn at the cash register.

every where i looked, we were surrounded by interesting color, repeated pattern, textures that begged to be touched. david, more than once, softly called my name from the other side of the pushcart, gently spurring me out of the threshold-of-alive-mystery-of-concealed-beauty, snapping pictures with inordinate joy. “k-dot,” he would quietly prod.

the spatulas called my name too, repeating patterns of red-mama-dear-lips making me smile. spatulas are usually not mysterious creatures, but their color, design, stacking lures you out of ordinariness, opening that threshold, the place for glitter to be seen.

it wasn’t just the spatulas, though. i was victim to the lint rollers, the stainless steel utensil holders, the cork trivets. hidden beauty everywhere. i could feel my sweet momma and poppo cheering me on; they were likewise entranced by ikea.

if safety allows, we will return. there are a few small things on my own pick list i’d like to consider purchasing. but mostly, i just want to wander the aisles with my camera, noticing the unpredictable beauty.

yes, not a bad way to spend any day. noticing the unpredictable beauty.

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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collective exhaustion. [d.r. thursday]

utterly exhausted.

we literally get to 4:30 in the afternoon, when the light of standard time is waning and the day is catching up, and we are both utterly exhausted.

we sat on the boulder overlooking the river and bowed our heads down, brows furrowed, squeezing our eyes closed as we listed the reasons why we might be tired. we decided it is collective exhaustion. we simply do not know anyone who is not beyond tired right now.

the last week offered many chances to be outside: warm sun, soft breezes, a rare november last-licks-of-second-summer. every walk helped. every minute in the adirondack chairs helped. every task checked off the never-ending chore list helped. but there was still this weariness, pervasive, inevitable.

in the middle of a raging pandemic, with the stress of keeping oneself and others healthy, with the worry of financial strain, with the chaos of the election, with the political climate and matters of social justice, with work challenges, with isolation away from loved ones and friends, with grief over our individual physical issues – where is the restoration, the rejuvenation?

and so, we tuck in. we lay our head in the crook of our arms and we sigh. we know we are not alone. everywhere, necks are bent low in sheer collapse.

collectively, we all slow down our rapidly-beating hearts and our nervous pulses. collectively, we consciously take a deeper breath. collectively, we will rise back up, unfolding our bodies from fatigue. collectively, we will carry on.

but for right now we are utterly exhausted.

read DAVID’S thoughts this D.R. THURSDAY

visit DAVID’S virtual gallery

COLLECTIVE EXHAUSTION © david robinson


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round and round. [two artists tuesday]

“and the seasons they go round and round
and the painted ponies go up and down
we’re captive on the carousel of time
we can’t return we can only look
behind from where we came
and go round and round and round
in the circle game” (joni mitchell)

from the edge of the trail it seemed we stood in three seasons. with warm sun on our faces and verdant grasses poking through the golds of autumn aspen leaves, the snow sought refuge in the shade. three seasons. concurrent.

as we stood there, in the middle of the mountain trail, it all swirled together – then, now, next. a kaleidoscope of color, of emotions, of moments. the tiniest of tiny in a vast universe, all else suddenly became distant.

we lingered in the whirl of shifting seasons, viscerally aware of our breathing and the gravity that was holding us still. it was an eddy of every-thing: old wrinkled leaves of regret, fading transient dreams, life-giving air carrying us into the next minute, a metamorphosis of time. the ponies on the carousel kept moving round and round and we paused, our feet in the dirt, sensing the circle encapsulating us, giving us pause.

we stayed there a long time, the scent of decaying leaves in the woods, the sound of a rushing mountain stream, the breeze rustling past us, our faces warmed. for these moments, in the middle of the middle, all the worries, all the fears, all the unease, dropped off from our shoulders. the concurrence whispered to us, “and the seasons they go round and round.”

