peeled back from the tree trunk, the bark first reminded me of the colosseum in rome…that one tall section rising above the rest. it is also sadly reminiscent of one of the devastating iconic images of 9/11, a piece of building at ground zero, standing through absolute destruction.
at a different time, in different circumstances, in a small forest in northern illinois, this gorgeous bark in the woods has remained steadfastly in place for several weeks, holding on to the tree at its base and, yet, yielding to nature bending back, back.
i wondered about the peeling. if this is a sycamore tree, this exfoliating is natural, even a charming characteristic. if this is an oak, it can be a sign of an unhealthy tree, unless there is new bark underneath, waiting.
i don’t suppose that is much unlike all of us. peeling back the layers…as we lose each layer, we are vulnerable to the elements, unprepared peeling exposing us to harm. we can more easily share – layer by layer – if we know we are out of harm’s way to do so. we can more readily divulge – layer by layer – if we know that we will not be pummeled. we can more assertively process – layer by layer – if we know we are not at risk of stress, infection, infestation. we can, if we trust we are safe.
decades of life have a way of peeling the outer bark. time may soften the edges; time may bring cycles of raw learning…those moments we speak truth, we take chances, we jump…moments of transition.
the colosseum is over 1900 years old. sycamores live somewhere between 200 and 300 years. oak trees can live from 80 to 500 years, though there are varieties with a much longer life span.
we humans have less time on this good earth, less time to grow to maturity, less time for our structure to weather the storms, less time to lose our bark, less time to peel back to our essence. it would seem prudent to offer each other the room, the space, the shelter to exfoliate.
oak trees develop from the inside out, as do pine and maple. the older bark chips away on the outside making room for new bark. it take some trees till the time of their full maturity to exfoliate their outer skin.
it was, without a doubt, one of the holiest moments i have felt in the middle of almost ten thousand people. it was more organic and held more of a sacred hush than most church services i have attended or of which i have been a part, which is saying a lot since my professional work as a minister of music was over three decades of tenure. it was, without a doubt, something i will remember – a visceral memory – forever, probably.
matt maher was singing onstage at red rock ampitheatre, nestled in gigantic red rock formations and mountains in colorado. mostly just him and his piano, his simple but profound lyrics had everyone on their feet, arms around each other, strangers and friends all alike. moving from one song to the next, this man-who-was-not-the-headliner wove a net of love-for-humankind around us all and, for a few moments in time, we were transported to a place where love was – truly – the way.
“…and love will hold us together make us a shelter to weather the storm and I’ll be my brother’s [sister’s] keeper so the whole world will know that we’re not alone…”
the aggression of our neighbors, our leaders, our country, our world is a broken path, filled with trolls and ogres, bastardizing efforts of goodness.
this time is surely fleeting. we are reminded, sometimes cruelly, of this every single day.
i walk on dusty trails, on the cement sidewalks of our neighborhood, in the grasses of mountain meadows, on the sand of seashores, always looking, looking. our walks, our hikes – these are the places of true sanctuary. for, often, in those other places there are bellicose voices, desiring argument, pushing agenda. so instead now, we walk and breathe in the granola of the universe, under the sky of all possibility.
and in the way of nature, they appear. heart-shaped rocks, heart-shaped leaves, heart-shaped raindrops, heart-shaped puddles. reminders, always, they stop me, sometimes to pick them up, sometimes to photograph them, sometimes to just simply ponder. always, always, they give me pause…moments to think of beloveds, moments to have quiet gratitude, moments to think of love.
“love is a place
and through this place of
love move
(with brightness of peace)
all places
yes is a world
and in this world of
yes live
(skilfully curled)
all worlds”
(ee cummings – love is a place)
though the world does not shake out the way we might choose it to be, we have the choice whether or not to reach out and put our arms around the person next to us, whether we know them or not. we can choose to be shelter for each other or we can choose to be antagonistic. we can choose to weather the storm or we can choose to be the storm.
we can choose to be alone or we can choose to be together.
