reverse threading

the path back is the path forward

Tag Archives: two artists tuesday


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count on dogga. [kerri’s blog on two artists tuesday]

sometimes – these days – it is simply his smile that keeps us grounded.

sometimes – these days – it is a belly-belly or a dogga kiss that helps us feel our feet, centered in our home.

sometimes – these days – it is his sensitivity to the tenor of the room that keeps us from getting too loud, too angry, too upset.

a few days ago i had a very hard day. i’m guessing i am not out of the ordinary; i’m guessing this is not unusual – these days.

i felt – particularly after my revelations from my call with my dear old friend from new york – that we were on a tiny island, out of balance.

we – like you, i’m sure – have been through so much in the last few years. and, i guess, because we have been coast-ers (d the west, me the east) – more easily candid, despite whatever others’ reactions are to our tales – woe, included – we have shared about them – with family, with friends, with whomever chooses to read our blogs.

but we have found that sharing our intense feelings can be disconcerting. there is most definitely this thing in this part of the land that dictates what you share. if you don’t wish to tell how you feel, you just simply ignore the question about how you feel. it’s a weird phenomenon. and frustrating. it is hard to be an open book when others don’t crack open their binding.

and so – the other day – outside of the pure constant stream of consciousness d and i share with each other – i was pining for shared deep conversation, for shared grief, for the shared pondering of unanswerable questions, unfathomable challenges. i did not want pity. i wanted two-way sharing, raw human interaction. i wanted to cry and scream – both. i did cry. watching dogga watch me prevented me from screaming.

it feels absolute that we need to be in this chaos together. we need to join together in like-mindedness and push back against the continued takeover of our country. we need to share the gut-wrenching sorrow of losing family and friends to this pervasive illness of extremism. we need to share our worries about our future and the future of our children and our children’s children.

bottom line? we need to talk. because actually talking about it all doesn’t make it worse. it quite possibly helps. you know, the meeting-together, the walking-in-another’s-shoes thing, the heartfelt compassion, the reality check, the let’s-sort-this-together, the we-are-here-for-you. the two-way street.

it makes me absolutely crazy when people act like nothing is happening. i want to beg, “open your eyes! we need to talk about this!”

but – instead – there are a few we share with, a few we trust with our deepest musings, our biggest fears, the trauma we are all enduring, what is really happening in our very own personal lives. the rest – like many – we filter.

and in that very short list of whole-heart-sharers, dogga is one of them. he holds things in confidence and we can always count on him to react emotionally and with – seeming – empathy. like he gets it.

and then he smiles his getting-older smile at us – holding our hearts and reminding us that his unconditional love is unconditional.

time after time he saves the day. even in these days. every single day.

*****

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cracked. [kerri’s blog on two artists tuesday]

i’m a window-seat-er.

it’s not just because i am prone to motion sickness; it is magical to look out the window at the earth passing below us. and now, the window next to me looked cracked, as tiny droplets skirted across. so much to look at in lieu of staring at a tablet or screen.

i am the geek taking pictures out the window of the plane – as if it was my first time flying.

but i don’t care. i take pictures anyway.

a few days ago i spent over two hours on the phone with an old friend i hadn’t spoken with for – if i’m remembering correctly – over four decades. in that strange way that you can pick up where you left off – despite the fact that there are blanks spanning decades – it felt like we had just danced the night away together, laughing and talking, at one of the discos on long island… just like we did back in the day.

she and i met at college and were instantly friends. i was pretty naive back then, but she had a savvy i could draw from and we had many adventures together.

it was a joy to be on the phone together again – i remember hours tethered to the wall, making plans or discussing crushes. this time i wandered around the house, chatting and trying to picture her now – after so much life had gone by.

and i heard my voice change. suddenly, there it was. the new york accent, back. it doesn’t take much – i am impressionable with others’ voices. the kiddos used to know when i had just talked to my nashville producer – i’d be drawling afterwards. so, long island came roaring back and we interrupted each other with abandon, punctuating our conversation with much laughter.

and there was this. this candor i remember, a not-beating-around-the-bush-ness – a bluntness – an assertiveness – that is visceral for me. i could feel it bubbling up, cracking through my learned midwest reservedness, my keeping-the-peace-ness.