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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it is my hope. [d.r. thursday]

my beloved children,

in the last few years i have become increasingly vocal, doggedly writing about the politics of this nation. i have watched an administration sweep in wearing hatred and division on its sleeve, attempts to undermine and destroy any forward movement this country has made or has desired to make on so many fronts. i have decried their rhetoric, narrative of severing, narrative of bigotry, narrative of self-serving agenda. i have pushed back against the frailty of humankind and against the furthering of prejudice and discrimination of any sort, be it under the heading of race, gender, sexual orientation, ethnicity, economic status, religion. i have, time and again, asked to uphold what would make the populace safer in a raging pandemic. i have asked for leadership to be responsible, to be truthful, to be one with integrity, to prize virtue. i have raised up climate change and this good earth time and again. i have cited examples of inequality. i have been open and honest about my feelings and opinions, vulnerable to assault by those who do not agree. i have learned that’s ok.

in the last few years i have become increasingly vocal, doggedly writing about the evanescence of time, the impermanence of this very life, the beauty that rises with the sun. i have pointed to moments of joy, moments of devastating grief, moments of sheer bliss, moments to memorize. i have spoken of and to the ocean and of and to the top of mountains. i have drawn pictures in the sand and let the cool waters of high elevation streams run through my hands. i have described treasured moments with you, my children, with family, with friends, with my husband. i have been aware of how fleeting time is as it races on. i have learned that life is simply that – learning.

in this time it is my hope that this country will gather its resources into its national quiver and will lead forward with arrows of love and compassion. it is my hope that this country, like committed and passionately dedicated parents holding newborn life, will embrace each and every one of its citizens, holding and blanketing them with reassurance, with protection, with a promise of doing better. it is my hope that this country will offer to you – its children and its children’s children and its children’s children’s children – new times of peace, new times of equity, new times of profound and wise knowledge, new times of opportunity, new times of kindness, and that this will surely sweep across the land from the redwood forest to the gulf stream waters, from sea to shining sea.

it is my hope that you both, my amazing and brilliant daughter and my amazing and brilliant son, deep in your adventurous souls, will feel the freedom promised you in the universe. it is my hope that you speak your truth, that you speak for, that you speak against, that you speak up, that you speak out. it is my hope that you feel affirmed in your lives, strong and powerful, fiercely dedicated to every breath, tenacious, and both gently kind and profoundly vehement in the demand for justice and liberty. it is my hope that you feel unconditionally loved and cherished: by me, by partners, by family and friends, by this nation, by this very good earth. it is my hope that in the moments you take a deep breath and exhale you know that your presence in this universe is light itself and is truly making a difference…forever.

i love you,

mom.

***

view this painting SHARED FATHERHOOD on david’s virtual gallery

read DAVID’S thoughts this D.R. THURSDAY

SHARED FATHERHOOD © 2017 david robinson


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be nice, say hi! (duh.) [two artists tuesday]

“duh” went through my mind when we hiked past this sign on a high mountain trail in aspen. every time we hike – absolutely anywhere – we are nice and we say hi. that seems pretty basic. “what’s with the sign reminder?” i wondered.

most trails in high elevation are shared. hikers trek, mountain bikers bike and equestrians ride – all on the same trails. kindness, mostly, prevails. friendliness, mostly, is at the ready. in this covid-19 time, with some exception, masks are pulled up as people pass each other face-to-face; safety is, mostly, first.

but there is always that element. any where. those who do not share well. those who do not trail together. those who are not nice. those who do not say hi. those who don’t even wave. those who need reminding. those who need signs.

today is – finally, at long last, after an interminable political season – election day.

given the run-up to this day of threats of national security, of people in trucks chasing down buses from the other side, of the president threatening to sic the supreme court upon the election, of mistruths of voter fraud, of concerns about gun-toting and armed observers at the polls, of covid-19 superspreader rallies held by the leader of the free world in a country raging with pandemic, of any number of examples of malfeasance by leadership et al, it would seem that signs might actually be necessary. basic signs. signs to remind people how to be. signs posted in most kindergarten classrooms across the land, from sea to shining sea.

