i have a unique front row seat to paintings in process. running downstairs to throw in another load of laundry or seek out a tool i need, i will glance at the easel in the studio to peek at what’s up next…this time, the sketch of two people dancing made me stop. it immediately made me thinking of when we have danced in the front yard or the kitchen or out on the deck or on a mountain trail. i got lost in the tango and wandered back upstairs, no new laundry spinning in the washer or tool in my hand.
the next time i looked at the easel i found these two people emerging and color exploding off the canvas. i have learned, in this time of living with a brush-in-hand-artist, that this is the under-painting, a place that involves steps at which i often want to tell him to stop!wait!it’s perfect! sometimes he does – stop. other times he keeps going, for the vision in his mind’s eye is beyond what is on the easel and there is more to develop.
it’s a unique place in the front row. maybe more comparable to back-stage or the green room or the recording studio before “record”…a place of preparation, a place of reflection, a place of swirling beauty, a place of possibility, a place where the-painting-someone-dreams-of-hanging-on-their-wall is being born.
on my piano in my studio is a teeny sign with a big message. it reads, “if you asked me what i came into this world to do, i will tell you i came to live out loud.” (emile zola) it’s a reminder – a reason for being. true for each of us, it’s unleashing the metaphoric crayon of our creativity, our thoughts, our knowledge, our gifts, our voices.
there is an extraordinary amount of power in those crayons..the place in the middle that we open…the heart from where our concentric circles start rippling out…where the crayon meets the page, the song is composed, the painter paints, the activist writes. “loud” (for the sheer sake of being loud) and “out loud” (simply having a voice) are two vastly different things. and, if you are paying even the least bit of attention at all to world events, we are privy to both in our lives these days.
after living all this life so far, i hope now that the crayons i pick will help to ripple out things that are good, things that consider others, things that are not hurtful, things that are fair, things that are kind. the power of a crayon unleashed that is “out loud” not “loud.”
we were canoeing and it was quiet. the only thing you could hear were a few birds, a loon from time to time and the sound of the paddle hitting the water. we went through the channel and above us we saw it.
the young bald eagle was taking its first flight and we had the great fortune of witnessing it. i knew i wanted to write at least a few words about how lucky we were to see it, watch and quietly be a part of it. as this beautiful creature soared over us, it seemed to relish its newfound freedom, its new ability to fly. even as we watched it struggle a bit with the landing, we could see its determination to its flight. we talked about how the eagle was representative of this country we live in. in the late 1700s it was chosen as the emblem of the united states…based on its long life and great strength, it is majestic, bold and faithful, independent and a symbol of freedom. such hopeful words, such a powerful emblem of a nation that has lost its center.
after some time, we continued on. we talked about writing. we talked about why. why do we write each day. why do i compose. why does d paint. what words could you wrap around what we do, why we share what we share, why we fly in this artistic-world, the place we are at home. is it important? why?
we are merely instruments. we can watch and quietly be a part. we can simply start the ripple. that’s all that is really possible. that is our job. to be instruments. like pebbles dropped in water. our emblem would be just that. tightly-starting-ever-widening-circles of ripples, repercussions, the effects moving, ever-moving. what we choose in the center counts. if we choose peace and kindness, then we can start the concentric circles outward of peace and kindness.
when we were designing our website, the dalai lama quote ““Just as ripples spread out when a single pebble is dropped into water, the actions of individuals can have far-reaching effects” needed to be present. the ripples of water on the front page of our site are not graphically brilliant or even singularly creative. but they are an emblem, so to speak, of the reason we do what we do. the meaning behind that emblem is the reason we keep trying. it is the reason we yearn to make it possible to live as two artist-ripples, to make a living and pay the bills and do what we can to be instruments of peace. we hold tight to the center. and like that young eagle, we are determined.
“Lord, make me an instrument of your peace; where there is hatred, let me sow love; where there is injury, pardon; where there is discord, union; where there is doubt, faith; where there is despair, hope; where there is darkness, light; and where there is sadness, joy.
O Divine Master, grant that I may not so much seek to be consoled, as to console; to be understood, as to understand; to be loved, as to love; for it is in giving that we receive, it is in pardoning that we are pardoned, and it is in dying that we are born to eternal life.” (the prayer of st. francis of assissi)
my sister and i were toodling around milwaukee on one of her visits here, years ago now. we went to this great little coffeehouse on the lake and there was a stand of cards. one read “begin anywhere” a quote from john cage. procrastinators/a.d.d. twins, it jolted both of us and we laughed. it launched a really honest and vulnerable conversation between us over our coffee mugs. we bought two of the cards. hers sits inside a glass frame on her counter in her kitchen. mine is inside an old window frame on the wall in the bedroom.
starting is the hardest thing. so often we don’t know how. and we dread the not-knowing, fearing that we will fail or fall short or never “finish”. finish what? we are never “done,” i believe. we just keep moving. toward who knows what sometimes, but we keep moving. life is fluid and fluxes and we try to be flexible. and sometimes, after we force ourselves to JUST START, we find that the task wasn’t as difficult or involved as we thought, or we were better at “it” than we thought, or there really weren’t the demons we imagined.
i love this CHICKEN MARSALA. in honor of my beautiful daughter-of-the-snowy-mountains, in honor of all the athletes competing in the olympics who started their sports long ago, in honor of artists of every medium everywhere standing in front of a notebook, a piano, an easel, a barre, a microphone, in honor of THE ROADTRIP – a second start for david and me (starting AGAIN is sometimes a beautiful thing) we offer this CHICKEN NUGGET in the studio melange this week.
you’re at the gate. poised. fearful. anticipatory. excited. your imagination is going wild.
we took the train there. it was a glorious day and we had left extra time to walk around the little town, explore a bit, sit, have a glass of wine. the sun was warm and we were looking forward to hearing an author speak, one i have respected for many years. joyce maynard was at the book stall in winnetka, sharing wisdoms and her newest book, a memoir titled the best of us.
the sun warmed us on this early fall day as we sat and sipped, waiting for the time of the reading to begin. i told david stories about reading joyce’s work, way back even before the time when I lived in little bitty hillsboro, new hampshire and, from a short distance away, she wrote a column called domestic affairs. she has had impact on me for many a year and i was happy to be able to tell her that in person.
we haven’t started reading her new book yet. she inscribed it to us, “with the hope that our story inspires your own.” the best of us is a profound story of love and loss and growth and embracing Living. joyce was honest and candid. she read sections of the book aloud. she shared real moments that were both excruciatingly painful and infinitely life-full. and she wore awesome army green converse sneakers.
seeing joyce was multi-layered for me, as it is whenever we attend openings or readings or concerts…as an artist it always makes me think about where i have been, where i am, where i am going. it was lovely to meet such a prolific author, inspiring to hear her words about her book. but mostly? mostly it made me want to write more, share more. words. lyrics. music. paintings. our new two-person play. medium doesn’t matter. it’s a spur that i could feel – deep inside.
as an artist couple, our spectrum of emotions is pretty wide. sometimes maybe too wide (yes, it’s ok to laugh here.) but as an artist couple we both feel the spur and we join hands and jump into the next thing.
…but not until after i order a pair of army green converse sneakers.
my sister and i were toodling around milwaukee on one of her visits here, years ago now. we went to this great little 
reverse threading 