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we’ll see. part two. [saturday morning smack-dab.]

i mean, i love calculators. really love them. i got excited the other day when i found a TI-30X IIS in a basket i was going through. sheesh. i blame my high school math teacher, a man everyone adored and for whom we all worked really hard. he’s one of the reasons so many of us ended up loving math…still.

and so i am the billpayer. i have a dollar store calendar with due date notations each month which serves as a folder for outstanding bills. i check it often and keep track of spending. i prepare our personal and business taxes in february, a task – everything line-item-ed to bring on to the accountant – that is sometimes daunting, but…ya gotta love all that math. i never really mind any of it. sometimes, though, i wish the numbers were different. it would maybe be a little easier with better numbers. sigh.

the aarp magazine and newsletter come into the mailbox and i peruse them for thoughtful advice, words of wisdom, pointers. invariably, they have some article on retirement – which is, of course, their real area of expertise. and, along with the article that lists all the things you need to “successfully retire” (aka do whatever-the-hell you want) there will be lists of IRAs and 401ks and savings pie charts and spending allowances and how they proportionately relate to each other and your life post-wage-earning.

good grief.

it is not in my best interest to take these too seriously.

by the time we are fully retired, with inflation going the way it is – gas prices and groceries, continually rising heating bills and let’s-not-talk-about-cable anymore and oh-right-then-there’s-healthcare – we might have like zilcho to spend.

i love the articles about places to retire to – small towns and lakefronts, unexpected charming villages. there’s always the question of retirement living communities with amenities and activities or planned gated neighborhoods or mobile home parks set in tropical locations.

with housing costs and rents rising ad nauseam, it is hard to think about having the resources to purchase a new home and move. we dream and look at tiny-house plans. we consider this beloved old house we live in. we wonder about traveling. we wonder about adventures. we wonder about the pacific crest trail.

we make a strict budget, planning ahead. i thank bill h., my math teacher, for the ability to think it all through and do the math in my head. and i warn d.

so in our fun and adventurous retirement, after working hard in our lives, after judicious and frugal-no-real-frills spending habits, i calculate our likely extraneous income…that expendable fluff – like reddi-whip piled high on top of a hot fudge sundae – and i tell david.

“zero,” i inform him. “we can spend zero.”

we’ll see, i guess.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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cowboys and mayapples. [k.s. friday]

he sat easy in the saddle, cowboy hat planted on his head, his horse striding down the trail. “have you seen the mayapples?” he turned his head toward us. “yes, you were the one who told us about them,” i replied. satisfied, he rode on.

it’s hard to miss the canopy. they stand tall and the leaves intersect like a three-dimensional jigsaw puzzle, gone a little wild. it is as if the mayapple all joined hands, agreeing that their mutual umbrella is the point, their canopy of protection a priority. the green is beautiful, lighting the floor of the forest. i bend down to photograph them, again.

and there it was. a stunning white flower. hidden under the umbrella of a wide expanse of leaves above. only stems with more than one leaf will flower; the delicate white bloom grows out of the axil of two leaves.

we had never noticed the flowers before. i don’t know why. but the canopy stretches on and on and you must bend and peek to see the flowers. they exist in this other-world, beautiful, showy, fragrant. it came as a shock to us – how many times we had passed by the mayapple – to not know the existence of these pinwheel flowers, each one ever-important to the thriving of the colony. the canopy provided shelter, guarding the precious flowers that will need be cross-pollinated and will then produce a berry ripe with seeds, ensuring mayapple’s continued spread. so much going on in this tiny underworld of the forest. nature continues on her merry way.

the cowboy seems to really love the mayapple. though he doesn’t remember, each year he quietly tells us about them as he and his horse walk by. it never appears that he is in a rush. instead, he is slow and deliberate. and those mayapples.

what beauty we all might find…were we to bend down and peek into the world. what shelter we might provide were we to join hands, spreading out like the canopy of mayapples. how we might protect what is precious to us, the delicate, the fragile, the children among us. how we might lift each bloom and help it thrive.

we walk under a canopy of blue sky and inky stars. we can do this.