signs that say, “be nice, say hi!”

signs, well, freaking everywhere.

because people are exercising their right to vote. people are having a say in this country that we all share, so that people can trek and bike and ride, metaphorically speaking, all somehow together on the same highways, the same backroads, the same trails, in the same states, in the same communities, the same cities, the same schools and businesses and religious institutions, the same neighborhoods, the same workplaces, the same clubs, the same friend-groups, the same families, across this vast country. people are voting so that their voices are considered, so that they are included, so that they can share in this democracy.

on the never-ending, incessant, ceaseless, uninterrupted, tedious, wearisome campaign trail, maybe the signs would help.

“be nice, say hi!”

pretty basic.

duh.

read DAVID’S thoughts this TWO ARTISTS TUESDAY – you will love his last paragraph!!


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a meeting of the minds. [d.r. thursday]

sensitive souls, dogdog and babycat study us, follow us, respond to our auras. their questioning gazes, locking eye-to-eye contact, belie all manner of thought and wondering going on in their minds. they are clearly concerned. in moments of high anxiety, moments of shorter fuses, moments of tears, they pace, uncertain how to help, uncertain of what they might do to resolve the angst. in moments of laughter, moments of gaiety, moments of teasing, they play along, happy to be a part of the joy-joy.

lately, after deep behavioral study of us and subsequent research, they have made a few requests: stop reading the news, stop wondering when orbit-people are going to be honest and forthcoming, stop checking the weather for a late warm spell, stop worrying.

they checked in with d on this; it was a meeting of the minds. “momma is clearly distressed. she is agonizing over things she has no control over. we want to help,” they told d.

as he relayed this to me, i asked, “what did you tell them?”

he said, “i told them that, though daunting, stress is a fact of life for people. i told them that fretting, even brooding on things, is a part of people’s every day, of their makeup, that there are so many things to be besieged with, things over which to be troubled.” he continued, “i tried to explain the political chaos, supreme court indignities, the financial strain, healthcare issues, the fear of the pandemic, racial, gender and sexual orientation inequality, pointed misogynistic behaviors, the isolation…”

“wow. what did they say? what did they do?” i asked.

“they stared at me, blank-eyed, and said, ‘can we have a treat?'”

read DAVID’s thoughts this D.R. THURSDAY


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she led us up this mountain. [two artists tuesday]

she led us up this mountain. my beautiful daughter, surefooted and strong, an exceptional guide, stopped in high altitude to allow me to catch my breath, to sip water. i wondered where the lake was…each step i took. but, following her, i stopped wondering if i would make it there. the confidence she exuded was both palpable and contagious. and so it was both thrilling and challenging to be high on independence pass, starting at the trailhead just a bit down the road from the summit.

she led us up this mountain and everything else fell away. far below us was the gravel lot, the highway. far below us was the truck that would soon take us away from these mountains, this heart-place. far below us were thoughts of leaving, thoughts of anything back home, thoughts of the pandemic and the election and real life and the worries embedded in all of that.

she led us up this mountain and we gained more than elevation as we trekked, our footfalls on the trail lost in the sound of the wind. we gazed around us, first below the treeline, then above, with fir and pine our hosts, the quaking golden aspen far below, unseen. the creek punctuated our thoughts and – admittedly, my puffing breath – tufts from mountain goats decorated thick branchy and leafless bushes.

she led us up this mountain and the less air i had left, the more it filled me. i wanted to hold onto every last second. i wanted to stand high on this mountain, next to this stunning pristine lake with my beloved daughter, and just weep. my heart needed this hike. my soul needed this hike. my body needed this hike. every other hike we had taken over our joyous days in these colorado mountains had led us to this hike. i was exhausted and cold and invigorated, hot-flashing and weak-kneed. and so, so grateful.

because mostly? because she led us up this mountain.

read DAVID’S thoughts this TWO ARTISTS TUESDAY