the neverending havoc, the abject cruelty, the malignant narcissism, the discarding of rights, the disrespect of humanity, the dismantling of democracy – it all leaves me nauseated.
the scars will run deep upon the land. profound, weeping scars.
and where do we-the-people go from here?
“every day just gets a little shorter, don’t you think?/take a look around you, and you’ll see just what i mean/people got to come together, not just out of fear…
where do we go/where do we go/where do we go from here?
try to find a better place, but soon it’s all the same/what you thought was a paradise is not just what it seemed/the more i look around i find the more i have to fear
where do we go/where do we go/where do we go from here?
we were exhausted after we arrived home. chicago is a lot of stimulus all at once. we had taken the train down to avoid commuter hours on the highway; we took our dear friend to a pre-op appointment.
zooming down and taxiing over to the medical center, taxiing back and zooming back up wasn’t hard. but you can definitely feel the frenetic energy in the city – an energy that is pulsing and alive. as the taxi driver chose the underground roads i marveled at the intensity of traffic – everywhere.
even before our son settled in the city, we made a point to get down there. but we do know there are people who choose to stay away, who don’t necessarily find joy in the pace or textures of a big city. we personally cannot imagine not taking the opportunity to immerse in something different, some place that is different. i don’t see us living in a big city at this point in our lives, but we’re grateful to have cities close by to remind us of the beautiful diversity of people.
there was a volunteer at the entrance to the surgeon’s suite. she was helpful in directing traffic as people arrived. she seemed a bit rote, though welcoming, not warm. until someone sat near and started having a conversation with her – about flowers. she came alive and spirited and it was a reminder of how easy it is for us to close off from others – other people, other customs, other lives, other places. until.
when we had walked in, she asked if we had an appointment. our friend said he did and she turned to look at the two of us – to which i stated, “fan club”.
“everyone needs support,” she replied.
it does one good to leave. staying put makes you complacent. staying put makes everything that is normal just ordinary. it doesn’t give you any sense of awe about how others live, any in-another’s-shoes insight into the complications and complexities of day-to-day life. it doesn’t help you remember – or even try to imagine – the entire population of this nation – how vast, how freckled with differences, the gift of ‘other’.
we sat by the window and gazed outside from our vantage point on the 15th floor. traffic below, the sounds of the city, a building directly opposite us. i imagined the life going on in that building, yet another medical complex. i watched the newcomers as they arrived, brows furrowed with worry or weariness. i imagined the lives of people i would never see again. i watched the suite-greeter, multiplying that one lovely person who i did not know by the 2.7 million others in the city.
and i knew that soon we would board a train and head back up to wisconsin. we’d sit in the kitchen on a cold, rainy late afternoon. we’d eat leftovers. we’d talk about conversations with our taxi drivers and the smooth travel experience of the day. we’d be both grateful for even the briefest of times in the city and grateful for the quiet of our old house. we’d pet on dogga and go to bed early.
and we would be better for it. because we would remember that we are not alone in this world. we are connected to others in the same quest for breathing and thriving. we are enriched, choosing to – even briefly – go somewhere unknown, do something we have to figure out, learn something new, take in the energy of so many, many people – living.
“life is not a spectator sport.” (attributed to jackie robinson)
we went to chicago PRIDEFEST on saturday. it was in the 90s and a sweltering day. though we have taken the train countless times to chicago – and to the festival last year – we decided to drive down this time. we did not check the chicago cubs calendar first. yikes. the north halsted boystown area was a hot mess with the concurrence of cubs fans and PRIDE. so.many.cars. it literally took us an hour and a half to go just merely two miles to get to our son’s condo where he had saved us a parking spot.
we breathed a sigh of relief as we pulled into his alley, driving toward our parking spot…until…we saw that someone else had taken it. uh-oh. though we had planned lots of extra time, we now had 23 minutes until his performance on the waveland stage. i considered double-parking and rejected it, thinking littlebabyscion would be towed. clearly, we needed to go back out into the fray and find a spot. with our senses of humor still intact, we drove down the alley and exited back onto his road. somehow there was the miraculous appearance of a spot on his street…miraculous except for the signs everywhere that say “tow zone: no parking on cubs game days except with a parking permit”.
the four guys on the sidewalk in this boystown ‘hood were walking somewhere briskly when i jumped out of the car to ask them about the seriousness of the signage and parking, explaining the whole story and apologizing for telling the whole story (to which jordan kindly said, “it’s ok!!”). bryson – understanding the imperative of a mom getting to see her EDM artist son perform and notmissabeat – immediately told me he’d run back to his place and get me a temporary parking pass he had and no, i didn’t need to pay him anything at all. the generosity of these guys!! what’s not to love?
