the sink is clogging. the fridge is leaking. the hall needs to be painted. the dishwasher stalled years ago. the sitting room floor needs refinishing. the doorknob fell off the bedroom door. there are deck screws to tighten and weeds to weed from the patio blocks. the window sash rope is broken. the mailbox needs repainting. the front rail needs sandblasting. the hydrangea needs to be tied for support. the garage needs to be cleaned, the basement storage culled. the vinyl siding needs to be washed, the gutters emptied, the chimney redone.
all in due time. like everyone else’s houses.
slowly but surely we get it all done. we are not brilliant masterminds of DIY home repair. my reticence to start a project has less to do with laziness or procrastination and more to do with grokking this lack of savvy. i utter, “i don’t think we should do that,” to his “and then i’ll just….” and we stammer through a few ridiculous heated words about manhood and ability and blahdeeblah till we start laughing because – really – we rarely have any idea what we are doing in these repairs – even with youtube at our beck and call.
i try to channel my daddyo; he was the king of repair. at least he seemed that way to me – always invoking in me confidence and trust that things were not going to get worse. my big brother was like that too.
but – the two of us? well, not so much. it’s all guesswork. sometimes it goes well and sometimes….? well, suffice it to say the sink is leaking now too.
the color that is most associated with freedom is blue. it represents vigilance, perseverance, justice, prosperity, peace, and patriotism.
and, yes, freedom.
in a horrifyingly regressive turn of events – strategized and intended – the supreme court has diminished the freedom of women in this country. we have traveled backwards decades upon decades upon decades. the panting of their victory lap pales in comparison to the collective gasp heard around the world as the united states thwarts its own growth toward equality, toward being a nation held up as an example respecting human freedom-for-all. with no backwards glance of remorse, these justices undermined fifty percent of this sea-to-shining-sea-this-land-is-your-land land.
and so, it is time to climb out of the quiet shells in which we try to peacefully reside and speak up, speak out, shatter the silence. we must hold those responsible who have struck down the rights of women to have autonomy over their bodies. we are on a downhill vector and the rights and freedoms of gender identity, sexual orientation, racial equality run neck and neck in the justice-extremist-whack-a-mole, justices holding hands, religious-patriarchal-supremacist stickytape gluing them together and eroding the separation of church and state they are sworn to uphold. what deity would support such reprehensible action? the color blue – the sky, peace, true justice – weeps. democracy cracking, a fragile idea failing.
“…o say, does that star-spangled banner yet wave o’er the land of the free and the home of the brave?…”
robins laid these blue eggs. birds. symbols of freedom. also of hope, renewal, rebirth.
it was the rip in the petal that attracted me. this stunning white bloom in the woods, surrounded by underbrush, green leaves and many seemingly-perfect flowers, this was the one that stood out.
kintsugi is a japanese art. it is the practice of putting broken pottery pieces back together again with gold. it is metaphoric self-care. it is the celebration of that which is difficult making you stronger. it is the holding most gently and most admiringly that which is not perfect. it is creating something more beautiful, more unique and more resilient from something broken.
this bloom in the woods needs no gold. its purity and absolute allure are natural. it does not suffer illusions of self-conscious expectations nor does it pine over flaws nor does it wallow in the not-good-enoughs. it simply and silently leans toward the sun in all its glory.
and it wins my vote as the most-beautiful, dazzling the forest floor, reminding me, once again, to have gratitude for all the imperfections that make me me.
these ‘miracle mittens’ have changed everything. for the first time, i am hiking with warm hands, i am walking the ‘hood with warm hands, i am outdoors – in the freezing cold – with warm hands. this is the first time i have found mittens that literally make my hands happy. they are down-filled and water-and-wind-resistant; they are an amazing entry in a wrist-saga-journey year. they are the best mittens i have ever found.
the best.
and the wrist-saga-journey continues.
the hand specialist looked at me and said, “you have a complete tear in the SL ligament.” he explained that it followed that my range of motion was pretty much nil and he added, “it would have been in your best interest had this been addressed within four weeks of your fall and resulting injury, but, now that it’s months later, we’ll address it here the best we can.”
the best we can.
the specialist in my own town looked at the mri report and, despite the words “compatible with a high-grade partial or complete (ligament) tear”, told me he saw no evidence of an injury other than something similar to a contusion, that i was fine and, with some occupational therapy, i would have ‘some’ range of motion in a year or two years.
i left that office – in my own town these months ago – and sat in the car and sobbed. the last thing i needed right then was yet another flippant bullying type. i decided then and there not to go back and started a search for a new specialist out-of-town. froedtert and the medical college of wisconsin delivered and i am now in the care of a hand specialist there and an OT i actually look forward to working with each session. there’s a long way to go and the possibility of other interventions, but i know that they will do the best they can.
the best they can.
it has been a journey, i have to say. as a human with opposable thumbs, these hands have been necessary, just in normal life-stuff. but the professional musician in me needs range-of-motion, needs extension, needs rapid movement, needs painless playing. so it has felt really important to me to look at the whole picture, to have a long-term solution, to not underestimate the impact of injuries that are part of who i am. now, with the help of empathetic experts, i can reach for the best i can.
the best i can.
the wrist-saga-journey has been – interesting – to deal with, on every level. two distinct injuries. one snowboard that wiped out both wrists and one unmarked wet floor, months later, that wiped out one of the wrists whose fractures had healed. i had two weeks off, after originally breaking both wrists, from the job-i-had-at-the-time-of-both-injuries. for the better part of the year, i just continued to keep on keeping on, playing, directing, doing the absolute best i could, despite pain, despite awkward adapting with and without casts, with and without braces, despite whatever physical repercussions might arise from using two broken and healing wrists. months later, it was merely weeks after i fell there, right at the beginning of my ninth year of tenure and – suddenly – my hands didn’t have a job. suddenly, the wrists i had forced to keep working all year were without music, were tacet. suddenly, the organ pipes and the piano boom mics and the ukulele chords and the music all over my studio were irrelevant. suddenly.
i told the specialist that wasn’t the end of the story. it’s not a short story. it’s my *hands* and they have been – and will be – part of a much longer story, part of the arc of me, part of different songs to sing, different music to play, different stages to stand on. maybe the-best-i-can is yet to come.
the best.
in the words of jewel, “my hands are small, i know/but they’re not yours they are my own/but they’re not yours they are my own/and i am never broken.”
it broke more than both my wrists, that snowboarding fall last monday.
it broke my ability to do many things for myself. it fractured my independence.
it exploded my previous gratitude of those around me, loving and caring for me. it expanded a dependence on others, particularly david.
it broke through my vulnerability threshold. it made me acknowledge my modesty and encouraged me to try to stand tall in my new temporary disability.
it broke what i knew about others around me. it both surprised me in all the best ways and surprised me in all the worst.
it broke my assumption that all things – all my relationships – all my work – would stay the same. it shattered any sense of security.
it further broke my trust in our country’s healthcare coverage. it pointedly drove home that point.
it broke through any calm-in-the-storm-around-us i had found. it exacerbated a profound sense of worry.
it broke my muse. it scared me, really scared me, and it made me wonder if i would play again, write again, perform again.
day 5. my quiet piano welcomed me into the studio. i stood in front of it. determined. and i played. nine fingers, not ten. not the hand-span of all other days, but never mind.
day 12. eleven days after breaking them i still wake up, after night’s elusive sleep, surprised to see my wrists, well, more accurately, my cast and hard splint.
i think, “here we go,” and i set out to see what’s beyond two broken wrists.
reverse threading 