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Tag Archives: singer-songwriter


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necessary. [kerri’s blog on merely-a-thought monday]

“but it’s the holidays!” you protest. and yes, it is.

yet – in these days, in this community, this country, this world – there’s more going on than simply jingling bells and twinkling lights, a sleigh of gifts and eight reindeer, manger scenes and menorahs. and even now – in the middle of all of this – even in the middle of festivities – we need to pay attention. 

it’s risky to disagree. it’s risky to push back. it’s risky to declare that which has or those whom have wronged you or others. the membrane is thick and unforgiving, even vindictive. it’s risky to break the code of silence.

but it’s necessary.

to speak the crime/the wrong/the slight – the action or inaction – is not a crime, though those within the bonds of the code would want you to believe that. it is either impossible for them to see the forest for the trees or it has come to the time that no longer matters to them. to step out, to speak out, to speak against, to speak for – all are looked upon as deviant when silence is broken. righteous pontificators rail against the sole “deviant” – the one who stops the actual deviance, the one who holds the actual deviants accountable. they gather troops around themselves, searching for – or convincing – others of their sanctimonious correctness. they are invigorated by the quest to maintain the code – no longer merely complicit – instead, enabling – involving themselves in the dirty deeds of the codemakers.  their silence is active, perpetuating the wrong. and the circle exacerbates itself – concentrically outward – into an organization, a community, a government, a country, a world. and it is ugly.

for those out there who are questioning and breaking the code of silence, for those who are pushing back against injustice or inequity, for those who are pulling back the curtain exposing, revealing wrongs – whether small or overwhelming, for those who are not fostering complicity or harboring or sustaining wrongfulness, for those who have reached the place of “enough!”, for those holding fast to the values of goodness, for those who are actively pursuing democratic freedoms of choice for all peoples – i hope this season of light would grant unto you courage and fortitude, empowerment in vulnerability, the ability to stand tall and proud, others to stand with you, trust in the process of bushwhacking your way to revealing truth, accountability in the end, recovery and peace. i hope this season of light reminds you of your value. i hope this season will touch you beyond your wildest imagination and that jingling bells and twinkling lights – and all the other trappings of this season – will dull in comparison to the light you have brought in your deviance – breaking the code of silence and bringing forth truth and justice. you are necessary.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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flannel. the cat’s meow. [kerri’s blog on saturday morning smack-dab.]

yes, yes. we are the height of fashion, the apex of vogue, the pinnacle of couture, trend-setters and latest-style-forward leaders. uh-huh.

in this new world – where i’m applying for medicare (what?!!!) – we are quite possibly – maybe probably – an eensy-weensy bit definitely – lagging behind. we are jeans-wearing, boots-flaunting, blackshirt-donning … and not so much … ok, not at all … runway-following. 

were we sooo consumed with the intimate-wear choices of the riche, we would only consider silk or satin, rayon or charmeuse in nightwear lingerie. but, ohmygosh, give me a break! 

we are over that.

truthfully – if people were truthful – most are over that.

and so, we are here to reassure you. 

at least about pjs.

now that it is cold out it is completely apropos to pull out the flannel. because flannel – a style unto itself – is cozy and warm, snuggly and forgiving. a classic. it is love in a fabric.

and the buffalo plaid?? THE most popular.

yes. yes. we will rest easier now. we are most definitely the cat’s meow.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2023 kerri sherwood

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feeling the rain. [kerri’s blog on k.s. friday]

“all i can do is be me. whoever that is.”” (bob dylan)

it’s an imperative. composing, songwriting, producing, performing – they aren’t really choices. they are inherent – something inside that begs you to feel it. it is an ancient call for an answer that tugs and prods and taunts until you comply, baring your soul. it makes you vulnerable and demands courage and fortitude, sacrifice and a stalwart sense of purpose. it is not a straight path. It is fluid. it is failure and a phenom. it is devastation and ecstasy. it is necessary.

