reverse threading

the path back is the path forward


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no time to waste. [kerri’s blog on d.r. thursday]

we have two sets of flatware. forks, cake forks, knives, teaspoons and tablespoons, i (and we) have purchased neither set.

the first set has been with me since my very first apartment. my grandmother, mama dear, gave me this set – subsets of it were incentive gifts for deposits into a local bank on long island – so mama dear made enough deposits for a whole set. it moved with me everywhere i have moved since that first apartment. i added wooden-handled steak knives to it – also incentives from a company – and, later, baby spoons and forks, but i never replaced the flatware set.

when my sweet momma died, her flatware – the stainless steel stuff not her silver – became mine. it was familiar to the touch and welcomed, particularly since many pieces of the first-apartment-floral-pattern had gone missing through the years.

so now we have two sets. sort of. there are pieces missing from both. maybe someday we will purchase a whole new set together. we’ll see. it doesn’t feel like a high priority.

in going through basement bins, i’ve found various other pieces of flatware. there’s a spoon thingy with a place to hold tea leaves, a couple of ladles, silver demitasse spoons with a gold wash from finland, vintage souvenir spoons from florida. we haven’t used any of these spoons or other utensils, though it might be nice to include a piece or two in everyday life.

momma had a box just like the one in this photograph – it was red mahogany in color. it was felt-lined and all the silverware fit neatly into slots or into the shallow drawer underneath. we used the silverware on christmas, on easter, on special occasions. but not every day.

sometimes i think that if i were the current owner of her silver i would consider using it every day. i mean, it’s flatware – designed for use, not for saving or just hoarding with other memorable valuables.

it would seem that my sweet momma would smile from that other dimension if she saw people eating mac and cheese or eggs and potatoes or spaghetti or fried rice with her treasured silver/silver-plated forks.

because, after the fact, i’m sure she realized that saving it for good – and you wonder where i got that from??? – is really silly. indeed, i feel like i would hear her as i stood – hesitant – near the wooden silver chest – insisting, “it’s a fork! it’s just a fork!”

in these days of what seems like peril for this world, i’m thinking i would open up that silver chest and pull out the forks, knives, spoons, all the utensil thingies in there. i’d serve them up with homemade pizza or tomato soup or pasta sauce or tikka masala or whatever.

though i don’t have the silver chest or the silver, i do have the lesson.

now, instead of small dollar-store bowls holding our happy-hour snack-time snacks alongside individual-sized select-a-size paper towels, i pull out the cut-glass vessels, the fenton hobnail serving dish, the small china plates, the cloth napkins.

we have no time to waste.

*****

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how it’s supposed to be. [kerri’s blog on d.r. thursday]

the first fresh flowers of the year…these beautiful tulips. 20 gave them to me for my birthday in a vase he said he purchased at one of the local thrift shops. they have graced the bistro table in the sunroom and the kitchen counter for over a week now, cheering us in rainy, windy weather.

we have spent some time in the local thrift shops as well, browsing or looking for a specific item or two we need. the st vincent de paul shop in town is clean, organized, with clearly marked items and people to help. it feels respectful of all who enter, for whatever reason they enter.

last night, sitting at the table in the sunroom with these glorious tulips, we used the little china plates we recently bought at the thrift store. with a bit of cheese and bread and a few olives, we looked up from our mini happy hour and, once again, talked about how we really liked finding these sweet 99 cent plates and how proud we were of places nearby so dedicated to making life a little easier at a time when the tasks and obligations and costs of life have been made much, much harder by an administration that doesn’t care about the struggles of ordinary people.

this morning i read in a nextdoor post dedicated to our neighborhood and vicinity a post that a woman wrote looking for opportunities for food. i would have responded with places that generously offer staples and groceries, but there were many – many! – people who had already responded, listing food pantries or shelters that could help provide. it made my heart sing to read all the replies to this woman who had vulnerably expressed her need. people even offered to make a casserole or leave bags of food on their front steps for her to pick up. the woman wrote back, overwhelmed by the sheer number of suggestions and offers. another woman wrote back, “that’s how it’s supposed to be. people helping each other.”

that’s how it’s supposed to be. people helping each other.

exactly.

