reverse threading

the path back is the path forward


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what we sow. [kerri’s blog on two artists tuesday]

the cosmos splashed across a bit of sidewalk were an invitation for attention. that color! instantly-happy-hot-pink.

she looked wary when i asked her if it was her house. she hesitated a moment and then answered, “yes, it is.”

we were passing by and, as is the case every time we pass by this house, we were charmed by the flowers out front, the porch, the cleverly colorful way the house is painted, the firepit in the front. it is just all delightful and so i told her, “we love it every single time we pass by.”

it wasn’t what she expected, i guess. she smiled, looking surprised, and thanked us, going back to watering her front garden.

and we walked on.

we are living in such trepidatious times. it seems much easier these days for people to say something negative to another person. we drive and blatant f*** you stickers are on vehicles, foul messages of rage and violence. it is clear that the bearers of these messages believe it is perfectly ok to display them to carloads of strangers – adults and children – with whom they are sharing the road. it’s disturbing. people have been given permission to be aggressive, to be filled with anger, to be vile to others.

and so, in light of all the rampant hostility, i realized – afterwards – that this young woman may have felt uncomfortable with my question “is this your house?” and i noted to myself to – next time – start with my compliment, “hi…we love this house every single time we pass by, so if it is yours i’d like you to know that.”

our town does a really spectacular job of flowers. there are stunning gardens in the parks by the harbor and beaches, pots of flowers hanging from the streetlights in downtown, in big planters on the sidewalk. they are all well taken care of and, from time to time, as we have passed people working in those gardens, we have thanked them. they always seem surprised.

i feel like we have fallen down on the job of being human when it is a surprise that someone is courteous, when it is a surprise to be complimented or treated kindly, when the expectation is first that of the possibility of pointed antagonism, when we succumb to spewing the loathsome and revolting rhetoric of hatred, divisiveness, bigotry.

we are what we sow.

*****

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sweet tomato dreams. [kerri’s blog on two artists tuesday]

the tomato photo shoot. it was our first harvested cherry tomato from our lush and hearty plant that is tucked over by the fence next to the potting stand, sharing space with the ornamental grasses. before we tasted the produce we had grown, i wanted to capture its winning smile.

now, i’m not really a still-life kind of artist…i prefer more freedom…but this little tomato turned out to be quite a little starlet in this shoot and converted me – at least momentarily.

this little tomato was ultra sweet, having been warmed by a very hot sun and carefully tended. there are so many green orbs on this plant…we are anticipating a caprese salad or pasta. in the meanwhile, there is much to be said for the positive reinforcement of produce yielded from our attempts at growing.

“a dream doesn’t become reality through magic; it takes sweat, determination and hard work.” (colin powell)

it would seem to make complete sense to recognize that sweat, determination and hard work, but even i can attest to the fact that there are places of employ that simply disregard the success that has been created by someone working diligently and devotedly in their name.

it is the same that is happening right here, right now in this country. workers – important spokes in the societal wheel – are being tossed left and right, leaving literal and figurative produce to rot. profound medical research, critical environmental science, expansive educational ideology, the hard work of laboring in fields or restaurants or hospitality – these workers are finding themselves booted by someone whose excuse is – obviously – a vision that no longer aligns with theirs. for a country (or a community or an organization or corporation or any institution) that wishes to abdicate any formerly-intended mission, eliminate employees who are making a difference, cut corners and costs – biting their noses to spite their faces, stop forward movement, undermine the career paths of employees and send them careening, cruelly evict its dutiful people, is a country (or a community or an organization or corporation or institution) that has lost its way.

it is simpler out back in our tiny gardens. the basil and the rosemary and the cilantro and the jalapeños and the parsley and the mint and – yes – the cherry tomatoes grow. with our careful tending, vigilant watering and pruning, they reward us with bountiful produce. in turn, we do all we can to support their growth and they respond with healthy herbs and tomatoes. it is a cycle, an if this-then that, a very simplified conditional relationship predicated on a premise and a result. even any syllogism (major premise, minor premise, conclusion) about our garden would yield a productive conclusion, steps toward the dream.

i asked AI for a syllogism about the contemporary united states. this is what instantly popped up:

major premise: a healthy democracy relies on robust, respectful dialogue and a willingness to compromise for the common good.

minor premise: current political discourse in america often exhibits increased polarization and a decline in civility and compromise.

conclusion: therefore, the current state of american democracy faces significant challenges to its healthy functioning.

i fear that this – the fallout of this republic functioning as a democracy – is exactly the positive reinforcement – the dream – that this current administration is seeking.

and now – because i am overwhelmed by the corruption i have witnessed firsthand both as an employee and as a citizen – i am going back to tending my herbs and my sweet cherry tomatoes.