we parked and walked as fast as possible to the entrance our son suggested. the lines were astonishingly long but the security guard got us in quick as a flash when he heard our son was performing in four minutes. what’s not to love?
we found our way to the camera by the middle of the intersection – where our son had directed us. and we found ourselves surrounded by his friends, every one of them hugging us hello, an unparalleled warm community. his dear friend brought us a gatorade, another brought us a water, another – at the end of his performance – a canned adult beverage. what’s not to love?
we danced and visited and celebrated with thousands of others all smushed in to watch. our son’s friends – all so kind – wandered over again and again, checking in on us and hanging out. i gave out “be kind” buttons to anyone and everyone around. beachballs volleyed across the audience and PRIDE flags waved in the air. their set was amazing – the music kept everyone upbeat and happy. it was thrilling to watch – just like at milwaukee’s PRIDEFEST a couple weekends ago – where i took this photo from the VIP section where our son – since he was performing on the giant dance pavilion stage – made sure we were given access. i just don’t know what’s not to love about this.
although it is verrrrry unusual these days for me to wear a pair of shorts out and about if we aren’t hiking on some trail, i did anyway. because pride encourages people to be simply who they are. and every body shape and size and color is accepted and celebrated. i never had even one of those self-conscious “why did i wear this?” moments. even as likely one of the oldest people in the crowd, i felt completely included. what’s not to love?
i believe that even if i were not the mom of a gay son, i would still feel the same way. i believe that i would still completely support the LGBTQIA community. i believe i would still wonder – when i see others pushing back or curling their lips in disdain and exclusion – what’s not to love?
because i believe in love. i believe in loving one another. i believe in the most basic tenets – of kindness and generosity, peace and fairness and equality, respect and truth and – the big one – love.
and, though it shows a (disgusted) glitch in my own acceptance-of-others-meter, i have a really hard time understanding why anyone – on this good earth – would have the effrontery to not find acceptance-of-others part of life itself. who among us has that right? to eliminate others? to treat others less-than? to exclude because of a person’s gender identification or sexual orientation? “how does that even affect you?”, i wonder of those who marginalize LGBTQIA, who promote ‘anti’ ideology, who bully-pulpit, who hypocritically pontificate, who write or encourage or vote for laws or politicians that minimalize and restrict. without thinking. or sorting. or discerning. or checking in with their heart. i just don’t get it.
i was proud to go to PRIDE. i always will be. what’s not to love?
to be there is not to be in a nod-to-diversity. instead, the city embraces diversity. it is true to its intention. the rainbow flags and “proud” banners and painted buildings are emblems of this good intention.
but one must be wary of emblems, of symbols, of misspoken intents. to live in today’s world is to bring a bit of doubt to the table, to ask questions, to do your homework, to be informed. for not every mission statement will stand up to scrutiny, not every symbol of goodness will survive real review. it is surprising – at best – to realize that agenda has superseded goodness and has taken your trust for a ride. beware of generalizing virtue simply because it falls under the umbrella of a symbol.
i have been immersed in places in which i placed all my faith, sans skepticism or dubiety. i have been in communities that touted their transparency, their compassion, their participation in good mission. all the while, the flags of opacity, of hidden agenda, of untruths spoken and truths unspoken, flew quietly and deliberately in, usurping any good intention that remained, driving out the hard work of community-building, of the joy of the embrace. out of alignment, were the symbols capable, the symbols would shudder.
and so, i walk into the thick of the city, sensors on. i know there are issues, problems, but i know there is attempt to address these, to ask hard questions, to communicate, to resolve any perceived conflict.
and tomorrow we will go to chicago. we’ll metra downtown and walk to boystown. there will be sooo many people. and with them, we will stand on the corner of halsted and waveland and watch our son perform on-stage outside in the rainbowed city.
to say i am overjoyed at his producing of music these days would be an understatement. his zeal is full-on and he is squeezing every last minute of every day as he works in his professional position full-time and djs edm (electronic dance music) the rest of the time.
at his condo in chicago, in his studio, he demonstrated to me how he creates. as an analog artist, it was a fascinating experience to glean this complex digital mixing of tracks, layering, feathering, a sedimentary piece of music produced with great intention. it is hard not to dance as i watch. it’s hard not to be aware of the invisible bit of baton i hold, poised to pass. and i am aware of the contagious quivering of excitement, the gift of his sharing his process, how much i understand – on a cellular, heart level – how this creating feeds him. and then…then, there’s the joy…
different genres, but i still grok how my son feels. knowing that what you are producing is resonating with someone – someones, if you will – is powerful inspiration. i won’t forget the release of my first album and, even at number fifteen years later, it was with both the same excitement and vulnerability as the first. time and study and experimenting and lessons bank courage, though, so we each keep on keeping on, growing – much like anything in life to which we give time and attention.
i’d imagine that the day my yamaha c5 was delivered into my studio felt much like the day he upgraded his decks and gear. i’d imagine the day i stood in the sitting room with the chicago radio station on – waiting – and then my music aired – the first airplay ever – feels much like his tracks being signed to major edm labels, waiting to be released. i’d imagine the applause, stepping into the apron, at the end of a piece, feels much like the exhilarated dancing and cheers of the crowds at his gigs. i get it.
you know you are merely one artist in a universe of artists. humility. relevancy. there is much to learn. for both of us. always. the arc of an artist is never really done.
we have spent nights watching our son stream from clubs. 2am is later than it used to be but it’s a thrill to watch him in his element. we’ve listened to every single track he has sent us, every idea, every gesture in whatever iteration. we’ve connected our remote speaker and played his music during our happy hour, i’ve listened with ear buds on soundcloud, spotify, iTUNES. but tomorrow…
it is with much pride we will stand and watch our son. it is with much pride that we will be surrounded by his friends and by the community. it is with much pride that we’ll dance and cheer along with the gathered crowd. it is with much pride that we celebrate pride.
one time – probably about eight years ago – we had a giant argument under this vast ceiling. giant. there are not many places to go stew when you are at olgivie – it’s the terminal chicago station for the metra we take to the city and full of people. an uncomfortable time at best, it basically forced us to look at each other, invite in a little grace and figure it out.
one time – probably last week or so – we had a tiff on the trail under the bluest-blue sky. it’s not like one can go steaming through the woods, looking for a place to sit and sulk. one has to keep moseying on, down the path. and so, seething for those moments, we linked arms – as is our custom – kept walking, invited in a little grace, figured it out.
one time – ten years ago now – under the dropped ceiling of o’hare’s gate f8 – having both just flown in from different places in the country to meet there – david got down on one knee. never-minding the zillions of people walking by, pulling luggage, toting backpacks, crying children, coffee spilling, overhead flight announcements, we started the next part of our journey together – already in grace, already figuring it out.
when we go to chicago, we either drive the backroads or take the train down. we never drive the interstate there. it’s just too much – too frenetic, too rushed, too busy. we both feel that part of getting there IS the getting-there.
so that must translate to relationships as well. part of getting there IS the getting-there. and that includes the tough moments as well as the really easy ones. it includes the times when you are “ucky” (as the guy at the oyster bar said the other night) to each other and the times when you are generous. it includes the times you wonder what you’re doing and the times tears of gratitude rush to your eyes. it includes the times you know very well that your best-neighbors-to-the-west know you are arguing and the times that people-you-don’t-know stop you to tell you they love watching you wander the neighborhood arm in arm. all of it.
the architectural ceiling of ogilvie makes me smile. though we don’t live in chicago, the many times we have exited metra into the station have given us easy time downtown. the getting-there was simple – sit on the train and watch the outside woosh by. and each time we exit onto the platform and head into the atrium of the station, every moment we’ve spent there suspends from the high rafters. the good ones and the rare-but-admittedly-not-so-good ones.
and then we walk out into the day, under expansive sky, arm-in-arm, and get about getting to the next.
in 1971 he came up with it: “rural folk piano”. uncluttered, melodic, uncomplicated, “inspired by the seasons and the topographies and regions, and, occasionally, by sociological elements” – a reflection of where he was at. we – solo pianists and composers – owe george winston a debt of gratitude. he has just died, in the last days, but the impact of his work will continue to reverberate through speakers and earbuds and, significantly, through the works of those of us who have followed him.
i chatted briefly with george once. it was after one of his concerts early in my recording career and i can’t remember if he had put his shoes back on. he doesn’t speak much in concert; he lets his melodies do that for him. they are profuse and intelligent and articulate, always evocative. but just like some might think that they know everything i am thinking or feeling because of this blog or my music, a listener might think they know everything george was thinking or feeling because of his music. i’m guessing for george, but think neither is truly the case, entirely. blogs and music compositions, words and notes can certainly disclose some of the soul, but i suspect that, just as is true for me, the complete autobiography is not found in completion there – it is also found in the reflections all around us.
there are few people – instrumental aficionados, especially – who have not listened to george winston’s 1982 release “december”. it is exquisite. it went triple platinum and was on the billboard 200 for 136 weeks. his work – a plethora of gorgeous albums – gave serious credence to melodic solo piano and set the stage for a next set of composers – those of us writing emotional piano pieces, some solo, some with orchestration – and the subsequent contemporary radio airplay that ensued. by the time i wrote my fourth album, a/c airplay was possible and – for that purpose – pieces were kept under 4 minutes, and, even, closer to 3:30.
the reflections in the building across the river are entrancing. black on cobalt, it’s all a curiosity.
the reflection of those-who-have-come-before-us reveals in our own zeal to create, to speak, to have voice. artistry.
it is with gratitude and a deep appreciation for his wizardry that i thank george winston. his star will always shine with brilliance and his legacy will resonate throughout the ages.
it was a cacophony of sound in the restaurant. so.many.people. but it’s chicago and it’s summertime and it was a beautiful night and a trendy 7pm dinner hour, so it’s to be expected. we leaned in to hear our daughter speak and figured most eateries at that hour would be similar. i’d imagine that the frequency decibels would be all over the place and that any recording of the ambient sound would have to be compressed in mastering to accommodate the full spectrum, most especially the louds, the gain between quiet dinner and boisterous restaurant.
i’ve looked over the shoulder of my producer probably hundreds of times, watching the waveform of my music. reducing sound and hours of composing to crisp contrails, manipulating them, editing, mixing, ultimately mastering – it’s complexity, the telling of narrative, an artform in itself.
i would imagine that – somewhere – there is one colossal frequency wave. it started when all-time started and it keeps going. it builds and wanes and layers all manners of sound – the roaring ocean, a tiny peeper frog, a destructive tornado, a baby’s first cry. it mixes piano and the gentle ding of a triangle, cymbal washes and sweeping cello lines. it wraps in first graders singing in denver and the country artist on the flatbed in nashville and the happy guy in the shower in fort wayne. it expands with the din of the city and gets tiny under northern lights and the milky way. it soars over countries, soaking up rich sounds of tradition and ritual, vernacular music.
and then, the frequency wave – giant, unending, inclusive of all sound – is distilled by the wind. it becomes a bit less distinct, its edges are less rigid. particles break off and float, and, though they remain in the atmosphere a long while, they begin to fade, eventually fading as if to zero.
but just as the wave feathers on one end, it grows on the other, pushing forward. and all things continue. all sounds have a place in the wave.
and we listen to live music and the birds at 4am. and we listen to the voices of beloveds and mournful foghorns. and we listen to laughter and sighs. and we listen to the rain and the silence of sunrise. and we listen to harmony and dissonance and cacophony.
we went back to the beach. it was only our third time there but it’s beginning to feel familiar. we know the driftwood to lean back against, the curve in the shoreline where the waves break. the sand is warm, the breeze off the lake is cool; it’s a perfect combination and we’ve brought sandwiches along. we walk with our heads down, searching for hagstones and beach glass. it’s a sanctuary minus the trappings – physical and emotional – one often finds in buildings with sanctuaries.
each rock is intriguing. there are infinite shapes and sizes, rocks of all imagination. i pick up more than i tuck away, but i appreciate the spectrum of diversity and i wonder where they have been before they arrived on this lake michigan shoreline. what’s the story behind each stone, behind the tiny bits of glass, behind the wave-beaten-smooth pieces of brick. each narrative counts.
we brought a book but we didn’t read it. we hadn’t started it yet. we do that later in the day. rebecca makkai’s “the great believers” – a good read for pride month, a profound novel highlighting the aids crisis starting early to mid 1980s. there are places familiar to us in this book – chicago, boystown, door county – we find it easy to immerse as we read aloud. we are transported in time – back to those days of early recognition of this dreadful viral infection. human immunodeficiency virus has not ceased and there are still millions of people with life-threatening and chronic symptoms. there are stories familiar to us in this book – for we are both artists and we both finished our undergrad work in the early 80s. there are people familiar to us in this book – though these are characters, in life they have been our friends and, now, they are the friends of our son, the tight-knit unconditionally-loving LGBTQ community. they are all treasured and unique hagstones and beachglass – gorgeous in human form.
the stash of rocks ended up on the dining room table, all fanned out on its worn surface. they are glorious bits of a stunning day. the stone that looked like a guitar pick with a feather beret cap stayed on the beach. i took it home in my camera instead.
we have plans for the next time. more snacks. maybe swimwear.
we have plans for pride in chicago. more compassion. maybe tie-dye.
we are merely two people walking on a vast beach, among zillions of beautiful rocks of all sorts, zillions of people of all sorts. it’s all familiar. it’s all unfamiliar. but it’s all a sanctuary under one sun.
reverse threading 