“this used to be me,” i thought.

i – admittedly – have a whole bunch of leftover newyorkness in me. but much of it has been tempered by life in places outside of the northeast. it is pretty much necessary for survival – and for friendships outside of a place left behind, where conversation is more open, more sharing, more – well – raw.

it didn’t take much time to crack through to that place, shifting to this-doesn’t-need-to-be-polite, to this-doesn’t-need-to-be-filtered. i jumped back into a conversation where we – without words – assumed the other was a mature adult, sharing intimate details and what-could-feel-like risky stories with each other, instead of accommodating the other’s comfort level.

it was incredibly refreshing.

when i got off the phone i realized that i missed this. the cracked veneer – the truth of life – minus the filtering, minus the concern about judgment, minus storytelling sans the sordid details, the guts, the ugly as well as the pretty.

i missed the real-real. i missed the interrupting. i missed the accent. i missed the new yorker in me.

i shared snippets of our call with d, laughing at my slowly-shifting-back voice. i felt different.

“i’m no mary poppins,” my girlfriend said on the phone.

aware that i was thinking about how the midwest might feel about admitting one was not at-every-moment ‘too good to be true’, i proudly answered, “nope. neither am i.”

those cracks. the kintsugi. damaged and filled with tears and laughter, hopes and dreams and disappointments. truths and failings and forgiveness and grace.

and always at least one little spot that is not perfect, that is left open – where spirit can enter.

or the new york you left behind.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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it should be banned. [kerri’s blog on two artists tuesday]

i hadn’t ever before cooked with bok choy.

but the miso potsticker soup called for it, so game on. we purchased baby bok choy and set about making a big stock pot.

it is a beautiful leafy vegetable, photogenic. and much simpler to use in a recipe than i thought. the new recipe opened up ideas – as we cooked together – for other ingredients we might add, to other recipes we might try. that is the beauty of trying new things. new begets new.

the fewest short months ago, we co-opted the phrase “we’re not going back” made popular by kamala and tim. we both felt passionately about not going back, but instead moving forward, our land and its people becoming a more perfect union, learning more, experiencing more. we were excited about the possibilities that lay in front of us – all of us – excited to think about the potential of a country that had so much potential. like our bok choy joy, we were eager to try new things.

instead, the pall that is settling over this country is everything BUT that. suddenly, we are being thrust backwards, hurled around into the ugliest times that are arriving with each sign of the sharpie. it is beyond incomprehensible to grok why anyone would want this.

as we trimmed the bok choy stem and divided the bundle i thought about all the canned vegetables i had eaten back-in-the-day before frozen vegetables in the days before buying fresh. i don’t think i had ever had fresh asparagus before the early eighties. i had no idea what i had been missing, no idea whatsoever.

cooking with canned asparagus – as I would expect it would be with canned bok choy – is narrow and colorless and bleak. quoting from reddit – “asparagus from a can should be banned as a crime against humanity.” (bellasantiago1975)

co-opting THAT expression now, i’d adapt it to a far greater-reaching, far more ominously perilous outcome than we might imagine: “going back should be banned as a crime against humanity.”

because it IS a crime against humanity.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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the most elemental bits. [kerri’s blog on merely-a-thought monday]

siri sent an unsolicited message. good vibes that feel like warm little boosts of joy and confidence are certainly welcome right now. i wonder how she knew.

these are perilous times. i’m not quite sure how to stay balanced or in center. so any little vibe-boost helps.