20 comes over on mondays and thursdays. we share meals those days, with us usually cooking on monday and him on thursday. it is not just for the chance to see each other. it is pooling our resources and sharing a dinner – one less to cook in the week, one less to shop for, one less to pay for. for three people accustomed to leftovers and simplicity, it helps. one concentric circle to another to another…

and every monday and thursday as we stand at the door and wave goodbye, we are reminded – once again – that that’s how it’s supposed to be.

*****

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HELPING HANDS

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on their tiny shoulders. [kerri’s blog on d.r. thursday]

there is something infinitely reassuring when a pair of mourning doves chooses your yard. these two sweet doves spend lots of time either in our yard or peripheral to it – in the trees, on the wires, on the neighbor’s roof overlooking our backyard – all directly related to whether dogga is in or out.

it’s not just because they are symbolic of peace, love, hope. it’s not just because they are representative of new beginnings and emotional healing and moving forward or are thought to be messengers from the next dimension. their gentle nature, their cooing, their life-long dedication to each other – all suggest comfort. seeing their sweet pudgy selves sitting together on our patio or brick pavers, on rocks lining the pond, or even gazing into the yard from high wires above – all slow my heart down, ease that quivering vibration present in my chest.

i’m hoping that this particular pair is steadfast – that they don’t let dogga’s barking or antics frighten or dissuade them from staying here. i’m hoping that they continue to make our home their home.

in these times it occurs to me that we need to take our cues for solace and serenity wherever we can find them. we need to look to the ever-presence of nature, through its own challenges with thick and thin. we need to welcome the signs and nods of assurance and consolation to which we may not have been paying attention, to acquiesce to the solid news that seasons change – regardless of what we do – there is a natural order, there is harmony.

those little mourning doves have a lot on their tiny shoulders.

*****

prayer of opposites 48×48 mixed media

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continued beingness. [kerri’s blog on d.r. thursday]

the seedheads stay present all winter. thimbleweed is ready. eventually the wind will carry it, dispensing it, seeding new growth, spreading it far and wide. the wooly tufts are evidence of nature taking care of nature.

the concentric circles are all around us. in reminders we get every single day, we are prompted to remember that even the tiniest of our actions will impact the next and then the next and then the next and then…

it is what makes me feel so utterly disheartened with what is happening here and now. it is not just the cruel actions of others that ripple out. it is also the mindbogglingly complicit inaction.

once again – and over and over – i see the absolute transience of this moment. once again – and over and over – i see the silky filament that exists between am and am not. once again – and over and over – i try to take in – to make part of my being – the presence of mind to be present, the ability to be stopped in my tracks, a nod to wondrous, utter gratitude for breathing.

to be amazed by the tufts of thimbleweed, to carry a sunrise or sunset, to drink the sun into our bodies, to hold one another.

and once again – and over and over – i wonder how it is that there are so many who would choose cruelty over kindness, who would choose corruption over goodness, who would choose marginalizing others over lifting others up.

how are we taking care of each other? what are we spreading in rippling concentric circles from our very center? how are we carrying, dispensing, seeding, spreading life – living – far and wide?

look to thimbleweed. its resilience, its anticipation. the seedheads seem to be ever-looking forward, planning for its survival, anticipating its continued beingness.

maybe – just maybe – nothing less than what humans should be doing.