*****

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sephora, the arrowhead. [kerri’s blog on two artists tuesday]

in ways i can explain and can’t explain, i am really dedicated to sephora. a few years back when our daughter was visiting we went to a greenhouse and nursery. she has a green thumb and it was cherished time to walk around with her and chat. she pointed to this plant – an arrowhead – and said she was growing one back at her home. i instantly decided to add it to our sunroom and named it after another adventure we had the days she was here. it is important to me that sephora thrives, just like charlie – a heartleaf philodendron she gifted me previously.

i watch sephora like a hawk…always trying to figure out if she needs more water, less water, more sun, less sun, more fresh air, less draft. we have a complex relationship; i think sephora knows the power she has over me and she wields it abundantly. i comply nevertheless. like i said, dedicated to its survival.

even as sephora’s individual leaves turn yellow from time to time (causing me much angst) i find this plant to be so beautiful – the light from the window causing the leaves to glow and radiantly light the space.

a girlfriend and i were talking about the cleaning-out process in our homes. she has readily cleared out much of what her two daughters had accumulated – but not taken with – in their growing-up years. they both live nearby now – in the next town over – all grown-up – and she sees them and their families regularly every week. my friend no longer has much stuff of their youth; with their proximity, she found it easier to dispose of most of what they no longer wanted, even in recent years giving away all the baby clothes and paraphernalia she had saved for possible reuse. she was surprised to hear i still have so much of all this. she laughed at my difficulty – surely a form of paralysis – in getting rid of everything.

i thought about this a bit, trying to figure out why i am so thready – besides the fact that i was born thready, have always been thready and likely will always be thready.

i realized that, though some of this is simply my heart-on-my-sleeve personality, it is also a holding-on of sorts. a peril of motherhood.

it would be dreamy – absolutely dreamy – to have my adult children living nearby, merely minutes away. it would be amazing to see them often, though always respectful of their busy lives. we are fortunate and joyous that our son is just one big city away, a couple-hour backroads drive or an hour plus on the train. to be able to jaunt over and see our daughter at any old time would make my heart burst. she has lived far away – with many states in-between us – for over a decade now, so visits require planning and are much more complicated.

i remember when my parents would come visit from florida – or we would go there – it would be an intense time of visiting in the days they were here – or us there – before it was time for them – or us – to leave and a big expanse of time would gap our shared in-real-life moments. i believe it is harder that way – the concentrated-period-of-time visiting instead of bits and pieces of life scattered like seed throughout the calendar.

in moments of looking through my momma’s things after she died, i could see the remnants and relics of me that she had saved. for in her lack of ability to see me as often as she would have wished, she held on with artifacts of our time together. the dots lined up. i completely got it and it became one explanation for the difference in the ability of my friend and me to let-go of stuff.

my holding-on – of the stuff left behind, the trinkets of their growing-up, the mementos of any grown-up visit we have had, wherever they have lived – it is the holding-on of love.

as claire middleton (the sentimental person’s guide to decluttering) points out, “we think that keeping all of those things will let us keep a little of each child who left us.”

my heart skips a beat.

ahhh. to be a thrower-outer, a clean-sweeper.

i’m working on it. i just had my first two sales on the resale site poshmark, which gives me incentive again. the baby and toddler clothes are bundled up and waiting patiently to go to the mission that gives them away to people in the city who need them. the cassettes are in a box, to be sent with payment for recycling. there are things on marketplace and ebay and craig’s list and the goodwill stack is ever-growing.

but nothing, though, stops my my-name-is-kerri-and-i-am-thready momheart from the wistful.

and, as i gaze at sephora’s stunning golden leaf – sunlight shining through it – i hold my beautiful golden daughter close, blow her a kiss, and miss her.

