so much to think about. the middle of the night is a mashup festival of thoughts.
sometimes our level of profundity in the night is astounding. we converse and deep dive and solve all the world’s problems, quoting nietzsche and rumi and mary oliver and john muir.
and sometimes, it is less deep, less intense, less – well – anything at all. just random. and one of us – i’m not admitting to being the one – goes on and on, pondering, pondering, pondering – all aloud – convinced the other one of us – again, no pointed fingers here – is actually listening.
meanwhile, the dogga jumps up on the end of the bed – groaning – and yawns, falling into a deep slumber, his paws running, running, running, in dreamland.
sometimes nights are forever.
*****
and, speaking of random…that reminds me of a great 70s song that has nothing to do with this because we are both right here….still, great song!
this was last night. this was sunday night. this was monday night. this happens allthetime.
how is it that you can be yawning-up-a-storm, tired-tired-tired, yet, you go to bed, sink under those yummy covers and are wide awake? or…you wake up after the first sleep cycle and nothing – absolutely nothing – will let your mind rest.
random pieces of life pass by in ruminating-world: memories, questions, ponderings, worries, conversations. bits and snatches of life from waaay back, from yesterday, angsting about tomorrow or the next day.
i had a dear group of girlfriends who tried to meet up once a year (or as close to that as possible). we had lots of shared history and shared lots of the ups-and-downs of life from our little corners of the world – each of us with different paths and challenges. we all had nicknames. mine was “fretta”. i don’t have the opportunity to see them anymore but i’d say the nickname is generally still fitting. i do fret.
now, david, on the other hand, sleeps.
i’m not foolish enough to think he never frets, but when he lays his head on the pillow and pulls up the blankets? he is gone. i don’t know where all that ruminating stuff goes at night. i am guessing to where the wild things are.
me? i carry my wild things with me. we fret together.
in all the chicken-scratch-notes i have about this piece of music, i have written in the presence of a heartbeat. the pulse that spans the entire 6 minutes 14 seconds, this heartbeat starts the piece. it is throughout the piece. it ends the piece. it is no accident that this composition seems interminable, ever returning to the theme; figuring “it” out often seems that way, a curse of perseverating analysis paralysis, depending on what “it” is.
i just erased what i had next written about this. i couldn’t help but talk about my repeated use of a rising leading tone gesture in the theme, f# to g, f# to g, off the beaten major root path, but instead the path of starting on my ever-loved ninth in the e minor key, a key that resonates so often with people. then i thought, “blahblahblah!!” geeeesh. that’s way too much information. so i erased it. (yes…there were even more details before i erased it!)
i composed this at a time that was laden with things to sort, to figure out, to resolve. it is one of the longest pieces i have recorded. there are moments you can hear the almost-there-ness of it, but, like life, it reverts back to the initial themes, the initial questions. and then, punctuating it, from time to time, a firm melodic gesture (f#-g-f#-e) where you can hear the lyrics in your head, “figure it out.” much easier said than done, eh? but our hearts keep beating.
reverse threading 