reverse threading

the path back is the path forward


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all the angles. [kerri’s blog on d.r. thursday]

i grew up loving protractors and mechanical pencils, slide rules and really good erasers. it’s a wonder i didn’t pursue a career where these were valued or necessary. digging through bins recently, i came across a pencil case with yet-another protractor, yet-another slide rule, a very sturdy compass, some fine-point drafting pencils. a treasure! from long ago i can feel the slide rule in my hand and the circly swirl of the compass. even without a specific purpose for these (save for the pencils) i am planning on keeping them. and the pencil case as well. because who doesn’t love pencil cases?

and so, it was without hesitation i immediately eye-measured the angles in this photograph. the north side of our house, rooflines as they meet the sky. this old house is filled with angles – crown molding meeting crown molding, wood floors as they run an expanse of a room to partner with another room, ceilings over a reversing stairwell, ceilings in bedrooms that long ago housed matchbox cars and barbies.

there are photographs in the bins-in-the-basement as well. i study them for a bit. it’s obvious i was always looking for a different angle – a different way to view what everyone else was looking at, to compose my image. closer-up, upside-down, the horizon on a deliberate tilt. but, most always, tighter-in, to feature some subject matter.

it was when i was in the canyonlands sharing precious time with my daughter that i learned a lesson. we were both snapping pictures – the expanse, the red rock, the sky, the immensity, the 90 degree angles to the canyon floor – it was all overwhelmingly take-your-breath-away. we took photographs of each other in this incredible terrain. her images were a teaching.

there, taking up barely any space in the middle third of the left side of the photo, i stood on the top of the cliffside. the sun was almost down, the deep chasm below dark, the red rock upon which i stood still lit orange. i am the smallest percentage of this photograph and, yet, it is one of my favorite photos of myself – ever.

it was that day i learned little bit more about perspective – through my daughter’s brilliant creative instinct to give the visceral gift of seeing tiny in vast. to back up, to wide-angle the view. i remind myself of these amazing moments with her often.

i hold my camera ready – to consider all the angles of what i’m seeing. and, most especially, what i might see, what i might be aware of, from a distance. the bigger picture.

*****

read DAVID’S thoughts this D.R. THURSDAY

from a distance. acrylic 53″ x 29″

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the tiniests. [kerri’s blog on not-so-flawed wednesday]

“…and i got saved by the beauty of the world.” (mary oliver)

there are the tiniest of moments – like this one – when everything harsh, everything wrought, everything dark or full of angst, everything of challenge just falls away. like the universe took a feather duster to the worries stoked up on your shoulders and reminded you. to breathe. to feel the realness of the moment. to be hyper-vigilant of all senses. to be in it.

it could just as easily slipped by, unnoticed. the fresh air, rich colors, the sun filtered through layers of pine, the scent of a humid summer day, the gravel path. it could have been lost.

but i am grateful to have stopped. i am grateful any time i remember to stop. to have perspective. to grasp onto the tiniests. to allow myself to be saved by the beauty of the world.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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sans filters. [kerri’s blog on two artists tuesday]

the colors intensified as the day drew to a close from our little spot on the deck. i didn’t take any more pictures. instead, i watched it. sometimes, in the taking of photographs, it is possible to miss it, the moment. usually i take my chances with this, but not this particular evening. i just needed to hold tightly to the summer night’s glory, the east bounceback of the setting sun, the quiet.

though i appreciate all the filters out there – on my iphone, on photoshop, on snapseed, really on anything that edits images – i never use them. i come from a practice of manual 35mm cameras, sans filters – though they were available and you could screw them onto the end of the lens. i was always more of a purist in my photography. no filters.

and i’m from new york.

the other day we were talking with friends about people asking other people questions. we live in the midwest so that’s not a simple matter. there’s a silence, a reticence to question here. even in some pretty disconcerting circumstances, confusing circumstances, circumstances that beg investigation, people hesitate to ask questions. they are even question-averse.

i’m from new york, so i don’t get it. different rules apply.

six days a week now, d and i blog. i’m quite certain that there is no one on earth who wishes to read every single word we write – sometimes a mountainous plethora of words-words. we have completely different styles of writing and, once you’ve read a few blogposts, you can recognize our individual voices. david’s posts tend to be informative, filled with teachings and learnings from writers, scholars, philosophers, artists. mine tend to be a bit smushy – thready – experience-based stories, like i’m tawwwking to you, my leading heart wide open. but both of us are sans filters. he spent years on the west coast and, remember, i’m from new york. so, yeah, no filters.

i would imagine that there are some readers reading who think, “whoa! that’s too much information! waaaay too much information!” and yes, i would say we can be pretty transparent. perhaps people would prefer filters (or less words or even opaqueness).

but this is art and the work of an artist is to be open, to communicate, to elicit emotion, to provoke thought. it’s to be vulnerable.

without filters.

otherwise, you will wonder every time you look at a photo of a sunset: is this real?