*****

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the fragile crossing. [kerri’s blog on d.r. thursday]

and then, the quiet after the storm.

there is nothing like fierce winds, torrential sleet, and a blizzard to get your adrenaline going. it’s been a minute since a bit of quiet.

so monday morning – as we gratefully sat under our comforters and quilt and sipped coffee – the sound of red-winged blackbirds in our pine tree was like a symphony – significantly even more moving, at this moment, than listening to the ode to joy finale of beethoven’s 9th symphony.

we were in the aftermath.

even with the bits of destruction we experienced and unexpected – but necessary – expensive repairs – some already made and some on the ever-present maintenance docket – we felt the change and we rested in the sound of birds who had essentially disappeared during the chaotic weather.

the sun came out, we saw a bit of blue sky.

we took a breath.

there will be other storms.

some will be weather, some will be personal challenges, some will be directly connected to the state of this country.

and for any of it – for all of it – we need to gear up.

so – for right now – the sun, calm winds, melting snow, a few comforters and a quilt, coffee and the birds of our backyard will all help. they stoke up the fortitude, endurance and resilience we all have and we all draw on, the fragile crossing from destruction to recovery.

*****

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metaphors everywhere. [kerri’s blog on d.r. thursday]

we talked about what this stunning vine would look like in a time-lapse video of itself – curling around this stem of underbrush, coiling in and out. it would be fascinating to see.

we watched a PBS special of a vine – reaching, reaching – for the sky. it was nothing less than intense. it would seem that vines are definitely in the every-being-for-itself gang, striving to get sun and squashing – choking – all in its way. which, in these times, sounds devastatingly familiar.

i see this vine off the side of the dirt trail we are on – tightly wrapped around underbrush – and think about how stuck it is, there on that stalk. i wonder – as I look at it – if it is even possible to unwrap itself, to loose its deathgrip on its victim, to shed its imperative to conquer as it climbs. or if it is lost in this dedication, this seeming mandate; if it is too immersed in its scheme of obliteration.

once a vine is a vine is there a point of no return, that dedication to climbing the ladder, so to speak, with no thought of that which it is crushing?

a little research shows that vines climb and block sunlight – starving the host plants. they add weight to delicate branches and foster rot. they are smothering. many are rabidly destructive, aggressive invasive species, hard to mitigate, impervious to control or checks and balances. hmmm. again, sounding familiar.

as i studied this creeping grape-vine-knot in the woods, i was struck by its beauty, taken in by its curves and the graceful way it had wound itself. it did not occur to me – as i studied it and photographed it – of the harm it may be causing. a little time dedicated to research, to asking questions, to garnering factual information and the vine-knot took on different meaning and made me wary of any championing i might give it.

“vines can deform trees by interfering with branch growth.” “active, localized efforts to manage and eradicate wild grapevines exist in wisconsin, primarily to prevent them from choking out trees and native vegetation.”

“without constitutional checks and balances, the presidency risks shifting toward authoritarianism, where the executive branch can ignore court orders, dismantle regulatory independence, and weaponize the department of justice against political opponents. this breakdown of oversight allows for unconstitutional executive orders, consoldation of power, and the potential erosion of democratic norms.”

there are metaphors everywhere.

*****

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HELPING HANDS
53.5″ x 15.25″

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depth-of-field reality. [kerri’s blog on d.r. thursday]

i took this photograph the other morning and then later showed david. it took him a minute or so to figure out that it was a photo of a squirrel on the fence on the other side of the driveway. he had some context, though, recognizing that i like to sometimes take photos through the screen of the window. it distorts the image a bit and changes the scope of the depth of field, focusing on the screen rather than the image beyond, but more information aids in discernment, in seeing what it is that is there.

as i sit and write this – at this moment – i am waiting for someone to come and pick up the giant ant farm that we are giving away. the person who is picking it up is going to share it with pre-school children so that they might study this ant farm. though i’m pretty certain that she will also teach them that this is a tiny example of how ants live ‘out there’ in the big world, they will focus up-close on how its community works.

how community works.

i’ve written before that i’ve wondered if whatever great deity you might believe in is watching us all – here on planet earth – as we function – er, dysfunction – as a community of people. as we somehow err to the everyone-for-themself way of being in the world. as we push and shove to place personal agenda before any kind of synergistic, collaborative orientation.