we’ve turned the salt lamps on in our studios. we have an ampersand in our living room. we exercise regularly. we listen to guided imagery meditation. we cook and eat fresh foods. we get outside. we hike in the woods and along the river. we hug our dogga. we are cleaning out and making space. we feed and watch the birds in our backyard. we study barney aging in the garden. we wear toasty socks and fur-lined boots. we have baselayers on and keep the house cooler. we open the window at night. we have two fig newtons every day. we sip bold coffee from hydroflasks our girl gave us. we have wine – just in case – on the rack our boy gave us. we use moisturizing lotion each morning and night. we try to stay hydrated. we prepare and share dinner at least twice a week with others. we listen to music. we read. we hold hands. we dance – all three of us.

and – even with all that – you can feel it seeping in. the dread. the horror of what has already happened in merely one week. the ill intent.

and so, we reach to others. because together – those of us who find it perilous – these unacceptably cruel, undemocratic, oligarch-led times – we may bring boosts of joy and confidence to one another. at the very least, we will tend to the most elemental bits and pieces of life.

and siri will shower us with good vibes in the middle of it all.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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relentlessly. [kerri’s blog on two artists tuesday]

they are on 24/7. we haven’t taken them off our old wrought iron railing because – well – we need the light.

today i read a tiny post about someone who had taken her christmas tree down and had lugged it outside, getting it ready to go to the drop-off where it will be picked up and recycled into mulch. she wrote that she was sad and that she told her husband – when he arrived home – that she already missed the lighted tree. the end of her bitty post revealed that the tree was back in the house – lighted. it warmed my heart.

we have taken down the holiday decorations. it was just a couple days ago and i already miss the glimmer. it’s all so joyous and – once put away into bins – feels plain. to be honest, i did keep one lighted lodgepole pine tree in the sitting room and i am contemplating bringing another back up. it won’t take much to convince him that they are necessary for a while, even though i was prepared with “they don’t reeeeally look like christmas trees….”

whatever it takes, i’m thinking. if we need more happy lights, then we should – by all means – put them up. anything to stay in the light, particularly right now. these darker winter months require much vitamin d and anything else that brings us beams of hopeful … and this one – this winter – well, there are particularly dark circumstances that will make us look for anything to try to even out the seesaw. if a couple fake lodgepole pines and a wrought iron railing with lights help, then so be it.

we spent saturday moseying about antique shoppes, one of our favorite things to do. i was looking for glimmer….things that might reflect light or hope or remind us to be “relentlessly present” (john pavlovitz).

each of the seconds that ticks by – even in this particular right now – cannot be held, cannot be relived. to lose them – those seconds – is to let the indecency win. to seek a balance – where we zero in on the stuff that is flashing by us and still attend to whatever we can do to further goodness in a not-good time – seems prudent. otherwise, every last bit of glimmer will be gone and the dark will usurp us. to be relentlessly present is to be mindful of breathing, i’m learning.

we found a cool candleholder – wrought iron and reflective silver – bargain-priced. it is now on the radiator where the happy-light-covered aspen log is, reflecting the light from those tiny bulbs.

we also found a wooden ampersand. we didn’t buy it – though also bargain-priced, there is the budget and all – but i think we may be going back for it (or find some other iteration of it).

something about having an “and” sign in the living room may remind us – relentlessly – about each other, about the fragile balance we need to hold, about this moment and the next and the next and-&-and.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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the beautiful and the blurred. [kerri’s blog on two artists tuesday]

it is hard for me to pass by something this beautiful – this wispy milkweed pod – without stopping. i am fortunate to hike with someone who understands this. we stop and i study the milkweed; i take several shots.

it is not the first time i have taken photographs of milkweed in the winter. i’m pretty sure it won’t be the last. each time i see milkweed – even in the winter – even in its fallow – i feel like it is different – its slant in the meadow, the curve of the pod, the way sunlight plays on it.

this is how i will get through it all, i think. zeroing in on intense beauty, tiny nuances, millisecond moments. i realize that this is the power that is available to me. this is the distraction.

the invitations are numerous from the side of the trail, from the side of life. they beckon to each of us and it is up to us whether to accept those invitations.

i am kind of a detail person…so the invitations are somewhat evident to me, hard to miss. they blur out everything else, if you intend to really take notice.

and, in just that way, we are intending new practices – more intentional meditation, more exercise, more outside. and each time – despite any same-ness, there is the possibility of new. each time we may stop and study or gaze and admire.