“tell me, what is it you plan to do with your one wild and precious life?’ (mary oliver)
enough was a long time ago. enough was after the first mass shooting. “enough” is no longer relevant.
i hardly know what to say. every one of us in this country should be shocked into exhausted, sickened silence and then pushed into action, no longer sloughing off of the actual responsibility to protect the citizens of this land from the barrel of a gun, from the devastation of people’s lives blown apart.
this spacious-skies-amber-waves-of-grain united states is an embarrassment. the freedom to live life – at school, at church, at a concert, at the movies, in the mall, at the club, at the grocery store – the freedom to continue breathing is usurped by powerful money-rich-control-hungry leaders – voted into office, no less – with not even a nod to the sanctity of lives taken at gunpoint.
it is utterly shameful if you are not filled with rage, if you are not horrified with the guns in this land and those who support the exponential growth and prioritizing of their presence and the power they wield. they will utter their passive “heartfelt” “thoughts and prayers” and will soon forget their “outrage”. until the next time.
my poppo’s cane stands next to a chimney cupboard in the sitting room, propped with a couple of walking sticks. i’ve never been very good at using a cane – for some reason, i find it confusing. you shake your head and wonder, i’m sure, but there is something about placing the stick and the side you place it on and which leg you are attempting to aid that is a little bit baffling for me.
this past week, though, i had a full day of using my dad’s cane. i had broken two toes and needed a little something to lean on to get around. i tried using the foam roller but that proved awkward. and david, well, his shoulder wasn’t available all day.
my dad was most certainly chuckling watching me. i’m sure he was trying to instruct me from that other plane, in-between sipping coffee and nibbling on crumbcake. i figured it out, even though i couldn’t hear him, but not without laughing at my own awkward brain-cane-leg shenanigans. mostly, my hand holding the curve of my dad’s cane was a little bit of a gift. sitting as a decoration, it hadn’t occurred to me that it might come in handy. “use the stick,” i could hear him say. i keep listening for him, a decade tomorrow since i started missing him. always.
i’m not sure why i break my toes. the report from the dr’s office to the x-ray folks read “kicked a door jamb with her left foot.” i beg to differ. i didn’t KICK the door jamb. i ran into it. there is a difference. one sounds like a hissy fit, whereas the other is clearly an accident that happened as i zoomed around in the house, getting stuff done, barefoot.
it seems that every year or so i hurt a toe. most of the time, barefoot. but sometimes i even have my flipflops on. this time, though, was a doozy. two at once! i mean, seriously?
on the third day post-communing-with-the-door-jamb i put on one of the thick snowboard socks of a pair we had gotten when we went snowboarding and i broke both my wrists (another fun day) and i found a sport slide sandal of my son’s (who has much bigger feet than i do). the combination worked like a charm and i found that i could manage to move around. i’m still wearing this winning combo. i don’t look vogue but i am getting from place a to place b. and gaining momentum.
i suppose i should just wear shoes. like all the time. something to guard my toes, since they seem vulnerable. but i really love the sensation of bare feet on old wood floors. the planks creak and groan a little and you can feel the spaces that time and history have created in between the boards.
as much as i don’t look forward to any more broken piggies, i suspect these are not my last.
there is a gold frame around the old black and white photograph. a still life of a family. it was taken in the 1920s and it captures the still-life of my sweet poppo’s family…at that very moment: his dad, his mom, his brothers and sisters as young children and babies.
i don’t have another like it; there is not another portrait – at least not in my collection of photos – that has both his biological parents and all his brothers and sisters. my dad lost his mom to metastasized breast cancer when he was merely eight years old. my grandpa married a woman – the only paternal grandmother i knew – who was willing to take on six growing children. life was not still.
in the way that families sometimes splinter, my dad’s family lost touch after the death of my grandparents. there was some rift and there were plenty of hurt feelings and, then, there was silence. i grew up the rest of my life without my cousins, without sharing in their stories, without the chance to know them or love them. it was like the still-life-portrait was carefully cut up and only my dad was left.
