reverse threading

the path back is the path forward


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bins and boxes. [kerri’s blog on two artists tuesday]

the list keeps getting longer. more items to offer to others, more to sell, more to simply dispose of.

i have been the recipient of many hand-me-downs. now, mind you, we use – or repurpose – many of these hand-me-downs….remember, we are the people with the almond 1970s sears kenmore range in our kitchen. still.

because i love numbers, i recently realized that when you add the ages of our three vehicles up right now – this year – in the year 2025 – they add up to 100 years. now, that’s pretty doggone amazing. granted, our little vw bug is included, but if you take that one out, the other two still add up to a whopping 46 years. eh. i digress.

i keep referring back to my sentimental-people-trying-to-divest-of-their-stufffff book. it’s essential self-help material, particularly at a time when we are truly paring down. it helps to read that you don’t have to keep a gift forever – you are not indebted to the gifter in a forever way. and, even if you give some gift away, the sentiment remains. common sense stuff, but not when you are lost in the memories and angst of what to do with the antique relics in a bin or a box.

and so – the box with decorator hanging plates.

i am most definitely not a hanging-plate girl. though they are beautiful, their self-actualization of hanging-on-the-wall will never occur because of me.

we photographed them all the other day, carefully placing them on a black cloth on the table, taking care to avoid glare, turning them over for markings on the back, photographing any written certificates of authenticity that accompany them.

we got through the marketed plates and i have no reticence about listing those for sale – granted, at a low selling price, for the time of hanging-plate-popularity is well past. then we got to the family-handed-down ones. the ones with initials on the back or years (like 1917 or 1930). the ones with sticky notes that my sweet momma wrote, describing the origin of the plate or how it had been passed down. ugh. these are the ones that invoke guilt.

there is one that i will keep. it’s hand-painted, floral, dated 1930, with a hand-threaded wire for hanging, leaving the delicious mystery of who initially placed it there. other plates, however, would only be stored – and that is what i am trying to avoid: long-term storage. and so, i suspect i will offer them to others, perhaps sell the ones that are not family-member-painted or have distinct family connections. it’s a bit stressful. but i keep reminding myself…they are plates, for goodness sake. it isn’t actual DNA strands i am giving away or selling. sheesh. (back to the book!!!! stat!!!)

and then i’ll be moving on to the punchbowl and the old spinning wheel, a plethora of milk glass vases, too many hobnail pieces to ever use, 1970s-1990s sewing patterns.

the thing about all this going-through that is helpful? the fact that i don’t think much about the state of THINGS while i open bins and boxes and sort and photograph and ponder what to do.

the history of these objects – such treasured items in their day and even now – is forefront in my mind.

it is often the handwritten note by my mom that is more difficult than the object itself. everyone has their own line – i’ll never forget when a sibling threw away years and years of my momma’s calendars. as a calendar-girl, i was devastated to hear this. i would so prefer to read my sweet mom’s calendars and notes she jotted on them than have any piece of furniture or jewelry or painted plate. like i said, we all have different value sets.

and so i puzzle how to properly respect these artifacts i am unearthing – particularly some more obviously family-connected – but dates like 1917 on the back of a plate – a scalloped limoges porcelain plate handpainted in soft blue and green hues – forget-me-nots – in the same year as the united states entered the First World War – in order that the world would be made safe for democracy – these dates, the history of such pieces fast-forwards my thinking to today, catapults me back into what is happening now. i cannot help but travel through the history of this country as i unwrap that which is in the plastic bin.

THE BOOK reminds me that no longer having an object does not disconnect one from its meaning, its emotional value, its gifter or pass-it-down-er. all of that – the true worth – is still valid, still present. nevertheless, i take my time and consider carefully the options of parting with something.

which makes me think: what if this country would stand by its values, its rights and freedoms, its constitution with the same level of respectful restraint? what if this country – and its leaders – would consider carefully the options of parting with the very somethings that have made it a republic, a democracy? what if this country would value handing down to our children and their children and so forth the best of what we can all be?

what will the trinkets and artifacts of this very era conjure up in future generations as they open the bins and boxes left for them?

