reverse threading

the path back is the path forward


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the hallway. [kerri’s blog on k.s. friday]

and in her waking-up, in the tease of spring, in the liminal space between seasons, mother earth offers up her flowers. it’s a tiny posy of possibility, an olive branch extended to stave off impatience as we pine for warmer days, for everything to green up. and, in this waiting zone, these dried flowers spur our imagination, carry us forward.

it’s the interim times – the periods in-between – the time spent in the hallway before the next door opens – these are the reluctant times. we are reluctant to sit in the hall. we are reluctant to wait and see. we are reluctant to accept a zone of time sans shape. we think it all – the minutes and seconds, hours and years – needs definition. we are reluctant to be still. we don’t understand what feels like a screeching halt. we yearn to move, yet we are frozen in fallow.

but we are morphing. we are beautiful winter nosegays tucked into mason jars. we are march and april. we are stoking up. we are no less beautiful than verdant june and july. we are just different.

and for this time – we are somewhat rustic, somewhat fragile. we are color-muted now to be opulent later. we are the quiet before the fortissimo, meek before rackety. we are simply waiting.

we read the same paragraph over and over again, listen to the same strains of music time and again, sit and pace and sit and pace. we are the dried wildflowers, the straining buds, the transitional space, the interlude. we are the hallway.

and then.

*****

UNTITLED INTERLUDE from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

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in avant. in après. [merely-a-thought monday]

avant: before.

there is before and there is after. it is with anticipation, maybe thrilled butterflies, maybe jitters, maybe weak knees, maybe even dread we live in before. it is sometimes with relief, sometimes with regret, sometimes with suffering, sometimes with satisfaction, sometimes with contentment we live in after. there is a journey between them – before and after.

there was nothing i could really say to prepare david for the loss of his father. and having lost both my sweet momma and poppo, i had a lot of words to describe it. but there is really nothing you can do when someone is living in before, except be there.

and now that it is after, there is still nothing i can really say to prepare david for the unexpected moments of sadness, grief raining down in a misty fog or pummeling hailstorm, or the unexpected moments of recognition, a glimpse of someone from the other side. even after these years of being-without and all the words in my heart, i can only just simply be there.

après: after.

the neon sign was hanging in the airbnb we took back along the way. we needed the space, not a hotel, to cook our own meals and simply be quiet. and i cannot think of a more timely message.

we are living in après. we are living in avant. both are true. both are real.

they are there too.

we are reminded, once again, for the millionth time – but not the last, to be present in right-now.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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waiting. and waiting. [k.s. friday]

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on an unusual foray into facebook-scrolling, i came across a post by a friend that quoted tom petty.  “the waiting is the hardest part,” it read.  yes.  the hardest part.

i remember d telling me that arnie’s mom had an addition to the adage that when one door closes, another one will surely open.  she said, “it’s the waiting in the hall that’s hell.”

i feel like i am waiting.  just like this sunrise, there is a division of light and dark – a line you can see.  the hall.  it’s not still dark.  it’s not quite light.  it’s the in-between zone of co-existence.

i suppose we can co-exist with waiting.  we can co-exist with not-knowing.  not-knowing about tomorrow.  not-knowing where it goes.  not-knowing what will happen.  not-knowing if dark will linger or if light will overtake the dark.  not-knowing how the story turns out.

questions on the keys.  answers somewhere in-between the notes.  quarter tones of ambiguity.  i stand an arm’s length from creating.  i wait.  there is no sign, there is no clear indicator of any return-on-my-creative-investment.  the hall doesn’t provide a reason to write.  it is not a door.  it is full of question.  it is a gathering storm of hope.  it is a waiting place.

the hall is just for me.  jumbled and clear, both.  a stew of hearing all the old notes floating – thousands of them – and seeking the new ones.  lyric snatches appear on scraps of paper, waiting.  melodic gestures fall from my hands as yearning to keep-on-keeping-on falls from my eyes.

i’m trying to be patient in it.  to reconcile all the other mysteries and issues and complexities before i step closer.  to do the ‘other work’ first.  to be solvent and steady.  for the time on the bench to be worthy.

why does a composer compose?  why does a composer wait?

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WAITING from JOY ©️ 2004 kerri sherwood