“things will not be the same, because we will not be the same.” (anon)

it may be difficult to avoid focusing on the way things will be in these fraught times. nevertheless, we will try to focus elsewhere. to lean into the beautiful and leave the rest of it blurred.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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a squall of light. [kerri’s blog on two artists tuesday]

it will surely get worse before it gets better.

it was while i was waiting for the person to arrive to pick up the desk that i started. it wasn’t really on purpose. it was simply a way to keep an eye out the window at the front of the house. i opened the small chifforobe cabinet and began to pull things out and stack them on the floor of the studio. then i went over to the small desk and did the same thing. before i knew it, it was chaos on the floor of the studio, piles on the padded artist bench, even small piles on top of my piano.

in the unearthing of space, i am finding notebooks of lyrics, slices of songs, chord progressions jotted on scraps of paper. there are piles of process cds – from demos of songs to recording studio takes, edits, production in all its phases, final products of albums released into the world. there are radio charts and encouraging cards, pencils and erasers and staff paper.

i think of my son – at the other end of the journey – the closer-to-beginning part of his artistry. though he is waaay past just-beginning, his heartbeat is quickened by his own growth in his music and by the outer reaction to and support of his EDM. i remember those days and i celebrate for him and with him. they are the days that feed artists when we are depleted, when we are in the midst of hunger, when we are pondering our place in our art form, when – if we are feeling disoriented – we are trying to see where it was – discern how it was – we got lost so that we might find our way, when it’s a little bit agonizing, when we are a lot a bit tender, when we are wondering.

later on – much after the computer desk was gone – after the frenzied muse had left the building – i groaned looking at the mess.

but there is no going back now. it’s time to keep going, to keep going through, eliminating, filing, re-designing the spaces and space in my studio. time to bring in new light, time to give it a chance.

in more than a bit of vulnerability, i must say that i don’t really know if that will change anything. i know that the studio will look more spacious, it will be slightly less muddled in there, more austere, more piano-focused. i feel like that could definitely be a good thing…a tiny step toward actually playing, actually composing. cleaning out will remove some of the tangible tokens of feeling remote, or of hurtful, harmful things that have undermined my artistry, that have waylaid me. it might remove some of the visible and invisible layers between me and my music. i guess that’s all to be seen. as overwhelmed as i am – thinking about all the work in front of me – i do see some magical bits of light in the dark, even amid the squall of chaos.

when my grand first arrived – over 25 years ago – it was the only thing in the room. just a big C5 on bare wood floors with high ceilings and freshly painted white walls of plaster and beadboard. it was pure and glorious.

since then – for various reasons – i added a chifforobe, a writing/reading chair, a desk, music stands and mic stands, other instruments.

maybe sorting through, reorganizing, removing the desk, minimalizing stuff, clearing the space will surface the essential reason for this studio, will distill the paralyzing fog that has settled over the space and in my heart, give light to a dimmed imperative. maybe a tiny bit of balance will return. maybe it’s all still relevant.

i stand in the doorway and acknowledge that i don’t know.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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stars in the cold. [kerri’s blog on two artists tuesday]

“your hand opens and closes, opens and closes…your deepest presence is in every small contracting and expanding.” (rumi)

brave thistle plant – even in the bitter cold – open. this star in the meadow reminds me to stay open…fluid in breath…in and out.

i sometimes wonder about my music. my grand sits in my studio, waiting. it is patient, although i can sometimes hear it in hushed tones, calling me. there has been much between the last time and now, much that has left me closed to it.

i’ve touched it a few times in a few years. i don’t want it – or anyone, including me – to overreact to that. it is beautiful and full-stick and keys-open and – like the thistle – it bravely stays starlit even in the fallow times. and so, it is – every now and then – inviting. but it is complex – complicated – and it’s obvious I haven’t sorted through all the layers yet.