is this deity peering through window screen, watching distorted figures go about daily living under the guise of “together” but cultivating nothing of that sort?

is this deity peering through a clear plastic screen, watching us on this planet make ruin of our natural resources, undermining our environment, our sustainability, the beauty of this earth?

if you look closely and focus on what is clear, you will see window screen, separating the viewer from the view.

if you let your eyes focus further out – despite the depth of field blur – you will see the squirrel, the fence, a bit of our westneighbors’ garage.

it’s not so much a mystery once you have more information. then, you will see it for what it is.

it’s all real.

it seems important to work at viewing the big picture.

*****

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toward the bench. [kerri’s blog on d.r. thursday]

tucked into the trail – the river trail – are spots i always find i am looking forward to: the curve of the river, the cattails in the marsh, the hill where you look down on the trees along the riverbank, the section that looks like a bayou, the turn in the path where deer linger, this one spot – where the reeds are thick and the turtles are numerous. we hike along and these are touchstones along the way, indicators of how far we have come, how far we have yet to go.

we all have them – the indicators of how far we have come, how far we have yet to go. i think about this now as i walk into my studio.

i spend way more time on the written word these days than on the piano bench. i spend way more time typing on a keyboard than pencil-jotting on scraps of paper scattered above the keys.

i look at high profile artists, years and years after their last album release, after long drought periods, in their 60s, now recording and releasing new albums. and it makes me wonder. it’s been 16 years since i released a full-length album.

sixteen years.

as someone who released fifteen albums in fifteen years that is stunning to me. and, thus, the wondering.

my piano is a touchstone to me, an anchor, something i can touch that is profoundly meaningful to me. i have walked a textured journey in the years i have spent with a piano central in my life, in time that the creating and performance of music was imperative. i have assigned success and failure, acceptance and rejection, support and betrayal to my piano.

and, in the way that enlightenment happens, i am beginning to learn that it is not my piano that is responsible. it has merely been my spokespiece, a vessel through which i might give voice.

instead, it is in that giving of voice – that expression of me – that amplification and celebration of music – that others – people – have squelched the how-far-i-have-yet-to-go, have taken the get-up from my get-up-and-go.

i don’t really know the reasons that one might feel they should push someone else under water, that one might feel the best use of their energy is to abuse or denigrate or minimize someone else, that one might feel that the most humane treatment of someone else is to concoct narratives and sway public or private-circle opinion. i don’t know the reasons why anyone would want to break another person or their spirit, creative or otherwise. i don’t really know the reasons why anyone would do any such things. it’s crushing.

i do know the impact these things have on a person. for no matter how tough one’s skin, how devoted to confidence, how determined, how bootstrapping one might be, there are others who can do great damage and who are – apparently – damned devoted to it.

it’s not my piano’s fault.

and so now – in this great enlightenment or admittance or downright sad awareness – i can see that those people who have done great harm have undermined so much between how-far-i-have-come and how-far-i-have-yet-to-go. and i am thinking – now – that I’ll be damned to let them rob all that from me, to let them take my piano – or my muse – hostage any longer. not that that’s easy. it is a difficult uphill journey.

it’s maybe time to stand in the reeds, hang with the turtles and cattails, get my feet wet in the marsh and walk – or sprint – or, more likely, crawl – toward the bench.

*****

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a recognition. [kerri’s blog on d.r. thursday]

it was pretty sloggy. there was still snow on the trail. that which had melted from bright sunlight and milder temperatures made the trail muddy. very muddy. did i mention muddy?

we had on hiking boots that have uppers made of gortex. i am not crazy about my boots – i was attached to my last pair and don’t have a relationship with this pair, not yet, not even after so many miles. nevertheless, i must say that this pair kept my feet dry, which does make me a tad bit fond of them.

it was hard to stay quiet as we hiked – the sloshing sound of our boots on the path was undeniable: humans are here.

it was also hard on the legs. similar to walking in deep sand, it’s a different workout in mud and snow and ice.

we were about to turn around and head back home to a wee happy hour, but decided to keep on going a little longer.

we came up the rise and there they were, staring at us. two gorgeous deer, absolutely still. they blended into the fields, everything a seasoned shade of tan or brown.

we had eye contact – the lead deer and i. i whispered to it, trying to reassure it – even telepathically – that it was absolutely safe. we stood, watching each other.

eventually i slowly moved forward a bit, to take a picture closer-up. eventually, both deer bounded down the rise and across the trail, heading for the river.

and what a sight.

they carefully picked their way across the river, walking on the ice skillfully, even as i held my breath, hoping for their arrival on the other side.

and we just stood and watched.

i’m sure other things were going on around us – and beyond – as we stood and watched. i’m sure people elsewhere were moving about, the world had plenty of events – both extraordinary and horrific.

maybe as we stood there something big changed somewhere. maybe as we stood there nothing changed anywhere. the tilt of the axis, the spin of the earth just simply continued keeping on.

but – in us – we could feel it.

a connection with all other things living, a sense of longing for the safety of all – particularly those who and which are most vulnerable, and, once again – but never enough to consistently remember it every second of every day – a recognition of beauty and the transitory.

*****

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EARTH INTERRUPTED mixed media 50.25″ x 41″

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punchbowl musings. [kerri’s blog on d.r. thursday]

and so i have some hesitancy on this. it was on the bottom shelf, tucked back into the shelf unit in the storage room, next to the blow-up pool floaties. it didn’t seem like i had thought about it for years. ok, for decades. i listed it for sale – after researching its ‘value’ as a vintage (circa 1980) cut-glass punchbowl set.

but part of my research brought me to a few blogposts others had written. and in those blogposts were these absolute gems about all the ways to use a lovely punchbowl. not just for punch.

the one that really stuck out for me – and debilitated my quest to sell-sell-sell – was the story about a lovely summer gathering where the person served gazpacho and crusty bread, glasses of chilled sauvignon blanc. yikes. i immediately wanted to have a lovely summer gathering where i serve gazpacho and crusty bread – each attendee ladling delicious soup into their handled cup and visiting on the deck or the patio under warm sun and blue skies.

so, yup…hesitancy. i mean, it all fits conveniently into a box – the base, the bowl, every last cup and hook – so why not just keep it a while longer…?

the power of story, eh?

i cried this morning. it wasn’t about the punchbowl. it was about seeing a post by my very own sister that made it obvious – beyond a shadow of a doubt – that she is completely on the other side of the current dangerous political divide.

gauging by how overtaken i was by grief, i guess i was holding out hope that the stories that are now reality in this country might have changed her mind, the minds of her immediate family members. because every story we are hearing breaks our hearts ever more. every story makes us question what in the hell is going on. every story makes us absolutely sick to our stomachs that this country has devolved into such a cruel and bigoted, sadistic and extreme place.

it is impossible for me to wrap my head around anyone – any.one. – finding acceptable any of these stories of the realities of this kind of depravity.

yet i know that there are media outlets that so many subscribe to – leave on in their family rooms, their florida rooms, their kitchens, their living rooms – for hours on end. these outlets distort the actual truth – to the nth degree. these outlets obfuscate. these outlets lie. and people are watching them, soaking it all in, pompom-ing them, lost in them.

lost.

and i feel totally crushed.

crushed.

the power of story.

used and misused.

i’ll probably eventually decide to keep the punchbowl. it is not likely to sell.

i will make gazpacho or vichyssoise and serve it in handled cut-glass cups. there will be glasses of chilled white wine and sunshine, laughter and conversation.

and stories.

of adventures, dreams, disappointments and loss.

yes.

loss.

*****

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