*****

nurture me

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NURTURE ME from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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and then, the feral. [d.r. thursday]

in my recollection, my sweet momma didn’t buy flats of flowers with the arrival of spring. my mom and dad didn’t run nursery to nursery purchasing new shrubbery or plants to add to the gardens around our home. they didn’t pore over landscaping catalogs nor research shade and sun preferred plantings. though it didn’t occur to me then, i realize now – and empathize – that they couldn’t afford it.

the half-acre piece of long island on which i grew up was beautiful and natural and serene. along one side of the house – a little bit shady – were four-o-clocks and bleeding hearts. along the other side were hosta. in the front corner and along the side where the neighbors-who-had-the-nice-weimaraner lived there were forsythia. on the other side where the neighbors-who-had-the-weimaraner-who-bit-me lived there were rose of sharon. we had rhododendron and i can’t remember what else in the front garden. but they all came back; they were perennials. because anything annual, well, i don’t think that was in the budget.

and so i guess i have come by it honestly. it wasn’t a “thing” when i grew up to run out and purchase – before anyone else picked them all over – flats of this year’s preferred annual flowers. it wasn’t a “thing” to plant hanging baskets and wooden barrels or giant clay pots with flowers for the season. it was expensive then and it’s expensive now. i learned early to appreciate the simplest garden, the natural setting of a woods, the reassuring return of perennials you have nurtured and which, likely, came from cuttings someone else gifted to you.

when i first moved to wisconsin, it was a full-impact moment when may arrived and everyone was talking about the flowers they would plant. friends and neighbors would dance gracefully into planting season and the ballet seemed a bit foreign, a bit out-of-reach. the quietly-popular greenhouses were divulged to me; i purchased a small trowel and got to it. impatiens and waxed begonia and petunia flats later, to no avail i had tried to avoid the pressure. each year posed the angsty question of color – for there are trends, i found, obvious by the missing palettes at the nurseries.

my momma and my dad loved their garden. they loved their indoor plants as well. and, when they planted vegetables out back next to – but far enough away from – the dog run, they loved those too. mostly, they loved the trees canopying our house and yard, the woods out back, the tiny lily-of-the-valley next to the old shed. i never heard them utter a peep wishing for more. i never felt – growing up – that i had missed out, not having new flowers or plants each year.

yet, here i was – i am – living in a place and time where that seems to be of vital importance. and i have wondered why this urge, this spring-flower-purchasing-extravaganza doesn’t come naturally to me. i know it’s not because i don’t love flowers.

we walk and hike through the woods. no matter whether the forest trail takes us into the mountains or along the low elevation of a river in the midwest, we notice the floor of greenery, the flowers growing wild, color and shape, exquisite all.

once again this year – like last – we won’t purchase annual flowers. the plants we will add for our summer will be cherry tomato plants, basil, lemongrass, perhaps lavender. we will appreciate the tenacity of our hosta and our ferns, the spreading wild geranium, the stubborn return of our daylilies, the tender peonies, our aspen sapling, the ever-present grasses. we cheer on the groundcover sally gave us and the groundcover sneaking under the fence in its every-year attempt to take over the garden. we celebrate the simplicity and wish that our front yard – in its water-main-replacement-utter-mess – wouldn’t require neat and tidy grass replacement, a huge and costly job to remove old sod and stray cement poured from the temporary sidewalks and various strewn deposits of rubber and metal and rocks.

my sweet momma and dad adored the yard of my growing-up home. they didn’t pass on to me the necessity of more. instead, they passed on to me an embracing of simplicity, gratitude for what-we-have and the appreciation of other gardens – friends’, neighbors’, public botanic celebrations of gorgeousness. they passed on the love of feral forests of jack-in-the-pulpit and the crowning glory of trillium.

*****

read DAVID’s thoughts this D.R. THURSDAY

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buds and blossoms. wrapped in gold. [not-so-flawed wednesday]

if i were to get a tattoo (not to mention the “sisu” tattoo i would love to share with my daughter) i think it might be a simple tattoo depicting the japanese practice of kintsugi: the golden repair and honoring of flaws, beauty in human brokenness. there’s no telling if i will do that. there’s also no telling if i won’t. i’m not averse to ink. i know that ink is an expression of where you are in your life, of what you believe in, of what you seek.

“age and stage,” 20 often says when we talk about the stuff of life. tight bud to full bloom to blossoms falling, petal by petal, to the dirt. all the iterations in the middle.

everything is like that, i suppose.

the first time my boots hit the wood as i crossed from backstage to the apron was memorable. i won’t forget it. each time i’ve walked to the piano, adjusted the boom mic, took a breath and started…memorable. i won’t forget. i remember being in the middle of one of my concerts, in the middle of one of the pieces…i forgot where the piece went…i was lost. i made it up. it was a solo piece; no one else had to share in my lapse of memory. i followed the theme and noodled my way through to an end no one would ever hear again. my producer hugged me and laughed later, “nice coverup.”

the pace of my walk is slower now than it used to be…steadier. now i know that no matter what, no matter the mistakes, no matter the braindrops, no matter the missed lyrics, the thinking notes…the story will get told, the bud will open and, like any artist, i will give of myself, despite of whatever i get or don’t get in return. age teaches you that it is not the return that matters. age teaches you it is in the giving.

we talked in the kitchen this morning about the work we have done in our lives. david’s paintings, hung and not hung, my music, recorded and not recorded. we talked about our youthful desire to have everything seen, everything heard…and not in a little way. we talked about how age has brought us to this place – a place where seen and heard doesn’t really matter. painted and played matters. drawn and written matters. expressed matters. received en masse doesn’t.

it really is “age and stage”. it’s not just the moments of our children, tiny beings not sleeping through the night, toddlers in terrible-two-tantrums – people reassuring us “age and stage”. it’s not just the trials of parents letting go of those adored humans who are now adults in the world, a little less access, a lot less time – people encouraging us “age and stage”. it’s not just our aging moms and dads, significant changes in ability, in perspective, in health – people comforting us “age and stage”.

it’s us. it’s our age and our stage, we are reminded. we try to fix what is broken, try to start something new, try to perfect the blossom. and we realize that it was a bloom all along. it was beautiful. it counted.

were we to be able to see – from the beginning – all the stages – the tight bud, the slightly opened petals – the bloom – the blossom falling to the ground – we might take it all more lightly, we might not cling to ideals of success and how we receive it. we might know there would be mistakes and dropped notes, lyrics mixed up and words not spoken. we might know there would be vulnerabilities and painful angsting, gorgeous improvised melodies, pictures without everything we desired, without everything coming to fruition, vamped decisions, regrets and, yes, bows. we might know that we would join with the rest of the human race on broken roads.

and we might know that the stages of our ages were all wrapped in gold.

and maybe ink.

“and the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” (anais nin)

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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layer upon layer. [two artists tuesday]

peeled back from the tree trunk, the bark first reminded me of the colosseum in rome…that one tall section rising above the rest. it is also sadly reminiscent of one of the devastating iconic images of 9/11, a piece of building at ground zero, standing through absolute destruction.

at a different time, in different circumstances, in a small forest in northern illinois, this gorgeous bark in the woods has remained steadfastly in place for several weeks, holding on to the tree at its base and, yet, yielding to nature bending back, back.

i wondered about the peeling. if this is a sycamore tree, this exfoliating is natural, even a charming characteristic. if this is an oak, it can be a sign of an unhealthy tree, unless there is new bark underneath, waiting.

i don’t suppose that is much unlike all of us. peeling back the layers…as we lose each layer, we are vulnerable to the elements, unprepared peeling exposing us to harm. we can more easily share – layer by layer – if we know we are out of harm’s way to do so. we can more readily divulge – layer by layer – if we know that we will not be pummeled. we can more assertively process – layer by layer – if we know we are not at risk of stress, infection, infestation. we can, if we trust we are safe.

decades of life have a way of peeling the outer bark. time may soften the edges; time may bring cycles of raw learning…those moments we speak truth, we take chances, we jump…moments of transition.

the colosseum is over 1900 years old. sycamores live somewhere between 200 and 300 years. oak trees can live from 80 to 500 years, though there are varieties with a much longer life span.

we humans have less time on this good earth, less time to grow to maturity, less time for our structure to weather the storms, less time to lose our bark, less time to peel back to our essence. it would seem prudent to offer each other the room, the space, the shelter to exfoliate.

oak trees develop from the inside out, as do pine and maple. the older bark chips away on the outside making room for new bark. it take some trees till the time of their full maturity to exfoliate their outer skin.

obviously, trees are people too.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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and love. [merely-a-thought monday]

it was, without a doubt, one of the holiest moments i have felt in the middle of almost ten thousand people. it was more organic and held more of a sacred hush than most church services i have attended or of which i have been a part, which is saying a lot since my professional work as a minister of music was over three decades of tenure. it was, without a doubt, something i will remember – a visceral memory – forever, probably.

matt maher was singing onstage at red rock ampitheatre, nestled in gigantic red rock formations and mountains in colorado. mostly just him and his piano, his simple but profound lyrics had everyone on their feet, arms around each other, strangers and friends all alike. moving from one song to the next, this man-who-was-not-the-headliner wove a net of love-for-humankind around us all and, for a few moments in time, we were transported to a place where love was – truly – the way.

“…and love will hold us together
make us a shelter to weather the storm
and I’ll be my brother’s [sister’s] keeper
so the whole world will know that we’re not alone…”

(matt maher – hold us together)

it – truly – is the only way.

the aggression of our neighbors, our leaders, our country, our world is a broken path, filled with trolls and ogres, bastardizing efforts of goodness.

this time is surely fleeting. we are reminded, sometimes cruelly, of this every single day.

i walk on dusty trails, on the cement sidewalks of our neighborhood, in the grasses of mountain meadows, on the sand of seashores, always looking, looking. our walks, our hikes – these are the places of true sanctuary. for, often, in those other places there are bellicose voices, desiring argument, pushing agenda. so instead now, we walk and breathe in the granola of the universe, under the sky of all possibility.

and in the way of nature, they appear. heart-shaped rocks, heart-shaped leaves, heart-shaped raindrops, heart-shaped puddles. reminders, always, they stop me, sometimes to pick them up, sometimes to photograph them, sometimes to just simply ponder. always, always, they give me pause…moments to think of beloveds, moments to have quiet gratitude, moments to think of love.

“love is a place

and through this place of

love move

(with brightness of peace)

all places

yes is a world

and in this world of

yes live

(skilfully curled)

all worlds”

(ee cummings – love is a place)

though the world does not shake out the way we might choose it to be, we have the choice whether or not to reach out and put our arms around the person next to us, whether we know them or not. we can choose to be shelter for each other or we can choose to be antagonistic. we can choose to weather the storm or we can choose to be the storm.

we can choose to be alone or we can choose to be together.

“tell me, what is it you plan to do with your one wild and precious life?’ (mary oliver)

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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way past enough. [saturday morning smack-dab.]

way past enough.

enough was a long time ago. enough was after the first mass shooting. “enough” is no longer relevant.

i hardly know what to say. every one of us in this country should be shocked into exhausted, sickened silence and then pushed into action, no longer sloughing off of the actual responsibility to protect the citizens of this land from the barrel of a gun, from the devastation of people’s lives blown apart.

this spacious-skies-amber-waves-of-grain united states is an embarrassment. the freedom to live life – at school, at church, at a concert, at the movies, in the mall, at the club, at the grocery store – the freedom to continue breathing is usurped by powerful money-rich-control-hungry leaders – voted into office, no less – with not even a nod to the sanctity of lives taken at gunpoint.

it is utterly shameful if you are not filled with rage, if you are not horrified with the guns in this land and those who support the exponential growth and prioritizing of their presence and the power they wield. they will utter their passive “heartfelt” “thoughts and prayers” and will soon forget their “outrage”. until the next time.

there are no more excuses.

there never were.

*****

read DAVID’s thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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two little piggies. [k.s. friday]

my poppo’s cane stands next to a chimney cupboard in the sitting room, propped with a couple of walking sticks. i’ve never been very good at using a cane – for some reason, i find it confusing. you shake your head and wonder, i’m sure, but there is something about placing the stick and the side you place it on and which leg you are attempting to aid that is a little bit baffling for me.

this past week, though, i had a full day of using my dad’s cane. i had broken two toes and needed a little something to lean on to get around. i tried using the foam roller but that proved awkward. and david, well, his shoulder wasn’t available all day.

my dad was most certainly chuckling watching me. i’m sure he was trying to instruct me from that other plane, in-between sipping coffee and nibbling on crumbcake. i figured it out, even though i couldn’t hear him, but not without laughing at my own awkward brain-cane-leg shenanigans. mostly, my hand holding the curve of my dad’s cane was a little bit of a gift. sitting as a decoration, it hadn’t occurred to me that it might come in handy. “use the stick,” i could hear him say. i keep listening for him, a decade tomorrow since i started missing him. always.

i’m not sure why i break my toes. the report from the dr’s office to the x-ray folks read “kicked a door jamb with her left foot.” i beg to differ. i didn’t KICK the door jamb. i ran into it. there is a difference. one sounds like a hissy fit, whereas the other is clearly an accident that happened as i zoomed around in the house, getting stuff done, barefoot.

it seems that every year or so i hurt a toe. most of the time, barefoot. but sometimes i even have my flipflops on. this time, though, was a doozy. two at once! i mean, seriously?

on the third day post-communing-with-the-door-jamb i put on one of the thick snowboard socks of a pair we had gotten when we went snowboarding and i broke both my wrists (another fun day) and i found a sport slide sandal of my son’s (who has much bigger feet than i do). the combination worked like a charm and i found that i could manage to move around. i’m still wearing this winning combo. i don’t look vogue but i am getting from place a to place b. and gaining momentum.

i suppose i should just wear shoes. like all the time. something to guard my toes, since they seem vulnerable. but i really love the sensation of bare feet on old wood floors. the planks creak and groan a little and you can feel the spaces that time and history have created in between the boards.

as much as i don’t look forward to any more broken piggies, i suspect these are not my last.