one of my uncles had drowned in the swimming hole in upstate new york during their teenage years. another uncle was lost at sea during the war. i think my third uncle passed somewhere along the way maybe in brooklyn, where they all grew up, as did one of my aunts, a fun-loving californian who always went by her nickname. and the aunt who had children – who would be my first cousins, wished for but lacking in my own circles – was in new england.
a couple years ago – after i broke my wrists – when i was sitting with casts and a laptop and the pandemic had just begun, i decided to google them. i wrote a bit about finding them – a golden moment of connection. suddenly, through research and social media and, unfortunately, posted obituaries, i discovered two of my four cousins.
i reached out, one on either coast. they reached back. and the ripped pieces of portraits that could have been taken through the years began to assemble. tiny bits of photo paper, a little glue, stories to be told.
my dad – on the other side but not too far away – smiled when i had my first conversation with his sister, my aunt. he no longer remembered the details of whatever the rift was and, besides, it was a ridiculous fifty years prior. how long does one hold onto these kinds of things?
my aunt, with a touch of brooklyn and a touch of boston, told me stories and i really pined to meet her, to hug my dad’s sister, to hear of my dad as a youngster, to sit with her. but covid and fragile health sadly combined to prevent this.
my cousin called while we were driving to the grocery store. he told me that earlier in the morning his momma, my 99-year-old-would-have-been-100-in-three-months-aunt helen, had died. once again, the still-life photo shattered. i would not capture a picture of us together, our jowls matching, perhaps our eyes, perhaps the curve of our faces. i watched her service online yesterday, trying to memorize the smiles and tears of my lost-now-found relatives.
i’m grateful for the brief conversations and the fact that she knows i looked for her, for her children. i’m grateful to have contact with two of my cousins and to someday meet their families and the families of my other two cousins who were holding a spot for their momma in that other plane. with great joy i listen to stories they tell me and i know that we’ll share time and snapshots, close-ups, wide angles, portraits, candids – reaching back and reaching forward – of our lives together.
i learn every day to let go, to hold on, to appreciate it.
it was the rip in the petal that attracted me. this stunning white bloom in the woods, surrounded by underbrush, green leaves and many seemingly-perfect flowers, this was the one that stood out.
kintsugi is a japanese art. it is the practice of putting broken pottery pieces back together again with gold. it is metaphoric self-care. it is the celebration of that which is difficult making you stronger. it is the holding most gently and most admiringly that which is not perfect. it is creating something more beautiful, more unique and more resilient from something broken.
this bloom in the woods needs no gold. its purity and absolute allure are natural. it does not suffer illusions of self-conscious expectations nor does it pine over flaws nor does it wallow in the not-good-enoughs. it simply and silently leans toward the sun in all its glory.
and it wins my vote as the most-beautiful, dazzling the forest floor, reminding me, once again, to have gratitude for all the imperfections that make me me.
it found a perfect spot – on the target tiered-wooden-shelf-lamp in front of the peace sign that was created with an old fence post and bridle leather. the light shines in from the window behind it and, depending on the time of day, it glows, an opalescent crystal, this selenite satin spar.
we came upon it at the little shop, peacetree, as we were browsing. both of us cannot walk past the rocks and stones and crystals there without feeling them. it is as if they are inviting us to touch them, to wonder, to pick them up. they are warm to the touch, alive with gifts.
selenite has qualities worthy of attention…healing qualities promoting peace and calm and clarity, elevating the spirit, cleansing the space and enhancing connectivity and the shedding of blocked energy. it vibrates at a very high frequency, higher even than the ringing in my ears. we cannot hear it. or can we?
we stopped by the basket on the bench near the door. a pile of long narrow shards of crystal, fibrous and satiny, begging attention. we reached out to hold a spar. the decision was immediate – to take it home. no stranger to collecting rocks and such, i wasn’t surprised. this was just the first time i was purchasing one. it felt like peacetree was offering a little piece of goodness and, when someone or something reaches out to touch you and perhaps make the world a better place, it seems incumbent upon you to listen and to act. we took it home.