*****

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artists. just being mint. [kerri’s blog on two artists tuesday]

“survival lies in sanity, and sanity lies in paying attention…” (julia cameron – the artist’s way)

here’s the thing i have discovered about mint: it is a survivor.

we bought the scrawniest mint plants – looking like they were fading away even as we paid our $2 for them. we brought them home and planted them in some good soil in an old barnwood planter that is somewhat self-destructing. we put the planter on the seat part of an old kitchen chair in the corner of our tiny potting stand garden, knowing that the sun would reach these tiny hopefuls and that these container gardens would have my rapt attention. and then we basically backed up and let nature do its thing.

and, despite some seriously hot weather, some seriously wet weather, some serious challenges from neighboring vines wishing to choke off access to nutrients, the mint has prevailed. it just keeps keeping on and the planters are burgeoning with mounds of luscious green mint.

i had heard – from people who know their stuff – that it would be important to keep mint in a planter rather than planting it in the ground. they said that mint would take over all else in the garden. i can see where that might be true – it is pervasive and aggressive about growing – resilient and tenacious and not at all timid.

which brings me to what i believe might be a good definition of an artist.

i had to have a crown re-affixed this past week – my utterly superb dentist simply popped the crown back on and aimed a blue light of some magical quality that will make it stay there. while i had my mouth gaping open he asked how we were and what we were up to. without the aid of consonants i said, “artist stuff” and he nodded.

artist stuff.

probably a better answer than “oh, we’re just being mint. you know.”

and yet, it is the job of an artist … to be mint. to be pervasive and aggressive about growing, resilient, tenacious and not at all timid. to keep growing despite all the odds, to keep creating regardless of acidic soil or toxic chance of sunstroke or over-saturation or dehydration. to keep paying attention and asking questions and pushing the boundaries – to simply survive.

I wouldn’t have compared myself (or d) to mint before. I would have preferred being sweet basil or maybe spicy jalapeños or willowy dill. or, better yet, i might like to be a pale pink sarah bernhardt peony or a daisy or a sunflower rising above a verdant farm field. mint seems so….survivalist.

but – even as i mosey through that fantasyland – the one where i am gracefully encompassing a body that is tasked with, well, different tasks – ones that are rewarded in traditional fiscally-rewarding ways – i am grateful to have been burdened with these tasks, the task of mint.

to keep on keeping on. to be as beautiful as the ordinary can be. to cling to living and to encourage others to pay attention to the very littlest things. to dance and laugh and sing raucously and to raindance sanity from the universe-sky to a world that is not sane.

“i believe art is utterly important. it is one of the things that could save us.”(mary oliver)

*****

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but sometimes. [kerri’s blog on two artists tuesday]

we started a list. things we haven’t done before, things we’d like to do, things we’d like to repeat sometime, places we’d like to visit locally, things to explore. since we aren’t traveling this summer – on a vacation anywhere – we want to try some other things.

we added a few different herbs to our potting stand. we added dianthus and sweet potato vine to the planters on our deck. we added books to our list. we added recipes to our stockpile.

we are appreciating being home.

on friday night – just a few nights ago – we lounged in the old gravity chairs on our deck. it was cooler, the slightest of breezes off lake michigan. the air was soft. dogga was laying on the deck just feet from us. we watched the birds and the pond fountain. sipped a glass of wine. marveled at our quaking aspen. it was quiet.

we had had a hard time deciding what to do on that friday-night-date-night, as we call it. we had been thinking of driving up to milwaukee or down to a harbor in illinois where there is live music. but, for some reason, we just didn’t do either. dogga looked at us – with a big-eyed, sorrowful look – as he anticipated our departure. and we just agreed, “let’s stay home.”

dusk arrived and we finished dinner outside. not anxious to end the peaceful evening in our backyard, we stayed put.

we could spend all our time – all our words – on what is happening in and to our country and the world – and that would be a worthy thing.

but sometimes, even in the middle of all the madness that we simply cannot forget or put out of our minds, it is good to step aside, to go nowhere and do nothing, to zero in on the very simplest of things.

like the dianthus after the rain.

*****

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light that fire. [kerri’s blog on two artists tuesday]

only when a fire sweeps through, melting the resin, do these heat-dependent cones open up, releasing seeds that are then distributed by wind and gravity.” (national forest foundation)

one by one we fed ten lodgepole pine cones into our small solstice fire. one by one we silently whispered a prayer, a wish, a hope for each one. one by one we watched them ignite, slowly burning off the resin and sending off invisible seeds into the universe.

it was a perfect summer night. the wind had shifted off the lake and it was at least ten degrees cooler than it had been. we sat on the back patio for hours. it was quiet, peaceful.

it seemed a good night to look to something new, to celebrate the light of the solstice, the potency of life. it seemed a good night to lean into the lodgepole’s protection from unwanted energy, from evil influences. it seemed a good night to embrace resilience and renewal.

we have saved these pinecones, ever so slowly choosing them for release from a boxful that had been gifted us by a dear friend for our wedding. her words about fire and light and rejuvenation were truly soul gifts and we hold closely these precious lodgepole pinecones.

this morning i read that pine is “generally associated with longevity and wisdom, instilling courage and optimism.”

in the coincidence of the universe, these were a few of the words i held as i watched the pinecones i added to our solstice fire burn.

wisdom, longevity, courage, optimism, resilience, renewal, light, abundance, bounty.

it would seem that our nation needs to – figuratively – gather as many lodgepole pine cones as possible.

we need protection from the evil energy and influence that now seem indelibly woven into the fabric of this nation.

we need to seed something else entirely.

light that fire.

*****

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break out peace. [kerri’s blog on two artists tuesday]

“peace has not broken out,” said marcus noland, executive vp of the peterson institute for international economics.

now there’s an understatement. no. peace has not broken out here in these un-united united states.

now, had they been priced a tad bit lower – ok, quite a bit lower – we might have liked to have added a metalwork alien to our backyard. but our purse strings did not allow for it and our backyard has enough stuff. besides, it’s not really our style. so we kept walking.

but the addition of the peace-loving greenguy would have been a hoot. it was rather tall and a place on our deck would guarantee visual impact for houses – and people – around us. maybe the antique flea market find would have made a positive impact on everyone around. ahh, wishful thinking. maybe not.

peace.

over the weekend we chose one day during which we did nothing. literally, just about nothing. we tended our gardens, adirondack-chair-sat and watched dogga and our birds. it was absolutely necessary. we did not scroll. we did not browse social-media. we did not read articles or newsletters. we did not watch videos or news footage. we deliberately tuned out. instead, we just simply sat.

it was a very quiet day – none of the neighbors were out – it easily became one of my favorite days lately. lots of sun, a very gentle breeze, a good throw pillow behind us, a few snacks.

because peace has not broken out, it is kind of imperative to take some – even manufactured – time of peace. we are all so immersed in the crazy, the chaotic, the mean-spirited – to separate ourselves out for a bit of time is necessary. we simply won”t endure if we walk 24/7 in the maniacal sickness of this administration.

so, with the memory of our greenfriend-of-the-market, we sat. and imagined the rest of the weekend and what all we would do with it. we drank in the stillness, reveled in our hummingbirds. we marveled at our dogga and dreamed dreams about vw minibus campers and backcountry excursions on foot.

peace was in our backyard for a bit. it had broken out with the sun and we were grateful. for just a little bit, all seemed ok.

“we come in peace,” the greenguys insist.

if only that were what they would find here on earth.

*****

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oh, the mayhem. [kerri’s blog on two artists tuesday]

oh, the mayhem.

the wind blows.

there are about 200 seeds in a single dandelion fluff. even in the gentlest of breezes, the dandelion field scatters everywhere – seeding, seeding – more dandelions, more dandelion fields.

oh, the mayhem.

88 keys.

the clusters of piano keys that might be in any piece of music. consider just a three-note composition. in the simplest of equations, assuming once the first choice is made you must move on to the second choice and then the third choice, one has 88 keys to choose from x 88 keys to choose from x 88 keys to choose from – merely 681,472 options for any given composer on any given day working to write just the first three notes of a melodic gesture.

oh, the mayhem.

choices.

for the painter and a canvas, a writer and a pad, a dancer and a wood floor, a potter and blocks of clay, a blogger and a computer keyboard.

it – the imperative to mayhem – calls us. to make something out of it all. to birth something out of the raw materials, to use our tools to create, to choose direction, to express artistic vision – what we see or hear or feel – a passion – that might – or might not – touch others.

there is no guarantee, no real proverbial “if you build it, they will come”. it doesn’t just happen that way. it is an imperative nonetheless.

the imperative to show up, to engage in the mayhem.

i’ve done much of my composing in-between other things, stealing time – minutes even – to write something – anything, something that might be universally understood, something that gives air to a thought, an emotion – something in my internal or external world. scraps of melodies, bass line roots, ideas only until i might make them airborne.

mayhem steals my imagination and lifts it past the stuff-of-the-day. it pokes and prods me, not allowing for passivity, foisting ideas and snippets of muse upon me.

it’s a bazillion seeds in a dandelion meadow, a bazillion pianos, a bazillion pencils and pads, a bazillion brushes and a bazillion paint pots.

a mayhem of bazillions.