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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the wise garden. co-existing. [kerri’s blog on merely-a-thought monday]

and all the plants live together happily ever after.

it’s a beautiful place to just wander. the walkways through bushes you may have to duck under are not edged or over-weeded. it’s not perfect, yet, in its imperfection, it is perfect.

most of all, the natives and the regional perennials co-exist, nurturing each other simply by existing.

i suppose it might be wise for us to take a few cues from these plants. somehow, they are growing and thriving – side by side – without thwarting the growth and thriving of another. somehow, they are weathering the seasons without resistance, falling into fallow and rising out of the dirt. somehow, they are just being, without overly exuberant displays toward each other, without angsty concern, without aggression. somehow, they are blooming and verdant and glorious, trusting – implicitly – that the next plant will understand, that the next plant will also weave its way in the midst, working together to find the light-space they each need. somehow, they are symbiotic, bringing their best, setting aside differences, instinctively empathic. somehow, they are aware of the precious time they have in the sun.

and the garden is vibrant. beautiful. healthy.

and the garden is wise.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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keep holding on. [kerri’s blog on saturday morning smack-dab.]

and so, the wistfuls start.

we could feel it in the air the other morning. stunningly sunny, a cool air wrapped itself around me as i stepped out onto the deck to watch dogga greet his day. the coffee was brewing and the ‘hood was quiet.

and suddenly, it was obvious.

summer is coming to a close.

and we grasp onto those last days. we are in wonder about how it is possible that the summer has gone by. we stare ahead – into the galaxy of sky – pondering what is to come.

and we do the one sure thing.

we keep holding onto each other – hand in hand – all of us – in the racing flight of time.

*****

read DAVID’S thoughts this SATURDAY MORNING

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SMACK-DAB. ©️ 2023 kerrianddavid.com


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on a wire. the universe of all. [ kerri’s blog on k.s. friday]

it was by itself. high on the wire that’s included in the squirrel highway system, it perched, alone.

mourning doves are usually together, in pairs. cooing in our backyard, pondside, they are cleaning up under the birdfeeder, welcoming the day or bringing an enchanting beginning to the evening. we have a particular fondness for them.

but it has been rare to see one by itself.

if i had to imagine what it was doing, i would say it was talking to the universe. way high like that, it would seem to be a little bit closer to infinity, to whatever it perceives as divine. it sat there, quiet.

i don’t require an intermediary either. my prayers are whispered on the trail, on the pillow, blowdrying my hair, chopping onions. in my own life, i have now found – after repeated learnings – that grace is all around and the divine is not in some building somewhere.

on the contrary, i wonder about those buildings now. for i, personally, have experienced the worst hypocrisy there – in communities that are waxing poetic in mission statements and disappearing in actually participating in those sentiments.

and so, i sit on the wire with the mourning dove. we both find this universe beautiful. we both find it challenging. we both lift longings up and we both ask for mercy in our living. we both live in the mystery and immensity of faith. i would imagine that sole bird does not wrestle with religious underpinnings, historical narrative stories or philosophical questions. that bird-on-the-wire is not concerned with the begats nor the maps of supposeds. i’m guessing we are kind of in alignment with the basic tenets – goodness, kindness, love, peace, generosity, fairness, grace. just like me, like, well, all of us, it has a direct-connect with its deity and the universe.

it is not likely – though i have learned never to say “never” – that i will ever be in a church again. i gave my entire heart to working at one at 19. they did not warn me of any danger, protect me or aid me. i gave my entire heart to working at one in latest life. they did not warn me of any danger, protect me or aid me.

i don’t blame god. for my god isn’t stuffed into nooks and crannies of the church. my god isn’t clinging to any specific denomination. and my god isn’t justifying any wrongful behavior because of some building.

to be in a sanctuary, one must feel in a place of refuge or safety. stone walls, brick, wooden altars, pews, organ pipes, artifacts, relics with touted significance – these are not naturally-occurring as safe or as refuge. the leadership and the community must bring that. and, in bookended experiences – on either end of my three-plus-decades of such work – though i brought every ounce of heart in, i walked out with my heart destroyed.

and so, the mourning dove and i sit on the high wire sanctuary together. we gaze at the sky and the divine tethers us in gently-held gossamer threads, tied to all the rest. i’m not sure what my dove friend is thinking, but i know that i am in prayer. that the universe yearns to hear each of us. that, even though i may feel alone on the wire, i am now more in the community of truth than in those fraught buildings.

i and the mourning dove are in the “church of nones” and the universe of all.

*****

ALWAYS WITH US from AS IT IS ©️ 2004 kerri sherwood

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read DAVID’s thoughts this K.S. FRIDAY

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