reverse threading

the path back is the path forward


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dr thursday

layered meditation with frame jpeg copy 2

LAYERED MEDITATION

president jimmy carter was being interviewed by stephen colbert on the late showstephen asked him (words to the effect) how he could love all people.  president carter, absolutely sweet at “almost-94”, responded he “let go of the animosities he had cherished.”  wow.  although there were many moments in the interview that reinforced the respect i have for this man as a positive force in the world, this one really struck me.  -let go of the animosities you cherish-

for who among us can not relate to that?  how tightly do we hold to those things?  and how do they prevent us from living right now?  life is layered and our history and everything, from small slights to life-changing wrongs that others have done to us or our loved ones to -worse yet- all of our own wrongdoing, piles up like dark layers of sedimentary rock.  weathering, weathering, weathering.  how can we possibly be zen in all that?

president carter also said that he “forgets about them”…the people who have caused him undue pain or stress, who have been perhaps, i think, a dark layer of sedimentation in his life.  now, at almost-94, my own sweet momma would have agreed with him.  he reminded me of her.  two peas in a pod.  leading with kindness and generosity.  forgetting about the rest in all the ways that forgetting is a good thing.  who really has room in their life to hang onto all that and still make headway toward goodness?

from david’s painting MEDITATION, this morsel of painting – called LAYERED MEDITATION – makes me think of these layers of sediment, layers of life.  the darkness on the bottom -not necessarily because it is buried but because it is overruled by other layers- the fire of passion and earth-life in the middle and the effervescence of light on the top.  sedimentary layers of life.  a picture of letting go, of transforming dark into light.  a layered meditation.

 

 

 

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MEDITATION & LAYERED MEDITATION ©️ 2012 & 2018 david robinson

 

 

 

 


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flawed cartoon wednesday

DavidGoliath BIGcopy copy 2ahhh.  i don’t even know where to start on this one.  what angle do i speak from?  the fears inside us?  the unknown?  those who hold power over us?  and how do i avoid the obvious? or do i walk right in?

the david and goliath story

the goliaths out there know who they are.  they are puffed up and loud and full of you-can’t-get-me-ness, mean-spirited and self-righteous, self-centered and whatever is on the complete opposite end of the spectrum of compassionate.  they are BIG and are convinced, even, that they are bigger than anything.  they think nothing can touch them.

but it’s not true.

you don’t have to look too far to find the davids out there.  the driven, dedicated, passionate, thinking, empathetic, big-hearted, others-centered people who commit themselves to causes and gather power around them.  they are fearless.

nothing that is rotten at the core survives long.  including goliath.  even if he didn’t think it was possible.  to those goliaths i say, “yes!  be scared!”

fearless IPHONE CASEfearless products in white

             fearless PINK iPHONE CASEfearless products in pink

 

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leggings

 

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OH MY!  YOU ARE SOOO SCARY!  ©️ 2016 david robinson & kerri sherwood


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two artists tuesday

just shrug copy 2two people get credit for this “just shrug”:  20 (aka john) and justine.  it was in the “old days” when i was at the graphic design studio what felt like all the time when i learned this mantra.

20 designed the first ten or so of my album jackets (and traycards, if you want to get specific.)  i would spend time with him and justine (the person who made things happen at the office) idea-brainstorming or watching layout.  i can’t tell you how many times deadlines would rapidly approach or the print shop would goof on a run or the computer would glitch or….  i would inwardly be freaking out (and maybe outwardly), but 20 and just would be even and relaxed (at least on the outside.)   one or the other would look at me and say, “just shrug.”  after about a zillion times, it stuck.

shrugging off the stuff that stresses us out is not a science.  it’s most definitely an art form – approached and accomplished differently by each person who attempts it.  everyone chooses different crayons out of the box, everyone paints with different size brushes, everyone chooses a different key on the piano, everyone sings a different song, everyone relaxes a different way, everyone re-centers differently.   but people are able -and if they weren’t, we would all be a paralyzed-with-stress community of people- to slough it off, to let it roll off their shoulders, to move on, to shrug.

i once heard an interview with a woman who was about 95.  she was happy, happy, happy and spoke of her life.  the interviewer asked her, “to what do you attribute your happiness, your ease in the world?”  she answered, “i don’t take anything personally.”

ahhh. she just shrugged.

JUST SHRUG STUFF – cards, prints, phone cases, even leggings – click here

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read DAVID’S thoughts on JUST SHRUG

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JUST SHRUG ©️ 2016 kerri sherwood & david robinson


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chicken marsala monday

whenyouarelost WITH EYES jpeg copyevery child’s mom’s nightmare is that instant you realize, even momentarily, that your child is lost, that you cannot see him or her.  in the midst of department store racks, in a playground, on a sidewalk of a city’s busy street…you turn around for the briefest of moments and you turn back and your child is no longer right there.  just the mere thought of it makes my breath uneven and my pulse race.

feeling lost can elicit the same emotions.  lost-ness is disorienting and scary; it makes you want to run; it makes you freeze, your breath shallow.

i remember someone once saying to me that when you are lost to go back to where you were when you got lost.   not so easy when you are out in the country on some back roads, but i don’t think they were talking about being literally lost.  it was more figuratively.

i think that, in general, lost-ness begets action – sometimes any action, just to not feel the displacement.  it’s unnerving.  so you try to ignore it, you try to do anything to distract yourself.

the only way to go back to where you were when you got lost is to get quiet.  to sit still.  to go inward and slowly breathe.  to realize you are human and fallible and vulnerable and that the earth is continuing to spin and, as my sweet momma used to say, “this too shall pass.”  lost is also on the path to something.

when i was little i used to travel with my poppo and my big brother in an old lilco van that they bought, converted to a camper and painted pale pink (the paint must have been on sale.)  her (the pink camper) name was lily, although i can’t remember how they spelled it.  they would travel all over upstate new york with her.  there was this one time i recall vividly.  i was probably somewhere around 6 years old.  i don’t remember the adventures we had after we drove upstate.  what i do remember is that lily was breaking down and i could hear my dad and brother talking about it.  we got off the main road and traveled down some country roads.  she sputtered and died on the side of the road.  not only were we lost (in my opinion) but we were sitting on the side of the road, unable to move.  my dad and brother got out of the van and opened the engine hood.  then they sat quietly on the white-painted-front bumper for a few minutes.  my ingenious poppo got some wire-clippers out of an ever-present toolchest and he and my brother cut a few pieces of a barbed wire fence that ran the perimeter of a farm field alongside the gully next to the shoulder.  using those pieces of barbed wire, with some rube goldberg kind of fix, in what seemed like an eternity but was probably only an hour or two, my dad and brother got that pink camper running again.  soon we were back on the road, heading home.  and – the best part – we actually got there.  home.

lost doesn’t have to be a bad thing.  it doesn’t have to be a six-year-old’s-version of the-end-of-the-world.  it’s an opportunity.  to sit quietly.  to look closely at a situation.  to address it.  and to move on.  home is waiting.  in our hearts, in our minds.  it may look different after a time of lost-ness, but it’s there.

STOP. SIT STILL. CHICKEN MARSALA MONDAY – ON OUR SITE

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SOMETIMES WHEN YOU ARE LOST…©️ 2016 david robinson & kerri sherwood


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ks friday

jacketasitisjpeg copy 2i could hear the saxophonist on the corner out the window; it’s not uncommon in nyc.  at yamaha artist services to record the two solo piano hymn albums, i was caught up in the christmas carol he was playing, only a little concerned that it would bleed onto the recording.  the amazing “it’s fine!” ken can handle anything.

my task was to get onto tape (so to speak) the material for both of the hymn albums:  ALWAYS WITH US Volume 1 and ALWAYS WITH US Volume 2AWU v1 jacket copyit was easy for me to compile a list of the hymns to play; so many years of church music gives me an advantage that way.   but on every album, even if it is music i haven’t written but am giving my own voice to (like the hymn albums or christmas albums or lullaby album) i always include one or two pieces that i have composed – a signature of sorts.  for always with us volume one it was the title track.  ALWAYS WITH US is a statement of my belief that we are never alone, we are always AWU v2 jacket copysurrounded by infinite grace and love – God is always with us.  like all the tracks on the hymn albums, this piece is solo piano.

part of that time in the city, i also recorded the album AS IT IS.  i had a list of titles and in-between recording hymns, i would take out the list and simply play the word.  but i’ve talked about that before.  this album was a personal creative challenge and took on a life of its own.

back in chicago, in post-production work, ken wrote orchestration arrangements (he is brilliant) and brought in musicians to record on tracks for the AS IT IS album, starting with the solo piano recordings. these new tracks went beyond the solo piano versions – in texture, in diversity, ultimately, in emotion.

yesterday i wrote about process in david’s painting.  the same -yet different- process exists in recording music.  the coming-together of layers, with what is in a layer below sometimes hidden, a breath you can’t hear, but can feel.  i am awed by what the whole becomes from the whole.

always with us exists in two forms.  both are relevant to the album they are within.  both speak a language.  but both tell the same story – for those who listen – that we are never alone.  God – or whatever you call this presence- is always with us.  and if you listen, maybe with your mind’s eye, you might even hear the strains of a saxophonist on the corner in the city at night.

ALWAYS WITH US – on the album AS IT IS

ALWAYS WITH US – on the album ALWAYS WITH US VOLUME 1

to DOWNLOAD ALWAYS WITH US from AS IT IS track 14 from iTUNES

to DOWNLOAD ALWAYS WITH US from ALWAYS WITH US Vol. 1 track 2 from iTUNES

to purchase the physical CD ALWAYS WITH US VOLUME 1 (AS IT IS is out of stock)

KS FRIDAY (KERRI SHERWOOD FRIDAY) – ON OUR SITE

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always with us RECT PILLOW copy

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always with us LEGGINGS copy

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always with us iPHONE CASE copy

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always with us FRAMED ART copy

wall art – in some of these pieces i could not resist using david’s art

 

always with us COFFEE MUG copy

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ALWAYS WITH US from ALWAYS WITH US Volume 1 and AS IT IS ©️ 2004 kerri sherwood


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dr thursday

cropped II earth interrupted with frame metal square WALL ART jpeg copy 3

“held in process”

my husband is a painter.  of course, you know that.  his studio is steps away from mine, steps away from our office, steps away from the coffee pot.  what that means is that i can just pop in at any time to see what he’s painting, to chat, to have a cuppa or bring down a couple glasses of wine, to throw myself in front of paintings he is about to cover over with a swath of new paint.

what’s really fascinating is the process of his painting.  i will walk down and find pieces on the wall or the easel that speak to me and he will tell me that he is “no where neeeeear done.”  he takes pictures along the way and i scam them onto my camera roll for future use, not willing to let go of the resonance of one of the along-the-way iterations of a painting.

this week is a perfect example of that.  he was in the middle of a painting – a follow-up to earth interrupted I – when i went downstairs to chat (read:  procrastinate doing whatever it was i was supposed to be doing at the time.)  the image and color screamed out at me.  i couldn’t beLIEVE he was going to cover it all up with more paint.  the process was so striking.  take a moment to just really look at these process shots and the morsel i chose and breathe them in:

earth interrupted II morsel 1

process morsel

earth interrupted II morsel 2

process morsel

MASTERearth interrupted II copy 2

morsel of a process morsel – held in process

and yet, the finished painting earth interrupted II is a stunning, stunning, stunning canvas.  it belongs somewhere to get its due. it makes me feel like the universe is weeping for the earth.  it makes you pay attention to it.  i am humbled by how truly magnificent this painting is.

EarthInterrupted2 copy

earth interrupted II, mixed media 48″ x 34.5″

each week i design products from each of the days in our melange.  some of these are cartoons, some just words, some lyrics or song titles and some are david’s paintings.  i have the creative latitude to choose morsels of his paintings and design from there…a enviable starting point for someone who loves flexibility.  this week is a sort of brain stretch.  with the exception of designing leggings, where i used both of the morsels on this page, the morsel i have used in design is a morsel of a morsel process shot of earth interrupted II (i said it was a brain stretch.)  it is called held in process and is a beautiful (and absolutely timely) image on its own.  how odd that it is not actually the painting, but is underneath the painting, a layer of earth interrupted II.

it makes me wonder if we ever think about how layered everything is, everyone is.  what is beneath the surface…a richness we may never know, a history we can’t necessarily comprehend.  where we have all come from is woven color and texture and light and darkness, swaths of paint and attempted erasures that would cause other people to stand in front and call out to us, “no!  don’t erase that!  it’s beautiful!  it’s important!  it speaks to me.”  we are all held in process.

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read DAVID’S THOUGHTS ON HELD IN PROCESS – THIS DR THURSDAY

a link to the painting EARTH INTERRUPTED II

HELD IN PROCESS & EARTH INTERRUPTED II  ©️ 2018 david robinson & kerri sherwood

 

 


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flawed cartoon wednesday

49Steps BIGcopy copy 2interrupting is an art form on long island.  i know this. i grew up there.  and, apparently, i carried this forward.  it took d a while (read:  a few years and meeting crunch)  to realize i was paying attention, that i wasn’t ignoring what he was saying when i interrupted…i just knew where he was going with it and jumped ahead.  now, i do realize that sounds pretty rude.  it’s not my intention to ever be rude, so i have tried, in recent times, to w.a.i.t. before i speak…at least a little bit longer.  if you are nearby when jen and i talk, you will think we are interrupting each other, talking in a circular path and arriving back at the point; carol and i have, for decades, conversed in short snippets of interrupted tangents.  regardless of our intent, no one wants to be asked to “pay attention!”

yet, we have all these ways, nowadays (using this word makes me sound old), to not pay attention.   how many videos have you seen where people are walking in a mall (or somewhere) texting or reading on their cellphone and fall into a fountain (or some other obstacle.)  we sit with others and try to hold a conversation, but they are busy on their phone or some device checking facebook or texts or twitter or the news…so many ways to not pay attention, so many distractions.   we see the tragic effects of split focus while people are driving cars.

we are no longer just giving our attention to the moment.  we are interrupting conversation, our work, the activity we are involved in, each other’s safety.  we would be well-served to pay just-a-little-more attention.

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i AM paying attention!  LEGGINGS

 

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PAY ATTENTION! ©️ 1999/2016 david robinson & kerri sherwood

 

 

 


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two artists tuesday

it is well with my soul FRAMED ART PRINT copythe hymn “it is well with my soul” makes me think of the hymn “be still, my soul” which makes me think of mama dear, my grandmother (my sweet momma’s momma.)  (are you still keeping up?)  these two strong women, so alike and yet so different – were both anchors in my world, quietly (and sometimes not-so-quietly) shaping my ability to walk in this world and have faith.  my sweet momma, for my growing-up years, went to church most every sunday.  she and my poppo got dressed up and we would go to christ lutheran church on burr road in east northport.  i got to hang with my best friend sue and we went to youth group and sleepaway camp (cool as it was, those days i was never a really big fan of sleepaway camp) and, together, we memorized the books of the bible in order (i still have no idea what the purpose of this was.)  i can’t remember mama dear going to church as much; she went on some weekends, on holidays with us or to special events.  mama dear had bright red hair, taught me how to sew and adored going to las vegas to play the slot machines.  she was obstinate and somewhat opinionated and one of the loves of my early life.

during the time i went to suffolk county community college, mama dear’s house was within reach and i would go there for lunch or tea.  we’d eat rye-bread-toasted-with-melted-butter and i’d tell her everything that was going on in my life.  she’d listen and, every now and again, she’d say a few words of wisdom.  i could tell her anything.  she let my soul breathe.

i’d come home from school during junior high and high school and my sweet momma and i would sit on the couch and have tea and chips ahoy chocolate chip cookies, my way-back-then favorite store-bought cookies.  we’d talk about my day, the challenges that face girls in high school, cute boys who might have said a word or two, the kids smoking on the bus.  she would listen and, every now and again, she’d say a few words of wisdom.  i could tell her anything.  she let my soul breathe.  matter of fact, she let my soul breathe the whole time i had the privilege of having her physically in my life.  she still does.

we need that.  a place for our souls to breathe.  people with whom we can let our souls breathe.  a faith in this universe that opens us and simultaneously holds us gently and anchors us.  then – we can say:  it is well with my soul.

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it is well with my soul LEGGINGS

 

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it is well RECT PILLOW copy

 

TWO ARTISTS TUESDAY – ON OUR SITE

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IT IS WELL WITH MY SOUL ©️ 2018 kerri sherwood & david robinson

 

 

 


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chicken marsala monday

sometimesfaith WITH EYES jpeg copy 3“…well, i will walk by faith, well, even when i cannot see, because this broken road prepares your will for me…” (lyrics from a really great 2002 song by jeremy camp called ‘walk by faith’)

“we walk by faith and not by sight….” (19th century lyrics from a 1984 hymn ‘we walk by faith’ by marty haugen)

trust.  practice.  faith.  repeat.  not necessarily in that order.  through the ages, a common challenge – faith without seeing.  ‘we’ are no different now than ‘they’ were ‘back then.’  faith.  it’s ambiguous.

it’s funny.  you might think that the most faith-reinforcing moments come during a service and this true for some.  as a minister of music for three decades, i have always sought to create those moments for others…when all things come together:  music, lyrics, emotion to amplify the words (and the word) spoken in the service and resonate within someone’s heart and reinforce their feelings of faith. it is a job i take seriously; sometimes you only have one chance to help connect a service with a person’s heart, one chance to reassure, one chance to raise awareness, one chance to have them ask questions within their faith, to challenge their assumptions for and otherwise.

for me, though, the most faith-reinforcing moments are outside of the faith-based venue, be it a church, temple, cathedral, mosque.  they are the moments that i can feel the hugeness of this universe of God and my absolute tiny-ness within it:  walking in the woods, standing in the sunlight, looking out on a mountain, holding hands, seeing the moon rise over the lake, watching the surf, seeing love pass between two people’s eyes, hearing my children’s voices, finding the right chord for a song, eating breakfast on the deck in the sun with cardinals, hearing music swell…

as a minister of music, i have heard a lot of sermons and been at an un-countable number of services.  think about it.  (and this is not counting all the years not spent in this position, nor does it count all the extra services at certain times of the year…you’re thinking, “ok, ok, ohmygosh, we get it!” )  so thirty years multiplied by 52 weeks multiplied by at least two services a sunday (sometimes three, but we will round it to two, as you roll your eyes.)  that equals 3,120 services and sermons.  and let me just mention, some have been…ummm…way better than others.  so you would likely deduce that i would know all the stories of the old and new testaments pretty well by now.  well, i beg to differ with you.  for me, those stories are peripheral.

what really counts for me is the stuff you can’t see with your eyes, the things you can only experience:  love, kindness, peace, generosity…  simplicities.  complexities.  these are the foundations of my faith.  faith in goodness.  faith in being held.  faith in grace. choosing actions that are life-giving.  knowing that if i fail today, i can try again tomorrow.  walking the broken road, faithfully believing that there is a higher power that i can’t see but i can experience.  one that surrounds me in my joy and in my pain.  ptom, in his lenten sermon the other evening, said, “God is for you.”  it takes a little (read:  a lot of) practice; it’s a new day every new day.  but i believe.

FAITH TAKES PRACTICE – we have different products for this on both www.society6.com/chickenmarsala and www.society6.com/kerrisherwood

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CHICKEN MARSALA MONDAY – ON OUR SITE

 

faith takes practice FRAMED ART PRINT copy

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faith takes practice LEGGINGS copy

‘faith takes practice’ LEGGINGS

 

faith chicken mug copy

 

 

 

faith white mug copy

 

faith chicken iphone case copy

read DAVID’S thoughts on FAITH TAKES PRACTICE

 

sometimes faith takes a little practice ©️ 2016 david robinson & kerri sherwood

 

 

 

 

 

 

 

 


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ks friday

jacketrfthjpeg copywith the advent of ancestry kits and accessible dna testing, we are a society of people with more desire to learn about our individual heritage.  for christmas, The Girl and The Boy each got a dna testing kit from their father.  i’m excited to hear the results of these.  it’s fascinating to me to find out what our roots are; despite some specificity flaws and rounding up (or down) of genetic heredity in the testing and reporting kits i have read about, it is still interesting to know just a little bit more about where we come from.

my sweet momma and poppo traveled to salt lake city to work on the genealogy of our family.  they spent hours in the library there, researching.  they would have loved the idea of simply submitting dna to find out a broad spectrum of heredity, of lineage, but i suspect they still would have traveled to work on this the old-fashioned way, looking for names of family and how the branches of the tree spread out.

without doubt you have seen the commercials for these tests.  my favorites are the ones where people find that they were either mistaken about their ethnic heritage or they found that there were some surprises.  the best part is that – and i know it’s a commercial, but hey, i’m gullible – they embrace learning about this new part of their identity they had no idea existed.  they embrace something different.   they want to celebrate ethnicities they knew nothing about.  why not celebrate these whether or not it is a part of our heritage?  maybe we can make the legacy we pass down one of inclusion and acceptance and a curiosity to learn and welcome others, whether or not their dna matches ours.

 

to download LEGACY from RELEASED FROM THE HEART track 12 – on iTunes

to download LEGACY from RELEASED FROM THE HEART track 12 – on CDBaby.com

to purchase the physical CD RELEASED FROM THE HEART

and if you’d like to browse KS DESIGNS on SOCIETY6.com:

LEGGINGS

THROW PILLOWS

WALL ART

TOTE BAGS, CARDS, HOME DECOR

 

KS FRIDAY (KERRI SHERWOOD FRIDAY) – ON OUR SITE

to read DAVID’S thoughts on this KS FRIDAY

LEGACY from RELEASED FROM THE HEART ©️ 1995 kerri sherwood