it is an artist’s imperative to create. but there are no rules that state the medium must remain the same. and so…in these inbetween times…i write. to be open to something different is to dance with that imperative.

the heavy old mic stand tucks right outside the doorway to the studio. it’s holding a vessel for candlelight right now but – at the end of our hallway – it reminds me of microphones and wood stages, simple lighting and boom stands. and then i wonder again – about all that.

the real answer is that i don’t know. i don’t know what will happen in these nexts. i don’t know if i’ll compose more, record more, perform more. there are a lot of ifs between here and there, a lot of details, a lot of stars that must align.

but the little thistle plant in the meadow reminded me that even with all that – all in the galaxy that must cluster – constellations in the cold are possible.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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taps. [kerri’s blog on two artists tuesday]

sometimes at the end of the day we can hear the bagpiper playing on the lakefront. it’s a bit haunting. and it makes me think of buglers who trumpet taps: “day is done. gone the sun, from the lake, from the hills, from the sky. all is well, safely rest, god is nigh.”

we often hike in the afternoon – after all our tasks are finished. so it is not unusual that we run into the sun setting as we begin to return toward the trailhead. and now, in these late autumn days, that is happening earlier and earlier.

it was particularly beautiful to see the sun on the day i took this photograph. it had been cloudy and we didn’t expect the sun to pop through above the bank of clouds just over the horizon. we were grateful.

i’m guessing that this is the way to move into these uncertain times. to note the clouds and to be grateful for the sun. we are troubled, much like you might be as well. we can’t pretend that everything is coming up roses or that this future will be smooth sailing. but it is doing our hearts and souls harm to linger constantly in the toxicity that was voted in. i certainly have spoken my piece about all that.

i also can’t simply play taps to our country. because all is not well, because i don’t feel like i can safely rest and because I’m thinking god may not be being all peaceful-nigh-like watching hypocritical thuggish people steeped in bigotry, revenge, cruelty being all righteous in his name. so taps is on hold.

i will, however, lean on the day, the sun, the lake, the hills and the sky to remind me of what is really, truly real, what is really, truly beautiful. i will be mindful of the importance of the each-others in our lives. i will draw strength from any and all light around me, around us – including the unexpected elusive sun setting in cloudy dusk.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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voice. [kerri’s blog on two artists tuesday]

quotes from the pointed video above:

“…our duty to be there for others…”

“…learn critical thinking…to empower you…”

“…the power of your voice…”

it is the imperative of an artist, the obligation of humankind.

it is showing up, speaking up, speaking out.

it is not in keeping the peace but in creating peace and protecting the rights of all in a peaceful world.

and sometimes that is risky.

i can hear it – woke. i can hear it – liberal. i can hear it – snowflake. i can hear it – asshole. nothing i haven’t heard before. so call me what you will.

i can feel it – the risk. i can feel it – the pushback. i can feel it – the stern you-stay-in-line-don’t-you-make-waves. i can feel it – the reactionary disagreement sans any discussion. i can feel it – the write-off.

but this one life we each get – this one very precious and extraordinary life – the one during which we all breathe in and out pretty much the same way – the one where you can live authentically (and flawed) or falsely (and flawed) – this life is to live, to not fear – this life demands our voices.

and these words: surround yourself with people who fight for you even in rooms you aren’t in…

i don’t want to hesitate to be that person. to take it on – the slight, the wrongdoing, the injustice. i don’t want to be silent again because i won’t upset you that way. i don’t want to be voiceless yet again in the face of yet another betrayal.

i wish to relinquish my life-long peacekeeper role.

these here are those days.

instead, i want to speak up for me. i want to speak up for people – for peoples – i don’t even know. speak up for justice, for equality, for kindness.

to speak against cruelty and division. to have no allegiance to bigotry, racism, misogyny, xenophobia, homophobia. to speak to truth, question propaganda. to reject being complicit. to push back against the ugliest ugly even if it makes me unpopular.

to steel myself away from keeping the peace.

to not stay quiet.

to be full of voice.

to stand up.

in all the rooms.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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