*****

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the hypotenuse. [kerri’s blog on two artists tuesday]

i have always been drawn to notebooks. composition books, spiral notebooks, journals, graph paper pads, legal pads, pa-pads – really, i guess, any kind of bound group of paper. blank paper.

it all represents a beginning. “begin anywhere,” john cage urges on a piece in my studio.

but sometimes there is a paralysis. sometimes there is something – some quirk – that stops me from starting – it stops me from putting pencil or pen to the first page. i feel this very big responsibility to the new blank paper. sometimes it feels like what i might write, compose, jot down may not be worthy of the first pristine sheet in a new paper vessel that could – ultimately – contain hundreds of writings, compositions, jottings. i haven’t yet gotten over that.

and so i dig out old spirals that my children used in elementary school – with wide rule lines – or high school – with college rule lines. their names are on the front and i can – delightedly – still find scribblings inside the notebooks. lab results or math problems, vocabulary words or drawings or paragraphs of tiny stories they were creating – it’s all thready for me and so this stack of old spirals and folders speak to my heart – in so many ways. i can easily write in these.

but there are those really delicious new books, new pads, new journals. and i glance at them, wondering when i might think that anything i might pencil in them would be worthy of their newness.

just staring at the beach was zen-full. it was quiet. almost pristine.

the beach had been combed – stunning horizontal lines – raked, perfectly clean but for a few sets of footprints walking – along the horizontal and taking the hypotenuse to the water.

the orderliness was just a tiny bit interrupted. and the orderliness was waiting for more disorderly. the disorderly would mean people – walking and running, children playing and building castles in the sand, seagulls clamming, dogs digging, sand flying.

even as i write this, i think about pulling out one of the brand new notebooks. taking my ever-present mechanical pencil to the first page (or maybe the second – to leave the first page clean and blank).

it makes me think that maybe the disorderly – the walking, running, building, digging, sand-flying – might actually be the real joy.

it makes me think i just might walk the hypotenuse across the college-ruled page. and wreak a little havoc on some clean paper.

maybe.

*****

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my mom. still. [kerri’s blog on two artists tuesday]

every time i turn a shampoo bottle over and empty the remains into a new shampoo bottle – each upside-down tap of the bottle, drawing the last vestiges of shampoo to the top, makes me think of her.

every bird in the backyard, every endcrust of bread, every leftover dinner, every time i do laundry or make lists, merry morning sunshine.

every time we use the wire cheese slicer, every time i pass by the snake plant, every time i tend our houseplants, every time i thank someone who has generously served us in some way.

every time i see a dachshund or a hosta, every time i think of Long Island, every time i write in my calendar, every area rug on a wood floor, sweet potatoes, math.

every time i make do, every time i save something for ‘special’, every time i turn a few specific phrases or use a coupon, collect rocks or driftwood, every time i make – or have – french fries or iced tea.

every time i see liverwurst or have rye toast, catch the aroma of roast beef in an oven or see a jar of ragu sauce.

when i see beets, when i have onion dip, when I devour crumb cake or chips ahoy, when i coffee-sit, when i repurpose things, when i think about baked ziti or darning socks.

when i defend how to pronounce “sauna”, when i see the “sisu” sign in my studio, spiral notebooks and scrap copies, when i hear “wowee!”, when i stood at the edge of the grand canyon.

every time. i think of my sweet momma. and I wonder how it is possible that she left this world ten years ago today. ten. ten years without her. ten years of not being able to pick up the phone and call her. ten years without mom hugs. ten years without a mom who would listen to any story i told her – any number of times i told it – knowing that my biggest fan was this woman, who was ahead of her time in so many ways.

i wonder how she is feeling now about the turn of all she left behind. i wonder if she has that certain stink eye she’d get, wishing to admonish this country’s current leaders and those following in lock-step. i wonder if the public deflection and distraction of some – avoiding the truth of their choice, avoiding taking responsibility for that choice, literally cheerleading this horror, loudly or silently – i wonder if seeing all that makes her crazy. knowing my momma – and her humanitarian and political leanings – i’m fairly certain she is pretty “irked” – as she would say. she is likely fired up and giving someone a piece of her mind somewhere on the other side. as high-road as she was (and, probably, is) she is not one to put up with the destruction of the country for which she and my dad sacrificed.

and so, every time i speak up or speak out i think of her. every time i voice absolute protection of the rights of members of my family. every time i express horror for the dismantling of this democracy and the cruel disenfranchising of people of the populace. every time i see another nail skewering women. every time i read about the dumbing-down, the elimination of history, the blunting of truth, the big-time grift. every time i stand up for what she taught me about kindness to people. every time. i think of her.

and every time i see the print “live life, my sweet potato” i think of her. and i miss her. yet again.

i think it will always be this way.

after all, she’s my mom.

still.

*****

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