in the same way this peony bud waits – tightly budded – absorbing the sunshine and the rain, glomming onto every gift nature offers her – i write this ahead, in great anticipation of being in the mountains.
i am a peony bud – wrapped up and waiting to unwind. ready to stand in the sun, soak it in, my breathing a little off as i adjust to altitude, weeping at the first sight of the range in front of us.
and in the same way this peony will soon glimmer in blossoming, i can feel it in anticipation. i can feel standing on a crest or tucked into the aspen forest along the trail or sitting in the brook on a rock. i can feel the petals relax, unwind. i can feel the air brush past me. i can feel my heart beating.
“i am here now,” i will remind myself, “stay here in each moment. don’t go anywhere else but here right now.”
and all that will come – all that will happen – whether ants or good weather or bad – i am nevertheless a bud that will open, unfurling petal by petal. nature and time will have its way. no matter. unconditionally. like goodness and love.
and i will stand today in the mountains – grateful – for peony lessons, for patience and fortitude, for all things unconditional.
i’m trying to decide just how vulnerable to be, how brutally honest, how much to share. it’s like sitting on the fulcrum in the middle of the seesaw…you can choose either way from the pivot point.
this lovely couple – who we considered extended family and saw every sunday – was next door at the garden club’s secret garden event. we saw them from our deck, waving to us over the neighbor’s fence. we gestured we’d meet them in the front yard. giant hugs later, we started a little catching up, having not seen each other in years now. they had family tales and travel tales and many tales of adventure.
they told us they missed us. we were grateful to hear they missed our “energy” and “the fun we brought”. they asked about us.
he asked if i had a position now. i don’t. being terminated during a global pandemic at the age of then-61 with an injury to my hand doesn’t naturally lead to a new position, particularly in the arts. i’m 64 now and we can both agree that age discrimination is alive and well in our country.
she asked if i was composing, if i was “doing my music”.
i sat in the middle of the seesaw.
i’m asked this fairly frequently – people expect someone who has 15 albums already and who has also spent decades as a minister of music – to be fully immersed in music now. after. usually, i somehow deflect, saying something like ” you know, the pandemic…” my voice trailing off. then i quickly ask what they are up to, how their family is, the new grandchild, the retirement, the vacation, the joint replacement…
this time, though, with these dear people standing in our driveway on a beautiful day – post-hugs – tears sprang to my eyes and i began by saying, “eh, this might be too much information.”
and then i told them that i am not composing, that i am not “doing my music” and that i haven’t been able to. that it’s too been too much, that it was too hurtful, that – as much as my studio is a part of me, my essence – being fired devastated me in more ways than anyone can really imagine. it is not as simple as walking back into the studio, sitting at my piano, grabbing pencil and paper, placing hands on the keys. it wasn’t just any old job they took away. it was part of my soul. and – to be honest – i am having trouble recovering. still.
the fulcrum teetered and the seesaw arm – the resistance arm or the effort arm, i wonder – fell to the ground, jostling me. i apologized for the over-abundance of emotion.
they stared at me. they looked surprised; they looked sad. we were quiet for a minute, while i regained my composure and climbed back onto the fulcrum pivot.
but the words were out there. and they were the truth of it all.
reverse threading 