The Girl and The Boy were little when i wrote and recorded this piece of music GIVE ME ROOTS, GIVE THEM WINGS. the title wording was deliberate; it was stunning to me how rooted having children made me feel and yet i knew that, even from the very start, just as i was giving them roots, i was also giving them wings. the toughest part. that letting go thing. The Girl told me today that i was high maintenance. me??? “what???” i said. she said, “have you ever MET you?” wow. straight to the gut. lol. she made me laugh. i guess as a momma i may want a littlemorelittlemorelittlemore time….
when The Girl was a baby, jenny gave me a cross-stitched picture with the words “give them roots, give them wings.” bittersweet words. how little i knew back then.
no matter any other job i have had or will have or any other work i have done or will do, i will always consider motherhood the most important. i cherish every moment of all of it, even the very hardest moments. The Girl and The Boy are out in the world, doing what makes them happy, close or far away.
they root me. yes. even as i continue to watch their wings lift higher and higher.
when i wrote and recorded THAT MORNING SOMEDAY (you can hear it below) it was wistfully about any beginning…any beautiful or cloud-striated sunrise…any hopefulness…any new day. my big brother had died and i was yearning for the peace of understanding, a feeling of being ok in the world, a wish to wake up to something that had given order to chaos.
many many years later, i can’t honestly say that i always have the peace of understanding or a feeling of being ok in the world and i often wish to wake up to something that has given order to chaos. someday is still out there.
only now, a little older and the tiniest smidge wiser, i realize someday is waiting too long. someday is right now and i am sitting right in it, with lots of time behind me and, hopefully, lots of time in front of me. the only thing that really counts right now is right now.
i yearn to make it more peaceful than my last moment. i step in the world, ok or not. i try to help create order out of chaos. maybe someday it will all come together. but in the meanwhile, i will do the best i can in right now.
i could hear the saxophonist on the corner out the window; it’s not uncommon in nyc. at yamaha artist services to record the two solo piano hymn albums, i was caught up in the christmas carol he was playing, only a little concerned that it would bleed onto the recording. the amazing “it’s fine!” ken can handle anything.
my task was to get onto tape (so to speak) the material for both of the hymn albums: ALWAYS WITH US Volume 1 and ALWAYS WITH US Volume 2. it was easy for me to compile a list of the hymns to play; so many years of church music gives me an advantage that way. but on every album, even if it is music i haven’t written but am giving my own voice to (like the hymn albums or christmas albums or lullaby album) i always include one or two pieces that i have composed – a signature of sorts. for always with us volume one it was the title track. ALWAYS WITH US is a statement of my belief that we are never alone, we are always surrounded by infinite grace and love – God is always with us. like all the tracks on the hymn albums, this piece is solo piano.
part of that time in the city, i also recorded the album AS IT IS. i had a list of titles and in-between recording hymns, i would take out the list and simply play the word. but i’ve talked about that before. this album was a personal creative challenge and took on a life of its own.
back in chicago, in post-production work, ken wrote orchestration arrangements (he is brilliant) and brought in musicians to record on tracks for the AS IT IS album, starting with the solo piano recordings. these new tracks went beyond the solo piano versions – in texture, in diversity, ultimately, in emotion.
yesterday i wrote about process in david’s painting. the same -yet different- process exists in recording music. the coming-together of layers, with what is in a layer below sometimes hidden, a breath you can’t hear, but can feel. i am awed by what the whole becomes from the whole.
always with us exists in two forms. both are relevant to the album they are within. both speak a language. but both tell the same story – for those who listen – that we are never alone. God – or whatever you call this presence- is always with us. and if you listen, maybe with your mind’s eye, you might even hear the strains of a saxophonist on the corner in the city at night.
ALWAYS WITH US – on the album AS IT IS
ALWAYS WITH US – on the album ALWAYS WITH US VOLUME 1
as much as i like black and white, NOTHING is really quite black and white.
we walked the tax stuffff into the accountant’s office this morning. it’s been over 20 years that i have been keeping precise records for the company that is my recording label: sisu music productions inc. this company (like me, like any of us) has seen its ebbs and flows through the years. some of it was due to economy, some due to personal reasons, some due to technology and the internet changing every professional musician’s life, some due to the matter-of-fact financial challenges on any independent recording artist.
while i was compiling all the information this year, i had many conversations with d about how i was feeling. at one point, he turned to me and said, “this is like reading your calendar at the end of the year, isn’t it?” mmm. yes. a cruise through the year in my life as an artist with albums, an artist who has spent time on the radio, on stages, on wholesale show floors. some years that ramble-through is exciting; some years that ramble-through is disappointing. there is always back-story behind the activity, the sales, the decisions. it’s not black and white.
i stand here in march, 23 years after the release of my first album, touching the very very black of my piano and the very very white of the scrap paper i use so often to write on, and look out ahead of me. i wonder where – in this arena of my life, this heading, this column – i am going. the view from here is foggy and unclear. do i have albums to make? stages to play on? my end-game is different now – it has to be; i am 23 years older than i was back then – at the beginning. i can only wonder if the music that is still a part of me, still inside me, never yet hitting anyone’s ears as a finished recording, will find its way, will find relevance, will lead me into the next. it’s not black and white.
i used to spend a lot of time driving across the country to wholesale shows where i would represent my cds and sell to stores everywhere that stocked music. the world has changed since then and not only are there less boutique-type shops with original work (inexpensive copies have taken over), but there are few shops that actually sell physical cds. in this world of downloading (read: streaming, but don’t get me started on THAT subject) it is hard for a proprietor to invest in anything they aren’t sure will fly out the door.
when i drove east with a vanload of boxes and merchandise, i would pass a lake called meander lake. i looked forward to these signs and the view of this lovely lake through the trees. the word “meander” conjured up images of every time i had taken the time to do just that: meander. on a back road, on a trail in the mountains, in the woods in a state park, along the lake, through a magazine or book, or in my mind’s eye. i am a meanderer. i believe i come by it naturally; my sweet momma loved meandering…any day she would suggest a car drive or a bike hike to some distant spot, meandering on the way. she wasn’t afraid of getting lost; for her, meandering WAS the meaning in the time spent.
sitting at yamaha artist services in nyc i had a list of titles i had collected, words that had spoken to me or touched my heart. “meander” was on that list. with “record” on, i simply ‘played’ the word “meander.” the amazing “fine” ken orchestrated this piece back in chicago, bringing in musicians to add tracks.
sitting next to me right now, david just listened to it. the richness of that orchestration wrapped around me and i was back on I-76, jotting down on a scrap of paper the word “meander.”
the girl jumped out of a plane last week. i look at the sky and think about being 10,000 feet up and stepping out…..
skydiving was on my bucket list at her age. that and hang-gliding, a hugely-70’s thing. growing up on long island, i was hanging out with people who surfed and camped in the dunes, fished in the middle of the night and scuba-dove into wrecks off the beach. and so it didn’t surprise me when she wrote to me that she had ‘just jumped out of a plane’. i celebrate her adventuring spirit.
the boy bought a grill this week. when did he grow up enough to own his own grill? his adventures are all about his spirit – with an ever-growing circle of friends who support him and let him be in his own skin. i celebrate his adventuring spirit.
wasn’t it yesterday when the boy and i walked hand in hand to the girl’s school to pick her up from kindergarten? wasn’t it yesterday when he ran around the field and picked dandelions, dirt flying, and reached up to me with them in his fist, saying “woses for momma”? wasn’t it yesterday when she carried over big piles of books for me to “wead, momma, wead”? wasn’t it yesterday i rocked them to sleep at night after the perfunctory ‘good night moon’ reading?
so many adventures. it has all flown by. i talked to linda yesterday and she laughed when i said, “we realize we actually don’t know anything. time just flies by and we know nothing.” she is gentle and wise and an amazing adventurer, taking on new stages of life with grace and generosity.
every single one of these moments weaves into my heart – yup, that thready heart of mine. i hold them close to me and give thanks for adventures that are big, adventures that are small. adventures that have taught me patience, adventures that challenge me. i try not to have fear or hold on too tight, but…well, i’m human.
hesistantly, because moms just sometimes seem out of the running when it comes to children thinking about people adventuring, i wrote to my daughter that i had always wanted to skydive at her age. she wrote back, “you can still do it.”
i stood on crab meadow beach, looked across the sound, and dropped to my knees to touch the sand on that very familiar place. i can’t count how many times i sat on that very beach…the wind has taken drifted waves of sand and moved them around, the waves and rain and erosion have changed the shape of the inlet, but i recognize it. deep inside me, i can feel it – from long ago. and still.
crab meadow is not the most beautiful beach by beach standards. (i know – i talked about it a lot in my june 20, 2015 blog called ‘the gorgeous disorderliness that is life.’) it is rocky and pebbly and not vast and you can see the stacks from there when you look left, but i will always consider it my most important beach. so much time spent there. winter, spring, summer, fall. it is one of the places i call home.
and just a few weeks ago i found my way there. to my crab meadow beach.
my husband understood my need to sit and ponder and meander through my thoughts and memories. he was both appropriately quiet and conversational. he engaged in my memories, my musings and my relationship with that tide, and held me as i felt wistful. so much growing happened for me on that beach, since that beach. in that place. home.
i was always the kind of kid who got homesick. being thready does that to a person. i still get homesick. homesick for places, people, times gone by. my roots mean so much to me: climbing the fence to the beach pre-dawn, my dog missi in the well of my vw bug, sitting with notebooks in my tree….i can still hear the clanking of masts in northport harbor…. i remember childhood playdates with dianne, bike hikes and drives and countless overnights with susan, bobdylanjohndenver arguments with marc, joe-z lecturing me on driving too slow on waterside avenue…i can still feel the damp wind on my face fishing with crunch in the middle of the night, in the middle of the sound….i can still see my sweet momma and poppo, in our house, my brother skateboarding with me and strumming his guitar, my sister playing leonard cohen and doing my hair…a zillion thoughts….home…
my daughter stands on the top of a huge mountain and feels home. my son, in the midst of his big busy city, feels home. i look west and i look south – toward them – and know that part of what makes home for me is now climbing a mountain or riding the ‘L’ train.
and so i stood on that beach and thought about life since…decades after the days i had spent huge slices of time there.
i felt like i had come there to pick up something i left behind, to reclaim something. but now i wonder if actually i needed to be there to leave something there…to leave that which i no longer needed. i have yet to figure out the sudden burst of tears that came with my feet in that sand.
i just know that crab meadow, once again, came through for me. it will always be home. no matter how many other places or people i call home, i will always be able to find my way home. there.
bmi, one of the major music royalty companies, sent me a statement and a check which i opened today. happy to be a bmi artist, i was grateful to receive the check; i read it first, a natural human reaction. then i pulled up the statement.
my original music had 319,954 plays in the first quarter of 2015. that is: between radio, tv, internet, music program companies, my music has been spun over 319,000 times. in one quarter of a year. now…that sounds like a lot, doesn’t it. one of my big questions these days about my music is – is it relevant? well, apparently, it must be. and so this is reassuring.
now, you would think that would equate to a decent royalty check, the ability for an independent artist to make a living. this is what i made per spin (an average…i am a bit of a math geek)….are you ready? i made a whopping $00.00079 per play. that isn’t even NEAR a PENNY. so let’s see. that means that the total of 319,954 plays has NOT netted me enough to:
1. buy a decent basket of groceries
2. even pay half of my private health insurance premium
3. pay for my dog to have 3 months of heartworm preventative medication and flea and tick preventative medication
4. pay my one-month cell phone bill
5. contribute to half of the mortgage payment
6. pay the minimum payment on my master card bill
7. pay the amount of my monthly parent plus loans for my son’s college fees
8. pay an hour of an entertainment attorney’s time
etc etc etc
it would just cover the electric/gas bill.
it would pay for life insurance.
it would cover a month of car insurance.
it would cover the cat food.
it would cover the water bill.
but. it will not cover any combination of these bills. and, as i pointed out above, there are many it won’t cover at all.
and that brings me to value.
what is the value of music? and, if it is relevant, why is so little value placed on it? how many places have you been, events have you attended (weddings, funerals, dance parties…what would those be without music?), commercials you watched on tv, movies that inspired you, moved you, disturbed you – how would those be without a soundtrack? how many moments have you cherished that would have changed dramatically withOUT the music in that space of time? what does it do to your heart? and how can we place so little value on that?
there were a reported (mind you, this is what is reported, not what is the real total) 19,974 plays on the internet of my original music. this netted me (wait for it) a grand total of $3.61. yes, you read that right. $3.61. i could not even treat you and me to a starbucks for that. i couldn’t even get a happy meal for that. and yet, 19,974 people/entities listened to the music i conceived, wrote, recorded, paid for a recording engineer, mastering engineer, piano technician, miscellaneous equipment, yamaha had a piano delivered to the studio, purchased upc codes and copyrights, had a graphic designer design a cd format, ordered and paid for replicated cds and print art (jackets, tray cards), paid ups to ship boxes upon boxes to the office, paid for marketing materials, paid employees to market and distribute, drove thousands of miles and carried hundreds of pounds of boxes of cds to play concerts, perform at wholesale, retail shows and stores and do radio and tv interviews, uploaded over 200 tracks from 15 albums to itunes, and see that pieces have found their way onto the internet in ways i can’t put my finger on…..i needn’t go on….i’m sure you get the point…. in the days of physical cds and brick and mortar buildings, and even in the days of just itunes downloads that paid artists, there was a chance at treating you to BOTH a happy meal AND a starbucks. but now…..
and so. the music. it’s relevant. and it has value. but who is missing out in this equation??
a few weekends ago i performed for an important event. as with all work, it took preparation and commitment, practice and heart to make sure that my performance supported the event. after it was over, many people commented on how touched they were by this music. one gentleman asked me, “when you aren’t playing music, what do you really do?” really???
i am 56. there is a lot of music left in me to write, record, perform. how do i justify continuing to make this music when each piece that reaches the ears of another living soul pays me less than a penny? do i hope for sheer luck? for an overnight itunes download sensation? or a youtube that goes viral, heaping advertisers at my doorstep?
these are potent questions. what are the answers?
how can i (afford to) live and keep making music? how can i (afford to) live and not keep making music?
at 1am, we walked to the lakefront. away from as many lights as we could get away from, we laid on some old steps, bricks and mortar digging into our backs so that we could gaze straight up, watching the night sky for the meteor shower. the late air was cool, gentle breezes sneaking past us in our vigil. the meteor shower information site said that at 1am cst we would be able to see 50-100 meteors an hour, shooting across the night sky. now, how they know this is a scientific study that i am not familiar with. but it is magical. and it is vast.
the streaks of white light across navyblueblack make us draw in our breath. i’m wondering how far away this meteor is…how it is that we, here on earth, can see this amazing sight. such a big sky. such tiny bodies in contrast lying on the ground, waiting for the symphony to start, waiting for the downbeat, the symphony that has been continuously playing, the downbeat lost in centuries upon centuries of time gone by. like any good piece of music, it’s the rests in between the notes, the rests in between the meteorstreaks, that build the anticipation, that create the emotionflow, that bring tears to your eyes. each burst, each streak, of whitelight was a miracle, a tiny moment exploding in time, so far away, in vast vastness.
this morning over coffee on the deck i watched a bumblebee fly to the big jar of sunflowers on the table. it, with seemingly intentional purpose, landed on the sunflower’s large head. i studied this bumblebee and, as i did, it occurred to me that it, too, was a tiny being in the middle of its own universe. that sunflower, i come to learn, is not just one flower. instead, it is composed of a mass of hundreds of flowers, all growing individually and from where each sunflower seed will originate. the yellow rays of petals are there to protect the interior of the sunflower. the sunflower, before blooming, will track the sun through the day, leaning in to garner its energy, intent on its own purpose in its own universe. it is, indeed, its own little universe, offering nutrients and life to that very bumblebee, who pollinates the flowers within the flower…and the circle goes on. looking even closer, i could see small quarter-inch-inchworms inching their way around the brown center of the flower(s). for that quarter-inch-inchworm this big brown field was such a big sky, and its tiny body was in great contrast. magical. vast.
time stretches out in front of us. and behind us. we are tiny and we are big. we gather in the moments, we breathe them, we rejoice, we worry, we ponder, we move. there is no downbeat and the symphony is already playing, has been playing and will continue to play. always. it is magical. and it is vast.
barney is in our backyard. he is holding clay pots with our herb garden and some beautiful white impatiens. there are a few candles in glass jars. and he is perfect.
i’m not sure i ever thought that someday i would have a piano in my backyard. barney is a very old upright. about a hundred years old, he is tired and worn from long years, decades even, spent in a basement boiler room, but i can see the life in him as the sun hits him. never ever would i have imagined the idea of wild geranium growing up around a piano tucked into a bed of day lilies, just a few feet away from our little pond. never would i have imagined the idea of water getting on a piano, without dashing to wipe it off. it rained yesterday and i had to fight the urge to run outside and wrap my arms around him. barney’s new life is to feel loved and not ignored, appreciated and smiled at and not relegated to a dark, piano-inappropriate place. he was slated for the scrap dealer.
each morning since his arrival i have gone outside and thanked him for all his good work in the world. i am grateful to have a spot for him to rest. he looks proud. and he truly looks happy.
i really am an acoustic girl. my big yamaha grand has a studio of its own. my growing-up-spinet has a spot in our basement (not an easy place to move it to in this old house.) barney has a place in the backyard.
i could hear the saxophonist on the corner out the window; it’s not uncommon in nyc. at 
it was easy for me to compile a list of the hymns to play; so many years of church music gives me an advantage that way. but on every album, even if it is music i haven’t written but am giving my own voice to (like the 
surrounded by infinite grace and love – God is always with us. like all the tracks on the hymn albums, this piece is solo piano.
the girl jumped out of a plane last week. i look at the sky and think about being 10,000 feet up and stepping out…..
i stood on crab meadow beach, looked across the sound, and dropped to my knees to touch the sand on that very familiar place. i can’t count how many times i sat on that very beach…the wind has taken drifted waves of sand and moved them around, the waves and rain and erosion have changed the shape of the inlet, but i recognize it. deep inside me, i can feel it – from long ago. and still.
reverse threading 