*****

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patina. [kerri’s blog on k.s. friday]

i just can’t keep everything. and right now, i’ve been more valiant about going-through-giving-away-selling-getting-rid-of.

and so, despite the really beautiful wood handle on this vintage cast iron meat grinder – passed down to me by my mom and dad – a manual kitchen gadget – a peck, stow & wilcox – from the late 1800s or early 1900s – i have decided to move it on.

we aren’t big meat eaters and we are definitely not meat grinders. as a matter of fact, i am hard-pressed to remember my mom grinding meat. and, as antiques go, our old kitchen isn’t big enough to add the meat grinder as a displayed collectible, even with its patina of worn-smooth wood, the curve of its handle, the working vice clamp – really, the whole curiosity factor. no, it is time to let it go.

in our economic blackout protest, we won’t be shopping today – or the next few days – and we didn’t the last few days – anywhere but smaller retail. over this weekend we may go to our favorite antique shoppe or we may stay in, continuing the big-clearing-out, maybe hiking as a respite from the going-through.

every now and then, as i touch something that’s been packed away, i pause for a few minutes. in the flash of memories that flies through my heart in those minutes, i do my best to detach from the item and simply attach to the feeling. some things are easy – the meat grinder is sort of one of those, despite its collectible value. some things are a bit more difficult or downright hard – an old felt hat of my dad’s, a mid-century modern black and blue ceramic ashtray i remember from forever, a cypress clock, my momma’s wedding dress, hobnail milk glass pieces – these all run wide that spectrum. my tinier-than-i-remembered horse collection, multiple plastic seagulls on wire stuck into driftwood, the metal yellow and white smile face wastebasket, an old bread box – these are also mixed and the ruthless-matter-of-fact-er in me takes a backseat to the flood of memories. but boxed is boxed and i am wondering what the point is if something that could be used by someone is simply boxed or binned away in the storage room in the basement, never to be appreciated, never to be purposed.

the hands that held this grinder handle, that cranked this, that churned out sausage or whatever it is the grinder is capable of, were hands related to mine. holding this handle is holding time-passed-by. it is holding people passed. and so i do a photo shoot of this cast iron piece, clamping it onto our kitchen table, appreciating its age, its handprints, its history – though i don’t specifically know it.

and someone will eventually purchase this – or we will give it away – and they will also wonder about where it came from, whose it was, how it was used and when. they won’t know, but they will have honored it nonetheless, just by taking it home.

and the meat grinder will start its next phase – maybe displayed – maybe put into use. and the story will continue – about a hundred years of story.

and we will stand firm in our blackout of the kind of purchasing that enables the most privileged wealthy, the oligarchs. we will stand firm in our pushback of the economic inequality, the DEI rollbacks, the administration’s corruption and bow to special interests, to bigotry. we’ll do the best we can.

as always we will scale back, be frugal, lighten the load we have, repurpose, minimalize our needs, support others who have less, hold onto what is truly valuable – memories, feelings, connections….the heart of it all.

because a hundred years from now – from the time of this very story – i would hope the patina of that future time would show the well-worn bruises and scars and hard work of the people who pushed back, the people who – successfully – held onto democracy.

*****

LEGACY © 1995 kerri sherwood

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the delicate things. [kerri’s blog on two artists tuesday]

and there are things – here and there – as i continue to muster what i need to go through everything – things i find – things that must be considered delicate, things that must be held gently.

they are not the delicate things that one would label fragile, nor the delicate things that one would think of as valuable. they are the unexpected, the morsels of real life, of real moments, moments felt, moments lived.

there was the torn piece of paper – torn from a decades-old church bulletin – with the first notes of the first piece recorded on my first album.

there was the last physical mother’s day card i received from my girl, before everything went text and digital.

there was the note in little-boy pencil-writing from my boy, filled with hearts.

there’s a small green ceramic compass – just a trinket – i put on my piano.

there is a tiny stick person my big brother made of electrical wire.

there is the (very) ripped sweatshirt jacket i wore driving thousands of miles, criss-crossing the country in busy performing days.

