reverse threading

the path back is the path forward


Leave a comment

on-the-bench & off-the-bench. [d.r. thursday]

every sunday morning for years and years we have sent a photograph to each other. every single sunday, mostly without fail. there might be one or two we missed, but no more than that. it is a cherished tradition and i envision us as little old ladies still sending texted photos on sunday mornings.

it started because most people we know are not sitting on a pipe organ bench first thing on a sunday morning. since we both were, we shared “this is where i am in the world right now and i am thinking of you” sentiments, knowing, without saying all those words, the other would completely understand all that meant.

for over a year now i have continued to receive them: benchviews, a slice of her church, a close-up of a pew or ornate woodwork, a candle, linens draped on the chancel, flowers, registration stops of the organ, piano keys, measures of music – all while my photos to her have dramatically changed.

instead, my early sunday morning photographs include various quilts, coffee mugs, shadows playing on the wall or on the fence, views of snow falling between miniblinds, the backyard, airbnb’s where we have awakened, out-of-town-out-the-window, glorious breakfast, and dogdog. the rule is – where you are right now – and since that is no longer at a church my view is sometimes narrower and sometimes broader, both.

not working at church every single sunday has given me much to think about. at first i really missed it. truth, for a long time i really missed it. thirty-something years is a long time. i was devastated by the loss of our community-family and a job i loved. i missed the organ bench and knowing which pipes were ornery and the choir and the ukulele band and those hauntingly beautiful handbells. i missed the curmudgeon of a piano. i missed dueting with the guitarist – boom mics and cables and the occasional feedback. i missed the tiny pew up front and the familiar musty smell of the balcony.

each church i worked at through the years has had its magic. but each church i worked at through the years has also had its toxins. not unlike -really- any other place of employment, being on the “inside” affords a different view – snapshots of the good, the bad and, definitely, the ugly. churches are not immune to that. and that’s the stuff i don’t miss.

because in our hearts, the one place we go that we would expect to be consistent, certainly not divergent, with mission – of kindness and grace in some manner or form – would be the religious institution we have chosen to be part of. we would expect the people there – whether in leadership or in congregation – to go the extra mile, to set an example, to navigate and solve difficulty, to negotiate differences, to reject-forswear-renounce personal agenda, to seek unity and transparency, to sort to love.

seeing – up close and personal – that isn’t the case is a rude awakening. no, we don’t expect perfection anywhere. yes, we do expect trying.

i adore seeing susan’s from-the-bench pictures, all so viscerally intimate and always part of me. and i love sending her my view as well. so, as it has been for over a year now, she’ll continue to get photos off-the-bench now. it’s not what it was.

dogga laid tucked in on the quilt next to me as i sipped coffee and watched the light gather in corners of the room. sunday morning. i took this picture to send her.

and i realized that i – finally – don’t miss that organ bench anymore.

*****

read DAVID’S thoughts this D.R. THURSDAY

browse david’s HELD IN GRACE painting series

browse david’s SACRED painting series


Leave a comment

the simple line. [d.r. thursday]

the sketch

yesterday, while i sketched moments on various keyboards, both pipe organ and piano, d sketched on paper.  and he somehow captured how i was feeling.  the lifting of eyes to the universe, the imploring of the heart.  his scribblings on paper, my scribblings on keys.  two artists, expressing.

the telling of the story – through music, through painting or drawing – does not demand complexity.  sometimes it aches for simplicity.  a pure line of melody, unadorned.  a few fast pen-lines, unfinessed.  the telling of the tale, honestly, pitch by pitch.  not the skirting of the story, the fancified version sung by an vocal acrobat.  instead, the straight-up carole-king-richard-diebenkorn-versions, sung note for note, painted line by brushed line, color by color.  intense in their clean simplicity.

the more complicated things get, the more i list toward simple.  less is more.  my piano left hand has always been a virtual non-stop accompanist to my right hand, arpeggiating  ad nauseum.  in recent years, i’ve asked it to calm down, to allow room for the delivery of the right hand, to allow breath, to allow lift.  together, they have given space for the real scribblings, the true expression.

if you have ever been to a taize service, you will have experienced the wisdom and power of repeated simplicity, a line of music that will take you to your knees.  nothing advanced or embellished.

if you have ever held a child’s drawing in your hand, you will have experienced the wisdom and power of innocence, art that will take you to your knees.  nothing advanced or embellished.

it’s the simple line. both ways.

Screen Shot 2019-10-02 at 4.09.09 PM

read DAVID’S thoughts this D.R. THURSDAY

boardwalk shadow feet website