there are great white trillium all over the woods now. beautiful big blooms lighting up the underbrush, making the forest brilliant. they precede the may apples and have more pizazz than the maroon prairie trillium. they get our attention.
it’s not easy to capture a good photograph of great white trillium. not because they are elusive or shy, but because they reflect back sunlight and the images tend to be somewhat blurry, details burned out into flat white. i felt fortunate with this photograph. even the specks of pollen off the yellow pistils are visible.
and then i noticed it. the shadow. the tiny dandelion next to the trillium was casting a shadow onto the delicate petal.
when i first noticed – further down the trail – i thought that i had missed my shot – that the interrupted petal somehow blemished the photograph.
the more i studied it, the more i realized how very lucky i had been – to capture the very moment in the sun’s angle that this little dandelion made a distinct shadow on its neighboring wildflower.
sometimes we don’t realize how imperfection is simply perfect.
what looks like wreckage is that which welcomes grace, how a broken road reveals the right path, how organic surpasses the staged, how cobbled-together – all the moments of bliss and the moments we think are shadowed with ruin – our lives really are, how imperfection is actually perfect.
what we thought was the wrong shot is – in reality – the right shot.
there are about 200 seeds in a single dandelion fluff. even in the gentlest of breezes, the dandelion field scatters everywhere – seeding, seeding – more dandelions, more dandelion fields.
oh, the mayhem.
88 keys.
the clusters of piano keys that might be in any piece of music. consider just a three-note composition. in the simplest of equations, assuming once the first choice is made you must move on to the second choice and then the third choice, one has 88 keys to choose from x 88 keys to choose from x 88 keys to choose from – merely 681,472 options for any given composer on any given day working to write just the first three notes of a melodic gesture.
oh, the mayhem.
choices.
for the painter and a canvas, a writer and a pad, a dancer and a wood floor, a potter and blocks of clay, a blogger and a computer keyboard.
it – the imperative to mayhem – calls us. to make something out of it all. to birth something out of the raw materials, to use our tools to create, to choose direction, to express artistic vision – what we see or hear or feel – a passion – that might – or might not – touch others.
there is no guarantee, no real proverbial “if you build it, they will come”. it doesn’t just happen that way. it is an imperative nonetheless.
the imperative to show up, to engage in the mayhem.
i’ve done much of my composing in-between other things, stealing time – minutes even – to write something – anything, something that might be universally understood, something that gives air to a thought, an emotion – something in my internal or external world. scraps of melodies, bass line roots, ideas only until i might make them airborne.
mayhem steals my imagination and lifts it past the stuff-of-the-day. it pokes and prods me, not allowing for passivity, foisting ideas and snippets of muse upon me.
it’s a bazillion seeds in a dandelion meadow, a bazillion pianos, a bazillion pencils and pads, a bazillion brushes and a bazillion paint pots.
“and the seasons they go round and round/and the painted ponies go up and down/we’re captive on the carousel of time/we can’t return, we can only look behind/from where we came/and go round and round and round/in the circle game.” (the circle game – joni mitchell)
and then there was spring.
the grasses greened. the trees budded. the birds busied themselves with nests and babies. the lake answered the sky in pastels. and winter was over.
there was no fanfare for the spring, no good riddance for the winter. it just quietly morphed from one to the other.
as we walked along the shoreline of lake michigan, i couldn’t help but recall last spring. it was a different time. a very different time.
i looked back to a time when everything was not in disarray…when our nation was not perched on the precipice, ready to fall into authoritarianism. i breathed easier last year. i was not convinced that evil and cruelty were leading our country, taking it down to the depths of corruption, no compassion in sight. lives were not roiled in rifts; moral compasses were – at least a tad bit – more present.
i feel nostalgic. for last spring. regrets are funny like that. not really appreciating the spring of ’24 until we are in the spring of ’25.
and now, as we go round and round and up and down i wonder what’s in store. it is clear we can never go back – we can’t get there from here – to the same country we had. but we can look behind us and see from where we came. we can do whatever we can do – to resist the total demolition of democracy. we can step off the carousel and stand next to the painted ponies as they circle. we can choose a different pony.
we are captive to time moving on. but we are not captive to the carnival of this regime. we have work to do. like the perils of traveling roadshows, we need to shut it down. mechanical failures, operator error, structural issues, rider misbehavior and health risks are rampant.
one of my favorite mother’s day cards came from david last year. we make all our cards for each other and on his he drew me, looking at a starry sky. there are two arrows pointing at individual stars and inside he wrote, “for the two times you wished upon a star.”
the wisps of miracles-of-all-kinds floating about the galaxy – the ones that became my children – have my everlasting gratitude.
for i have learned of the infinite spectrum that is motherhood. the triumphs and the failings, the angst and the bliss, the hugs and the pushaways, the unconditional love that somehow birthed an extra heart when each child was born – gracing me with whole hearts for each of them and with a heart to do the rest of the work, the heavy lifting of living.
in a world that is full of galactic nonsense, the real essence becomes more and more clear to me: each wisp of intense beauty, tiny nuances of time passing, the dust that is me – in a river full of stardust.
we prep and we wait. two of our friends wait as well – all of us ready to text as soon as we see one. it’s a vigil for the tiny hummingbird.
this year we were the first. the hummingbird surprised us as we adirondack-chair-sat outside. it was morning and the sun was brilliant. we were quiet as the day began to warm up. and then, suddenly, it was there.
there is something infinitely touching about that first tiny hummer. something that gives you pause.
we love our birds – all of them. we consider our birdbath one of our finest outdoor purchases. watching a black-capped chickadee or a house sparrow perch on its side and dip its head to drink, or a robin fully immersed, splashing around…it is joyous to know you have contributed in a tiny way to their precarious lives. it’s much the same with our feeders – it’s all just a reminder that we are in this same big world together.
and then the hummingbird shows up. and, after once, it remembers, just like the news spreads through other birds about the clean water birdbath or the feeders in the backyard.
and then, though invisible, there is a connection.
it was always there.
we transcend that which binds us to the pragmatic, the stuff of our lives. and we sit – watchfully – as we wait for the hummingbird’s return to the feeder. or the chickadee’s entry and exit into the birdhouse. or the cardinals – walter and irma – at the flat-based house feeder. or the sparrows dustbathing where dogga had dug. we just wait.
these are the moments. and the ones before slip away as the ones to come linger in the air. we just sit – untethered to either – our wings resting.
i have always been drawn to notebooks. composition books, spiral notebooks, journals, graph paper pads, legal pads, pa-pads – really, i guess, any kind of bound group of paper. blank paper.
it all represents a beginning. “begin anywhere,” john cage urges on a piece in my studio.
but sometimes there is a paralysis. sometimes there is something – some quirk – that stops me from starting – it stops me from putting pencil or pen to the first page. i feel this very big responsibility to the new blank paper. sometimes it feels like what i might write, compose, jot down may not be worthy of the first pristine sheet in a new paper vessel that could – ultimately – contain hundreds of writings, compositions, jottings. i haven’t yet gotten over that.
and so i dig out old spirals that my children used in elementary school – with wide rule lines – or high school – with college rule lines. their names are on the front and i can – delightedly – still find scribblings inside the notebooks. lab results or math problems, vocabulary words or drawings or paragraphs of tiny stories they were creating – it’s all thready for me and so this stack of old spirals and folders speak to my heart – in so many ways. i can easily write in these.
but there are those really delicious new books, new pads, new journals. and i glance at them, wondering when i might think that anything i might pencil in them would be worthy of their newness.
just staring at the beach was zen-full. it was quiet. almost pristine.
the beach had been combed – stunning horizontal lines – raked, perfectly clean but for a few sets of footprints walking – along the horizontal and taking the hypotenuse to the water.
the orderliness was just a tiny bit interrupted. and the orderliness was waiting for more disorderly. the disorderly would mean people – walking and running, children playing and building castles in the sand, seagulls clamming, dogs digging, sand flying.
even as i write this, i think about pulling out one of the brand new notebooks. taking my ever-present mechanical pencil to the first page (or maybe the second – to leave the first page clean and blank).
it makes me think that maybe the disorderly – the walking, running, building, digging, sand-flying – might actually be the real joy.
it makes me think i just might walk the hypotenuse across the college-ruled page. and wreak a little havoc on some clean paper.
“sometimes it can feel like you’re never doing enough. but to touch the life of even just one animal or one person can help heal the world.” (hellen rescue centre)
the golden rule is a relatively simple concept. basic moral compass stuff. “do unto others as you would have them do unto you.” universal. ethical. compassionate. conscious.
it would seem that we each – in this world – would feel an imperative to strive for the best we can do, with these words as a north star. it would seem that we would wish to lead with goodness.
and we are surrounded by real people who do just that. people who reach to others, sharing abundance with those in need, caring for those in despair, giving a hand to those who feel forgotten. we have been the recipients of this sort of care and we are grateful – not only for the aid of wisdom or resources we have received, but for the reminder of what it means to be human in a world of humans.
in turn, we try – best as we can – to be helpers. to lift spirits and, as we can, to lift the circumstances of people who have been less fortunate. we try to live thinking about others, treating others, as we would want them thinking about or treating us.
as artists we are entrusted with the creating of work that might somehow touch the world – change it – if even only the tiniest morsel of a bit. we write many words a day, never knowing if anyone will read these words, never knowing if any of the words make any kind of difference. we do it anyway. we paint, we compose, we take photographs. we just never know where any of it – all of it – might reach. and every now and then – out of the blue – someone we do not know, someone we will likely never meet will let us know that something has touched them, something has moved them, something has made them think or question or linger. and we know that the concentric circle has widened, the ripple has rippled. even a little bit.
as humans we are entrusted with short lives of being humane. we have every opportunity to show care and concern, to reach across differences, to offer kindness and love to others – people or animals. every single time we do even one small act we know that it impacts the world, that there are cells out there vibrating with the frequency of grace.
our presence in and with life – life itself – grants us the ability to appreciate it, to live into living. we know that – in the very end – all will fall away. and what will be left are the heart impressions we have made on others and they on us.
even if we have touched one person or one animal – in our tiny time here – we have healed a morsel of hurt in the world.
it doesn’t seem like that hard of a concept. it doesn’t seem that hard of a job.
in the end of ends, isn’t it the only thing that matters?
“if you would know strength and patience, welcome the company of trees.” (hal borland)
it was the first tree i have ever bought.
i know plenty of people who buy trees, spend lavishly on shrubs, bushes, flowers, on landscaping, have much knowledge about plants and flowers and such. but i – well, we – are neophytes in the gardening category.
my sweet momma loved plants, including outdoor plants around our house back on long island. but they were simple heritage plants – hostas and daylilies, hydrangea, four o’clocks. all easy to cultivate – and easy to transplant cuttings from friends. i don’t remember spending any of my growing-up years browsing nurseries with my parents while they tried to decide which new plants to purchase, with no regard to price tag. there was the occasional vegetable garden out back where the round above-ground pool had been and maybe a new houseplant or two but propagating by division was my momma’s way and, with a garden full of nostalgia-type plants, she instilled in me an appreciation for the simplest, for the less-is-more on-a-shoestring approach.
in my own planting through the years i have found that i have mimicked my momma’s style. cuttings from friends, transplanting excess from others’ gardens into my own, it has been gardening-on-a-budget. my purple iris, my lavender garden were from the gardens of dear friends. though stunning, they did not sustain long-term as my neighbor planted snow-on-the-mountain on the other side of the fence and it completely smothered my more delicate garden. our wild geranium came from the beautiful garden of a dear friend out east. our hostas and our daylilies and ferns spent some time rolling down third avenue in a wheelbarrow when another friend was paring down her over-producing garden. we did purchase the first of our ornamental grasses, but now they not only sustain but are capable of filling in many gaps in our garden by their own – or our – cultivating. we annually, now, purchase a few flowers in tiny packs from flats for pots – though the woman who bought five gorgeous big plants at $16.99 each in front of us did made me a little bit envious. each year, now, as you already know, we are also planting herbs on our potting stand – there is joy in stepping outside with snippers while cooking. all in all, there is minimal purchasing going on – which lines right up with minimal knowledge. what we do know is that we really love our gardens, simple as they are.
that brings me to trees. i cannot remember my parents purchasing trees while i was growing up. we lived in a wooded area and just enjoyed the trees with which we were gifted naturally. though as i write that i recall a dogwood tree out front to the left of the driveway. i wonder if that was a special tree that they bought…or maybe the mimosa tree out front with its beautiful pink fluff flowers….so maybe there was a tree or two….
i can, however, attest to the fact that i had never in my life purchased a tree to plant outdoors. not in new york, not in florida, not in new hampshire, not in wisconsin. neither has d. not in colorado, not in new mexico, not in california, not in texas, not in kentucky, not in washington, not in wisconsin. though we love trees, tree purchases have never survived the budget cuts. until breck.
outside the city market in breckenridge, colorado, the stand of trees had a big sign: “aspens – $9.99”.
$9.99??? for a tree??? one of our absolute favorite trees???
we purchased it before even checking to see if it would fit in littlebabyscion. and, because I’ve written about it before, you know the rest of the story. it’s now been almost 8 years since we brought breck home. we have held our breath, whispered quiet prayers, wrapped blankets around it, researched how to attain its best health. and through it all – living in a pot – and then a bigger pot – on the deck, disliking the shady fern garden into which we planted it – tucked next to the garage, and the big transplant to where it is now – it has not only patiently survived, but it has flourished. breck is now as tall as the side of the garage, as tall as the first story of the house. it seems happy and well-adjusted to its life in the ornamental grass garden, a spot for birds to linger, the object of our love.
maybe someday there will be a reason to buy another tree. we may have more space somewhere or more desire for shade or a wish for a stand of aspen or – the real factor – a bigger budget.
in the meanwhile, i feel incredibly content with our one tree purchase. breck is – obviously – ridiculously dear to us. it is a song of success in our simple backyard.
“trees are poems that the earth writes upon the sky.” (kahlil gibran)
a few years ago we watched a show about housing in the bay area of california. the housing crunch was producing outlandishly high rents, making it impossible for workers – particularly younger people at the outset of their careers – to live anywhere near where they worked. an answer – it seemed – was to offer sleeping pods – bunk bed pods stacked upon each other or next to each other – in a communal living space. with very mixed reviews to these confined space morsels, people moved in and made tiny personal space within communal living their home.
in the many years that our girl was working in the snow industry of the high elevation mountains, she – like every other professional snowboard or ski coach or instructor, every other industry worker from restaurants, boutiques, ski shops, etc – was faced with the impossible task of finding a place to live. costs far outweighed earnings and, so, either these dedicated employees shared spaces (often questionably-worthy of passing basic health standards) renting the rights to a bedroom and a shelf in the refrigerator or they drove extended commutes in all kinds of treacherous weather. it was nerve-wracking, to say the least, as a mom – ever concerned with the daily living conditions of her child (who was far more tolerant of the living conditions than i might have been). post-pandemic exacerbated these circumstances and rentals are scarce or aggressively priced.
for the longest time we have watched house hunters on hgtv. though there are many fix-up kinds of shows, our favorite is the basic house hunters where you watch people select a home to purchase from three homes you virtually-visit with them. you are aware that there have been many other homes considered before this ultimate decision, but you are steeped in the choice between three – with the information of their purchasing budget, their desired amenities and location and a walking tour through the house. it is astounding to us – over and over again – how much a basic house costs these days. we watch – totally immersed – and try to decide which house will be chosen, always blown away by what that choice will cost the buyers.
and each day – for a multitude of reasons – we thank our own home. its old house juju suits us. it is our sanctuary. it looks like us, feels like us, buffets us from the world and renews us. every one of its quirks – that we love – reminds us to love our own quirks. every one of its tiny beauties reminds us of our own tiny beauties. we find peace there and we find a jumping-off place for challenges and self-exploration.
and as i write this, i am aware that – if we are lucky enough to have any physical place we call home – we each make it into what we need. we embrace whatever its circumstance, its location, its imperfection or perfection. we find the space where we feel comfort and reassurance and the ability to be exactly who we are.
some day we would love to travel in an old vw minibus (or one of those amazing converted vans our son-in-law creates), carrying with us all we need for extended periods of time, seeking home in high mountains and canyonlands, deserts or meadowlands, atlantic or pacific beaches, northern forests.
some day we would love to thru-hike one of the national trails, carrying all we need in backpacks on our backs.
either way, i’m pretty certain – even now, even before we have tried either dream – we will feel at home, at peace, in our skin.
“remember, the entrance door to the sanctuary is inside you.” (rumi)
so many clay pots and assorted planters, i drew a sketch of them all and began to list what plants and herbs and flowers we wished to grow this summer, sorting plants to pots. and we began the dreamy conversation about stepping off the deck and snipping basil or parsley, making ann’s jalapeño poppers, gazing at colorful flowers scattered on deck’s edge or along our gardens of grasses.
we are not well-versed in plants. we are most-definitely not well-versed in growing things to eat. and we truly don’t know much about different annual flowers – so we depend on the tags at the nursery and research. a few days ago we were drawn to two tiny-bloom flowers, though we didn’t know anything about them. it was a heart thing.
last fall my sister-in-law sent me two peony roots. we carefully planted them – exactly as the directions stated – making sure that the “eyes” were facing up and the root wasn’t too deep into the soil. in the miracle that is spring, peony shoots have risen from the ground – and you would think we’ve given birth – our wonder, our level of excitement are off the charts. it is a joy to think of these new beauties – with gorgeous big white blooms – growing alongside two established peonies, many ornamental grasses, wild geranium, day lilies, hosta, and healthy weeds of many varieties.
we have much to learn…about all of it.
gardening, we see, is like the joys of being an artist. experimentation and not being able to determine an outcome ahead of time – both are important in the process. we give over to the mystery of it all. we know that it all is steeped in potential and we embrace it. it’s a giant responsibility – a gift of nurture we can give – to our artistry, to our garden.
it would be an easy segue to connect the dots of this kind of potential – this kind of responsibility – to the governing of this country. it would be easy to speak of the glorious mystery of our melting pot, the growth that is possible in the garden of humanity. it would be simple to believe that there should be wonder and great excitement in nurturing all the people of this country – whether or not they are different than those we know well – learning and growing together. it would be natural to depend on research and heart in moving forward all that we – in these United States – can be.
but no. i won’t go there. it all just seems so obvious.
a country – a first-world democracy exuding potential beyond belief.
why wouldn’t you tend that garden with great care and embracing respect and intelligent research and nurturing love?
why would you wish to crush or annihilate or suppress or obliterate all that potential?
reverse threading 