there are the old notebooks. when the kiddos were here, it was my son who first spotted the spiral notebook. it was in a stack of spirals on a shelf in the office upstairs. but this one was sticking out enough he could see his handwritten name on the front cover. he immediately pulled it out to look at it, wondering aloud, “what’s this??” the notebook was empty – all the pages were blank and he asked why we had it in this stack, just as my daughter pulled one out with her name on it. “because we repurpose and there’s still paper in these, so we like to use them so we aren’t wasteful. plus they were yours…it connects me back,” i answered. i would never think of just throwing these out, without using up the paper still in them. it’s a total joy for me to use a notebook that has one of my children’s handwriting on it.

now, there are other things too. there are decorative plates and leaded crystal vessels, vases and wooden carvings, pieces of silverware, scandinavian artifacts, vintage ornaments. i’m guessing some of these items have a little bit of value, maybe – though i don’t imagine a lot. and that’s really ok.

for the things i am finding i hold most gently – the most delicately – are the realest things i come across: the list of homemade candles and tiny cacti i sold door to door when growing up, pulling a wagon behind me around the neighborhood, an early entrepreneur at ten or so. the handwritten notes from my mom or dad, pompom-ing me. the drawings and writings of the girl and the boy. the rocks – so many rocks – i come across, knowing that i chose each one for a reason, for a place, for certain minutes i spent. the earliest lyrics i wrote, the poems from my tree, the bits and pieces of me from a very long time ago, on a different trajectory, giddy and cells-vibrating, in a world i wholeheartedly trusted.

there are many, many things in our house – just like in your house. we try to surround ourselves with the stuff that makes us feel comfort, that makes us happy, that brings us a bit of peace.

in this part of our lives, we are finding that those things are not valuable antiques, newly-purchased tchotchkes or expensive collectibles, top-of-the-line anything. they are the things with story, the things we can carry without burdensome weight, the things that connect us – our dots – back and forward. they are the things that distinguish us from all the rest – our morsels – these relics. they are the delicate things, for without them, we would not be who we were or who we are.

*****

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golden moment. [kerri’s blog on k.s. friday]

they were luminescent as the noon sun caught them in its grasp. magical. glowing. each individual seed seemed poised for takeoff, ready to catch the breeze, twirl and fly.

it is much like how i am feeling as i painstakingly go through the house … the bedrooms, the attic, the basement …

the memories all gather on the plume, ready to catch the next breeze and twirl in front of me, bringing me back to moments a long while ago – many decades or even just a few years.

they are golden, these memories, and i give them time as i touch the relics, leftovers saved. i’m trying to go slow, even as i wish to accomplish much quickly. my thready heart relishes what i can remember, even when it sorts to sadness, even when it sorts to tears. in the timeline of life, i am bobbing around like the crazy super balls we had as kids – the ones with bouncing trajectories you couldn’t predict. the wham-o super ball would zig and zag and i am zigging and zagging through time just like that.

sometimes i have to leave a box or a bin or a pile for a bit, step away and breathe through it. i have found that touching these objects – the tactile – makes it all real and up-close, almost like it’s now. and, because i am the sensitive, emotional type, i have to step back … back into the room, straighten up, look out the window, pet the dog, sip some water. it can be overwhelming, this going back stuff.

as the bins empty and the sorting keeps going – this is merely phase one – i can feel the space opening. i can feel the air of whatever is next. i will still save many things, though i know that perhaps some will be relinquished in phase two or three. it gives me a bit more time with the artifacts of my life.

and the treasured antiquities nod as i put them in the save pile. they know it is their golden moment – their chance to twirl for me, their flight with me. they are as luminescent as the plumes, ever so countless, glowing in the noon sun.

*****

HOLDING ON, LETTING GO © 2010 kerri sherwood

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that which to hold close. [kerri’s blog on merely-a-thought monday]

“life is strange. you arrive with nothing, spend your whole life chasing everything, and still leave with nothing. make sure your soul gains more than your hands.” (no attribution)

it’s happening.

we can feel it.

i stood in his shop’s driveway talking to our beloved mechanic. “a simple life,” we agreed. we just want to live a simple life. not a life lived for or gauged on the stuff we have.

because that stuff – the stuff of life – inundates us. everywhere we look people are chasing it – a materialism that just never culminates in any moment where it is “enough”.

and in these unbelievably fraught times, stuff seems even less important than it ever did.

one of my best friends from high school sent me a bunch of texts early this past week. we were out on a trail, trying to soak up sun and hold at bay the yucky cold symptoms we were experiencing. suddenly, there were multiple notifications. he had become a first-time grandpa.

i stopped short on the trail and looked at the photographs of the baby girl just born into this world. i was overwhelmed by the sheer miracle of that and the miracle that this man and i had been friends for over fifty years (despite seeing each other only once in all that time since high school) and – back then – it would have been hard to imagine the moment i was experiencing: standing on a trail in a completely different state five decades later while he shared the moment of his entry into grandparenthood. truly a remarkable gift.

there were other moments this week, moments when i felt more connected to the world: talking with the woman with the jeep in the parking lot at the market when we went to pick up more advil, the frog that suddenly showed up in our pond, the jalapeños we grew that were ready for picking, a note from a dear friend to “stay strong”. we virtual-tracked our daughter running an incredible half-marathon in the mountains and we listened to our son’s music online. friends checked in to ask if we needed anything. the other side of the spectrum from feeling appalled by the world.

soon it will be time to resume the cleaning out. i told our mechanic about the sentimental person’s guide to decluttering book i had purchased (hoping for osmosis to make it stick) and another title i had seen: “nobody wants your sh*t“, which we both found infinitely funny. and true. because it is. true, that is.

i remember when my sweet momma – in acts of generosity and kindness – began to give away possessions. she knew. she knew how little all that stuff really mattered. and, in these quieter moments of getting a bit older, i – we – can see that, even more than before. especially in these times.

it would seem that dropping the shopping bags and the trappings of the ladder are thresholds into the gains of one’s soul, into the real stuff of life – because, as my poppo used to say about the other stuff, “you can’t take it with you.

and it would seem that – instead of the receipts of chasing and chasing – the buddhist prayer is that which to hold close:

“may you be happy. may you be at peace. may you be free of danger. may you be loved.”

*****

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sephora, the arrowhead. [kerri’s blog on two artists tuesday]

in ways i can explain and can’t explain, i am really dedicated to sephora. a few years back when our daughter was visiting we went to a greenhouse and nursery. she has a green thumb and it was cherished time to walk around with her and chat. she pointed to this plant – an arrowhead – and said she was growing one back at her home. i instantly decided to add it to our sunroom and named it after another adventure we had the days she was here. it is important to me that sephora thrives, just like charlie – a heartleaf philodendron she gifted me previously.

i watch sephora like a hawk…always trying to figure out if she needs more water, less water, more sun, less sun, more fresh air, less draft. we have a complex relationship; i think sephora knows the power she has over me and she wields it abundantly. i comply nevertheless. like i said, dedicated to its survival.

even as sephora’s individual leaves turn yellow from time to time (causing me much angst) i find this plant to be so beautiful – the light from the window causing the leaves to glow and radiantly light the space.

a girlfriend and i were talking about the cleaning-out process in our homes. she has readily cleared out much of what her two daughters had accumulated – but not taken with – in their growing-up years. they both live nearby now – in the next town over – all grown-up – and she sees them and their families regularly every week. my friend no longer has much stuff of their youth; with their proximity, she found it easier to dispose of most of what they no longer wanted, even in recent years giving away all the baby clothes and paraphernalia she had saved for possible reuse. she was surprised to hear i still have so much of all this. she laughed at my difficulty – surely a form of paralysis – in getting rid of everything.

i thought about this a bit, trying to figure out why i am so thready – besides the fact that i was born thready, have always been thready and likely will always be thready.

i realized that, though some of this is simply my heart-on-my-sleeve personality, it is also a holding-on of sorts. a peril of motherhood.

it would be dreamy – absolutely dreamy – to have my adult children living nearby, merely minutes away. it would be amazing to see them often, though always respectful of their busy lives. we are fortunate and joyous that our son is just one big city away, a couple-hour backroads drive or an hour plus on the train. to be able to jaunt over and see our daughter at any old time would make my heart burst. she has lived far away – with many states in-between us – for over a decade now, so visits require planning and are much more complicated.

i remember when my parents would come visit from florida – or we would go there – it would be an intense time of visiting in the days they were here – or us there – before it was time for them – or us – to leave and a big expanse of time would gap our shared in-real-life moments. i believe it is harder that way – the concentrated-period-of-time visiting instead of bits and pieces of life scattered like seed throughout the calendar.

in moments of looking through my momma’s things after she died, i could see the remnants and relics of me that she had saved. for in her lack of ability to see me as often as she would have wished, she held on with artifacts of our time together. the dots lined up. i completely got it and it became one explanation for the difference in the ability of my friend and me to let-go of stuff.

my holding-on – of the stuff left behind, the trinkets of their growing-up, the mementos of any grown-up visit we have had, wherever they have lived – it is the holding-on of love.

as claire middleton (the sentimental person’s guide to decluttering) points out, “we think that keeping all of those things will let us keep a little of each child who left us.”

my heart skips a beat.

ahhh. to be a thrower-outer, a clean-sweeper.

i’m working on it. i just had my first two sales on the resale site poshmark, which gives me incentive again. the baby and toddler clothes are bundled up and waiting patiently to go to the mission that gives them away to people in the city who need them. the cassettes are in a box, to be sent with payment for recycling. there are things on marketplace and ebay and craig’s list and the goodwill stack is ever-growing.

but nothing, though, stops my my-name-is-kerri-and-i-am-thready momheart from the wistful.

and, as i gaze at sephora’s stunning golden leaf – sunlight shining through it – i hold my beautiful golden daughter close, blow her a kiss, and miss her.

*****

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saved from away. [kerri’s blog on merely-a-thought monday]

almost every time we mosey around an antique shoppe – likely every time – i find myself musing about how no one should buy anything new. at all. ever. we should all just go peruse antique shoppes, flea markets, thrift stores, for – in those places just brimming over with possibility – it is probable that we would find all we need. and more.

we really do love a good antique boutique filled with vintage treasures just waiting to be re-homed.

because i agree with annie leonard (greenpeace), “there is no such thing as ‘away’. when we throw anything away it must go somewhere,” we have not yet disposed of our (decades and decades) old range. we have, instead, cherished it and putzed with it when it was struggling. but it is not in a landfill somewhere and, for that and for its long, long lifeline, i am grateful.

we were on the quest for a single ladder – to add to our deck with a purple sweet potato vine. we wanted a bit of interest over in the corner and found a stack of single ladders outside our favorite antique shoppe. but in the steps between where we parked big red and the ladder stack, there was this little garden table. d instantly stopped and drew it to my attention.

because our backyard is – indeed – our sanctuary, a small peeling paint white garden table could be the perfect addition – over there, on the deck, next to the railing that defines the potting stand garden.

$20.

but there is a sale. 20-40% off.

we buy our chosen ladder (who knew there were so many different widths?) and bring it out to the truck, ready to leave.

but that garden table.

it called us as we walked by. the second time.

so we went back to look at it, to wonder at its story, at where it had been, at its character as evidenced by its patina.

we snapped a photo and went inside – just to ask.

because we have been there many, many times, the gal at the checkout knows us. she asked me what I wanted to pay (though we weren’t yet sure we wanted to purchase it.) i replied $10 and her quick answer was, “sold!” i couldn’t help but wonder what a small garden table with as much joie de vivre would cost in a retail shop, a garden store, a catalog.

we happily loaded up this small sweet table and readily re-homed it on that spot on the deck, placing a soft green petite licorice plant on top.

every day – several times a day – we step outside and are deeply sated by this place of sanctuary. we wander to each plant, each herb, each grass, our aspen tree, and marvel at the growth in this hot-humid-greenhouse-type summer. we express, once again, gratitude for this space and its stuff.

and we plan our next trip – just to stroll about, to tell stories as we see items with which we had grown up, to goof about purchasing items completely out of our taste or – sometimes – completely out of taste at all. it is always an adventure.

to borrow from home goods advertising, we go finding. only our finds are the things people no longer want and wish to sell, the items that may have ended up disposed of, tossed out. our finds are filled with the magic of repurpose. they have stories we don’t know and can only imagine. they have new stories we have created for them. in turn, they create a place of tranquility and easy serenity.

and in some small way, we have saved the earth – even just a little – by saving one more thing from ‘away’.

*****

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a ruckus. [kerri’s blog on not-so-flawed wednesday]

the tracks tell the story. they came in and mowed down underbrush and trees, grasses and cattails. all in the name of habitat restoration. apparently, there are buckthorn and cottonwood and boxelder and various other invasive species that are suffocating the growth of young native tree seedlings. it looked absolutely devastated. as did the back half of the woods earlier this year after they attended to that section. but there was space for the sun to get through, for air and a bit of new growth. it was necessary.

now, admittedly, the back half doesn’t look as raw as it did right after that earlier eradication. but – it does look different. just as – i suppose – this section of the woods will look…eventually. it’s the meanwhile that is a bit tough to take. it’s stunning to see such emptiness where there was lush. it’s bracing to recognize how long it might take for this area to grow back – to fulfill the potential the ecologists plan for.

but devastation is like that.

in devastation-light we have the basement/attic project. this will all look decidedly worse before it looks better. the categories – keep, donate, sell – are staged all over the basement and have spilled into other rooms in the house. eventually, this will get better. it will look different. right now, though, it is a ruckus of stuff.

all this review of the past, though…it’s good for my heart. tiny salvageable moments derived from these seeming willy-nilly piles…i am wrapped in the after-devastation feels. for this is chosen devastation – choosing to touch all that is in the house and decide about its fate. and maybe devastation isn’t a good word for that kind of parsing out. just because it looks like devastation doesn’t mean it is devastation.

but there will be more culling before there is something that looks and feels good: the cleared out, organized space that honors the before-stuff and makes way for the next. the same way it is for emotional clearing-out. it will all get much messier before it gets air.

the tracks from the backhoes and heavy equipment punctuate the trail. we may wait awhile – maybe a few rains – before we take that loop again. in the meanwhile, we’ll go along the river where the trail is longer and quiet and the trees and underbrush are untouched – at least for now.

we’ll continue our quest in the basement and the attic and every other nook and cranny. we’ll make messes and piles and categorize each thing we unearth.

and the emotional stuff, well, it will surface and it will recede – both. it will be like a tide – just like the basement, it is a choice to pull things out of their previous compartmentalization. just like the basement, it has the potential to be really messy. and, just like the basement, it will be tedious and time-consuming and it is possible for a bit of anxiety to creep into the spaces previously left wide open by keeping it all in boxes and on shelves. suddenly, it’s all free-floating and there are fragments of emotions and tangible pieces of the past right there in front of us.

so we climb aboard our front loaders and excavators and bulldozers. and we start plowing down all the invasives.

and we just may feel restored after it all. we will have relived many memories, touched – really touched - the evidence of time passing. 

and we just may be rejuvenated. the new saplings will be free to grow. 

and we will look forward to lush, breathing easier and feeling the sun on our faces.

*****

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so many things. [kerri’s blog on not-so-flawed wednesday]

i am diving into the worlds of facebook marketplace, ebay, poshmark, craig’s list. we are spending long days in the basement – going through, organizing, separating out that which is to be kept, that which is to be sold, so much of which is to be donated. thirty-five years – in the same house – is a long time to accumulate things and there are many boxes and giant plastic bins to open…and…this is not our first rodeo down there. it’s been nasty weather and it’s negative-whatever outside so this a perfect time for this. i know that any stopping of the momentum will – yes – stop the momentum. so we don’t stop.

on a shelf unit with many books of many colors, i came upon a collection of volumes – all ten of them, making a complete set. they are the 1908/1909/1910 copyrighted gold-leaf-gilt-edged editions of “the bible and its story – taught by picture lessons”. there are beautiful penned illustrations throughout, published by ira hiller (ny). it is a significant collection. but not one that i want to keep. i don’t remember the backstory – where or who these came from. and i know that, though i have not once opened them to read, there is someone ‘out there’ who would want to add this to their personal collection. and so, i will sell it. with the exception of a little water damage on volume 6’s back cover, it’s in quite excellent condition. research will help me set a price – i’ll not ask for top dollar, though, for i want to move this out and into someone else’s hands for their own home library. 

it’s an interesting predicament – setting prices. even with research, it all seems somewhat arbitrary. a thing is only – truly – worth what someone else will pay for it, i am reminded. and so, i keep that in mind as i hold things in my hand, maybe photograph them for memory-sake and place them on the dining room table for an ad photo shoot, the writing of a description, pricing and uploading. i wonder what value someone else will have for these things – so many things – that were mine but that need to move on. 

for value is a funny thing. for some, it is in the name of the maker, the label tucked in the collar, the brand on the purse or the jacket or the furniture piece or the vehicle. for some, it is the gilded antique, the collectible, the museum piece. for some, it is the barbie doll or the hummels or the annual dated ornament. for some, it is the scrap of paper found in an old purse with toddler-print that says “i love you”. for some, it is the yoyo quilt your grandmother made; the one in which you recognize the fabric of clothes you once wore. in amish tradition, “an object cared for in a home can turn into a shining thing.” (sue bender) 

the things i or we choose to keep may not be the festooned bric-a-bracs of someone else’s sensibility. they may be much simpler, more thready and less dollar-attached. they have old narrative worn into their object-souls and – even now, decades later maybe – they can still elicit an array of emotions. the relationships, the art form, life’s riverdance all woven into the things we may choose to keep.

we keep unearthing, unboxing, moving items from one spot to another. “life’s all about moving your patches around,” and i believe this to be true. it’s all fluid. we will keep working until we finish the first pass through of the stuff-of-life and then – and only then – will we be able to start the second pass through.

“simplify and then go deeper, making a commitment to what remains.”

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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it’s that way. [kerri’s blog on two artists tuesday]

“do you know where you’re going to

do you like the things that life is showing you

where are you going to

do you know?”

(theme from mahogany – do you know where you’re going to? – gerry goffin / michael masser)

we’ve spent days now – so far – going through, organizing, cleaning out. it is – in every way – an adventure. the items of life – in retrospect. stuff that tells stories, emotions wrapped around a piece of jewelry, a note, an old flannel shirt. 

it’s a slow go. this time – of looking back – is not to be rushed. some things require lingering a bit. i have sat with many a ‘thing’ in my hand, telling d a tale of its arrival in my life, its meaning, where it came from, where it took me, prompts of life lived. some of it is astonishing – things i’d forgotten. some of it is astonishing – things i still remember. some things elicit the “if i only knew then what i know now” response. some things move into the keep category, while others are making their way to join the do-not-keeps. some things i just stare at, wondering what on earth to do with them. 

and in some parallel plane – as i pick up each piece o’ life – touching it, feeling it – and then lay it back down – it is as if somewhere i am also picking up each piece of life – touching it, feeling it, laying it back down. this sorting is powerful, not merely tidying up.

and it is gaining momentum. 

as we look at the difference it makes, it invites us to keep going and going. deep into the bins and boxes. into the storage room and the attic, the kitchen cabinets, the back of the closet, the file drawers, the desks, the studio. it seems this is the time. this time the cleaning-out will take; the purge won’t simply be a great idea that dissipates into thin air. even with all the hard work – physically and emotionally – this time i can see it.

it’s that way → → →

and while we have no clue what might be out that way – the amorphous – waiting – we move in that direction. we are giving our home, our lives – all of it – the cleanse it all needs – to breathe and to invite in the new. 

we are awake. and we’re making space.

for whatever.

“ever forward,” d’s mom says.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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