we pass by it every day. the selenite really does lay in the perfect spot, in a room that invites us into calmness. our sitting room, now, after cleansing the space and clearing it of excess, serene with a comfy couch and soft fuzzy pillows, paintings inspiring meditation, and many books shelved on the built-in.
there is a tiny spar on the windowsill in the kitchen and one on top of david’s stand-up work desk. i’m thinking it wouldn’t hurt to have one at the front door and the back door and one in the studio and one in the car. selenite is said to attract the change you need and absorbs divine light. sharing the space of your aura, it can create flow of energy and restore balance.
believing that this warm crystal reached out to us teeters on questionable for most. but choosing it, with its purported properties of goodness in its beautiful wand-like-shell, is serendipitous and fortuitous for us. we bring it home and, with it, the intentions we have, that which we wish to surround ourselves with.
“be the change you wish to see in the world.” (gandhi)
maybe that sometimes starts with answering the call of a simple iridescent crystal, investing in bringing its properties into your own world. a symbol. allowing for goodness. setting an intention for goodness.
maybe a little selenite satin spar is just the right spur.
hash marks are kept somewhere, keeping track of the days we do it well and the days we just basically stink at it…life. the generous thing about it, though, is that, for the most part, no one is waving those down-down-down-down-across-hatches at us. each day, we get to do it again, the best we can. and some days we do it well and some days we stink at it. sleep and repeat.
after six decades of doing life – which admittedly, isn’t really all that much – i can still say i am a newbie. every day i learn something new; every day i sort out a little somethin’; every day i adjust the on-the-dirt-attitude-indicator which, funny thing, is the same as in the air: keeping you relative to the horizon and making you aware of the smallest change in orientation. every day, on this fluid axis, i hope for a little grace – from others, from the universe, from myself.
and i try again. my sweet poppo would remind anyone who was listening, “if at first you don’t succeed, try, try again.” and so i do.
yesterday marked forty years since the day of my first marriage. it was a sunny warm day in florida; i was wearing my sister’s gown, my sister-in-law’s train and white stiletto macramé sandals. i carried a silk flower bouquet and the tiny white beaded purse i had gotten for my sixteenth birthday. i had little time in front of the mirror, trying to share getting-ready-time with my lovely big sister, my matron-of-honor, who has a more perfected and lengthier getting-ready practice.
at twenty-three, just three weeks after my college graduation, full of anticipation and excitement and hopes and dreams, a little unresolved trauma and not-just-a-little naiveté, i walked down the aisle to the good man who would become the father of my beloved children. and somewhere, the hash mark collection started. we did things well. we were stinky at things. and i absolutely take responsibility for my own stinkinesses, things that disrupted the horizon.
it’s been years now since i have seen him. time, in its wisdom and flow, has softened the ending, blurred the rough edges. i am grateful for the decades we spent together and for the unique and powerful children we raised. and i only wish the best of health and happiness for him and his wife. someday i hope to see them and share laughter and stories and memories of our daughter and our son as they grew. no one does this life all perfectly and sometimes it’s all much clearer as we reflect back, look at the shadows. grace lingers in the air, waiting.
this past week has brought its own challenges and it has brought its own bits of devastating news for people in our concentric circles. the circles widen and widen and we see the turmoil and angst and tragedy of others. the horizon wobbles under us and we try to adjust, to straighten up, level out. life is flying by. we wake to another day to do it well or stink at it. either one.
and desiderata reminds us, “in the noisy confusion of life, keep peace in your soul…” because some days we do it better than others.
i read it on facebook. her daughter had fallen in love with the perfect home and had made an offer, only to lose this perfect house they had been saving and saving and saving for to someone who offered $200,000 (that’s two-hundred-thousand-dollars) OVER the asking price. all cash. it’s insanity!
we ponder the next chapter often. we have dreamy homes in our mind’s eye and on my laptop screen, plans i have saved, photographs of houses over which we have lusted. out the window are mountains and space, oftentimes water. and never perfect grass. i’ve noticed a theme of more natural settings, without the greenscape of manicured lawn, edged and treated and de-dandelioned.
but i cannot imagine how any of that is possible. we are fortunate to live in our old house in a beautiful old neighborhood near a giant great lake. we don’t usually have tornadoes or hurricanes, ice storms or lengthy periods of time over 100 degrees with feels-like humidity pushing us to stay inside. we have winter, yes. we have snow, yes. we have very-late spring, yes, sort of. we have gorgeous fall, yes. we have thunderstorms and sometimes windy derechos, which are scary as heck. every now and then we have ice and every now and then there will be a period of time with hotter-than-heck temperatures. and we love our home…the creaky wood floors, the fluted glass doorknobs, the high ceilings, the six-panel doors, the nooks and crannies, the light. even with all its idiosyncrasies and the ever-present maintenance list, we are grateful for it.
but…the next chapter. i hear about people retiring and moving south – to florida, most often. i hear about people moving southwest – to arkansas, to arizona. these aren’t places we would choose. we have a short list at the moment: colorado, north carolina, vermont, maine. i think that’s about it for now. i’m not sure how we could afford any of those places. we don’t have two-hundred-thousand-dollars-cash-money-over-and-above-the-selling-price to entice a seller to accept our bid. my heart goes out to my friend’s daughter. buying a home these days cannot be easy – for most.
so every day, really, i tool around online looking at our top destinations, dreaming. i jaunt over to airbnb to see what it would be to live in those spots for a couple months, enough time to immerse and feel like we have gotten out of dodge. i show david pictures and we chat about the possibilities of someday. i look at calculators and equations and budget projections. yikes!
and we start to make a plan. our roadtrip. i guess we’ll see.
there’s a lot to consider and, clearly, we need a much bigger piggybank.
mostly, though, i’m guessing we will follow our hearts.
i wondered if it was too predictable. each spring, now, a dandelion. each spring, now, the song “fistful of dandelions”.
yet the lyrics – “you remind me of the simple things” – they still count. maybe even more than before.
singer-songwriter: a musician who writes, composes, and performs their own musical material, including lyrics and melodies. (wikipedia)
composer: a person who writes music, especially as a professional occupation. (dictionary)
pianist: a person who plays piano, especially professionally. (dictionary)
i have not written, composed or performed my own musical material in quite some time now. does that change who i am?
when i wrote “i haven’t been playing” a dear friend asked me, “what’s that about?” i didn’t answer. i wasn’t trying to be rude. i just didn’t have an answer. i still don’t.
we, d and i, decided – in a pillow moment one night – to call all the stuff that has happened (to me) since i broke both of my wrists “the burtons” (naming every-single-weird-thing after the brand of snowboard i was on when i fell.) it matters not – the broken wrists, the scapholunate ligament tear, the firing, the oddball itinerant tendonitis, two broken toes, other strange and disturbing body stuff – we are choosing to call it all “the burtons”.
so, i guess i blame the burtons. i wrote, “i’m not sure of much that isn’t different these days.”
i am learning – ever so slowly – that different is ok.
and as i clear out, clean out, declutter, put away all that is no longer useful – i am beginning – again – to see the simplest things that are left. gratitude for those things is starting to overtake any yearning for more. “all the riches i will need today.”
each day now i write. not lyrics. not music. but words. it is part of the natural rhythm of my day and not something i could sacrifice without great regret.
writer: you’re a writer because of the things you notice in the world, and the joy you feel stringing the right words together so they sound like music. (writer’s digest)
“…so they sound like music.”
and one day, maybe soon – maybe after my studio has been cleared out, cleaned out, decluttered and all that is no longer useful is put away – i will put down whatever my resistance is and place my hands back on the keys.
reverse threading 