reverse threading

the path back is the path forward


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peonies in perpetuity. [d.r. thursday]

the time for our peonies has passed. they have been momentary, ephemeral. yet, even in their briefest of moments, their impact has been profound. their sweet fragrance wafted through the backyard, their stunning pink punctuated the green of the garden, their blossoms – from bud to full bloom – have been enchanting. and now, the green remains. i understand the plant is in full working mode – storing up energy for the next season of blooms. i already can’t wait to see them.

we planted a small herb garden on our potting stand this past weekend. basil, rosemary, mint, parsley. we added one dwarf indeterminate cherry tomato plant. and we placed a potted citronella on the deck. there is something infinitely satisfying about going outside with kitchen scissors to snip off the herb i need for a recipe. caprese salads or skewers, mint tea, parsley because heidi’s mom said everything is lifted with a little parsley, and rosemary – it reminds me of the brunch we had one day a couple years ago on the porch of the gingerbread house bistro up west of milwaukee. we split a steak seasoned with rosemary – i can still taste this delight. i’ll be using the rosemary today with roasted baby potatoes. all from steps away, an extension off our patio.

i wrote the album this part of the journey in 1997. piano-based instrumentals, a few of the pieces on that album had their moment on adult contemporary radio. and then, like all good peonies, they faded a bit, stoking up energy in the plant for next. but as i pull up the album and listen – last i saw you, the way home, good moments – i can still hear the pink, can still feel the peaceful wafting, can grasp its relevance. i still hear about this album from people out-there listening. it’s steps away from now, but it’s on an extension of the patio of my discography.

instrumental music – like peonies – has no half-life. both evoke emotional reactions – visceral reactions – both are steadfast in their passive zeal to just be. both wrap one in the right now. both go on.

i suppose, in a rare moment, i might one day put this album – or as it is – or any of my instrumental albums – on the cd player. i might sit down in an adirondack chair next to the peony within the concentric scent-circle of mint and basil, and simply listen.

i might be reminded of the moments in composition, the moments in practice, the moments in recording, the moments in concert.

and i might be able to see the peonies that will surely arrive next season.

*****

read DAVID’S thoughts this D.R. THURSDAY

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our chippies. [k.s. friday]

and even as we sat on the deck, the chippie ran to dogdog’s bowl. tiny paws on the top edge, he pulled himself up and ducked his head down into the metal dogbowl, getting a quick drink of water. moments later he scampered away, back toward the potting bench and access to the birdfeeder. it was a really sweet moment and pivoted our conversation to wondering and worrying about the wildlife in the searing temperatures.

i went inside and pulled out two shallow vessels, filling them both with cool water. placing one on the ground and the other on the potting stand, i announced to chipmunks et al that i would keep them filled and they didn’t have to risk life or limb drinking out of dogga’s bowl. we often see squirrels and birds taking tiny sips of the pond, but i’m all for offering them a cleaner water option.

in another pure bambi-movie moment, driving down a local more-forested road, a doe stood on the right-of-way. proudly she nursed a beautiful spotted fawn. i can hear the fawn, “but i’m hungry nowwwww” as she encouraged it to go just a few steps further so as to be out of sight, in the wood. but a mom does what a mom’s gotta do and she unabashedly stood fast, allowing us a gorgeous, heart-stirring view of nature doing nature. we were both moved. a profound moment in time, reminding us it’s not just us.

i reached out to touch the grasses by the old brick front wall and he was suddenly there. holding on to the brick, his tiny face looking at me, direct eye-to-eye contact. i whispered i would do nothing to hurt him, tiny chipmunk, and he zipped off, satisfied he was in no danger.

a few years ago, when we were way up north in ely on the boundary waters, there was this chipmunk we named “humpy” who, well, kind of obviously, had a hump on his back. each day he came right up to me, climbed in my lap and waited for peanuts. he’d stuff his little cheeks and run off to hide his stash and then he’d return to sit and climb on me until i relented and gave him more. each year since i’ve asked 20 if humpy was there again, but he hasn’t seen him. years have passed. these tiny creatures typically only live a couple years, which is probably why they live so zealously.

i suppose we would do well to mimic the sweetly-dedicated-nurturing-zealous-living of critters. never a moment to take for granted. always present in this ballet of life, doing the best they can with what they have. recognizing that simple interconnectivity matters, trusting that others will be compassionate and will have their best interests at heart.

yes. sounds good.

*****

SWEET BALLET from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

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