standing backstage – our son and the board clearly in view – i am whisked away to the place parents are taken when they see their children doing something they wildly love to do. 

i have stood on a giant mountain – one of the highest skiable terrains in the united states – and felt this feeling as our daughter flew past on a snowboard, everything in her aligned in the freedom of expression that single piece of wood opened in her. 

and now i have stood on a wood floor in a crowded nightclub – way past my bedtime – and felt the exhilaration of my son’s music – truly moving him, bringing forth who he is from a place deep in his heart. 

and in both circumstances, i have been in awe. and in both circumstances, i have celebrated. 

because though they have both been scrappy and deliberate, non-traditional, intentionally creating the ability to have the room to express – with any combination of full-time work, layered jobs, skimping and saving, lack of resources – in an ever-changing river, they have led with who they are. what is important to them – deep down – is their truth. their heartbeat. figuring it out as they go. 

our son is an EDM artist – electronic dance music. his music is powerful and pulsing, driving you to dance. it is layered and complex and technical and, as a composer – even understanding a slice of the process – i stand back in wonder. we are both creating music and, even in its difference, it has the same goal. 

“some people feel the rain. others just get wet.” (bob dylan)

he is feeling the rain. and his music invites everyone else to feel it as well. that’s the imperative. it’s what has compelled me to compose. it’s what compels me to write. it’s what compels david to paint. it’s what compels the potter to sculpt, the dancer to dance, the climber to climb, the actor to act, the skier to ski, the athlete to push, the chef to craft, the aerobatic pilot to soar on bluesky days, the creator to create. it takes some guts. but it’s necessary. for the world.

“dear artists. don’t hold back. that’s it…” (okuntakinte)

*****

FIGURE IT OUT from RIGHT NOW ©️ 2010 kerri sherwood

read DAVID’s thoughts this K.S. FRIDAY

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clarity. [kerri’s blog on d.r. thursday]

there is no way to maneuver the depth of field on my old iphone. it is all about coming in closer and backing up – eyeing what is framed in the aperture and moving to adjust what i want the photograph to look like. i know that the newer iphones have some access to depth of field options but – at the moment – i don’t have access to a newer iphone option. so. i adjust.

i almost rejected this photograph as a melange post. with the closest red dogwood branch a bit out-of-focus it didn’t really meet my parameters for a post. and then i stopped to reconsider it. it’s a great visual reminder of how distorted things can look from up close.

clarity is something that comes when you put a little space between you and the issue or object of your attention. 20 always says, “you’re too close!” and it’s impossible to not hear his voice in my head now in the throes of any decision. and so i try to remember to back up a little, to have some distance as i consider – an overview. 

when d was working for a new software startup (before the business was unfortunately closed) their product was the perfect tool for clarity. after i understood even the most basic functions of this remarkable software – as they were looking for names – i kept blurting out suggestions like “pinnacle” or “eagle eye” or “lookout” or “apex”. it seemed obvious to me that having this incredible overview – a step back – was the perfect new software for people struggling to make sense of too much up close and personal…a pragmatic way to sort and prioritize…a realistic way to have perspective. it’s beyond my wildest imagination that they did not continue on their merry way into software stardom. but alas, such is life, eh?

anyway, that lookout tower approach has its wisdom. it’s like pulling into the overlook in the appalachia region on route 25e in tennessee. up until that moment – in the middle of them – you were aware that there were mountains but you were seeing them from too close to really appreciate the grandeur. you drive into the overlook, step out of your vehicle, walk to the retaining wall and you are stunned by the magnificence of how the whole world drops off beyond your feet, stretching on and on and on. and you can see – there are mountains and lakes and a river – things you could not discern from up close. 

in the middle of the middle stepping back is one of the ridiculously hardest things to do. it feels counter-productive when you are trying to come to some sort of conclusion or have some kind of perspective about a specific thing. but up close and personal, the red dogwood is blurry and i can’t appreciate its stunning beauty. from a little distance away, i can see how it plays against the warm beige of the grasses and cattails, how it enhances the fallow of this meadow.

in this crazy-busy time of year – with people rushing around trying to make the holidays perfect for themselves and others – i’m thinking that maybe we are all a little too close. i’m reminded again and again of what is most important. i’m taking in serenity as i can. we are trying to go slow – to appreciate the big picture – to not be clouded by that which is hard to sort or discern or, for that matter, even clearly see. 

yes, the red dogwood is blurry up close. but from a little distance it stands out in a field barren of much color. the dissonance fades. the chord resolves. there is clarity. 

