the cold air was stinging my face. i pulled my scarf up further, to block the wind a bit more. as we rounded a curve in the trail, the breeze was biting. it seems early for this kind of cold. but it’s not.
it’s december and the official start of winter is right up around that bend in the trail. the cold is predictable. this is wisconsin.
i walked away from the stockpot of chicken soup i was stirring, waiting for a warming dinner. i sat on the steps in the hall, overwhelmed. i keep hearing and picturing the words of my firing, the non-explanation-explanation given to others. it may seem like it’s time to be over it. but it’s not.
it’s only been three weeks and even sitting on the steps doesn’t yield an explanation or comfort. it just creates more questions, more astonishment, more hurt. the distress is predictable. this is shock.
i look, again, at the christmas list in my hand, trying to summon up the energy to shop and wrap and ship. it seems like the time is going slowly. but it’s not.
the holiday is rapidly approaching and, like many of you, we face it alone, wondering how to celebrate without our loved ones. we grieve traditions set aside, normal ways we honor these holidays. we ponder what we might do anew. the sadness is predictable. this is loneliness.
the night sky is filled with stars, the cold air beckoning them. the moon out the window is steadfast. the vast universe is vast. our tiny world inside, away from the biting wind, down the hall from the steps, at a table with a steaming bowl of chicken soup and a tiny christmas tree, is tiny. it seems that real peace is somewhat elusive. but it’s not.
in the last few years i have become increasingly vocal, doggedly writing about the politics of this nation. i have watched an administration sweep in wearing hatred and division on its sleeve, attempts to undermine and destroy any forward movement this country has made or has desired to make on so many fronts. i have decried their rhetoric, narrative of severing, narrative of bigotry, narrative of self-serving agenda. i have pushed back against the frailty of humankind and against the furthering of prejudice and discrimination of any sort, be it under the heading of race, gender, sexual orientation, ethnicity, economic status, religion. i have, time and again, asked to uphold what would make the populace safer in a raging pandemic. i have asked for leadership to be responsible, to be truthful, to be one with integrity, to prize virtue. i have raised up climate change and this good earth time and again. i have cited examples of inequality. i have been open and honest about my feelings and opinions, vulnerable to assault by those who do not agree. i have learned that’s ok.
in the last few years i have become increasingly vocal, doggedly writing about the evanescence of time, the impermanence of this very life, the beauty that rises with the sun. i have pointed to moments of joy, moments of devastating grief, moments of sheer bliss, moments to memorize. i have spoken of and to the ocean and of and to the top of mountains. i have drawn pictures in the sand and let the cool waters of high elevation streams run through my hands. i have described treasured moments with you, my children, with family, with friends, with my husband. i have been aware of how fleeting time is as it races on. i have learned that life is simply that – learning.
in this time it is my hope that this country will gather its resources into its national quiver and will lead forward with arrows of love and compassion. it is my hope that this country, like committed and passionately dedicated parents holding newborn life, will embrace each and every one of its citizens, holding and blanketing them with reassurance, with protection, with a promise of doing better. it is my hope that this country will offer to you – its children and its children’s children and its children’s children’s children – new times of peace, new times of equity, new times of profound and wise knowledge, new times of opportunity, new times of kindness, and that this will surely sweep across the land from the redwood forest to the gulf stream waters, from sea to shining sea.
it is my hope that you both, my amazing and brilliant daughter and my amazing and brilliant son, deep in your adventurous souls, will feel the freedom promised you in the universe. it is my hope that you speak your truth, that you speak for, that you speak against, that you speak up, that you speak out. it is my hope that you feel affirmed in your lives, strong and powerful, fiercely dedicated to every breath, tenacious, and both gently kind and profoundly vehement in the demand for justice and liberty. it is my hope that you feel unconditionally loved and cherished: by me, by partners, by family and friends, by this nation, by this very good earth. it is my hope that in the moments you take a deep breath and exhale you know that your presence in this universe is light itself and is truly making a difference…forever.
i have hugged exactly two people since the pandemic started.
two people. one is my husband, who i’ve been hugging daily. and, this past wednesday, finally, at long last, after seven months of not seeing him, and with great forethought, i hugged my son. that’s it. no best friends. no dear friends. no sweet neighbors. no co-workers. no one else. just two. matter of fact, i had an extended conversation a while back with my daughter and, in the middle of a discussion about possibly having a long-long-long overdue visit out in the high mountains and the absolute need to hug, even mask-on-face-turned, her admonishment to stave me away from the rampant numbers there at that time, “how will you not hug me, mom?”
so walking in front of the neighborhood store, about to put my mask on, imagine my astonishment when someone i haven’t seen in almost a decade called out my name, ran up and hugged me. HUGGED me.
this was an adult! an adult exhaling cigarette smoke. an adult exhaling cigarette smoke with no mask on. an adult exhaling cigarette smoke with no mask on and no acknowledgement that i was in the process of putting my mask on but hadn’t completed the motion. an adult exhaling cigarette smoke with no mask on and no acknowledgement of my incomplete-mask-putting-on-action who completely ignored my stepping-back-hand-out-clear-non-verbal-please-back-the-****-up behavior.
daaaaaaamn. i was shocked. it’s a freaking pandemic. my hug-quota is sorely lacking and yet, it is i who should choose who i would like to sacrifice my safety for in order to hug. did i mention? it’s a pandemic!
when i regained my composure on the sidewalk a few blocks away, i reviewed my actions. david, who was clear i did not want to hug this person, said i sent all the right signals. i reviewed it all again. i mean, i am a huggy person and this person would likely remember me as such. this wasn’t a cold reaction to the person; it was a reaction to the social distancing guidelines that we have been encouraged to follow in order to not spread or contract covid-19. i mean, it’s a pandemic!
what would YOU do?
i suppose next time – if this happens again – i could, as fast as my mouth could manage, say, “it-would-be-nice-to-be-able-to-hug-you-but-right-now-in-the-pandemic-i-am-not-hugging-people-sorry-don’t-take-it-personally.” only this wouldn’t have worked. she came at me in a warped speed tunnel…she went directly from the curb to hugging in seconds flat without stopping, without exhaling the cigarette smoke, without donning a mask, without passing go, without collecting $200, without stopping to think, “oh yeah, it’s a pandemic! i shouldn’t be hugging her.”
or, since that likely wouldn’t work in the warp-speed version, i could say in a loud assertive outdoor voice, “back up!” or i could use 20’s spicier version of that (only i won’t print that here.)
either way, it’s alarming to be put in a position like that.
david’s momma told us about a woman who spontaneously hugged her when jeanne gave the woman tomatoes. it horrified my mother-in-law, who then went home and showered and washed all her clothes. at the time i wondered how that could ever happen. well. silly me. s**t happens.
this is such an odd time. it’s scary all the way around. we have been inordinately careful, like many of our dearest friends. we are making choices based on what are the safest behaviors. the fact that someone can just arbitrarily take away your choice – during a pandemic (don’t know if i mentioned that yet) – is bracing.
i will have to have a plan of action for the next time. practice it. evaluate it. practice it again. make it a reflex. and make it flipping obvious.
in the meanwhile, i want my hug back. i need it for people i have actually been dying to hug.
a few years ago i went through all the thousands of photographs taken for the previous three to four decades. they were not neatly in photo albums, which would have made it much simpler. instead, with a mere few albums capturing the earliest of years, they were in envelopes in boxes, envelopes in drawers, envelopes in bins, envelopes, envelopes, envelopes. it was a gigantic task with the dining room dedicated to boxes marked with years and headings like “christmas”, “birthdays”, “summer fun”, “trips”, “visitors”, “losing teeth”… an opportunity to re-live all of it, the heart of life lived.
one thing i noticed in my goingthroughgoingthroughgoingthrough and sortingsortingsorting was that it was really obvious that i had most often been the one taking the pictures. through my lens, my focus, my read of the moment, the wisp, the instant the aperture closed, my blink.
there is always the picture-taker, a designated recorder, the secretary of the emotions, the faces, the light and shadow, the view, the action, the moment-in-time. i grab my camera all the time. it’s second nature for me. and now that it’s the same device as my phone, it is incredibly easy to always have it at-the-ready. i just told a friend that i am difficult on a hike – always stopping to take pictures on the trail. it’s not because i’m so much a collector of things-to-have. it’s because i am a collector of things not-to-forget. each photograph, each image reminds me not-to-forget a certain time, a certain place, a certain interaction, a certain story, a certain feeling.
so when i walked into the basement in july and i saw the wisp of me on the easel, it moved me. that wisp is now gone and in its place, paint-over-paint, is this whispered iteration, on its way as d says. a moment snapped of my time, a moment of his. but this one, this wisp, this color-put-to-canvas photograph, is one i didn’t take and, my heart gently points out, one he clearly didn’t want to forget.
please consider following this blog as FACEBOOK continues, with no explanation or communication, to block my posting of it on that platform. thank you! xo
at a time when i couldn’t afford paint and knew nothing about painting, i painted. i was drawn to big canvasses and the household cans of black and white paint in the basement workroom. there were housepaint brushes on the workbench, many with twisted brushhairs and dried wall paint from previous projects on the handles. they felt good in my hand. i didn’t know what i was doing, but i was compelled to do it.
and so, my paintings are black and white. layers of white on black and black on white and white on black on white and black on white on black. i brushed on paint; i stood back and spattered paint. i kept going until i felt “stop”. when i ran out of canvas i taped off a rectangle, ventured out with the leftover from a can of khaki interior paint, and painted on the wall, later framing the box with a clearance frame, broken but not obviously so.
in that time of a compelling need to paint, to preserve emotion-in-black-and-white-on-a-canvas, i wonder what my paintings would have looked like had i access to all the colors in between? where would i have gone with mountain meadow green or razzle dazzle rose or canary or cornflower or atomic tangerine or fuzzy wuzzy brown?
anyone who has merely stood outside and looked up at the sky knows that the colors of life are as transient as breath. they morph and change in the moments that go by. capturing color is like capturing the wind. one cannot see color without light reflections, refractions, wavelengths, shadow, absorption. they work together so we might see the twilight sky, rainbows and unicorn horns.
is black black without white? is white white without black? is cerulean blue without scarlet? is any spectrum complete without all others in the band of light, without all the wavelengths? any spectrum at all?
do we actually realize that none can exist without the other?
“all colors are the friends of their neighbors and the lovers of their opposites.” (marc chagall)
ty cobb’s career batting average over 24 seasons was .366. this is the number of hits divided by the number of at-bats. i know that is an extraordinary batting average and yet my math-brain looks at that and thinks, “wow. that’s shy of 37%! only 37%!” what if only 37% of my recordings were complete? or 37% of dinners cooked all the way? or 37% of the work for our employers done? or 37% chance of wearing appropriate clothing outside our home? disregarding the possibility of grading on a curve, my school-brain thinks, “37% does not look like an A!” so when david went on about how his painting has been a miss, i thought, “well heck! you need to lower the bar a bit!”
artists are harsh. we are generally not self-congratulatory, although there is definitely a percentage that defies that. we have a vision of where a project is going and we will jump at the chance for perfecting it every time. there is a point when you know; the time has come to stop, start over, wipe clean the slate. (pfffft – can you hear lifting up the cellophane on those cool vintage magic slates made of cardboard and equipped with a plastic stylus?) david walks away from the easel, huffing. i walk away from the piano, sighing. the muse has left the room before us. at least that is what we invariably think, when it’s our own work.
and yet, it’s so often the case that i will stare at his work, downstairs on the easel and think, “wait! stop! don’t do ANYthing! it’s perfect!” but it’s his project and his creation and he fought with the vision he had in his head. they disagreed; they went to battle and the easel reigned supreme time and again as he walked away, disgruntled.
for me, the third iteration of this painting (see above) is the moment. he could have stopped right there and i would have loved it. it had a dreamy, surreal quality to it. it was graceful and lovely. i’d say at the very least a .375. ty would be proud.
we drew heavy curtains to sleep in the land of the midnight sun. my grandmother mama dear and i were in the arctic circle in finland and, much to the fascination of my eight year old mind, the sun refused to set. i remember a twilight like no other – a time of in-between that just lasted and lasted, not day, not night. it was stunning and magical and wreaked havoc on circadian rhythms, necessitating new practices.
EARTH INTERRUPTED VII makes me think of that twilight, that time in the river of not-this-not-that. a time of waiting, it appears that the telescope zeroed in on earth detects an interruption, a wafting darkness. in this time of pandemic, it would seem a portrait of covid-19.
but, as in all other times of darkness, there exists a glow of light. the blackness is dissipating, the shape of the earth is visible, the twilight is vibrant. this painting offers radiant hope.
just like pulling back the curtains in lapland, the sun will rise and we will have awakened from the strange twilight. we will have lost much to the dark. we will have learned new ways, employed new rituals. we will be tired and wary, cautious yet sure. we will have crossed the river of the midnight sun into a new day.
there is a place on a washington island road where the rest of the world disappears. you are walking alongside forest and can see the sky as you look up, tall trees framing blue, the sound of sandhill cranes and red-eyed vireos accompanying your steps. and then you enter this place. the trees gently arc over the road and you are covered by a canopy; we have sheltered in this spot during more than one sudden rainfall. even in the bright day, the green above you – which turns to brilliant umber, rich red, flaming orange during summer’s release on the forest – allows for little light. and at dusk, while the sun sinks into the water hundreds of feet away, walking in the middle of the road, it is dark-dark, the canopy a lure for night creatures, safe in the shadows.
there is a place in a tree in the yard of my growing-up house outside the window of my old room where the branches invited sitting. for hours i would sit there, write, ponder. in the summer the maple seemed to grant me privacy from the world, its branches full of leaves and canopying my little spot. a shelter.
there was a place in the wooden structure in our backyard that had a yellow awning that made a fort. when My Girl and My Boy were little they would play up there for hours, The Boy lining up matchbox cars, The Girl often reading a book. a special space, this little fort, it was hard when it was time to dismantle it and pass it on to friends with little ones.
these places of shelter – places of canopy – provide such a sense of protection, a sense of being held from harm – from the elements, away from others, in our own private place. much like our homes, they can give us pause, a deep breath, safety.
in this time of distancing and stay-safe-stay-at-home, i look around our house and give thanks for its canopy of shelter, for the way it holds us from harm, for the minutes, hours, days, weeks, months and years it keeps us safe.
reverse threading 