reverse threading

the path back is the path forward


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fred prendergast’s stalactites. [not-so-flawed wednesday]

it needs to be below 32 degrees fahrenheit for icicles to form. this is wisconsin, so that’s not really a problem here. it’s winter. there are stalactites of ice everywhere. when they form on gutters is when i start worrying. ice-damming is a cruelly-lurking by-product of our winter storms. but ice forming elongated frozen crystal teardrops on ivy? that’s another thing.

the howe caverns guide was a handsome young guy. susan and i were mid-teens and, thus, instantly in love with his chiseled face as he led us through the stalactites and stalagmites of the caves. fred prendergast was his name. now – ask me what we did last weekend and i may not remember. but fred? yup. how on earth does that work?

i hadn’t seen these beautiful tiny icicles before. they were a product of the neighbor’s garage eaves overflow dripping onto the ivy on top of the fence during a period of time that the temperature dipped below freezing. clearly, a number of things had to align in order for us to see this chandelier of baby icicles.

they didn’t last and, very soon, they were gone. but in the meantime, i captured many photos of them teetering between existence and not-there. looking closely, you can see the layers – one drop of water freezing at a time – vertical layers upon layers. like snowflakes piled inside long lucite columns, each one different, suspended from fragile ivy branches. they were fascinating and prompted me to research icicles just a bit more.

when we left howe caverns, we were – ok, i was – convinced that fred would be my future…that somehow this summertime-employed-cave-guide would search the world – or at least the state of new york – and i would one day be mrs. prendergast. we would give cave tours together and study stalagmites and stalactites. our children would be the children of two studied scientists and our home in upstate new york would be a place of knowledge-seeking.

fred never found me. somehow – in the way of the teenage crush – i was able to process that he never looked.

but his lessons about the stal-ites stayed with me. and i couldn’t help but remember when i stood in front of these tiny icicles on display.

i wonder what fred and the missus (or the mister) are doing.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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ithinkican chandelier. [two artists tuesday]

it’s glittering.

the crystals on our outdoor chandelier are catching the sunlight, their exquisitely-cut facets sparkling toward the sun, the clarity of spheres throwing prisms of light and, in the dark, casting intricate shadows – strung pendalogues with silhouettes illuminated by moonlight.

uh-huh.

ok. i give. it’s plastic. all plastic. except for a couple metal strap parts and the solar pack.

so when we ordered it – this solar chandelier – we expected some heft and prepared how to hang it on the old door that sits behind the glider on our deck. we talked to jeff at the ace and decided upon a hinge we’d attach to the door with a wrought iron arm that we could move in an arc, depending on how we wanted the chandelier to be hanging. we had wanted to hang it over barney – for that old piano in our backyard deserves a chandelier – but it turned out that the chippies and squirrels and birds won over a lighting fixture, regardless of its beauty.

the box came. lighter than, well, we expected.

and when we took it out of the box and attempted to unwind it from itself, we were a little skeptical that it would fulfill the lofty dreams we had for a chandelier outside.

nevertheless, we are not the kind of people who give up on something before we give it a chance. we decided to try it on for size before packing it and shipping it back.

we hung it on one half of the birdfeeder’s shepherd hook. turned on the solar pack and waited. night fell and this earnest little ithinkican-chandelier lit up. “sweet,” we both thought aloud. we hung it under the umbrella over the table and it cast ridiculously interesting shadows up. then we hung it on the awning and wondered if it would ever make it to the door and the hinge-arm-shenanigans we had ready for it.

plastic or not, it has us intrigued.

this morning i can see it out the window of the bedroom. the eastern sky is full of warm summer early morning color. as the sun rises, the crystals catch it. they glitter.

and the little chandelier grins.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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bubbles, lace, crystal and tulle. [d.r. thursday]

on hangers festooning the basement laundry room, ballerina tutus of leotard and tulle challenge my drive to go through, sort, clean out, organize. tiny costumes and pink slippers that held fifth position and twirled pirouettes taunt me. i stand and gaze. and stare, lost in thought. they are the stuff of dearest memories, of watching my daughter dance, of sitting on the wood floor in the back hallway of the ballet studio, of heartbreakingly sweet recitals and pink roses and light smudges of blushy rouge on softest four-year-old smiling cheeks. how, then, do i sort these, i wonder. how, then, do i clean them out, i wonder.

though i am mostly not a fancy-schmancy, the bubbles and the bits of lace and tiny crystals will get me along with the art and the twinkling lights. there is that piece of lace of my wedding gown from 39 years ago held in an embroidery hoop. there is that first bubble nightlight that my son loved when he was little-little. there is that delicate crystal bracelet my sweet momma wore. there are those handkerchiefs my grandmother crocheted, colorful scalloped edges on tiny cloths of linen. and artwork circa 1990s: glittery tissue-paper poofed trees of construction paper, crayon and pencil drawings of me, of family, of flowers, of cars and trucks. stories on pa-pads-paper cut with kindergarten scissors and stapled, stories in notebooks, stories on looseleaf. the cursive script of my mom’s handwritten letters. sugary white ornaments i can still see on our long island christmas trees. the signed fine crystal stemware of my grandparents. the tiniest-tiny graceful bud vase with a handwritten scrap-of-paper note my mom wrote indicating it had been her grandmother’s. the 1943 floral-etched bell my parents got as a wedding gift. what does one do, i wonder.

on rare days i didn’t feel well – you may skip this part if you wish, dear gentlemen – when i had horribly yucky cramps, my sweet momma would pour the tiniest amount of manischewitz into the tiniest green beautifully etched vaseline glass. we’d sit and talk on the couch by the front window and the tiny bubbles of elderberry, a blanket and momma’s care would soothe me. there are six of these vintage glasses and a tray to match. i have no doubt what one does.

one keeps the bubbles and the lace and the crystal and the tulle and art-in-all-its-forms. isn’t that what basements and attics, treasure chests and the old corner cabinet in the dining room are for?

there’s plenty of other stuff that can go.

*****

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