*****

read DAVID’S thoughts this D.R. THURSDAY

INSTRUMENT OF PEACE acrylic 48″x91″

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and then their theme songs. [kerri’s blog on merely-a-thought monday]

“dogga, dogga, you’re the one.

dogga, dogga, so much fun.

dogga, dogga, in the sun.

dogga, dogga, number one!”

he loves his theme song. it has a specific melody, but can be sung to many different tunes, in many different styles. what he knows is that it is his.

i suppose that theme songs go beyond the scope of exaggerated prosody – those patterns of rhythm, intonation and stress of the voice you use – most like that of talking to infants – with which dogs so easily identify. i’m not sure how it’s so easy to revert to this higher-pitched baby-talk but it gets his attention and seems to maintain it. there have been studies…whether dogs’ neural sensitivity is attuned more to this higher modulated speech pattern – a pattern that is directed to a listener with limited linguistic competence. as the more longer-vowel-sound-higher-pitched-sing-song speaker in the house, i’d say it’s true.

dogga responds to sooo many words and it does seem obvious: he is more sensitive to dog and/or infant type directed speech than if we were to just speak to him in adult-directed voices. his wagawag starts up as soon as he hears our “e.p.”, er, babytalk. i would guess he might roll his eyes and yawn were we to start holding adult conversation with him, particularly on topics of conversation during which he has retreated to the bathroom for escape. though i have had many a chat with him – he’s a good listener – he has not had the same level of response as he does with the prosody of adoring dogmom. “sleepyniiightniiight”, “loooooveyou”, “withmahhhhmma”….

“babycat. you are the cutest little babycat. you are the cutest little babycat, babycat, wah wah wah wah wah-wah-wah-wah-wah-wah-wah-wah…” (babycat)

“i’m a chopper-whopper-dinkus-baby and you are not; chopper-whopper, dinkus-bayyybee…” (chopper)

“hughie-hughie-hughie-huuwEEeeEE. hughie-hughie-hughie-huuwAHahAHH…” (hughie)

“i was smurfling along…” (missi)

yes, yes. the theme songs go way back – decades. and i suppose so does the tone of voice. in a world that can be pretty harsh, there can’t be much wrong with a little exaggerated prosody here and there.

certainly, there is no limit to it when it comes to our beloved pets. so much unconditional love.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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mychart smorgasbord. [kerri’s blog on saturday morning smack-dab.]

it’s hard to contain the excitement of returning to a favorite haunt for dinner out. we rarely go out for dinner so any time we find ourselves being a littlebit indulgent it’s cause for celebration.

but – just as it isn’t smart to go to the grocery store hungry, it also isn’t smart to go out for dinner the day after your metabolic and lipid panel bloodwork results are posted on your mychart.

and so you read – wondering why anything marked “high” or “low” hasn’t made your solicitous physician call you at home, concern and suggestions – with an appropriate amount of reassurance – in her voice. but this is 2023 and there is no time for that and you need be happy enough with the office staff call. my recent physical with a brand new doctor-to-me – which took seven months from the time i called to book it – wasn’t even completed (thus i have to go back for the girly stuff) because i dared give a little context history and asked a few questions about things that were concerning me – and we ran out of my “allotted time”. she did inform me – on her way out the door while telling me to make a follow-up appointment to finish the (might i say – important?) girly stuff – that physicals are merely bloodwork and cancer screenings. they are not meant for body, mind and spirit check-ins to be sure you are – uhhh – “physically” ok. to say that i don’t understand would be an understatement. (let me just mention here that our healthcare totals in excess of $28,000 and that i haven’t once used it this year prior to this “physical” which makes me very fortunate – in addition to mathematically making this “physical” mighty expensive.)

but i digress.

so, on our own, we study the new results, compare them to former test results, look for trends, research what creatinine and various other tests really mean, note any “high” and “low” indicators, look up dietary choices to aid in lowering or raising these, discover (again) that proper hydration is of extreme import, seek answers to lower stress levels (which contribute to many of these results). we power through the mayo clinic, the cleveland clinic, the nih, webmd, medline, healthline, even wikipedia – trying to find information we can digest and the answers to what we can order off the menu.

today i read the doctor’s comments. with one exception – even though i had concerns with any red and green markings on my results – she wrote that it was all “wnl”. i looked that up. “within normal limits” in med-talk.

we are still going to make some changes. we want to do the best we can as we “gracefully” age – between diet and exercise and maintaining a zen-like existence. uh-huh. it’s always good to evaluate and re-evaluate our health choices.

but for now, i’m gonna skip the chia seeds this time.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2023 kerrianddavid.com

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it ain’t heavy. [kerri’s blog on k.s. friday]

“… the road is long
with many a winding turn
that leads us to who knows where, who knows where
but i’m strong
strong enough to carry him
he ain’t heavy, he’s my brother

… so on we go
his welfare is of my concern
no burden is he to bear
we’ll get there

… for i know
we would not encumber me
we ain’t heavy, he’s my brother

… if I’m laden at all
i’m laden with sadness
that everyone’s heart
isn’t filled with the gladness
of love for one another

… it’s a long, long road
from which there is no return
while we’re on the way to there
why not share?

… and the load
doesn’t weigh me down at all
he ain’t heavy, he’s my brother

… he’s my brother
he ain’t heavy, he’s my brother
he ain’t heavy, he’s my brother

(bob russell / bobby scott – he ain’t heavy, he’s my brother)

queen anne’s lace does not bow down under the weight of the snow. it stands – upright – proudly holding what looks like a single-scoop of snowfall. despite the wind, despite the force of gravity – queen anne’s lace bears the burden, singing along with the hollies “and the load doesn’t weigh me down at all…..”

we have a thing or two to learn from nature. long roads, winding turns, shared concern for welfare, love for one another.

we are witness to miracle after miracle out here. they are tiny; they are vast. we stand at the wayside of nature’s rest area – in the fallow that is late autumn and early winter – and we watch as the journey of the woods marches on. working side by side, arm in arm, shoulder to shoulder, the forest and its inhabitants are thrust onto the long cold road ahead, eventually seeking spring. the ecosystem is symbiotic and nothing is encumbered more than the next. even in any not-knowing, critters and plants and trees alike trudge on, sans complaint. they carry with them the exchange of energy and the work of the fallow. they are strong. and it ain’t heavy. they are brothers-sisters together.

and they are waiting for us – the humans – to catch up to their simple wisdom.

*****

WAITING from JOY! A CHRISTMAS ALBUM ©️ 2005 kerri sherwood

download music from my little corner of iTUNES

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read DAVID’s thoughts this K.S. FRIDAY

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asphalt illusions. [kerri’s blog on not-so-flawed wednesday]

“i’ve looked at life from both sides now
from win and lose and still somehow
it’s life’s illusions I recall
i really don’t know life at all

i’ve looked at life from both sides now
from up and down and still somehow
it’s life’s illusions I recall
i really don’t know life at all”

(joni mitchell – both sides now)

puddletrees. they were right there, waiting. trees out a window. trees in a snowstorm. trees in front of us. illusion. reminding me – in the taking of the photograph – that things are not always what they seem.

it’s like story. things are not always what they seem.

“but in this song there are only two sides to things… there’s reality and i guess what you might call fantasy. there’s enchantment and dis-enchantment, what we’re taught to believe things are and what they really are.” (joni mitchell – at a performance 1967)

two sides. we’ve been taught to remember that there are two sides to every story. we learn though – somewhere along the way – that there are often many more sides than two. story is a multi-faceted creature, amorphous enough – and pliable enough – to take on the shape of whatever the storyteller – or the listener – wishes. this is not just dependent on details or fact; this is not simply dependent on reality. this is dependent on intention. even with the truth-telling of true story – with ample substantiation – there are others who will warp story into their agenda. reality and the flipside. brutal.

and so sometimes the don’t-know-clouds, don’t-know-love, don’t-know life takes on monumental proportion.

but there are puddletree moments. pared down. and these are not win or lose, up or down moments. they are simply suspensions of time – when we marvel at the reflection of trees in puddles or a single snowflake on a leaf or the survivors in scorched earth of a controlled burn, when we linger in the harmonic of a ninth or the color of the peony, when we pause in the middle of mayhem to look around us, when we know that just a little beyond reality is dream. and we can see it from here.

life’s illusions in an asphalt puddle. we really don’t know life. what it really is. at all.

“well, something’s lost, but something’s gained
in living every day.”

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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tiny snowflake. [kerri’s blog on two artists tuesday]

it was as we were hiking that the snow started again. it had already laid down a couple inches and the wind was a bit blustery. and then…

they drifted down around us – as if we were in the middle of a snowglobe and someone had given it a gentle shake. we watched them – individually falling – cold enough to see them land without melting.

most of the time, in landing, they are more en masse – like toddlers playing soccer – a beehive of tinies running after a ball – snowflakes swirling together landing, tumbling, piles of tiny colliding flakes sticking together.

but as i watched, cellphone in hand, this one snowflake – all by itself – landed on this leaf. and the leaf, cold enough to keep the flake intact, held the magic so that i could see it. exquisite doesn’t begin to capture it. sometimes adjectives are so incomplete – superlatives even anemic.

this time, the tiny snowflake held its ground, its unsung miracle-ness distinct against the leaf. i was startled to see it as we stood in the falling snow. i was – also – ridiculously thrilled.

its oneness – this singular the-only-one-there-is snowflake – quiet individuality. its presence – without trumpets blaring or the dinging of any notification – silently suddenly here. its tiny-ness – in this vast world – the same as us. a gift.

we are snowflakes falling. it is up to us to choose how. with or without fanfare, conforming or not, with or without humility, a gift or not.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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taproots and light. [kerri’s blog on merely-a-thought monday]

the des plaines river trail is in several sections. there’s a section that circles round a lake. there’s a section that loops through the forest. and there are sections that run next to the river. in order to control invasive species and to maintain resources, the state of illinois has controlled burns each spring and fall. oaks and hickories have thick bark to shield them and native plant species have deep taproot systems to survive the intense heat. in fact, this carefully maintained ecosystem often contributes to more robust plants after the burn.

we came upon the remains. we hadn’t been on the loop in days and were surprised to see the blackened earth, stalks of char. when the snow fell, it became a landscape – seemingly – of black and white. yet the squirrels ran rampant and we couldn’t feel any stress from the underbrush – like when there is an unexpected fire and the land is scorched.

i knelt down in front of the charred cattails and started to photograph them.

and suddenly there were tears in my eyes. i could feel the fire and the scorched-ness, the cooling snow blanketing it all, the energy still there – underground. i could feel the tenacity of these stalks and twigs, having survived the storm of the planned fire, ready for rejuvenation, resurgence. scrappy and resilient, potent, sturdy – the light past the dark. the recovery post-fire, post-exploration, a renewal. i could feel their passage through it.

i held hands with the cattails as i knelt on the snowy ground. braced, the taproot within – infinite – held fast, reassured me.

and with them i peered into the dark and saw that the light was right there, just beyond the charred edges.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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