*****

IN THESE TIMES…gaining momentum

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read DAVID’S thoughts this K.S. FRIDAY

IN THESE TIMES from AS IT IS ©️ 2004 kerri sherwood


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not-still-life. [d.r. thursday]

there is a gold frame around the old black and white photograph. a still life of a family. it was taken in the 1920s and it captures the still-life of my sweet poppo’s family…at that very moment: his dad, his mom, his brothers and sisters as young children and babies.

i don’t have another like it; there is not another portrait – at least not in my collection of photos – that has both his biological parents and all his brothers and sisters. my dad lost his mom to metastasized breast cancer when he was merely eight years old. my grandpa married a woman – the only paternal grandmother i knew – who was willing to take on six growing children. life was not still.

in the way that families sometimes splinter, my dad’s family lost touch after the death of my grandparents. there was some rift and there were plenty of hurt feelings and, then, there was silence. i grew up the rest of my life without my cousins, without sharing in their stories, without the chance to know them or love them. it was like the still-life-portrait was carefully cut up and only my dad was left.

one of my uncles had drowned in the swimming hole in upstate new york during their teenage years. another uncle was lost at sea during the war. i think my third uncle passed somewhere along the way maybe in brooklyn, where they all grew up, as did one of my aunts, a fun-loving californian who always went by her nickname. and the aunt who had children – who would be my first cousins, wished for but lacking in my own circles – was in new england.

a couple years ago – after i broke my wrists – when i was sitting with casts and a laptop and the pandemic had just begun, i decided to google them. i wrote a bit about finding them – a golden moment of connection. suddenly, through research and social media and, unfortunately, posted obituaries, i discovered two of my four cousins.

i reached out, one on either coast. they reached back. and the ripped pieces of portraits that could have been taken through the years began to assemble. tiny bits of photo paper, a little glue, stories to be told.

my dad – on the other side but not too far away – smiled when i had my first conversation with his sister, my aunt. he no longer remembered the details of whatever the rift was and, besides, it was a ridiculous fifty years prior. how long does one hold onto these kinds of things?

my aunt, with a touch of brooklyn and a touch of boston, told me stories and i really pined to meet her, to hug my dad’s sister, to hear of my dad as a youngster, to sit with her. but covid and fragile health sadly combined to prevent this.

my cousin called while we were driving to the grocery store. he told me that earlier in the morning his momma, my 99-year-old-would-have-been-100-in-three-months-aunt helen, had died. once again, the still-life photo shattered. i would not capture a picture of us together, our jowls matching, perhaps our eyes, perhaps the curve of our faces. i watched her service online yesterday, trying to memorize the smiles and tears of my lost-now-found relatives.

i’m grateful for the brief conversations and the fact that she knows i looked for her, for her children. i’m grateful to have contact with two of my cousins and to someday meet their families and the families of my other two cousins who were holding a spot for their momma in that other plane. with great joy i listen to stories they tell me and i know that we’ll share time and snapshots, close-ups, wide angles, portraits, candids – reaching back and reaching forward – of our lives together.

i learn every day to let go, to hold on, to appreciate it.

the still-life is never really still.

*****

read DAVID’S thoughts this D.R. THURSDAY

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imperfections. [not-so-flawed wednesday]

it was the rip in the petal that attracted me. this stunning white bloom in the woods, surrounded by underbrush, green leaves and many seemingly-perfect flowers, this was the one that stood out.

kintsugi is a japanese art. it is the practice of putting broken pottery pieces back together again with gold. it is metaphoric self-care. it is the celebration of that which is difficult making you stronger. it is the holding most gently and most admiringly that which is not perfect. it is creating something more beautiful, more unique and more resilient from something broken.

this bloom in the woods needs no gold. its purity and absolute allure are natural. it does not suffer illusions of self-conscious expectations nor does it pine over flaws nor does it wallow in the not-good-enoughs. it simply and silently leans toward the sun in all its glory.

and it wins my vote as the most-beautiful, dazzling the forest floor, reminding me, once again, to have gratitude for all the imperfections that make me me.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY