reverse threading

the path back is the path forward

Tag Archives: handbell choir


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bluebell criers. [kerri’s blog on two artists tuesday]

as much as I’d like to – perhaps – write a post about historical town criers traveling town to town, city to city, ringing a bell and crying “hear ye, hear ye!” delivering important news for all to know….as much as i think it might be more effective than today’s mainstream media or social media or propaganda-filled decrees from the top down….as much as i think there are many, many people in the dark completely or in the dark catacombs of conspiracy theories….i will pass on this temptation and share – instead – that these virginia bluebells made me think of past years and years as a handbell director.

from my post and the handbells (july 2023): i’m not sure the handbells are played anymore. we had three octaves and a dedicated choir of players. it was the last rehearsal of the night – after choir, after ukulele band. by the time we got to handbells everyone was a little bit giddy. many of the bell players were also in ukulele band, so these amazing volunteers spent quite a bit of time in the choir room. 

playing handbells requires a bit of hand-eye coordination. you are reading music while you have this bell as an extension of your gloved hand…counting, counting and then…you thrust your wrist forward, allowing the clapper to strike the bell, hoping it’s at exactly the right moment. there are many evenings when laughter was the music we produced. as the director, i was always grateful for the generous collaboration of this group. and every time we played – from old hymns to gospel songs to contemporary pieces – it was beautiful. the bells would ring out into the high-ceilinged sanctuary and, i suspect, each player would marvel at their own contribution to such beauty, to such a particular lift of melody, of harmony.

if the handbells are silent now, i am sad. handbells harken back to the late 17th century and early 18th century and are considered percussion instruments. their sound is particularly unique, meditative in isolation, exuberant in chorus.

the virginia bluebells play in tutti every may over by the fence of the house that has signs about migratory butterflies and many butterfly-attracting plants. each early may when we pass this house on our ‘hood walk i photograph these early bloomers. and this may was no different. these stunners – excellent pollinators, particularly in their spring-is-springing appearance – were waiting, perfect flowers for bees and butterflies and hummingbirds. and really exquisite at being photographed – it’s like they beckon “hear ye, hear ye! take my picture!” and i comply.

clearly, they bring back memories of decades of the ringing of handbells and gleeful groups of people performing in laughter and collaboration with each other.

but, just as these flowers conjured up the quieted handbells in my mind, this year these tiny bells also made me think of the old town criers. it made me think of the utter importance – the imperative – of the spreading of true news, of honest reporting to the people, of virtuous dissemination of facts, of telling it like it – really – is.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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and the handbells. [d.r. thursday]

before they moved, the neighbors around the corner had windchimes that were about three feet long. we’d stand on the sidewalk and listen to them, particularly when the wind was off the lake. gorgeous, deep resonant voices, each of the chimes. shortly after the house sold, we noticed that the spot where they hung in the old tree out the back side yard was empty.

these tiny bells hang off the garden fence in the back, attached to a metal heart that is also rusting. when my children were growing up, this heart with its bells hung next to the door into the kitchen. as i would walk into the kitchen holding my children when they were very little, in particular, they would reach up and jingle the bells. now the birds light on them and, though they don’t jingle, they seem to know.

i’m not sure the handbells are played anymore. we had three octaves and a dedicated choir of players. it was the last rehearsal of the night – after choir, after ukulele band. by the time we got to handbells everyone was a little bit giddy. many of the bell players were also in ukulele band, so these amazing volunteers spent quite a bit of time in the choir room.

playing handbells requires a bit of hand-eye coordination. you are reading music while you have this bell as an extension of your gloved hand…counting, counting and then…you thrust your wrist forward, allowing the clapper to strike the bell, hoping it’s at exactly the right moment. there are many evenings when laughter was the music we produced. as the director, i was always grateful for the generous collaboration of this group. and every time we played – from old hymns to gospel songs to contemporary pieces – it was beautiful. the bells would ring out into the high-ceilinged sanctuary and, i suspect, each player would marvel at their own contribution to such beauty, to such a particular lift of melody, of harmony.

if the handbells are silent now, i am sad. handbells harken back to the late 17th century and early 18th century and are considered percussion instruments. their sound is particularly unique, meditative in isolation, exuberant in chorus.

were i to have a bell to ring today – and perhaps we’ll use the metal singing bowl – it would be for jonathan. one ring without damping. his light will go on forever and we are eternally grateful to have known him, to have made music with him, to have broken bread with him and sipped wine with him. he was – and i suspect, continues to be – full of wisdom and love, and the world was a better place with him in it.

just like the sound of the bells on the metal heart on the kitchen wall and the large windchimes in the tree of our neighbor’s yard, handbells, too, are now a thing of my past. each, however, resonates on and on in the album of my memory. in times of quietude, i can hear them.

*****

read DAVID’S thoughts this D.R. THURSDAY

BASS PLAYER acrylic 24″ x 48″

(in memory of jonathan, our bass player)

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a mission of symphony. [two artists tuesday]

though not quite as at-home as the cranes walking the edges, we know this pond. we knew it as a marsh. we knew it as dry dirt. we knew it with mulch strewn throughout as they eradicated invasive species. we watched as the rains began to fill it. we listened to the quiet wind ripple across its surface. and then, one day, we heard the first frogs. though we cannot see them, the orchestra pit is filled with frogs in chorus. the static becomes a symphony.

such is the way of a choir. for well over three decades, i conducted groups of people who chose to sing – in choir. they gathered, sitting in folding chairs cold with mid-week evening thermostat dips. they gathered, weary from their days at work or home, filled with activities of responsibility, of life. they gathered, to become a symphony.

the thing about choir rehearsals is that – with good leadership – they go from a meeting of a group of individuals to a collaboration of musicians, from quiet chatter to boisterous song, from people who possibly feel ill-at-ease to people whose voices are heard, whose hearts are seen. choir rehearsals are community events and – led with joy – become places that are generative, places that are accepting not competitive, places of great learnings and tremendous laughter, places that are spaces filled with concern for the other, lifting up of each other, a place with a mission of goodness, a mission of symphony.

i’ve missed being a choir director. it’s been over two years now and the lack of vocal choirs, ukuleles, handbells, worship bands is palpable for me. directing was always about the community – building it, reinforcing it – life-giving, loving. my resume shows seven churches along the way. seven communities in which i offered all i could give, responding to their individual needs, their particular circumstances, their strengths and their weaknesses. seven fluid rivers of music-making.

seven ponds with symphonies. rippling out.

quietly static to extraordinarily alive.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY